I think most would agree that, in a contextual vacuum in which the isolated films themselves are the only measure of artistic worth, First Contact is the best TNG film. It's got the best pacing, the best acting and writing, the most drama, the coolest set pieces and is generally the most fun. But I'm proposing putting all discussion of artistic quality aside for a moment in order to determine which movie fits best with TNG the series, as well as the overall continuity.
To my mind, since none of the movies really tie into/stem from previously created content (apart from Picard and the Borg, but that's an iffy matter as discussed below), the question is a matter of picking the least obtrusive one. Here, then, are the general arguments against each, largely culled from RedLetterMedia's "psychotic old guy" reviews, and of course feel free to add others in the comments!
Generations - weird uniform scheme, some Enterprise D sets, lighting and props inconsistent with those of the series. Scotty witnesses Kirk's supposed demise, contradicting his asking about him in "Relics". Picard manhandles the priceless archaeological artifact, and transparent aluminum shatters like glass. And what's the point of building a nifty new stellar cartography lab for if you've got holodecks?
First Contact - well, the whole story, really: if the Borg can time-travel, why do they only do so where Starfleet gets a fighting chance? "Rambo" Picard, Worf is the only recognizable DS9 crewman on the Defiant, inconsistent mentions of Ent-E decks, holographic period clothes. Picard's dubious (at best) "no currency" assertion. And while the Borg Queen of course became a part of the larger continuity through VOY, she still makes a sudden, borderline-retconning first appearance here. No changes in Senior Staff or rank despite accumulating experience and seniority.
Insurrection - Of all the women in the galaxy, Picard falls for this chick? And forgets/doesn't mention that he has indeed lived a quiet lifetime in a moment? Worf's weird presence, sorta covered with a throwaway line. Troi has kissed Riker with a beard before, several times. Data the flotation device. No changes in Senior Staff or rank despite accumulating experience and seniority.
Nemesis - sudden introductions of B-4 (no mention of Lore), Remus and Remans. Unexplained return of Wesley to Starfleet. Worf apparently quitting his diplomatic post so soon seems out of character. Weird appearance of a wheeled off-road vehicle, more "Rambo Picard." Picard had hair in the Academy. Everyone forgets about the transporters in the shuttles and Captain's Yacht. No changes in Senior Staff or rank despite accumulating experience and seniority. Admiral Janeway? What about the massive temporal PD infringements in "Endgame"?
Seems to me that, all told, Generations is the mildest continuity offender, with only a few, minor "off" details (Scotty in "Relics" and the priceless artifact being the most glaring ones outside of largely cosmetic series-to-movie stylistic modifications). Thoughts?
To my mind, since none of the movies really tie into/stem from previously created content (apart from Picard and the Borg, but that's an iffy matter as discussed below), the question is a matter of picking the least obtrusive one. Here, then, are the general arguments against each, largely culled from RedLetterMedia's "psychotic old guy" reviews, and of course feel free to add others in the comments!
Generations - weird uniform scheme, some Enterprise D sets, lighting and props inconsistent with those of the series. Scotty witnesses Kirk's supposed demise, contradicting his asking about him in "Relics". Picard manhandles the priceless archaeological artifact, and transparent aluminum shatters like glass. And what's the point of building a nifty new stellar cartography lab for if you've got holodecks?
First Contact - well, the whole story, really: if the Borg can time-travel, why do they only do so where Starfleet gets a fighting chance? "Rambo" Picard, Worf is the only recognizable DS9 crewman on the Defiant, inconsistent mentions of Ent-E decks, holographic period clothes. Picard's dubious (at best) "no currency" assertion. And while the Borg Queen of course became a part of the larger continuity through VOY, she still makes a sudden, borderline-retconning first appearance here. No changes in Senior Staff or rank despite accumulating experience and seniority.
Insurrection - Of all the women in the galaxy, Picard falls for this chick? And forgets/doesn't mention that he has indeed lived a quiet lifetime in a moment? Worf's weird presence, sorta covered with a throwaway line. Troi has kissed Riker with a beard before, several times. Data the flotation device. No changes in Senior Staff or rank despite accumulating experience and seniority.
Nemesis - sudden introductions of B-4 (no mention of Lore), Remus and Remans. Unexplained return of Wesley to Starfleet. Worf apparently quitting his diplomatic post so soon seems out of character. Weird appearance of a wheeled off-road vehicle, more "Rambo Picard." Picard had hair in the Academy. Everyone forgets about the transporters in the shuttles and Captain's Yacht. No changes in Senior Staff or rank despite accumulating experience and seniority. Admiral Janeway? What about the massive temporal PD infringements in "Endgame"?
Seems to me that, all told, Generations is the mildest continuity offender, with only a few, minor "off" details (Scotty in "Relics" and the priceless artifact being the most glaring ones outside of largely cosmetic series-to-movie stylistic modifications). Thoughts?
