• Welcome! The TrekBBS is the number one place to chat about Star Trek with like-minded fans.
    If you are not already a member then please register an account and join in the discussion!

Where TOS stumbled....

Well, regardless of if TOS can be faulted or not for its shortcomings, the points remain that those shortcomings a> prevent it from reaching its artistic potential and b> cause it to hold up less well over time than it would have otherwise.
 
TOS stumbled by having no continuity between episodes.

TOS also stumbled by having discontinuity between episodes, such as Spock saying he doesn't drink in one episode and then drinking in another episode.
Only fanwankers care about this stuff.
 
The introduction of all out comedies and the increased number of "parallel Earths" chipped at the show's veneer.

Character humor works well and the show had the magic in spades. But the all out comedies eroded at the show's realism. I, Mudd and A Piece of the Action are not on my repeat viewing list, although Tribbles is notable for being amusing while keeping everyone in character.
This isn't emphasized enough.

I can't comment on the behind-the-scenes stuff, but onscreen TOS has a pretty clear "jump the shark" moment. A lot of fans will disagree with me, because they love tribbles or Spock in a fedora, but the jump-the-shark landmark is in the middle of season 2: three comedy episodes aired back-to-back-to-back.
Trouble With Tribbles
Gamesters of Triskelion
Piece of the Action
(Gamesters probably wasn't intentional comedy, but it is campy as hell.)
Maybe a dramatic series can survive an occasional comedy show. But having 3 comedies in a row really blasted the tone of the series. It never recovered.

There are still a few good or solid episodes in season 2 after the comedic outbreak: Immunity Syndrome, Private Little War, Ultimate Computer. But suddenly the ratio of terrible, terrible episodes spikes up sharply. Omega Glory falls in late season 2, and Patterns of Force is here too. Bread and Circuses. And then there's season 3.

It's a shame, I really enjoyed Tribbles when I was a kid. But when the Onion AV Club went thru their project of reviewing all the TOS episodes, it was really startling how clearly that episode and the next two drew a line. Before those three episodes, Star Trek was mostly very good, with just a few clunkers. After those three, Star Trek was mostly bad, with just a few decent episodes.
 
Only two things ever really bugged me about TOS, and still do, to a degree.

The most glaring for me, is the music. I cannot stand how the show was obsessed with recycling the same music over and over and over and over again – and sometimes the musical transitions were quite jarring, and not smooth or graceful at all. I applaud episodes like "Amok Time" starting out with scores that were pretty unique and different, but even that episode eventually recycled parts of standard TOS episode fare. I just wish there would have been more diversity and originality with the show's music.
Funny, I adore the music. Esp Gerald Fried's score for Amok Time, and Sol Kaplan's 2 scores. (Not so much George Duning's scores.)

The recycling of music was a product of budgetary constraints. They couldn't afford original music for every show, so they tracked the scores. Tough to fault them for it – ST was an expensive show.

The music became a huge signature of the show. I've never heard anyone complain about it before.
 
It wasn't quite as simple as that. The network had their doubts as to whether or not Desilu, and Roddenberry, could pull off something as ambitious as Star Trek, so they chose "The Cage" as the pilot because they figured it was the toughest script to film; if they could pull that one off, then doing a series looked a lot more possible. And while there was a mixed reaction to the finished product, most of it had to do with casting choices (particularly Roddenberry casting his girlfriend as the female lead), and how it wasn't as action/adventure oriented as was originally promised.

Jeffery Hunter was one aspect that the network had no problem with, and all the parties involved were very interested in signing him for the second pilot. If it weren't for his wife, it might very well have been Pike fighting Mitchell on Delta Vega.

It may not have been right for the producers but the Cage holds up incredibly well as an intelligently-written, fascinating piece of sci fi. Even its portrayal of women is light years ahead of what we got in TOS subsequently. Number One aside, Vina is a pretty impressive heroine and fares a lot better than some of the insipid female leads we've seen in a massive tranche of modern movies right up to date. Thankfully shows like Xena, Buffy, Alias, Nikita, and X-files demostrated that female leads can be extremely popular, culminating in Angelina Jolie getting Evelyn Salt re-written for a woman. It's still a struggle but I wonder how different Trek's women would have been if the original format had remained.
 
I can't comment on the behind-the-scenes stuff, but onscreen TOS has a pretty clear "jump the shark" moment. A lot of fans will disagree with me, because they love tribbles or Spock in a fedora, but the jump-the-shark landmark is in the middle of season 2: three comedy episodes aired back-to-back-to-back.
Trouble With Tribbles
Gamesters of Triskelion
Piece of the Action
(Gamesters probably wasn't intentional comedy, but it is campy as hell.)

Normally, I don't look back at 60's TV as campy unless it was intentional, but in this case, I agree. Gamesters was so over the top, even for Trek. Maybe it was intention to dilute the unpleasantness of the story, but man, it was really a bad fanfic episode, much like The Empath.

There are still a few good or solid episodes in season 2 after the comedic outbreak: Immunity Syndrome, Private Little War, Ultimate Computer. But suddenly the ratio of terrible, terrible episodes spikes up sharply.

It is interesting to note that of the three episodes you listed, only Tribbles was produced by Gene Coon. And it is the only one where the humor is "in character." That downturn in quality after this point can also be attributed to Coon's departure. He had a real grasp on the series and shaping the scripts. Once he left, Roddenberry took over until John Meredyth Lucas arrived. Roddenberry was already not the same guy he was a year and a half earlier and Lucas, while not terrible, just didn't have the same feel for the series as Coon (nor should he, I guess). Still, I don't understand why Roddenberry didn't ask him to stay on as producer in the third season. I think he would have grown into the position quite nicely.

How was Fred Frieberger a better choice? Much as I don't hate Freddie, he really sucked the humor right out of the show. A shame, since some of the lesser episodes could have been saved as comedic stories. Put a laugh track over Spock's Brain and you've got a real winner. :)
 
I can't comment on the behind-the-scenes stuff, but onscreen TOS has a pretty clear "jump the shark" moment. A lot of fans will disagree with me, because they love tribbles or Spock in a fedora, but the jump-the-shark landmark is in the middle of season 2: three comedy episodes aired back-to-back-to-back.
Trouble With Tribbles
Gamesters of Triskelion
Piece of the Action
(Gamesters probably wasn't intentional comedy, but it is campy as hell.)

Normally, I don't look back at 60's TV as campy unless it was intentional, but in this case, I agree. Gamesters was so over the top, even for Trek. Maybe it was intention to dilute the unpleasantness of the story, but man, it was really a bad fanfic episode, much like The Empath.

There are still a few good or solid episodes in season 2 after the comedic outbreak: Immunity Syndrome, Private Little War, Ultimate Computer. But suddenly the ratio of terrible, terrible episodes spikes up sharply.

It is interesting to note that of the three episodes you listed, only Tribbles was produced by Gene Coon. And it is the only one where the humor is "in character." That downturn in quality after this point can also be attributed to Coon's departure. He had a real grasp on the series and shaping the scripts. Once he left, Roddenberry took over until John Meredyth Lucas arrived. Roddenberry was already not the same guy he was a year and a half earlier and Lucas, while not terrible, just didn't have the same feel for the series as Coon (nor should he, I guess). Still, I don't understand why Roddenberry didn't ask him to stay on as producer in the third season. I think he would have grown into the position quite nicely.

How was Fred Frieberger a better choice? Much as I don't hate Freddie, he really sucked the humor right out of the show. A shame, since some of the lesser episodes could have been saved as comedic stories. Put a laugh track over Spock's Brain and you've got a real winner. :)

Spock's Brain was shit that should NEVER have been made.
Same goes for The Way To Eden/Joanna (the story was already well told in This Side Of Paradise and didn't need a flower children-styled remake.) The Baku in Star Trek: Insurrection were better people then the idiots in The Way To Eden/Joanna (the whole episode should have been considered apocryal, IMHO.)

I have no problem with comedic episodes; they break the tension up somewhat, a quality missing from today's TV. The Trouble With Tribbles, Mudd's Women, and I,Mudd work really well for me, as it does for a lot of others.

As for Fred Freiberger: what Walter Koenig said about him once was right on the mark, and it also afflicted what happed with the show in the third season.
 
Last edited:
I would have preferred "The Trouble With Tribbles" to have been a tad more serious, but it's okay. I'm okay with "The Gamesters Of Triskelion" and I don't see it as a comedy. "A Piece Of The Action" is clearly the actors having fun because it's deliberately over the top.

The only comedic TOS episode I think really needs more oomph is "I, Mudd." The threat of the androids just doesn't come across as that serious because everything else is so lighthearted.
 
Last edited:
^

I have to say, as much as I don't like a whole lot of humor in the sci-fi I watch, I found the two Mudd episodes of Trek to be among the most purely fun and enjoyable episodes I've ever seen, and I credit a lot of that to the actor who played Mudd... he truly filled the character with life, and made it memorable.
 
The on comedic TOS episode I think really needs more oomph is "I, Mudd." The threat of the androids just doesn't come across as that serious because everything else is so lighthearted.

Well considering their master plan for galactic conquest was being everyone in the galaxy's servants they didn't seem to be giving off a threat vibe.
 
TOS stumbled by trying to become a movie franchise.

TOS was an hour-long dramatic TV series, plain and simple. It should never have tried to become anything else.
 
TOS stumbled by trying to become a movie franchise.

TOS was an hour-long dramatic TV series, plain and simple. It should never have tried to become anything else.
I have to agree to some extent. It isn't that I don't think you can have a good Star Trek film because I certainly think you can. But I've always thought Star Trek did better on television. There are TNG episodes I've enjoyed more overall than a lot of the films.

TWOK is often cited as Shatner's best work, but I don't agree. I think he's generally good in TWOK, but I think he did better work in TOS.
 
What did Walter Koenig say?

Koenig said that Freiberger had gotten involved in various right-wing causes, lost his money in bad investments, suffered terrible things in life, the insinuation being that this had an effect on how the third season went (The Best Of TREK:The Magazine for Star Trek Fans, Ballantine Books, 1977-1978).
 
I think your missing the point of the story. While I agree that several of the shuttle craft members where "out of line" at times with Spock, at the same time Spock was "out of line" with the way he was leading the mission. He was attempting to handle the command situation strictly from a "logical" point of view. In other words instead of "thinking outside the box" or looking at all the options, he was "commanding by numbers", and things kept getting worse. The others, including McCoy seen this and gave him hell over it, who wouldnt. The whole point came down to Spock, facing death, tossed out his "Logical" approach and made an unorthodox decision, that actually proved to be right and saved the crews lives.
 
My post above was in response to this post made on page 5 concerning the Galileo seven episode.

"That's true, but IMO, it was just too dark for TOS, let alone for TV of that era... I was surprised they showed it, to be honest. Again, just my own opinion.

One last thing that I would say REALLY bothered me about an episode, which is not as bad as the Uhura rape, was the behavior of the shuttle crew in "The Galileo Seven". That really got me raging, because one, these people are supposed to be not only trained and skilled Starfleet personnel, but good enough to be posted on the Enterprise.

I was absolutely appalled at how not only the shuttle officers treated Spock, but also that McCoy just went along with it... I mean, WTF??? McCoy is a SENIOR OFFICER... he should not only back up Spock, who IS the commanding officer in that situation, but should also have the basic maturity to act like a professional, and not act as childish as he did. The only person who ever defended Spock was Scotty, and he was also the only person in that episode other than Spock with any semblance of a professional demeanor.

I really wanted Spock to shoot all those crybabies, and it really made me mad that Starfleet officers would be allowed to act that way to their superior."
 
^Hugh, if you click the "quote" button at the bottom of the post you want to comment on, it'll copy that post into your response field, and everyone can see what you're responding to without further explanation needed. :)
 
I was absolutely appalled at how not only the shuttle officers treated Spock, but also that McCoy just went along with it... I mean, WTF??? McCoy is a SENIOR OFFICER... he should not only back up Spock, who IS the commanding officer in that situation, but should also have the basic maturity to act like a professional, and not act as childish as he did. The only person who ever defended Spock was Scotty, and he was also the only person in that episode other than Spock with any semblance of a professional demeanor.

I really wanted Spock to shoot all those crybabies, and it really made me mad that Starfleet officers would be allowed to act that way to their superior."

Actually, you should give Mears some credit. She was, at least, quite balanced in her criticism of Spock and behaved professionally throughout, which for a yeoman, was pretty good in itself. Originally, hte character would have been Rand, who would no doubt have been trying to get Spock to look at her legs...
 
I was absolutely appalled at how not only the shuttle officers treated Spock, but also that McCoy just went along with it... I mean, WTF??? McCoy is a SENIOR OFFICER... he should not only back up Spock, who IS the commanding officer in that situation, but should also have the basic maturity to act like a professional, and not act as childish as he did. The only person who ever defended Spock was Scotty, and he was also the only person in that episode other than Spock with any semblance of a professional demeanor.

I really wanted Spock to shoot all those crybabies, and it really made me mad that Starfleet officers would be allowed to act that way to their superior."

Actually, you should give Mears some credit. She was, at least, quite balanced in her criticism of Spock and behaved professionally throughout, which for a yeoman, was pretty good in itself. Originally, hte character would have been Rand, who would no doubt have been trying to get Spock to look at her legs...

Umm... I wrote that quote, not Hugh Hoyland...
 
If you are not already a member then please register an account and join in the discussion!

Sign up / Register


Back
Top