^Speak for yourself. I prefer the ambiguity of the original cut in which it's entirely unclear exactly what happened until the smoke clears and Greedo's head hits the table.
Think of it this way: you know that scene in just about every Samurai movie ever? The one where the two swordsmen dash at each other for a final blow, there's a flash of steel, they both stand stock still facing away from each other for a beat and then one of them just crumples as the other shethes his sword and cooly walks out of frame. Everyone's seen a version of that scene somewhere, right?
Westerns have a very similar version of this, but that's the essence of what I think Lucas was originally going for. I just wish he'd had the confidence to leave it alone and not worry about making it clear who fired first.
Indeed, the whole point of such a scene is that you *don't* know exactly what happened in that split second. All that matters is that when the dust cleared the hero is the one to coolly walk off, and in this case tosses the bartender some credits for the mess.
Think of it this way: you know that scene in just about every Samurai movie ever? The one where the two swordsmen dash at each other for a final blow, there's a flash of steel, they both stand stock still facing away from each other for a beat and then one of them just crumples as the other shethes his sword and cooly walks out of frame. Everyone's seen a version of that scene somewhere, right?
Westerns have a very similar version of this, but that's the essence of what I think Lucas was originally going for. I just wish he'd had the confidence to leave it alone and not worry about making it clear who fired first.
Indeed, the whole point of such a scene is that you *don't* know exactly what happened in that split second. All that matters is that when the dust cleared the hero is the one to coolly walk off, and in this case tosses the bartender some credits for the mess.
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