There are some surprisingly talented singers in the cast. I was very impressed by the opening and closing numbers.
I could've done without those. They were rather cheesy and the opening number gave me a very bad feeling about what the doc would be. Thankfully, it didn't really continue in that vein.
The breaking the story of a hypothetical season 8 premiere was pretty great. I wish it could come to fruition somehow. I think the drawings they animated the story with could've been better, but I suppose that was the best they could afford.
I thought the doc did overemphasize the whole middle child thing a bit much. DS9 wasn't as loved as much as TOS or TNG, and Im sure that bugged Ira Behr and some of the actors. As a fan I want to hear more about the show than I do perceptions of its public popularity or place within the franchise.
I was fine with that. I didn't think they hit that note too much, personally. And when you're discussing DS9 as a whole, its status as the underappreciated middle child of the Trek franchise is the elephant in the room.
The documentary makes much of how DS9 explored social issues and broke ground with serialization. I thought both were overstated.
I was impressed that Behr made a point of saying that they could've done more with LGBTQ issues. I thought that was pretty classy of him.
I agree that they made too much of the serialization of the show. During that part I was thinking
"Babylon-Fucking-5, people." That was a serialized show. DS9 would typically lurch in one direction for six episodes, and then lurch in another for another six. DS9 was a good show (probably my second favorite Trek show after TOS), but it was not the trailblazer of serialized storytelling that they tried to present it as.
I personally found it very ironic that some praise for
Homicide: Life on the Street's handling of racial issues ticked Behr off so much, since that is another criminal underrated show (It's neck & neck with TOS for my all-time favorite TV series). Sadly it's constantly overshadowed by both
Law and Order and
The Wire.
I appreciated the frankness with which they dealt with Terry Farrell's leaving the series. I wish they'd delved a little deeper into that and even confronted Rick Berman about it (I believe I read in Mark Altman and Edward Gross'
The 50-Year Journey oral history books that he was the producer who was really down on her.) I was really surprised that they didn't even mention the fact that Nana Visitor and Alexander Siddig got married during the show. There was a mention of her pregnancy as a throwaway gag during the end credits, and that was it. I guess the fact that they got divorced later on made it too personal of a subject?