Romulan Man won't you listen
The world that you're missin'
The galaxy is at your command
The world that you're missin'
The galaxy is at your command
I remember it being a bit more shocking when I first saw it because it was so unexpected.Pink blood didn't bother me that much. They are aliens so it should be different. And it's unexpected. Pink is not generally considered an aggressive color so it contrasts nicely I thought.
Eddie Murphy did that way before Coming to America.
Having said that, let’s be careful about straying too far from the topic. Race and entertainment can be explored in several other forums, if you so wish.
Phil Hendrie ladies and gentlemen
Yeah I never bought that. I watch a lot of horror films too and plenty of those got PG-13 ratings, even in 1991, and were more graphic than TUC. I doubt red blood would have caused an R rating
Pink blood didn't bother me that much. They are aliens so it should be different. And it's unexpected. Pink is not generally considered an aggressive color so it contrasts nicely I thought.
Meyer is not a Star Trek fan and he didn't bother to do his homework or his staff wasn't open to remind him about Klingon blood seen on TNG because maybe, like many instances I view with members in this forum, drank the Kool-aid he's this great director who had many hits and everything he touched was gold, but who in reality did one good movie with Ricardo Montalban*. Meyer was good when ideas were given to him, as he called it "priming the pump", but wasn't a person who actually had good ideas.
*Harve Bennett deserves a lot more credit for that movie than he gets; his years of TV producing garnered a plan which made TWOK work.
TWOK ranks a little lower for me but the high point is definitely Meyer's direction and crafting a very enjoy story from the limitations of that production.Meyer's never made any secrets about what Star Trek would be like if he created it.
Is he a great director? No, I wouldn't say he's one of the greats. I'm a huge fan of Alfred Hitchcock films, along with guys like Paul Thomas Anderson (Boogie Nights, Magnolia, There Will Be Blood, Inherent Vice, etc.) so in my case the bar is pretty high for what I consider a great director. He's a competent director, a get the job done director. Someone who can make a good film on a tight budget. But you're right about story ideas. Usually someone else lays down the basic plot. Now he can fill in the details, but it's usually someone else that starts the ball rolling.
Now that's all fine. Hitchcock wasn't a script writer. He typically worked with other screen writers and he's one of the greatest directors ever (I'd say IMO, but come on, he IS the greatest director--one reason I don't hold the Oscars in much esteem is the man never won a best director Oscar....I mean, COME ON, seriously
).
I think Meyer is held up on a pedestal partly because TWOK is held up as the best Star Trek film to so many people (and it is my 2nd favorite so I'm right there too). But other people wrote that film. Bennett was the one that basically came up with the basic story idea for that. Meyer executed that well, no doubt.
Now when it comes to TUC, I'm a bit more critical of that one. Some Trekkies cite that as one of their top Star Trek films as well, sometimes top 3. I'm a bit less enthusiastic about that one. I usually have it around the middle of the pack. The basic story was fine, and I liked some of the execution. One thing I had a real problem with, though, is the bigotry of the Enterprise command officers like Scotty, Uhura, and Chekov. I can understand caution, even some mistrust. The Klingons were mortal enemies of the Federation so a little ambivalence is natural. Captain Kirk is the only one I can understand some hostility from. His son was murdered by Klingons, and Kirk is human. And it's one thing that might follow a bit from TFF, where even there he expressed a dislike for Klingons. TUC is about 7 to 8 years later so I can see that festering. Spock is the only one that seems true to his character. And then there was that ridiculous scene where they are looking through books for translating into Klingon. All because Meyer thought it would be a cool scene. Chances are Uhura is already experienced with Klingon languages, and if nothing else, I'm sure the computer can provide a readout that Uhura could read if necessary. It's a minor scene and by itself I could probably let it go. But it's just an example where TUC just doesn't rank as highly as some other Star Trek films for me.
So overall, Meyer is fine as a director, but he's a better director executing someone else's story. He can get a quality product with a tight budget. TWOK was made at a fraction of the budget of TMP, yet the overall quality of the shots and special effects are still on par with TMP. He knows how to recycle things to save money.
I found Meyer after watching his entire resume of movies as a very clunky director, and I can see after his loads of flops and disasters he was happy to return to Star Trek where Leonard Nimoy and the studio thought of him in a shining light. I as well was stunned about the crews bigotry and I was doubled stunned not just some, but nearly all of them including colleagues and regular crew people had similar sentiments and expressed it openly!!! Wow! Of all of the bullshit, some members here chant about "realism" and how Meyer's movies are grounded in the 20th century; I CAN'T IMAGINE or ever being around people so blunt about being racists???Meyer's never made any secrets about what Star Trek would be like if he created it.
Is he a great director? No, I wouldn't say he's one of the greats. I'm a huge fan of Alfred Hitchcock films, along with guys like Paul Thomas Anderson (Boogie Nights, Magnolia, There Will Be Blood, Inherent Vice, etc.) so in my case the bar is pretty high for what I consider a great director. He's a competent director, a get the job done director. Someone who can make a good film on a tight budget. But you're right about story ideas. Usually someone else lays down the basic plot. Now he can fill in the details, but it's usually someone else that starts the ball rolling.
Now that's all fine. Hitchcock wasn't a script writer. He typically worked with other screen writers and he's one of the greatest directors ever (I'd say IMO, but come on, he IS the greatest director--one reason I don't hold the Oscars in much esteem is the man never won a best director Oscar....I mean, COME ON, seriously
).
I think Meyer is held up on a pedestal partly because TWOK is held up as the best Star Trek film to so many people (and it is my 2nd favorite so I'm right there too). But other people wrote that film. Bennett was the one that basically came up with the basic story idea for that. Meyer executed that well, no doubt.
Now when it comes to TUC, I'm a bit more critical of that one. Some Trekkies cite that as one of their top Star Trek films as well, sometimes top 3. I'm a bit less enthusiastic about that one. I usually have it around the middle of the pack. The basic story was fine, and I liked some of the execution. One thing I had a real problem with, though, is the bigotry of the Enterprise command officers like Scotty, Uhura, and Chekov. I can understand caution, even some mistrust. The Klingons were mortal enemies of the Federation so a little ambivalence is natural. Captain Kirk is the only one I can understand some hostility from. His son was murdered by Klingons, and Kirk is human. And it's one thing that might follow a bit from TFF, where even there he expressed a dislike for Klingons. TUC is about 7 to 8 years later so I can see that festering. Spock is the only one that seems true to his character. And then there was that ridiculous scene where they are looking through books for translating into Klingon. All because Meyer thought it would be a cool scene. Chances are Uhura is already experienced with Klingon languages, and if nothing else, I'm sure the computer can provide a readout that Uhura could read if necessary. It's a minor scene and by itself I could probably let it go. But it's just an example where TUC just doesn't rank as highly as some other Star Trek films for me.
So overall, Meyer is fine as a director, but he's a better director executing someone else's story. He can get a quality product with a tight budget. TWOK was made at a fraction of the budget of TMP, yet the overall quality of the shots and special effects are still on par with TMP. He knows how to recycle things to save money.
I found Meyer after watching his entire resume of movies as a very clunky director, and I can see after his loads of flops and disasters he was happy to return to Star Trek where Leonard Nimoy and the studio thought of him in a shining light.
I as well was stunned about the crews bigotry and I was doubled stunned not just some, but nearly all of them including colleagues and regular crew people had similar sentiments and expressed it openly!!!
These expressions in the movie were too on the nose and I am not shocked the cast had some issue with this case of forced drama. We have Brock Peters calling Klingons the worst of the worst ugly things imaginable and later is a conspirator??? I mean not even show a phony face to give me the belief he may be looking for peace? Nope! He was a racist and a conspirator from the opening of the movie to the end.
I mean Kirk should at least be mad at the events of TSFS and grieves altho the murderers were killed in that horrible movie, but still grieves for his son. But to have Kirk commit the greatest sin by blathering unprofessionally on his Captain's log was so predictable and beneath the character.
That’s one of those rare times where everything just clicks. You don’t see that often. 1982 and thereabouts gave us this, THE THING, Blade Runner…nicotine is a brain boost drug….what else could it be?TWOK ranks a little lower for me but the high point is definitely Meyer's direction and crafting a very enjoy story from the limitations of that production.
I have just as many questions about why the Klingons in TMP look like they do. If TOS Klingons pop up there will be the same level of questions.I would love to see TOS Klingons return without the augment nonsense, just have one or more appear and have the actors just go with it. No questions about why they look like that because I feel there should be many questions to why they look like what they are in DISCO?
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