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What happened to the timeline of post Nemesis novels?

Tie-ins have to consider the general audience. Any new Trek series will bring in new viewers who've never read the tie-ins before but are curious about the ones that connect to the new show. So the tie-ins need to be recognizable to them, to connect to the version of the series that drew them in to begin with. If they find that the books are set in a version of the reality they don't recognize, one that directly contradicts what they see onscreen, that will just be confusing and off-putting to them.

Some years back, we did the Myriad Universes series that was expressly depicting alternate continuities, but they were ones that branched off from changes to recognizable events in the screen continuity. And that series didn't last as long as we hoped it would, suggesting that the market for it was limited.
I remember Myriad Universes and the problem there for me was retreading on past events. These were things that we knew went a certain way and it was almost continuity-porn being played with.

I wonder if entirely new series were set up that moved forward would have more success. I mean it’s kind of what was done with Titan and IKS Gorkon. The idea being to have interesting new adventures in “the future” in parallel universes.
 
I’ve always looked at the books (and comics, games, etc...) as stories in a different universe. Just as enjoyable but different.
 
There theoretically could be, but that doesn't mean it will actually happen. I don't think there's any precedent for such a thing in any past tie-ins. It didn't happen with Star Wars, even though the supposed "canon" status of its tie-ins was made such a big deal of until it wasn't. And Trek tie-ins, as discussed already, have never had any overall consistency to begin with, and no attempt has ever been made to reconcile or justify the numerous different continuities.

Frankly, fandom today has become unhealthily obsessed with continuity. It's not the overriding priority of fiction. It's an option. It's nice when you have it, and personally I love it, but the modern preoccupation with it as some absolute requirement has gotten totally out of hand. It's like dessert. It's a nice bonus to have, but you can have a complete and satisfying experience without it.

Wait wait wait. Are you implying that the purpose of reading a novel or watching a film or TV show is something other than assembling the bare information from it for a wikipedia article???
 
For me, the "alternate timeline" justification rarely works, because it doesn't justify any random difference. Alternate timelines would branch from the same origin and thus have the same laws of physics, and presumably would have the same inhabited planets and the same evolutionary history for their species, so if a story posits a physical phenomenon working a different way or an alien species having a totally different appearance (e.g. Star Trek Online Iconians or Tzenkethi vs. the novel version), I don't see that as justifiable as a parallel timeline.

Of course, if a work of fiction explicitly states in-story that its alternate realities work in such an illogical way -- like the Arrowverse did in Crisis on Infinite Earths when it folded other DC shows and movies into its multiverse -- then I play along because it's part of the explicit rules of the universe at that point. But left to my own devices, I prefer not to go there unless it makes sense. It's good enough just to accept them as what they are -- different creative interpretations of a work of imagination. They only have to be "real" within themselves while you're reading or watching them. It's not essential to connect them to alternate versions.
 
For me, the "alternate timeline" justification rarely works, because it doesn't justify any random difference. Alternate timelines would branch from the same origin and thus have the same laws of physics, and presumably would have the same inhabited planets and the same evolutionary history for their species, so if a story posits a physical phenomenon working a different way or an alien species having a totally different appearance (e.g. Star Trek Online Iconians or Tzenkethi vs. the novel version), I don't see that as justifiable as a parallel timeline.

Of course, if a work of fiction explicitly states in-story that its alternate realities work in such an illogical way -- like the Arrowverse did in Crisis on Infinite Earths when it folded other DC shows and movies into its multiverse -- then I play along because it's part of the explicit rules of the universe at that point. But left to my own devices, I prefer not to go there unless it makes sense. It's good enough just to accept them as what they are -- different creative interpretations of a work of imagination. They only have to be "real" within themselves while you're reading or watching them. It's not essential to connect them to alternate versions.
The Star Trek Online novel The Needs of the Many already took the Crisis route, placing the Kelvin Universe and Novelverse as parallel realities to it's own version of Trek which Dulmer could perceive due to his temporal psychosis.
 
The Star Trek Online novel The Needs of the Many already took the Crisis route, placing the Kelvin Universe and Novelverse as parallel realities to it's own version of Trek which Dulmer could perceive due to his temporal psychosis.

Which has not been reflected by any other book. That whole chapter was just one big continuity-porn in-joke that didn't really work (since it rode way too hard on the X-Files parallel, while Lucsly and Dulmur in the actual episode were nothing like Scully and Mulder in personality, despite the names).
 
::sigh:: I remember a time when Star Trek fans celebrated these continuity differences, and worked to come up with creative ways in order to justify them. Not throw their drinks at the TV screen and yell "Nuh uh."

Some of them always did that. They just didn't have the Internet to amplify their every complaint and drown out everyone else. They had magazine letter columns and such, but those were curated and edited to give a balanced sample of the range of opinions, and the more angry, incoherent, entitled rants probably ended up on the reject pile. Still, you got the occasional letter like one from a 1982 Starlog, I think it was, from someone insisting that ST:TMP and TWOK couldn't possibly be in the same reality as TOS because of all the inconsistencies.
 
::sigh:: I remember a time when Star Trek fans celebrated these continuity differences, and worked to come up with creative ways in order to justify them. Not throw their drinks at the TV screen and yell "Nuh uh."
Indeed. Fans could rationalize away any difference and still have fun. But, now, it's all about canon.
 
Indeed. Fans could rationalize away any difference and still have fun. But, now, it's all about canon.

Certainly that word is used far more often now (ad nauseam), but the idea existed even then. For instance, there were always people who refused to count the animated series, long before the Roddenberry memo that supposedly "decanonized" it.

Nostalgia is an illusion. We always imagine the past was more idyllic and didn't have the problems we have today, but it always had the exact same problems. It's just that we focus more on remembering the better parts, and a lot of the bad, annoying parts end up not having a lot of impact in the long run. There were just as many complainers and canon fanatics back then as there are now, but their griping never had any real impact on the franchise, so we forgot about them. And the same goes for the complainers today. They're full of sound and fury, but in the long run it will signify nothing.
 
It's been a long time since I've seen the episode, but I recall Lucsly and Dulmur giving off more of a Friday and Gannon vibe.
Definitely. When I read the novel and there was a BTS bit about that I couldn't really believe they thought it was an X-Files vibe. Because, not really.
 
It's been a long time since I've seen the episode, but I recall Lucsly and Dulmur giving off more of a Friday and Gannon vibe.

Yes, as William Leisner recognized and illustrated in his Strange New Worlds story "Gods, Fate and Fractals," a Dragnet pastiche narrated by Lucsly. That story was an inspiration for my own portrayal of Lucsly and Dulmur in my DTI novels.
 
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