Nope. Don't like it. Don't like it at all.
Just curious ... why not? I've read the script, and I found it very faithful to Doyle's concept. Is it the action and fighting? Doyle makes, for example, references to Holmes' boxing prowess, so he MUST practice. I don't recall the story, but Holmes at least once introduces himself to a bare-knuckle boxer as "the amateur who went three rounds with you." He uses Japanese baritsu against Moriarity. Holmes is also an expert with the sword and pistol. That doesn't just happen. The script is perfectly in keeping with that. In fact, the filmmakers went to great lengths to study the martial arts and boxing techniques of the day and place.
Also, it is Holmes' intellect and deductive power that wins the day. The action is there, but it's not the key to the story.
Does the humanizing bother you? Granted, that's not in the stories. But the causes behind Holmes' pain in the script -- Watson's pending marriage and his own drug use -- are right out of the stories.
There is a sort of "pulp" feeling to it, but remember where the Holmes stories started. The real "non-canon" issue comes with a potential relationship with Irene Adler. She is terrific in the script, but her scenes would never have occurred in Doyle. I kinda think he might have approved, though, although that's just me and I really can't defend that.
Of course, I'm guessing at what might have rubbed you the wrong way, and I readily concede that this isn't the Holmes of Jeremy Britt or Basil Rathbone. But the character has shown an amazing ability to adapt over the years (I still love Michael Caine's Without A Clue) and this works for me. Well, the script does. I'm looking forward to the film.
Would you mind if I ask what bothered you?
Without A Clue is hilarious.