I am a visual effects artist, more specifically a vfx compositor, specializing in a piece of software called Nuke. I do mainly feature film work, but I also do commercial stuff from time to time. In a nutshell, it is my job to combine the various elements of a vfx shot, the actual footage, the CG elements, matte paintings, etc, into a final unified shot, that, if done correctly, should not be able to discerned a a VFX shot. This includes matching the plate lighting, lens distortion, film grain, or video noise, color, and generating mattes from a green screen.
I am a freelance artist, which means I bounce from studio to studio on the east coast. However I am usually at a small studio in Philadelphia, which is run by some former artists and supervisors from Digital Domain. I've only done it for two years professionally, but they've been fantastic teachers, and are true experts in their field. I've been lucky enough to work on Let Me In, I am Number Four, Safe, Tower Heist, the upcoming Kevin James film Here Comes the Boom, and most recently Chernobyl Diaries.
I am a freelance artist, which means I bounce from studio to studio on the east coast. However I am usually at a small studio in Philadelphia, which is run by some former artists and supervisors from Digital Domain. I've only done it for two years professionally, but they've been fantastic teachers, and are true experts in their field. I've been lucky enough to work on Let Me In, I am Number Four, Safe, Tower Heist, the upcoming Kevin James film Here Comes the Boom, and most recently Chernobyl Diaries.