They don't have much to say on terrorism. CumberKahn goes on some terrorist spree in revenge against Marcus. Marcus plots some false flag thing and starts gratuitously torturing the Enterprise. There's no real commentary there, just a very mangled plot with some implausible characterizations that proceeds at a break neck speed. The first two aren't fun movies, they are virtually unwatchable. .
My reference to short attention span people is merely mild satire. I don't indulge people who's threshold for light ribbing is so low they can't abide mild satire. But the reality is I think you know perfectly well my remarks don't impact upon anyone, you're just using that as the rhetorical weapon at hand to fend me off.
I've always loved the TNG episode Parallels where it established that there's already an infinite number of realities that exist in the Star Trek universe, so my thought was to further explore one of those quantum realities.
I had envisioned something pretty close to the Original Timeline in regards to what major events have occurred and will occur, but with modernized aesthetics (ship, bridge, etc). However, there would be freedom to diverge wherever the show-runners saw fit. Nothing too major (like Vulcan imploding), but if it works better for their story, so be it. Have some fun and be creative, but at the same time make it feel familiar.
I know, I know, mush easier said than done and probably not practical. That's why I'm writing posts on the innerwebs and not in the writers' room.
But, again, I'm very acceptive and ecstatic for a return to the Original Timeline.
I don't understand the problem with Orci being a "truther". Hollywood is chock full of people whose personal beliefs (which bleeds into the product), I disagree with.
Only thing I care about is whether or not it is entertaining.
It's a fair point. Tom Cruise is nuts, but his movies are good. That said, I'm not aware whether his stories incorporate Scientology...I don't understand the problem with Orci being a "truther". Hollywood is chock full of people whose personal beliefs (which bleeds into the product), I disagree with.
Only thing I care about is whether or not it is entertaining.
It's a fair point. Tom Cruise is nuts, but his movies are good. That said, I'm not aware whether his stories incorporate Scientology...
Oblivion (2013) does.
It's a fair point. Tom Cruise is nuts, but his movies are good. That said, I'm not aware whether his stories incorporate Scientology...
Only insofar as L. Ron Hubbard created a scam religion based on his terrible scifi writing, so when someone sees Tom Cruise in a mediocre (albeit visually stunning and enjoyable) scifi movie they start drawing parallels between Scientology's lame scifi elements and clichés and tropes that can be found in hundreds of scifi films and novels.Oblivion (2013) does.
One can extract themes of violence and pain from Mickey Mouse bopping Goofy over the head with a mallet. It's not exactly provocative.Here's what I've discovered...STID very much has a theme, several in fact, and because certain fans hate those themes, they completely blocked them out of the movie, because you know, it's in space. This was sort of the reason Roddenberry told these tales in the first place.
If you don't know what I'm talking about, re-watch the movie and figure it out.
Unwatchable for me and I think that's obvious if one applies a degree of intuition to my post. Anyhow. Questions of box office and ratings are an interesting question but, boom or bust, they are a matter of no importance to me. People go back to junk food time and time again but they also go back to superb quality as well. So we're back to square one. Mass audiences are a frustrating calculus for quality. I'm always amused by how vexed people get over that kind of stuff. Box office/ratings are only really interesting to support us in attempts at forecasting studio intentions for any future projects. It's not a metric for quality.Unwatchable? They set Trek records for critical reaction and box office, as well as home video. Somebody is having an easy time watching them. BTW, I've been a fan 35+ years and I've sat through the original Solaris(going through great pains to acquire it on double-VHS tape back in the day no less) and 2001 so many time I lost count. My attention span is very much intact, tyvm.
Well, it might help me enjoy the account of these films on memory alpha or something. But it doesn't help me with the films as cinematic pieces in of themselves. I don't like elements like "magic blood", awkward parodies of the Kahn yell, catapulting Kirk from cadet to Captain in a week and all set within a pulsating tidal wave of a breakneck FX environment that I just loathe. The third installment won't help me with that.I mentioned this in my review. A good article
Star Trek Beyond makes the 2009 Star Trek a much better film
It reveals an ongoing story that's stronger than any one chapter
http://www.theverge.com/2016/8/1/12343636/star-trek-beyond-into-darkness-2009-film-jj-abrams
RAMA
The magic blood is about as "Star Trek" as it gets. Future science with a toe hold in current science. Plus it's an extrapolation of McCoy's assessment of Khan's recovery in "Space Seed".I don't like elements like "magic blood",
I wonder if Oblivion would have drawn the Scientology comparisons if a different actor had played the lead? Seems like those aspects of the story are relatively common sci-fi tropes.
Only insofar as L. Ron Hubbard created a scam religion based on his terrible scifi writing, so when someone sees Tom Cruise in a mediocre (albeit visually stunning and enjoyable) scifi movie they start drawing parallels between Scientology's lame scifi elements and clichés and tropes that can be found in hundreds of scifi films and novels.
Oblivion was originally a graphic novel written by the director (Joseph Kosinki) and his writing partner, neither of whom are Scientologists unless they're keeping it way on the down low. It was adapted into a screenplay by Kosinki and two other writers before being wrapped up by Michael Arndt (The Force Awakens), who is also not a Scientologist. Cruise signed on to be in the film based on the graphic novel, strong word-of-mouth in the industry, and a short VFX demo before even seeing the completed screenplay, so the story was already in the can before he got involved.
Whatever one thinks of Cruise's whacky beliefs, by all accounts from people who have worked with him he is completely professional and a team player who gives his all (including doing most of his own stunts), is very friendly on set, and doesn't force his beliefs on anyone while working. So the idea that he's going to take over someone else's project and turn it into a Scientology propaganda piece is unlikely. He'd just use Scientology's own abundant resources to make their own dedicated film, as they've done before with Battlefield Earth
Cruise is just a big scifi fan, and almost any scifi story is going to share some elements which can be vaguely connected to Scientology, but that doesn't mean it was inspired by it.
What are your thoughts about seeing the prime universe again?
While personal taste will vary (as @Paradise City put it so succinctly) I don't find quick or fast to mean "meaningless."I find the new movies being ADD movies both the story, jumping straight into action, but also the pacing, the short cuts, the everything has to be fast fast fast quick quick fast.
My two fav trek movies are TSFS because of its heavy emotional investment, and TMP for it's very SCI FI story. There is nothing quick , fast or as I put it ADD about them. Thats the universe I like and want to go back to.
Saying that oh First Contact was an action movie.. Fine, it was, but the action had a point and a 7 year build up.
Agree here. Can the term "ADD movie" be removed please? It's so insensitive and ridiculous exaggeration that is rather offensive.You know what's "lazy writing?" Posting commentary chock full of imappropriate overly familiar cliches - like calling a movie "ADD" or repeating a tired joke about lens flares. That sort of thing is unimaginative, unobservant, and lazy in the extreme.
Absolutely agree. I can find more in common with the Khan's blood therapy in contemporary science than I can other elements in Star Trek that areThe magic blood is about as "Star Trek" as it gets. Future science with a toe hold in current science. Plus it's an extrapolation of McCoy's assessment of Khan's recovery in "Space Seed".
I don't like elements like "magic blood"...
It really is an example of selective memory. There's nothing THAT uniquely weird about regenerative blood in Star Trek. Just off the top of my head, the TNG episode "Pen Pals" features a fun little medical trick where Dr Pulaski erases Sarjenka's memory to the precise time she first interacted with Data. That is Trek hand-waving if I ever saw it. And if you want to talk about "magic blood" negating the need for doctors and curing everything, having a way to erase a being's memory at will and at specific time periods negates any tension about breaking the Prime Directive. Because you can just wave your hands and the damage is undone.The magic blood is about as "Star Trek" as it gets. Future science with a toe hold in current science. Plus it's an extrapolation of McCoy's assessment of Khan's recovery in "Space Seed".
See my post above. They did using nanoprobes and then never mentioned it again in any later episodes. Even in the episode there was no discussion of the implications of how this could potentially make them almost immortal.But they never crossed the line to flat out cure death itself.
See my post above. They did using nanoprobes and then never mentioned it again in any later episodes. Even in the episode there was no discussion of the implications of how this could potentially make them almost immortal.
What's wrong with it is using Magic blood, without any prior processing (you know, blood types exist) to literally raise the dead. Kirk was dead! As was that Tribble. Not comatoese, mutated or radiated. Just DEAD. Something that stupid is pretty unique in Trek.
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