Federation by the Reeves-Stevenses has never been canon, but it's, in my eyes, the greatest Star Trek novel ever written.
Federation by the Reeves-Stevenses has never been canon, but it's, in my eyes, the greatest Star Trek novel ever written.
Federation by the Reeves-Stevenses has never been canon, but it's, in my eyes, the greatest Star Trek novel ever written.
There wasn't really a lot in Voyager worth hating, it was just so overwhelmingly bland.Even VOY, my least favorite legacy series, has more episodes I like or can at least tolerate than it does ones I don't like or downright can't stand.
It wasn't really a lot in Voyager worth hating, it was just so overwhelmingly bland.
As far as enjoyment or validity as stories, sure. (And I also certainly just prefer the “shipboard culture” of Diane Duane’s 1980s portrayal of the Enterprise to anything we saw onscreen for TOS, whether TV or film.)They are all stories, seems silly to give one a higher status over the other. One either enjoyed the story or they didn’t.
Hmm. I found the entire series “in between”. Oh well. Another reason Trek producers shouldn’t worry about making something “for the fans” and just focus on whatever they envision as their own contribution to the franchise…and hope for the best.Voyager could be really good or really bad, there was no in between.
Well, I wasn’t so crazy about chaotic space CHAOTIC SPACE chaotic space ChAoTiC sPaCe myself…There wasn't really a lot in Voyager worth hating, it was just so overwhelmingly bland.
I'm pretty fond of what Star Trek Online did with it. The origin story for the Romulan refugee faction is probably the best of the origins they created (though the original series themed one might be more fun, from a fannish point of view).My possibly unorthodox opinion is that this was actually an interesting choice that really shook up the 24th/25th century setting and could lead to some good stories in the future.
Keep the goosenecks. I like them.I'm sure this is controversial for some fans, but in a lot of ways even the "Where No Man Has Gone Before" Bridge is better than the regular series TOS Bridge. I'd get rid of the gooseneck viewer on Kirk's chair and put more Jolly Rancher buttons on the control panels (a few too many white rectangular buttons with writing on them for my specific tastes), but much like the Bridge in "The Cage" the Pilot design surpasses the regular TOS one in color and aesthetics.
The monitors over each station are a definite improvement over most of the static displays that show up starting in the regular series. The Pilots got a few things right from the very start.
No. He's right.this is joke, yes?
When a Trek series is just....there most of the time....that's a bigger sin than sucking.There wasn't really a lot in Voyager worth hating, it was just so overwhelmingly bland.
The only Chief Engineers who actually felt like real engineers were Scotty, Trip, O'Brien, and Reno. They gave off this blue-collar energy that made you really believe they actually got their hands dirty.
You could picture Scotty lying flat on his back, wedged into some impossible space, trying to coax life out of a failing system. Trip crawling through a wall to reinforce a bulkhead before it gives way. O'Brien up to his elbows in grease, keeping some half-dead piece of machinery running through sheer stubbornness. Reno rebuilding old tech simply because she thinks she can make it better.
That sense of physical, hands-on problem solving is what sells them. It is not just that they are smart. It is that you believe they've done the work.
I can't say the same about the other Chief Engineers. Not because they are not capable, but because they are rarely framed that way.
Geordi and Torres often come across as more theoretical, more polished. You hear the solutions more than you see the work. The grit is implied rather than shown.
Billups, maybe. Hemmer, we hardly got enough time with to really judge. Pelia feels more like someone who delegates than someone who dives into the machinery herself. Jakum Pog has that hands-on energy, but it tips too far into caricature to fully land.
For me, the difference comes down to texture. The best Trek engineers feel tangible. You can almost hear the tools, smell the burnt circuits, and feel the cramped spaces they are working in. When that element is missing, something about the role feels a little less real.
If I had to single one out, Trip Tucker probably comes closest to nailing that working engineer feel. There is a constant sense with him that he is not just solving problems, he is physically wrestling with them.
"THE FIGHT" was a horribly executed episode, but at least the idea of Chaotic Space was interesting.Well, I wasn’t so crazy about chaotic space CHAOTIC SPACE chaotic space ChAoTiC sPaCe myself…
I'm reminded of the monitors used in Space: 1999.One argument for goosenecks is that it is cheaper to film a crew reaction to the viewer than the effect we'd react to. More opportunity for drama and to emote while holding a prop to convey emotion to the camera.
That episode induces nam flashbacksWell, I wasn’t so crazy about chaotic space CHAOTIC SPACE chaotic space ChAoTiC sPaCe myself…
I fucking love the first DC Comics run. I dug how it gradually turned into an ensemble series with those recurring lower decks characters.Novels and comics. Kirk’s time as captain of the Excelsior from DC Comics has just as much weight as anything live action.
A good story is a good story. Regardless of medium.
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