Nope. You're not the only one.Am I alone in just chalking up Picard's behaviour in some of the Next Generation films to a midlife crisis?
Yes I love all these points, Mid-Life crisis Picard dealing with loss and disillusioned with Starfleet explains SOME of what happened in the TNG movies. The rest is obviously poor writing and NEM suffered from a director with no knowledge or passion for the source material. I think Picard is somewhat redeemed though in Picard Season 3. He got the son he didn't know about but wanted all the same, and I think Terry was trying his best to bring him back towards the man he was in his prime, on the E-D, and I think overall it was successful. Whether you like the fan service or find it a bit cringe, there's no denying that by the final couple of episodes Picard has made peace with himself and finally seen the value again in the support and admiration of his peers and the lower decks alike. And they couldn't end his story without saving the world one more time, so they had to throw in the Borg curveball for good measure. The character of Picard finally got the happy ending he deserved.Makes sense. Think of all the failed romances and personal endeavors Picard attempted during his seven years on the Enterprise-D. As stated above his brother and nephew dying violent deaths. Melancholy over past losses in his life. Action Hero Picard is a version of the thing that happens to many men when they feel like their goals in life are unobtained and out of reach. Change who you appear to be on the outside to make up for the person you're not within.
So for a few years Picard becomes Rambo Jean-Luc who likes to wear tank tops.![]()
Why is it not deserved? I would argue he worked very hard on himself over the 3 seasons of PIC.That Picard worked for his happy ending is admirable but hardly deserved.
This may be a controversial opinion in general (not just Trek) but I do not operate with the attitude that characters deserve any particular outcome. To me, and this comes from studying mythology, older stories, and some personal preferences, but characters go on a journey and if the outcome is a happy one then great. If the outcome is less happy and the story is well done also great.Why is it not deserved? I would argue he worked very hard on himself over the 3 seasons of PIC.
Actually, the rest is 95% actor ego demanding these action hero aspects and 5% the writing having to bend over backwards to accommodate it.The rest is obviously poor writing
In Nemesis he meets himself at 30.
In Insurrection a magic planet made him feel like he was 30, and if he had stayed there a little longer, he would have been 30 inside and out.
A midlife crisis is generally figurative, but what we got here is a literal juxtapisition with his youth, that is either trying to murder Picard or consume Picard.
The real-life behind-the-scenes reason for this is that, when it came time to make the TNG movies, Patrick Stewart had much more influence and story input than he did during the run of the TV series. What may have been a request to the writers on TNG became a demand in order to agree to doing another movie. And the whole thing might be an example of why it's not always a great idea to give an actor authority on story decisions for their character. For example, it was Brent Spiner's idea to kill Data in Nemesis, and not only did it not go over well but it took 3 seasons of Picard to dig their way out from that decision.Am I alone in just chalking up Picard's behaviour in some of the Next Generation films to a midlife crisis?
It works pretty well with the Picard we saw in Tapestry too - you know perfectly the Picard who gets into a scrap with Nausicans is the same kind of nut jub who would go joy riding.
Tapestry actually was about season 5 so just as Picard was becoming more action/"fun"/less reserved so I think the Picard who wouldn't act like he did in Nem is more season 1 and 2 Picard - a Picard who was still broken due to the events on the Stargazer and so adopted this uber reserved and uptight persona to protect himself.
By Season 5 he has been assimilated, had Q fuck with him multiple times, started hanging around with Guinan again which can only have been good for getting that stick out of his arse, had become a key part of the Klingon political environment (and took a stabbing for it too) so he has likely come to recognise that whilst going in all guns blazing isn't the answer to his problems, he also can't solve everything with a patronising speech.
Come Nem and his First Officer of 20ish years is leaving him, Worf left years ago, Wesley showed up to the wedding and wouldn't shut up when instructed too - I can see how he got a bit of the old "one last hurrah" into his mind about going to the planet and going for a ride.
Fuck you and your being right about things!"Tapestry" was just past the middle of season 6. But I see what you are saying.
He wanted Picard to be the one that was in the middle of fights, carrying a phaser, and the driver of the action within the stories. That's why Generations, First Contact, Insurrection, and Nemesis all feature "final fights" where Stewart is face-to-face with the villains, or Picard driving a Starfleet dune buggy in the desert, or Picard having the love story with the Baku woman.
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