Shields!!!! SHIELDS!!!!Means that dump is being shot directly into space. Guess they don't want it getting on the walls of Spacedock.![]()
Shields!!!! SHIELDS!!!!Means that dump is being shot directly into space. Guess they don't want it getting on the walls of Spacedock.![]()
The Captain's Crapper.
Perfect if you've had way too many marshmelons. You'll have to sit down.
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Maybe they should try being a couple.Spock and La'An have better chemistry than Spock and Chapel
Maybe notMaybe they should try being a couple.
The idea that Kirk feels he must remain unattached is baked into TOS, starting with Naked Time, no? It figured into the rationalization given for the dismissal of Grace Lee Whitney and the removal of her character: the captain needs to be free, and can't have attachments, especially on the ship. A girl in every port. If you read both volumes of Fifty Year Mission, there is plenty of evidence that Roddenberry was obsessed with the virility of his characters, sometimes openly using pornographic descriptions among colleagues. Meyers or Bennett or whoever did not make the character: Kirk was already set. It was a matter of using what TOS did to push the movie narrative forward.@Bad Thoughts, did you have any examples in mind in TWOK, of Carol Marcus being "the unwitting mouthpiece for dated male attitudes?"
I think Roddenberry kept that in his office.Captain's couch.
Gotta say that they did a good job of setting that up in episode 302. I'm already kinda shipping it.Spock and La'An have better chemistry than Spock and Chapel
I thought the shuttle craft scene in Memento Mori had a certain chemistry.Gotta say that they did a good job of setting that up in episode 302. I'm already kinda shipping it.
The idea that Kirk feels he must remain unattached is baked into TOS, starting with Naked Time, no? It figured into the rationalization given for the dismissal of Grace Lee Whitney and the removal of her character: the captain needs to be free, and can't have attachments, especially on the ship. A girl in every port. If you read both volumes of Fifty Year Mission, there is plenty of evidence that Roddenberry was obsessed with the virility of his characters, sometimes openly using pornographic descriptions among colleagues. Meyers or Bennett or whoever did not make the character: Kirk was already set. It was a matter of using what TOS did to push the movie narrative forward.
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