And the whole franchise.
LOL! Point taken!Trying to shoot someone in the head… with a weapon of mass-destruction aided by pinpoint accurate computer assistance.
Starfleet saucer sections are shaped like a giant bullseye normally. I know what you’re saying, but I do think they are very vulnerable.
Probably the real explanation.Rule of cool
In the classic space operas, the Lensman series by E.E. Smith, space battleships had their control rooms buried deep inside. If enemies wanted to destroy the control room they would have to blast deep inside the ship through layer after layer. And if enemies wanted to capture the bridge crew to read their minds their boarding parties had to fight their way deep into the ship against opposition.Yeah, they can rotate sickbay, crew quarters, rec rooms etc. all they like, as long as they keep the bridge and engineering aligned with the axis of symmetry. Just because the bridge dome has a cylinder behind it, doesn't mean it's the turbolift.
I'm torn on the idea of putting the bridge on the top of the ship. On the one hand, it's clearly not the place you want a bridge to be if you're getting into a fight, which we've seen demonstrated several times now. On the other hand, Battlestar Galactica is pretty much the only sci-fi show I can think of that actually put the ship's command centre deep inside the hull, so Star Trek isn't doing anything weird. And if a fight gets to the point where enemies are slicing up the bridge, that battle was pretty much already lost.
More like the rule of setting up aesthetically pleasing camera shots. Design-wise, the door belongs at the back of the room, so Kirk can see all the display screens at a glance.Rule of cool
Maybe he feels happier being able to see who just came into the room at a glance as well.More like the rule of setting up aesthetically pleasing camera shots. Design-wise, the door belongs at the back of the room, so Kirk can see all the display screens at a glance.
And the Watsonian explanation?The Doylist explanation is that
I was joking about it's placement on the top of the saucer. But the rule of cool applies to aesthetically pleasing camera shots as well.More like the rule of setting up aesthetically pleasing camera shots. Design-wise, the door belongs at the back of the room, so Kirk can see all the display screens at a glance.
But now that "Exceptions" have been historically proven to happen, even with "Mysticism" like situations.Even most Vulcans didn't think it would work. It had been so rarely done. So yes, this still can be called mysticism.
One could make the argument it worked for Spock because he was half human and he put his katra in another human, McCoy. (Obviously, human brains couldn't handle that for too long. But it may have been long enough for it to be complete enough for the transfer back into Spock to take place.)
From the perspective of anyone who has never seen something like that before, yes, it will be looked at as myticism and mumbo jumbo.
As far as McCoy and Federation medicine, they didn't know what was going on. He just seemed to be going off the deep end. His behavior in the bar, and him trying to neck pinch the security agent made him look cuckoo for Cocoa Puffs.
Given how quickly events occured, McCoy probably didn't see a doctor before Kirk broke him out of the cell. So no one could diagnose him.
And I do agree, and already said, that the Grissom could have been ordered to retrieve Spock.
Future Captains who want to rescue their friends should get an option to do so.
In my Head Canon for the 26th century, the very Top/Dorsal section of the Saucer and Bot/Ventral section of the saucer have giant Mess Halls with Panoramic Window Views around the saucer into local space.I was joking about it's placement on the top of the saucer. But the rule of cool applies to aesthetically pleasing camera shots as well.
I did the same thing with my Bridge Rooms in my 26th century Head Canon, replaced the Very Top/Old Bridge location with what would be a combination of "The Mess Hall, Ten Forward, Quarks, Promenade".In the classic space operas, the Lensman series by E.E. Smith, space battleships had their control rooms buried deep inside. If enemies wanted to destroy the control room they would have to blast deep inside the ship through layer after layer. And if enemies wanted to capture the bridge crew to read their minds their boarding parties had to fight their way deep into the ship against opposition.
On the other hand, in A.E. Van Vogt's Mission to the Stars/The Mixed Men the grand bridge of the Grand Captain of the Star Cluster was not in any specific location. The Grand captain had a suite which included her office, the grand bridge, with a lot of communications equipment for her to give orders to people anywhere on the ship. and a teleportion unit to travel instantly to any part of the ship. If anything happened to the Grand Captain and her office, the next in command could use their office, wherever it was, as the new grand bridge.
Remember that movie and tv space operas are a small minority compared to those in print.
And the Watsonian explanation?
I've seen that idea in various technical documents and it's always horrified me. It's the opposite of "The Captain goes down with the ship" isn't it?perhaps also giving the bridge the ability to be ejected as a giant escape pod?
In Wrath of Khan, when they go to "Yellow Alert" while approaching the Reliant, they don't raise the shields, BUT Saavik does "energize defense fields" and you see some sort of field go up around the area where the bridge is.And the Watsonian explanation?
Rule of cool
I do wonder whether or not that traces back to "The Cage" and the opening shot where they zoom in to the bridge from the intro?The Doylist explanation is that Gene Roddenberry insisted on the bridge being on top “to give the ship a sense of scale” ... Roddenberry made him move it back to the top of the saucer…
I would expect so.I wonder if the location was derived from the conning tower used on ships and subs?
When Jefferies saw Star Trek: The Motion Picture he fell asleep. He never watched subsequent incarnations of Star Trek, remarking that they had turned his Navy-esque bridge into "the lobby of the Hilton.
I wonder if that's mixing a couple of stories. I'm pretty sure the "lobby of the Hilton" was in reference to The Next Generation. If not then the only person who thought the TMP bridge was LESS military than TOS was Jefferies. It was a common complaint in 1979 that the movie looked too naval. Then Nick Meyer came along and you never heard that complaint ever again.I found this to be amusing. It's from the Wiki article on Matt Jefferies
Didn't they do that zoom in shot all the time in DSC season 1?In Wrath of Khan, when they go to "Yellow Alert" while approaching the Reliant, they don't raise the shields, BUT Saavik does "energize defense fields" and you see some sort of field go up around the area where the bridge is.
So maybe the bridge is reinforced in certain ways that make it harder to breach the hull and transport something out in and around it?
I do remember thinking, when watching DS9's "The Way of the Warrior," why don't the Klingons just beam Sisko and the command staff out of Ops into space, instead of sending boarding party after boarding party in repeated attempts to capture the station?
This is also true in "Best of Both Worlds." The Borg can't just beam Picard out when they breach the shields and they're attempting to capture him in order to assimilate him. They have to send boarding parties onto the bridge in order to get a firm lock to beam him out.
I do wonder whether or not that traces back to "The Cage" and the opening shot where they zoom in to the bridge from the intro?
I've been surprised that no other iteration of Trek has ever tried to duplicate that shot, since they could probably do it really well and smoothly in a way that wasn't possible in the 1960s.
I've seen that idea in various technical documents and it's always horrified me. It's the opposite of "The Captain goes down with the ship" isn't it?
In Wrath of Khan, when they go to "Yellow Alert" while approaching the Reliant, they don't raise the shields, BUT Saavik does "energize defense fields" and you see some sort of field go up around the area where the bridge is.
So maybe the bridge is reinforced in certain ways that make it harder to breach the hull and transport something out in and around it?
I do remember thinking, when watching DS9's "The Way of the Warrior," why don't the Klingons just beam Sisko and the command staff out of Ops into space, instead of sending boarding party after boarding party in repeated attempts to capture the station?
I do wonder whether or not that traces back to "The Cage" and the opening shot where they zoom in to the bridge from the intro?