I always find this an odd idea. Why is it deconstruction to explore the why of things inside a world? Star Trek is optimistic but if I am optimistic about humanity (and I am because I believe we are capable of great things) hen why not show how this new humanity handles adversity? It's not grimdark to go that way, is it?For the first: This is a bit of a sweeping generalization...for a while now, especially post 9/11, the creative trend in media has been a mix of grimdark, and an impulse toward "deconstruction," combined with attempts to make everything reflect a higher degree of "realism," which relates to the second: despite data showing that in many ways life is better/safer than ever, the general vibes are currently terrible. There are good reasons for this in lots of cases!
The humor in LD is entirely dependent on callbacks. If you don't love old Trek, the jokes are lame. That's why I got bored after a couple of episodes and only bother to check in once a season or so (it hasn't improved).
I think that's one part.think part of the problem is everything nu-Trek belongs to P+. It’s not accessible enough to a wider audience.
That sounds good in theory, but I think it wouldn't work in practice for two reasons:In short, I think SNW should have been a CBS show. Let it be the “gateway drug” to get people interested in Disco, Lower Decks, Prodigy and even Picard.
I do agree. Which is why I think New Trek should've been on Netflix. Still a streaming service that would be more forgiving but one with a much wider audience. A built-in audience where they already had all the Old Trek series.I think part of the problem is everything nu-Trek belongs to P+. It’s not accessible enough to a wider audience.
I think that's one part.
I think the other part is the negative push back by vocal fans for changing anything and trying to please them.
It's a delicate balance. And it's more like an unfocused teeter totter hooked up to a V8.
That sounds good in theory, but I think it wouldn't work in practice for two reasons:
1. These gateway fans are just as likely to say, "I already have Strange New Worlds. That's good enough for me. Why should I subscribe to Paramount Plus?" Think about the '90s, when people who liked TNG didn't bother to watch DS9 or VOY.
2. Put SNW on CBS and the standards for ratings become much higher. Which means SNW would realistically end up with a far shorter run. The Orville only lasted for two seasons on FOX. CBS is higher profile than FOX and SNW has a larger budget. CBS would be less forgiving than even that. So, it might've even been only one season.
I do agree. Which is why I think New Trek should've been on Netflix. Still a streaming service that would be more forgiving but one with a much wider audience. A built-in audience where they already had all the Old Trek series.
Of course not but there is that ridiculous desire to please any way.Indeed but even trying to please just the fanbase is daunting because of the fractures there.
In short, I think SNW should have been a CBS show. Let it be the “gateway drug” to get people interested in Disco, Lower Decks, Prodigy and even Picard.
true, Why there on Youtube, I belive they have put the First episode up on You Tube for Lower Decks, Prodigy and even SNW I think, to get people in.The average viewer of CBS broadcast is 63 - the oldest of all broadcast networks (though even FOX, the youngest, is 52.
Sure, it might expose some new viewers to Trek, but broadcast TV is for boomers. It's not going to bring in any younger fans at all.
Thing is, being a space show, it would by necessity need a higher budget than normal simply because they have to make everything from scratch. Sets, costumes, props, all of it has to be new or unique to that show. Maybe they can get a bit lucky and acquire some of this from some other sci-fi show or movie that has stuff in storage. But then you factor in the added costs from makeup and prosthetics for alien characters. And I suspect on a network budget, the best the show could hope for as far as planets of the week go is the Stargate route where it's almost always a group of humans living in the same Vancouver forest each week.I don’t think a smaller budget and a higher standard would necessarily be a bad thing.
The Orville ultimately was not sustainable on a network and it can be debated it if would have even have been picked up had it been from someone who did not already have a working relationship with that particular network.The Orville is a good comparison. Its what a network SNW might have looked like.
A number of others are urging Paramount to act quickly on Allen’s interest before the stock price sinks any lower. KeyBanc Capital analyst Brandon Nispel urged the company to “immediately take this deal,” calling out the all-cash form of the bid as especially appealing.
Media analyst Steven Cahall with Wells Fargo sees Allen as credible, disagreeing with skepticism about his spree of prior offers. “Those deals didn’t always have willing sellers,” the analyst wrote in a note to clients. Allen’s diversified media company includes plenty of linear TV, including the Weather Channel and local stations. He not only would want those holdings, but also would likely finance the deal “by lining up a buyer(s) for Paramount Studios + LA real estate,” Cahall added. “These are assets that interested parties like Skydance likely want.
What's crazy is a "DISCOVERY starting in the 25th century" seems to be the consensus that would result if all the disparate people on this BBS were polled together into some focus group.Ultimately, Paramount+ never tried a clean break, which would be a new ship, new crew, and no one even vaguely related to the characters of the past series (which is what TNG was compared to TOS). We can't say if it's a failure, because it was never tried. However, I think that if you had something in 2017 like Discovery in terms of tone, with the canon continuity shaved off (post-Nemesis conflict with a new alien race, Michael has no relation to Spock etc.) complaints about it not feeling like Trek would be even greater, because for a lot of folks, they just wanted something with the tone of Berman Trek (which is why The Orville went over well with some folks).
Star Trek on Paramount+ is a relative loss leader. Shows on CBS need to hit their numbers weekly or be sent to the cancelation heap.2. Put SNW on CBS and the standards for ratings become much higher. Which means SNW would realistically end up with a far shorter run. The Orville only lasted for two seasons on FOX. CBS is higher profile than FOX and SNW has a larger budget. CBS would be less forgiving than even that. So, it might've even been only one season.
HOUSE OF CARDS on Netflix started in 2013. There just might have been a short window for this to have happened sad to say in 2013/2014, before CBSAA took a page from UPN.I do agree. Which is why I think New Trek should've been on Netflix. Still a streaming service that would be more forgiving but one with a much wider audience. A built-in audience where they already had all the Old Trek series.
Lower Decks is entirely based around self-referential Trek humor. No one but die-hard Trekkies would watch it.
In short, I think SNW should have been a CBS show. Let it be the “gateway drug” to get people interested in Disco, Lower Decks, Prodigy and even Picard.
The average viewer of CBS broadcast is 63 - the oldest of all broadcast networks (though even FOX, the youngest, is 52.
Sure, it might expose some new viewers to Trek, but broadcast TV is for boomers. It's not going to bring in any younger fans at all.
I don't think that many Trek fans were watching SNW on CBS, as most had already seen it on Paramount+ and elsewhere. If anything, CBS showed DIS and SNW just to fill some airtime that they would have otherwise shown repeats of other shows instead, IMO.I thought they did put some SNW on CBS and it got even lower network ratings than DSC a few years ago?
It seems that outside of us nerds, the wider public is not that interested in Star Trek at all.
When us Boomers go, we're taking Star Trek with us.
I know, I know that some of y'all don't like that. But if you're honest with yourselves you know that it's true.
If you know young people who really, really like Star Trek, you 're very aware of them. Because you also know that it's extremely unusual and even weird.
Generally, if someone under thirty watches an episode of Star Trek it's because they've got time to kill or have happened across it and it gives them a warm feeling, like eating macaroni and cheese.
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