Starfleet officers do morally questionable things all the time. It's a pretty recurring trope. That doesn't make it dystopian.Federation officers sticking booby trapped war dead on the battlefield for the enemy to collect.
Starfleet officers do morally questionable things all the time. It's a pretty recurring trope. That doesn't make it dystopian.Federation officers sticking booby trapped war dead on the battlefield for the enemy to collect.
Starfleet officers do morally questionable things all the time. It's a pretty recurring trope. That doesn't make it dystopian.
Neither is Discovery. It is a fact though that TOS was violent, the red shirt deaths became a meme for a reason, entire straship crews perished because space was dangerous, they killed a groom on his wedding day etc.. Star Trek prides itself for often finding peaceful solutions but just as often Kirk would punch his way out of a dangerous situation.I'm going to disagree here. TOS was not dystopian 'darkness'.
Neither was TOS. There was still war, poverty and disease. Those problems were largely being addressed by future tech, hence the optimism about the future. Discovery is hardly unique in its approach.There’s morally questionable, and there’s a war crime.
Tbh Trek is always a post-dystopia rather than an outright utopia, but DSC is not a shiny future as shown, one way or the other. That’s changing.
I'm going to disagree here. TOS was not dystopian 'darkness'.
Believe me I watch TOS a lot and it is nowhere near as dreary as Discovery is. They pick themselves up and boldly go onto their next adventure.Go back and watch TOS again. There's plenty of horror and darkness, with many episodes ending on tragic notes. Poor disfigured Vina is left behind on Talos IV. Kirk is forced to kill his best friend who is driven mad by power. McCoy discovers his lost love has been replaced by a Salt Vampire. Charlie X is banished from humanity. A young newlywed is killed in battle only hours after his wedding, leaving his young widow bereft. Nurse Chapel discovers her fiancee has become a ruthless android. Kirk falls for the troubled daughter of a genocidal war criminal, only to see her collapses into madness. An entire planet is destroyed by agonizing neural parasites, including Kirk's brother and sister-in-law. Kirk has to throw Edith Keeler under a bus. The Federation's greatest computer genius has a nervous breakdown. Most of Kirk's heroes turn out to be insane or deluded or evil. Poor Zarabeth is doomed to live out her life in icy solitude . . . .
And that's just off the top of my head!![]()
Just like Chevy Chase.Believe me I watch TOS a lot and it is nowhere near as dreary as Discovery is. They pick themselves up and boldly go onto their next adventure.![]()
I think there was much that was simply unpleasant and dark about Discovery. It lacked hope and joy.
Fair enough. I just find that some modern fans tend to remember TOS as more "utopian" than it actually was, especially when comparing it to, say, DISCO or the reboot movies.
I swear, if "City on the Edge of Forever" aired for the first time today, half the internet would complain that it was too dark or downbeat for STAR TREK.
"Where is the hope? The optimism? What about Gene's vision?"
And don't get me started on the New York Post reporter who insisted that TOS was "non-violent."
Come again?
It occurs to me too that this thread was started a year plus ago. We've had a chance to watch Discovery now, both fans that come to this board more often and those who don't. I tend to think of each forum having its own 'identity' so it's interesting to read reaction whatever form it takes. Some are disappointed and others not. It's all good.Fair enough. I just find that some modern fans tend to remember TOS as more "utopian" than it actually was, especially when comparing it to, say, DISCO or the reboot movies.
I swear, if "City on the Edge of Forever" aired for the first time today, half the internet would complain that it was too dark or downbeat for STAR TREK.
"Where is the hope? The optimism? What about Gene's vision?"
And don't get me started on the New York Post reporter who insisted that TOS was "non-violent."
Come again?
About TOS for me it will always be a tad campy. The production values take the sting out of well, death and destruction. I can't help it. I shrug it off. I don't think I could ever see it overly realistically. It's adventure. If those same stories were told with the uniforms, tone and realism of current production I might feel differently... though I really do think Kirk, Spock and Bones and the actors brought with them a level of humanity that included likeability. Just as the Voyager family were likeable (to me).
There are still a number of episodes that really get tome in a good way. The ending of "Balance of Terror" is hands down one of the most somber notes in Trek history. Light and fun? Just watch that scene.This could be a generational thing. Growing up, I never perceived TOS as campy. I often found it scary and disturbing--in a good way--just like THE TWILIGHT ZONE or THE OUTER LIMITS. The Gorn and the Horta and even Gorgan the Friendly Angel were genuinely threatening by 1960s standards.
And even today, I like to think that eps like "Balance of Terror" and "Conscience in the King" still pack a punch and don't come off nearly as campy or dated as, say, an old episode of BUCK ROGERS or CHARLIE'S ANGELS.
Fair enough. I just find that some modern fans tend to remember TOS as more "utopian" than it actually was, especially when comparing it to, say, DISCO or the reboot movies.
I swear, if "City on the Edge of Forever" aired for the first time today, half the internet would complain that it was too dark or downbeat for STAR TREK.
"Where is the hope? The optimism? What about Gene's vision?"
And don't get me started on the New York Post reporter who insisted that TOS was "non-violent."
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