American Gods will need to be revamped to make it stretch into an ongoing series. Ditto for Stephen King's
Under the Dome. Which is good news for anyone who's read the books because now you won't be spoiled.
A
Harry Potter animated series could work well on The Cartoon Network. It could have all the characters who were in the movies regardless of whether the actors were available for the series. I'm sorta surprised there isn't one yet. But then again, I'm surprised there isn't a
Star Trek animated series spinning off
Trek XI.
Dollhouse was a show that, the instant I heard the premise, I thought, "How are they going to sustain this for the long haul?"
I don't think the premise was the problem. I think Whedon went awry when he decided to make the lead character too much of a victim. I don't want to identify with a character through pity. That wears off too fast. Maybe it's just me because I'm heartless.
But seriously, I don't see a lot of shows around that use pity as the emotion that bonds the audience and the lead character. The closest are shows about a damaged person, like
Dexter or (less extreme)
Justified, but the pity is hugely mitigated by also making the character very dangerous and able to take care of himself. So in those cases, a slight tinge of pity is mixed in with a heavy dollop of fascination for a character who is enacting a power fantasy of getting away with shit that we all kind of wish we could.
So a better approach for
Dollhouse would be to make the lead character legitimately guilty of something, not a victim, but a person who was perhaps shockingly evil in their former life, and who decided to be brainwashed into dollhood in order to kill that terrible person that they were.
Then the tension can be, as the person becomes more aware of who they were, that other person might re-emerge. Do they want that? Is being brainwashed better? That dramatic tension could have held my interest through any number of mission-of-the-week stories.
If Whedon can't resist making female characters too victim-y, and I suspect that's something he would have a problem with, he should have made the lead character a male, and make the show more like the power fantasy I described above. A doll can get away with behavior that would be condemned in a "conscious" person. It's a get out of jail free card. The audience will be both attracted and repulsed by the character's actions, which will create the same kind of fascination that has made
Dexter and
Justified hit shows.