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Tropes that movies, etc. use that you hate.

Not a trope, but sometimes the economy of characters results in unintentionally funny stuff. Of course your main characters are going to do everything, but how about those CSI guys that investigate the crime scene, then do lab work, then track down the bad guy, then interrogate the bad guy, and sometimes gets into chases and gun fights with the bad guy? When do they sleep? Or take days off?

There was a CSI: Miami episode where Caine knew where a bad guy was going to strike next, but did he call anyone to warn them or send the police in? No, he kept it to himself and drove across the city to take care of it by himself. Fortunately, he arrived at precisely the right time.

Ah ! Lone Wolf Syndrome ! Never needs any backup, never calls it in...

If most people, like me, I suppose, went rogue at work they'd be fired in a heartbeat.

But, then again, no one exactly makes TV shows about people who study the demographics of consumers who are facing caring for aging parents while trying to save for their children's college educations :shrug:
 
Kind of noticing how tiring it is that pretty much every western that has a frontier town baron, who strongholds everyone with their wealth, also happens to have a snotty little shit of a son who thinks he's the boss of everyone in town, only to have the protagonist put him in his place
 
Not a trope, but sometimes the economy of characters results in unintentionally funny stuff. Of course your main characters are going to do everything, but how about those CSI guys that investigate the crime scene, then do lab work, then track down the bad guy, then interrogate the bad guy, and sometimes gets into chases and gun fights with the bad guy? When do they sleep? Or take days off?

There was a CSI: Miami episode where Caine knew where a bad guy was going to strike next, but did he call anyone to warn them or send the police in? No, he kept it to himself and drove across the city to take care of it by himself. Fortunately, he arrived at precisely the right time.

Not exactly a trope, but the amount of cleavage on CSI, especially CSI Miami...oy...vey.

I mean, don't get me wrong. I'm a guy. A middle aged heterosexual guy. Marg Helgenberger, Khandi Alexander and Emily Proctor (just to name three) were extremely attractive women. But the fact that they all wore extremely tight low-cut tops, especially in scenes that required them to bend forward to examine the crime scene.... As much as I enjoyed it, it was so distracting (and so obvious why the producers did it) that it bugged me even more.
 
Ah ! Lone Wolf Syndrome ! Never needs any backup, never calls it in...

If most people, like me, I suppose, went rogue at work they'd be fired in a heartbeat.

But, then again, no one exactly makes TV shows about people who study the demographics of consumers who are facing caring for aging parents while trying to save for their children's college educations :shrug:

What if Jack Bauer was the lead character? Would there be any drama then?
 
Kind of noticing how tiring it is that pretty much every western that has a frontier town baron, who strongholds everyone with their wealth, also happens to have a snotty little shit of a son who thinks he's the boss of everyone in town, only to have the protagonist put him in his place
There's also about a thousand head of cattle that you often just hear and never see. And a town drunk. And a spinster school marm.

Be advised though that if a rash of hand injuries involving gunshots occurs, things are about to change....:guffaw:
 
Not exactly a trope, but the amount of cleavage on CSI, especially CSI Miami...oy...vey.

I mean, don't get me wrong. I'm a guy. A middle aged heterosexual guy. Marg Helgenberger, Khandi Alexander and Emily Proctor (just to name three) were extremely attractive women. But the fact that they all wore extremely tight low-cut tops, especially in scenes that required them to bend forward to examine the crime scene.... As much as I enjoyed it, it was so distracting (and so obvious why the producers did it) that it bugged me even more.
The franchise producers had a built in excuse in that Helgenberger's part was loosely based on the life of CSI's technical advisor, who was a real life Vegas Showgirl before becoming a crime scene investigator, if I recall correctly. They probably just transferred the showgirl characteristic to all the female characters...'cause Hollywood is stupid that way.
 
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Especially in older shows; when an episode introduces a supposed "close friend" or "beloved relative" to a main character we have never seen before, and then kills them off for cheap drama, only to have the whole incident, and supposedly great loss, completely forgotten by the next episode and never brought up again.

For a particularly bad example I have to defer to a 90s show called "Forever Knight", where they killed the (never before seen or mentioned) brother of a main character only to have the incident and his existence forgotten by the next episode.
 
I don’t like it in long running series where they artificially draw out the romantic tension for years and years. Five years of ‘Will they/won’t they’ gets to the point where you stop being excited and start feeling manipulated. And worse, the tension blocks either character from finding any other happiness with anyone else.


Oh boy, yeah. I agree with this. There's one particular one on Murdoch Mysteries where George had been courting the coroner. They were so perfect together, had great chemistry, but they drew it out for so many years, kept hinting and hinting at a possible future together, and eventually the actress playing her left the show. They should have bit the bullet when they could have, because while he's courted others since her departure, none of them have been as good and he isn't getting any younger. They're now up to 15 seasons and I have a feeling he won't end up married in the end.
 
I hate that one! It's so annoying. Like where are the characters manners?

That has always driven me nuts. Who does that? Not even a "thanks" or "OK, bye;" they just put the phone down the second they're done talking. People don't do that in the real world unless they're really ticked off at the person or in the middle of a huge emergency.
 
Another Blue Bloods trope:

When a female character turns out to have a thing on the side with Frank, which turns out important to the plot.

They did this last episode with Alex Kingston's character (a former UK cop who is now working for a cybersecurity firm hoping to land a contract with the NYPD).

Although I do admit they make a cute couple!

And, like I said, this is a trope, 'cause they've done it before (usually with reporters trying to get a big story).

Also I don't know if this is a trope, but could be: Why is it that Jamie is the only Reagan man who's married? Granted, he's never lost a wife (as the other guys have) but still...most of the Reagan men have been widowers for years, and we never hear about any of them dating again. Isn't it about time they did?
 
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In just about every movie or TV show about the police, there is always a crooked cop on the take who lives in a spectacular house with his beautiful but absolutely clueless wife who never questions how they can afford to live there on a cop's salary. She also never questions the Corvette, the RV, the Harley, or the boat - and they always have a boat !

At least the wives in mafia movies admit to knowing what's going on, and simply wink at the husband's activities, or at least as long as the money keeps flowing !
 
Whenever we see a computer screen, it looks nothing like any operating system that anybody uses in real life. Or it looks like a command line interface with a wall of gobbledygook code.

Kor
 
Also when any character is seen using a smartphone, the screen looks absolutely nothing like any actual smartphone's OS, whether it be iPhone or Android.
 
Because I've seen this twice today...

The "5 stages of grief" thing.

It's not real.

It's a reductive take on Kubler-Ross's research that lazy writers latched onto as an easy way to have characters proceed with grief, which the general puplic, seeing it on TV and film so often, accepted as real.

It's not, and Kubler-Ross herself denounced how it was being represented in popular culture, blaming herself in part for perhaps not phrasing her research better when presenting it to the public..

The theory was generated by a small sample size of people in nursing homes, all in palliative care, and all facing thier own deaths, not the deaths of others. The five stages were neither sequential nor universal, but were the five most common she observed people experiencing in that very specific situation. It was never meant to be an overall theory for the general process of dying, and was especially never meant for people who were grieving others who died. The universal application of it has done considerable harm to people, who believe they must go through those stages and get upset when they are "stuck" in one or fail to proceed from one to another.

There is virtually no empirical evidence for these stages and it's generally regarded as harmful pop psychology.

(And yes, one of the reasons this is a pet peeve of mine is because my degree is in psychology and I spent a year working in a palliative care unit, but as an administrator, not any sort of practitioner)
 
Because I've seen this twice today...

The "5 stages of grief" thing.

It's not real.

It's a reductive take on Kubler-Ross's research that lazy writers latched onto as an easy way to have characters proceed with grief, which the general puplic, seeing it on TV and film so often, accepted as real.

It's not, and Kubler-Ross herself denounced how it was being represented in popular culture, blaming herself in part for perhaps not phrasing her research better when presenting it to the public..

The theory was generated by a small sample size of people in nursing homes, all in palliative care, and all facing thier own deaths, not the deaths of others. The five stages were neither sequential nor universal, but were the five most common she observed people experiencing in that very specific situation. It was never meant to be an overall theory for the general process of dying, and was especially never meant for people who were grieving others who died. The universal application of it has done considerable harm to people, who believe they must go through those stages and get upset when they are "stuck" in one or fail to proceed from one to another.

There is virtually no empirical evidence for these stages and it's generally regarded as harmful pop psychology.

(And yes, one of the reasons this is a pet peeve of mine is because my degree is in psychology and I spent a year working in a palliative care unit, but as an administrator, not any sort of practitioner)
I agree completely, but I’m curious what you think of All That Jazz, which is the first film I know of that referred to the stages. I think it works as a framing device for that particular picture, but it certainly cemented the false notion that the stages are universal and sequential.
 
I agree completely, but I’m curious what you think of All That Jazz, which is the first film I know of that referred to the stages. I think it works as a framing device for that particular picture, but it certainly cemented the false notion that the stages are universal and sequential.

I've never seen it, but I'd be more willing to cut the first film using it some slack vs material still using it 50 years later.
 
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