I was waiting for Quorra to turn to Sam, look at him with her big, beautiful, eyes and say, "Tell me of your home world, Sam."
Agreed, but it didn't at all make sense, since their brief exchange made it pretty clear he knew she'd be outside. The guy loses his father, and BAM, she leaves him and goes out alone into an unknown world rather than wait a few minutes while he tidies things up? Actually, that would make sense, if he wanted a private moment to grieve, but I guess TPTB were too scared to put such a somber scene right before the credits, and he certainly didn't look at all upset when he ran into the old dude.^^
I think that was a fake-out because when Sam exited the Grid and then he's talking to Alan I was disappointed because I thought she would get to go to the real world but she wasn't there, then BOOM!
Funny. In my cut of the movie Olivia Wilde flashed her love-pillows after the end-credits.
No, there wasn't. As usual, I stayed until the end of the credits, but not because I thought there would be a scene, I just usually stick around for the credits themselves.
I was worried that they were going to make Quorra into one of those generic "Ice Queen" warrior women types. Nice surprise to see her as a genuinely nice, sweet-but-tough warrior type.
Absolutely. I bought the score immediately after getting out of the film and I can't stop listening to it. Daft Punk really captured the atmosphere of the film and paid wonderful tribute to Wendy Carlos (and at times reminds me a bit of Tangerine Dream, too). In a way, the score is like the 80's style of music but updated. If that makes any sense.No, there wasn't. As usual, I stayed until the end of the credits, but not because I thought there would be a scene, I just usually stick around for the credits themselves.
This is one film where it's worth staying to the end of the credits for the amazing score.
The title end credits track is a fantastic piece of music, and actually hits the right kind of triumphant note of victory to end cap the story, and the chill out track that follows ("Solar Sailer") is a good way to relax after the fairly intense final act.
Absolutely. I bought the score immediately after getting out of the film and I can't stop listening to it. Daft Punk really captured the atmosphere of the film and paid wonderful tribute to Wendy Carlos (and at times reminds me a bit of Tangerine Dream, too). In a way, the score is like the 80's style of music but updated. If that makes any sense.No, there wasn't. As usual, I stayed until the end of the credits, but not because I thought there would be a scene, I just usually stick around for the credits themselves.
This is one film where it's worth staying to the end of the credits for the amazing score.
The title end credits track is a fantastic piece of music, and actually hits the right kind of triumphant note of victory to end cap the story, and the chill out track that follows ("Solar Sailer") is a good way to relax after the fairly intense final act.
I kinda wish Clu was planning to dominate the Internet rather than Earth. Would've been far more believable and thus much satisfying (not to mention different) from the weird-ass world domination plot he was trying for.
Not only that, but if they COULD cross over, it would be fun to see what the world and characters of our Internet might look like...
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