It doesn't help that there's been little to no advertising. I venture to guess there are still loads of people who don't know this movie actually exists.
Just because you can describe the broadest strokes of the plot in two sentences doesn't mean much to the quality or structure of a film. ..."Kyle Reese and the Terminator try to find Sarah Connor. Sarah Connor and Kyle Reese try to escape from the Terminator."
Yeah. "Kyle and Sarah meet up, clash, and gradually learn to trust each other" would be the first act, and "Kyle and Sarah escape from the Terminator multiple times before finally destroying it" would be the second act.I mean, you could describe T1 that way, but I'd say that "Kyle and Sarah meet up, clash, and gradually learn to trust each other" is just as important a broad stroke of that movie in terms of both plot and runtime.
It's two-act because you're making it that way by ignoring story points to make the film sound simpler than it is, just as I did with The Terminator.
Besides all that, I personally don't buy into the implication that a film having two acts is some kind of damning criticism.
Besides all that, I personally don't buy into the implication that a film having two acts is some kind of damning criticism. Even if Tron Legacy was undeniably a two-act film, that means nothing in terms of the story, it's characters, or it's plotting. Is a five-act play somehow superior to a two-act play regardless of all other factors?
Yeah. "Kyle and Sarah meet up, clash, and gradually learn to trust each other" would be the first act, and "Kyle and Sarah escape from the Terminator multiple times before finally destroying it" would be the second act.
Edit: For the record, I'm not arguing that Legacy is some masterwork. Or that it doesn't have deficiencies. Only that "it's a story told in two acts" only says one thing about it. It's not an insightful criticism on any level.
You yourself said "Kyle and Sarah meet up, clash, and gradually learn to trust each other" so checking the time when they first meet does not cover the events as you described. Sarah isn't really on Reese's 'side' until an hour in.I checked: Sarah and John meet at minute 37 of a 103-minute movie (not counting end credits) - in other words, when the movie is 35%, or pretty much exactly one-third, over. Ergo, but it's not remotely honest, in storytelling discussion terms, to say that Kyle and Sarah meet in the first act of T1.
I did not say that a five act story does not have more developments than a two act story. I asked if a five act play was somehow superior to a two-act play regardless of all other factors. Does it have more acts? Yes. Does that mean anything in regards to the quality of the writing, acting, staging, etc? No.So, yeah, a two-act story should be understood as having fewer developments as a five-act story. If you're not willing to recognize that basic math, there's no use in you using the term "act" at all.
"Showing a clear understanding of a person or situation".Obviously, no one-sentence observation can be "insightful" in the sense of "it's argued at length," because "at length" inherently means "across multiple paragraphs." Therefore calling the observation "not insightful on any level" is not a useful argument on any level.
You yourself said "Kyle and Sarah meet up, clash, and gradually learn to trust each other" so checking the time when they first meet does not cover the events as you described.
I did not say that a five act story does not have more developments than a two act story. I asked if a five act play was somehow superior to a two-act play regardless of all other factors.![]()
You're right. So I shall pretend I wrote "Even if Tron Legacy was undeniably a two-act film, that means nothing in terms of the quality of its story, it's characters, or it's plotting." like it was in my head.If your wording didn't accurately convey your intended argument, that's on you.
Is that what the kids are calling it these days?clash
We use essential cookies to make this site work, and optional cookies to enhance your experience.