I'd prefer to hear what the general public would say to that before I make that assertion. I mean, we LOVE that TOS look since it's what we grew up with. Logically, we're rather biased.
Oh I'm well aware of New Voyages. I was at "A Night in 1969" about two years ago with friends and ran in to many of the actors and production personnel from many of the fan films too.
First: New Voyages is a series. They've done episodes and have several more in production.
Second: My humble opinion: The two best fan films produced to date are New Voyages' "World Enough and Time" and the nearly completed "The Tressaurian Intersection" from Starship Exeter.
Third: The New Voyages sets are in Ticonderoga, New York. When Enterprise lensed "In A Mirror Darkly," James Cawley sent the retractable sensor scope for Sulu's station to Paramount for use in the two-parter.
Outside of the nostalgia factor, those sets would not hold up in a modern day production. They looked silly enough in the 1996 and 2005 tv episodes, they certainly wouldn't have worked in a 2009 feature film without significant changes.
THe upper corridors are the ones I was talking about. Way too bright. Way too smooth. The difference between the corridors and the bridge compared to engineering for instance. It didn't feel connected like they were different parts of the same ship. What was it, the Titanic with first class and then steerage?
TOS had cohesion.
The new upper corridors looked pretty good I thought. Hated the "industrial" sections with a passion.
The bridge too wasn't as bad as it could have been...it was far too busy and cluttered though, and the readouts were just psychadelic drifting random crap. it didn't have any sense of organization or purpose behind it.
And what the frak was with EVERY station having a throttle?
Oh, and the doors were fru fru.
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