These rationalizations ignore the subtext and intent of what is being said onscreen. And the intent is born of error and sloppily not getting the facts right.
It's not sloppy nor born of error. It's a realization that it's not important to the story. The theme of TWOK is aging. That's what you're missing altogether.
This isn't a debate about convincing someone else. You believe what you want. If you like it as one big happy continuity than good for you. I don't buy it as such and I never will. Over the years the inconsistencies just pile too high for me.
This isn't about trying to convince you. This is illustrating that there's no way to "unite" the "TOS Purists" of this BBS. I've been described as a TOS purist for as long as I can remember. As have you. As have half a dozen other posters here. If we can't even agree on the simplest of things (such as the TOS, TAS, CLassic Movies), then there's no hope for any sort of "unity." Your dismissive comments toward the Bennett-era films are often insulting to those of us who enjoy those films far more than TMP.
I can see TWOK-TUC being of the same continuity as TNG/DS9/VOY and possibly in extent then ENT. But none of it works with TOS as far as I'm concerned.
The TOS/TAS/Classic Trek Movies continuity works for me. Anton used to say that it was only Season 1 & 2 and TMP that worked for him. You're saying that only Seasons 1-3 & TMP work for you. *shrug* We're all entitled to our own opinions. The vast majority of the posters on the BBS don't care; the vast majority of the readers of Orion Press don't care; the vast majority of the readers of Pocketbooks don't care. To the vast majority, it's ALL Star Trek, and we've got to accept that.
Yet back to TWOK the other thing that I disliked from the first time I saw the film was that they were no longer on the frontier boldly going. They painted the original crew as old farts not from being put out to pasture and only good enough to train snot nosed cadets.
The theme of TWOK is that the characters are getting older (the actors certainly were), and it's an examination of how heroes must deal with their own mortality. It's a logical extrapolation from TOS.
Without going into specifics:
I would regard the training and education of the next generation (no pun intended) of star fleet officers to be a task of great importance to star fleet.
Exactly. The function of the senior members of society is education. Why do you think they're always telling the younger members of society what they did? They're trying to impart their wisdom, and this goes back to the primary theme of TWOK.
And the pride of Starfleet is painted as a creaking bucket only waiting to be cut up. The whole thing stank and Bennett and Meyer can rot in hell as far as I'm concerned.
It's been ten years since TMP, and you don't know what's happened to the Enterprise. She might've been practically blown up trying to save a planet. She could've been in battle and suffered extensive damage. Accept the condition of the Enterprise also as a comment on the theme of TWOK. She's an aging ship with an aging crew.
People cut up TMP because it's not run-and-jump action. But in overall tone and style it was more like the TOS I remember.
I have no idea what you're talking about. Other than "The Changeling," I can think of no episode even similar in tone or style to TMP. Name an episode where the leads draw together as many times as they do in TMP to restate the plot points over and over. Name an episode where they sit there and stare at the viewscreen. Even in "The Immunity Syndrome" where there's actually something truly interesting on the screen, they don't sit there and stare blankly at it. The thing's a menace and must be destroyed. V'ger is a menace and must be dealt with or destroyed. But for heaven's sake, staring at it while the lead actor's wife is mechanically garbling "No for-ward mo-men-tum" isn't anything like I recall seeing in TOS.
The story was about facing something really unknown and dangerous. And in the end the crew is back together and ready to hit the frontier again.
The crew was facing something they'd dealt with before in the form of NOMAD/VGER, both space probes that had been coopted by alien technology and both had returned as threats to Earth. That's dangerous, yes, but hardly "really unknown." I will admit, however, that in the ending, the feel of TOS is almost there, but it's far too little, and far too late.
Things feel off in the beginning. but then everyone has been apart and no one is in their groove anymore. A subplot of the film is everyone getting back into their grooves.
No it's not about "everyone" getting their act together. We don't see that at all. It's about JTK trying to reassert his command and Spock dealing with alien influence in his head. I think you're confusing the ORIGINAL story where everyone is brought back together to face the menace (originally Shatner said it could be God or it could be the Devil). In TMP, the fact of the matter is that everyone's been doing the same ol' same ol' except for Kirk who's been with the admiralty, Spock who's been on Vulcan, and McCoy who's been buried in research. Those three are reunited. McCoy doesn't miss a beat, but Kirk and SPock are unbelievably lost for two hours of the two hours and ten minute movie.
I find it interesting that you reject TWOK for its "old farts" attitude but TMP's "alienated old friends" is acceptable.
TWOK resembles TOS in another respect in terms of character moments and some of the action, but the rest is just off.
No, it's not. The characterizations in TWOK are perfect. The actors slipped back into their roles as easily as you might a comfortable pair of slippers. In TMP, they're struggling to fit into a pair of shoes that never were made for them in the first place. That's why TMP falls flat in comparison to TWOK.
I would regard the training and education of the next generation (no pun intended) of star fleet officers to be a task of great importance to star fleet.
True enough, but the whole thing of the
Enterprise and her proven crew not doing the things we like seeing them do just burned my ass.
Funny, you can argue the same thing about TMP. The crew isn't "doing the things we like seeing them do." They're sitting on their asses staring blankly at a viewscreen for nearly an hour of the movie.
It's like the ideas we've heard for series about young Bruce Wayne before he was Batman or young Clark Kent. Hello! I don't care! I want Batman and Superman stories, not teenage angst stories. A flashback is one thing, but I'm not interested in a film or TV series devoted to it.
What you wanted (seeing the crew "doing the things we like seeing them do") couldn't be achieved by the time TWOK was produced. The cast was too old. So Harve Bennett went with a story that highlighted this fact to a charming degree, and you can't deal with it. The Bennett-era Classic Trek movies are a wonderful exploration of various themes, and are far more worthwhile experiences than TMP achieved.