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TOS movies are so flawed

Its demonstrates perfectly in "Heart of Glory" when Klingons are able to take a direct hit from a Starfleet phaser.

And Tasha's yellow shirts get taken out. Might of been different on a TMP era starship.

(I love how fast posts flow on the BBS with everybody home in quarantine and nothing to do but surf the BBS while watching TV.)
 
I really love TOS movies. It's a great saga, I love how most of them end while leading right into the next. I love the stories, characters, visuals, all that.

But I have to admit that reading about the plots prior to watching them and getting past the nostalgia and novelty of a big budget, epic take on this 60s science fiction show, there's quite a bit of big flaws that I'd be complaining loudly about had I watched them when they first came out.

The Motion Picture
Actually I can't think of anything really wrong with this film. Moving on.

The Wrath of Khan
Kirk gets a son out of nowhere. That's fine but he seems so generic. A bland pretty boy with blond hair. I would expect him to have at least interesting character traits.

The Search for Spock
What the hell happened to Saavik? Why is she acting like that? Oh well, I get why they had to recast. I don't get the reasoning to have her talk like a robot though.

And why introduce Kirk has a son just to kill him off in the next movie?

The Voyage Home
Great film. But if it's that easy to go back in time, why don't more people do it, and why isn't the timeline all messed up because of it?
And why is Kirk so cheerful and upbeat. His son has just been murdered!

The Final Frontier
Spock has an emotional half-brother all of a sudden. Shenanigans. And the premise itself is kind of silly, even by sci-fi standards. Why would they believe that there is actually a supernatural being out there, and that it's God. I can imagine people in our time believing that a vast power would be God or a god. But after witnessing V'ger, and the whale communicating thing, wouldn't it be more likely to assume it's some kind of alien being or creature and not the creator of the entire universe?

The Undiscovered Country
Captain Kirk, now you're upset over the death of your son?
And weren't you guys all chilling and friendly with the Klingons at the end of FF?
Now Kirk and his crew are back to being racist towards Klingons, and not only that Starfleet is suddenly full of space racists?
Did we really have to have Worf's great grandfather be Kirk's lawyer?
I liked the lines "You should hear Shakespere in the original Klingon. But when the Klingons are constantly quoting Shakespere it starts to take me out the movie.

I love all the movies, but these are some issues I have with them.
I find it hard to classify any of that as flaws really.

David Marcus was quite a well drawn character. A figure with the recognisable traits of both father and mother. He kicks against his father with his resentment of Starfleet but is also quite like his father in temperament. I like the reconciliation between the two and how stung Kirk is that it was but a brief reconcilation before he was taken from him.

Sybok is a somewhat satirical dig on Spock's remarkable and unhuman capacity to clam up and not volunteer information that isn't immediately relevant to anything. If it was up to Spock, Kirk would've never been informed that Sarek was his father and this is that trait coming to the fore again. Sybok becomes a catalyst to some remarkable acting from Kelley, Nimoy and Shatner later in that film.

I have no real problem with Kirk being amiable and correct to small groups of Klingons or individual Klingons whilst letting his resentment burst forth when he feels the Federation is put at risk at the near collapse of the Klingon Empire; which promises unknown changes across the galaxy. Kirk lost his son, he doesn't want to lose the Federation as well.
 
I've just seen the The Motion Picture (Director's Cut) and it's great soundtrack, world building, and SFX surrounding a plot that's pretty threadbare and stilted, but still grand.

I assume the dirt not getting scrubbed from V'Ger's primitive Earth probe core was more the fundamental mistake of its alien AI creators being far too literal, mechanical, binary, and unimaginative (pointing out a blind spot in machine lifeforms not emulating biological life and "thinking outside the box").

And there's a fan theory formed that Voyager 6 did not drop through a blackhole, but a dimensional rift that transported it across the universe to another galaxy and back in time (tens or hundreds of thousands years ago). It makes more sense when Voyager 6, reborn as V'Ger, became so gargantuan and alien looking just a couple of centuries later (and it mapped out whole galaxies on its long trip back to Earth).
 
By now it's obvious that Decker was correct to say "Used to call a black hole", referring more likely to an unstable wormhole of some sort. This would account for the damage to Voyager 6, while also making easier for it to have survived the journey. The real question becomes, how far away did it actually end up, and how did it know where to go to return home?
 
Kirk is never kind towards Klingons. At best he is cordial, and at worst he will describe their worst traits to make sure Starfleet looks better. Even in TFF Kirk calls them "Klingon bastards." His salute towards Klaa is as half-hearted as it possibly can be. None of it is framed as a positive.

What TUC does is bring to light these long held pains and attitudes by suddenly shifting what the Klingons were in relationship to the Federation. Suddenly, they are potential allies, and that is uncomfortable. So, it is easier to treat them as villains, rather than potential allies.

You're missing the point.
You can portray the fear and prejudice that Starfleet has towards the Klingons, in the same way that American government and/or military would express fear and prejudice about the Soviets during the Cold War and vice versa.
Kirk alone holding a grudge against the Klingons for what happened to his son...that's understandable even if it wasn't an issue for the previous two films. Him playing up the threat of the Klingons, which were analogues for the Soviets, make sense over the course of the TV series and films. But Starfleet admirals and the rest of the Enterprise crew suddenly using racially charged language from the 1960s is sudden considering they never did that previously. Admiral Cartwright saying that Klingons would become the "space trash of the galaxy" is a socially racist perspective that doesn't match the security threat that they're arguing for. It's forced so the writer/director can provide heavy-handed commentary on racism. And again, that's in conjunction with how the previous film ended when the Enterprise crew is celebrating with the Klaa's Klingon crew, and Ambassador General Korrd and the Federation Ambassador are commenting on how far they've come in such a short time, and Klaa and Captain Kirk exchange warrior salutes.
 
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But Starfleet admirals and the rest of the Enterprise crew suddenly using racially charged language from the 1960s is sudden considering they never did that previously. Admiral Cartwright saying that Klingons would become the "space trash of the galaxy" is a socially racist perspective that doesn't match the security threat that they're arguing for. It's forced so the writer/director can provide heavy-handed commentary on racism. And again, that's in conjunction with how the previous film ended when the Enterprise crew is celebrating with the Klaa's Klingon crew, and Ambassador General Korrd and the Federation Ambassador are commenting on how far they've come in such a short time, and Klaa and Captain Kirk exchange warrior salutes.
I'm not missing the point. I am fully aware of what your point is. I just disagree with the point, because I think TFF is the outlier, that Kirk's warrior salute to Klaa is about as half-hearted as it possibly can be. Since we have never seen admirals addressing Klingons then we have no idea what their attitude would be.

In any case, it is not as jarring to me as it is to you.
 
By now it's obvious that Decker was correct to say "Used to call a black hole", referring more likely to an unstable wormhole of some sort. This would account for the damage to Voyager 6, while also making easier for it to have survived the journey. The real question becomes, how far away did it actually end up, and how did it know where to go to return home?
The solar system map on it's side, along with the tasteful human nudes?
 
The solar system map on it's side, along with the tasteful human nudes?

Really that only helps once you're in-system. How did they know where to find the system? Did this machine race visit Earth at one point, and what did they do here if they did? Each answer prompts another question.
 
V'Ger likely learned more about the UFP and Earth as a possible lead to its origins after it absorbed the Epsilon facility.
 
What? That is actually a pulsar map inspired by the Pioneer and Voyager plaques, and the three ovals on the right depicting Earth's continental drift was taken from the LAGEOS satellite.
There is a solar system map towards the bottom? As well as nude humans. Not sure what King Daniel said that was inaccurate. :shrug:
 
There is a solar system map towards the bottom? As well as nude humans. Not sure what King Daniel said that was inaccurate. :shrug:

Aside from the hyperfine transition the only other graphic on the left side of the Voyager 6 plaque in this screencap is the pulsar map (good for locating the Solar System from essentially anywhere in the Milky Way). The schematic illustration of the sun and nine planets below the pulsar map in the original Pioneer plaque do not appear to have been reproduced for the ST:TMP prop.
 
^ The nude humans are missing from the plaque as well, although they do appear fleetingly during Spock's mind meld with V'ger.
 
Aside from the hyperfine transition the only other graphic on the left side of the Voyager 6 plaque in this screencap is the pulsar map (good for locating the Solar System from essentially anywhere in the Milky Way). The schematic illustration of the sun and nine planets below the pulsar map in the original Pioneer plaque do not appear to have been reproduced for the ST:TMP prop.
Ooohhhh
Is there such a thing as tasteless human nudes?
Hmmm....I don't find the nude human body tasteless so I'm going to with No.
 
I really wanted to see the pulsar map represented 3-dimensionally during Spock's spacewalk. I doubt anyone would have recognized it at first, but it woulda been a neat "aha! the clue is right there!" moment on rewatch.
 
This can go so wrong...
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