Setting a series X number of years after the previous series isn't actually moving forward. Exploring new ideas, even if its with the same characters, is.And you really want ST to be nothing more than a look backwards?
Marvel reboots all the time. They just like to do them "in continuity". Remember with Bucky was kid in his early teens who was a camp mascot and not a highly trained, ruthless killer? Or when Spider-man was married?Marvel has not done a reboot so far (knock on wood) and has had the stronger continuity of the two.
I guess my point is, why reboot when you can avoid the dreaded reboot comparison of Picard 2.0 to Picard 1.0 with a whole new series?
But this is something fandom loves to do. Just look at all the contortions done to try and explain that Prime Kirk was noble in his tampering with the Kobayashi Maru test and Abrams Kirk is somehow a jerk for doing the same exact thing.
At some point, another ship and another crew just become incredibly generic. Getting lost in other ships and other crews.
someone else said it best- I'd watch whatever they try to do and I'd give it a fair shake...but I don't think many others would.
I think there could be possibilities for a reboot TNG or some new crew for a tv series.
Consider what's being done with super hero franchises in movies and tv. Marvel has Agents of SHIELD, with no important characters from the movies or comics involved except the relatively previously very minor character of Agent Coulson. DC has done Arrow and it's spin off Flash, and the unrelated Batman prequel Gotham series, while they're doing a whole separate continuity in their new movies.
If Agent Coulson can get his own tv series then I'd think a reboot TNG, or a brand new crew, could carry a tv series.
I'm totally open to just about anything new for Trek. I think a reboot TNG could be a lot of fun. I also think a new ship or space station (such as doing a reboot version of Vanguard) that shares continuity with the new Trek movies set in the same periodwould make a lot of sense.
Have some of the supporting characters like Scott, Chekov, Sulu, Carol Marcus, etc do a story arc and guest appearances. Recognizable aliens like Klingons, Romulans, Vulcans, etc can be used as wanted for audience recognition. Characters, ship or station whatever, can make a cameo appearance in the movies to cross promote.
They made a big deal about the ship carrying families but only had a few unforgettable episodes that dealt with them.You and me both! And yes the civilians on board was never emphasized enough.
I was thinking to keep her in the sciences. Her diplomatic and public relations training would be on the command track, but she is also a psychiatrist, psychologist, sociologist, xenologist and linguist. Wouldn't be adverse to having her in red though.I agree. In your concept as diplomatic liaison, would she be in command red or still in science cyan? I'd personally rather see her in red, too many women in ST get shoved into the science division.
I get what you're saying. I am looking at Agents of SHIELD as an example. I think surely if Agent Coulson can headline a tv show that a new crew or new TNG reboot could work. They'd still have the familar alien races of Klingons and Vulcans, etc, starships, etc could find an audience.
I don't see where TNG or a new crew is any less viable an idea now than it was in the 80s. No one in 1987 knew anything about TNG then after all, and it was successful. If BSG could be successfully rebooted, then I think TNG could too. I don't think classic BSG was any more famous or popular before the reboot than TNG is now, and the new movies can help promote the series.
You want a new Trek series that I think would actually work? Ok...here it goes. I honestly believe these are required elements, regardless of how we feel or what we personally want.
1. No crossover fanwank. No Dr. Bashir and Tom Paris showing up to help B4 defeat the Borg Queen. This is where the current novels are total crap. A show depending on this kind of gimmick would be garbage.
2. Nothing post-Nemesis or post-Voyager.
3. Nothing so far in the future or so far away that it is no longer relatable.
4. Can't have "intergalactic politics" that so many fans love override a theme of pioneering and space exploration.
5. No war theme. It was already done well in DS9. No need to revisit that arc.
6. No need for the silly fan-wanky crew make-up so many seem to want. You know, no dolphin security officers, Horta Captains, or Romulan ships councilors. Stupid.
I believe this means a total reboot. If it were in my hands, I'd reboot the Kirk and Spock era aboard the original Enterprise as severely as BSG rebooted that franchise. Mainly, I think this is the way to go because of "brand recognition," but also because those characters are the best.
What made the original great was that it was cutting-edge and took a ton of risks for the time. I believe you'd need to bring a modern mentality and accomplish that very same thing for our time. Make it a cable show with a limited season run (8-10 episodes) so the writing and production values are top-notch.
I'd also look at doing something like Game of Thrones, where you have multiple interconnected story lines taking place in multiple locations. It would be cool to have the Enterprise be the hub of storytelling activity, but to have interconnected drama taking place on Earth, a remote space station, Kronos, etc.
I think they'd also need to have more risks with the characters. They'd need to be willing to make massive changes and developments and/or have character deaths occur at times. Have conflict and drama!
Also, don't overdo the technobabble or nerdy tech elements. Have more of aTOS approach where that stuff is there, but doesn't take 5 mins to explain, nor does it become necessary to solving the episode every week.
Include the classic antagonist races like Klingons, Romulans, and Tholians, but revamp them considerably to be multi-faceted and not so one-dimensional. The crap idea that Trek perpetuated was that "all Klingons are boisterous drunken warriors" and "all Romulans are scheming double-crossers." For a series that valued diversity, it really tended to pigeonhole races.
Visually, I think they need to abandon the static, 1987 TNG era presentation of ships. I'd love to see more of a "2001" realism to the starship scenes. Not taking it too far...but just taking it in a different direction, much the same way BSG did.
And, thematically, like in said earlier, it's a 70-30 split on pioneering / exploration and intergalactic politics. Lots of character drama and relationships. And, comparing the format to Thrones or BSG isn't to be mistaken for saying that Treks's fun and optimism should give way to darkness and violence. Sure, it can't be moustache twirling villains dressed in black against the ultimate pious good guy all the time either, but you can never do away with the fundamental theme of mankind striving to better themselves and working together. I wouldn't make them all perfect like the TNG characters, but they would also avoid the overboard use of "moral ambiguity" that seems so popular these days as well.
I think if you created a show based on these fundamentals, you'd have the best chance for success with fans and modern audiences. I'm Sure it would disgust and repel some fans, but that's completely unavoidable. You can't create a series like this and try to please everyone...and it would be death to try. Make something that is high-quality and dramatic and avoid fanwanky nerdy stuff and you can bring in a good percentage of the existing fan base and start to build a totally new one to ensure the franchises continuity and longevity.
I've often thought about what I would do to "reboot" TNG. Believe I've outlined my thoughts before in this forum. That being said here are a few of my ideas.
I'd mine the original TNG bible, using many of the ideas that were either altered or dropped when the series actually went into production, such as the Enterprise being on a 15 to 20 year mission, alone and without much contact with Starfleet Command. I would explore the community that would be built around the idea that the ship was alone, with only each other to truly rely on.
Starship Life
In other words, I'd find stories among the crew, both Starfleet and civilian, what life truly would be like on a great starship sailing the stars. Much like the movie MASTER AND COMMANDER really portrayed what life was like on an 18th century Royal Navy frigate.
While I wasn't overly fond of the families concept, I'd keep it since it's a great source of conflict and something that would add occasionally tension on the ship. TNG never really dealt with the concept well.
Who are the people that would bring their families? How does that come into conflict with other characters? Does that create strife between the "military" officers and the civilian population, both of whom will occasionally have competing agendas and, of course, different worldviews?
The Crew
One thing that always bugs me about TNG is the lack of conflict, or Roddenberry's "perfect human" idic. The "band of brothers", which can be squarely rested at David Gerrold's feet since he wrote the original bible, was something I never quite understood. Sure they can get along, even like each other but that doesn't mean they aren't going to disagree.
Human beings whether today or 400 years from now will still have their own personalities, their own experiences that shape their worldviews. Conflict isn't who slept with whom — that melodramtic, soap operish idea of conflict. No, it's when one worldview rubs against an opposing one. Or how those worldviews approach problems. Think about McCoy and Spock, who had an underlying conflict because of the different worldviews. Even Kirk and Spock didn't always see eye-to-eye. "Where No Man Has Gone Before" had a wonderful tension between the two, which I wished had been seen more in the actual series.
That's what I mean by conflict. How each character views a problem and how they'd solve it, how that differs from another characters? How one character's goals may stand in the way of another?
TNG missed the boat by eliminating any tension between Picard and Riker. EaF set up a potential strife with the idea that Riker didn't allow his former captain to beam down. You were waiting for something like that to happen with Picard and him, but it never did only the lip service of "you can't beam down, regulations, blah blah."
Not to say they'd be entirely the same characters from TNG. There'd be some changes.
Captain Jean-Luc Picard:
Much younger than in the original. Perhaps late 30s. This would allow him to drive much of the show's action. Still thoughtful, perhaps not as reserved. He is still very much of a different era of Starfleet where captains lead away missions, didn't hesitate to put themselves into harm's way. An era that is slowly going away.
He is primarily driven by the need to protect his ship and crew at all cost, even at the sacrifice of his own life. This worldview has been shaped by the loss of his previous command, the Stargazer, which nearly resulted in his being booted out of the fleet. He is an explorer at heart, who has learned to be a warrior. And those two personality traits often cause him internal conflict.
Commander Wilhelmina T. Ryker, aka "Number One":
Yes, a woman. TNG lacked a lot of strong women in command roles. Always wanted to see Shelby as first officer after BoBW. Either replacing Riker or becoming his XO.
She is ambitious. She is driven by her desire to get her own command. She believes that she should be the captain of the Enterprise. She is very much an officer of the new era of Starfleet, which is less military and less formal. Her worldview and her own ambition often puts her into direct conflict with Picard.
They don't always see eye-to-eye on command decisions. She occasionally challenges him in front of others.
Like Riker in the original bible, she'd find it a little hard to accept ...
Data:
Never liked that a human built Data. Really liked the concept that his origins were a bit more mysterious in the original bible. I'd bring back that concept. I'd return him to being more an artificial biological being as he was in the early episodes, rather than the mechanical automaton he later became.
Still a childlike quality, Data would make some humans uncomfortable. Yet he'd be a reasoned, logical creature, which could at times make him dangerous and a bit unpredictable. He could use reason to sacrifice a life because it was logical to do so to save a greater good. Without empathy, he'd be someone that could do harm but not realize that he is doing so.
Deanna Troi:
She'd be a civilian First Contact specialist. An advisor to Picard on contact with alien lifeforms. Bring back some of the more reserved aspect of the character from the first season. Yet that aspect would only be for when she's on duty. Off-duty she is very much aware of her own sexuality, especially since there are little taboos regarding sex on Betazed. She is a sensual creature, sultry but very much in control of it.
However, there are those humans that are intimidated by Troi because of her telepathic skills. Since she is from a planet without inhibitions, some fear that she'd invade their privacy.
Dr. Beverly Crusher:
Less Janice Rand with a medical degree. While she'd still have a past with Picard, she'd be a research scientist in her own right, aboard Enterprise because of that.
Slightly older than Picard, her husband, Jack, was his mentor. Picard replaced him as captain of the Stargazer when he was killed on an away mission. Part of Beverly blames him for Jack death since it was his duty to protect his captain. The other is guilt for having an affair with Picard while her husband was alive.
However, she is driven by a need to save life, no matter what, to uphold her oath as a physician. More than that, she is also strongly driven to complete a comprehensive work on xenomedicine. This agenda creates conflict between her, Picard and Ryker.
Midshipman Wesley Crusher:
Roddenberry gave lip service that Picard, Riker and Wesley represented the three stages of an officer's career. Less genius, Crusher is truly Mr. Midshipman Hornblower. Eager, unexperienced and a bit of a self-doubter, who is constantly thrown into situations where he has to prove himself. Picard can be overly hard on him, as he trains the young Crusher to become an officer.
And the Rest ...
Haven't really given much thought to the other characters. I much liked Geordi on the bridge rather than when he was the chief engineer. I'd maybe explore him a bit and how having a device as an extension of himself informs his worldview.
Not sure if there would be a Tasha. Although, I'd probably make her Hernandez to make the cast more ethnically diverse. Worf would be there, not sure how.
Stories
Less episodes per season, to stretch the budget and tighten up the storytelling. The series would still be episodic, but with the occasionally planet exploration taking place over the course of several episodes.
It would be episodic like MAD MEN, where each episode stands on its own but pushes the conflict between characters a bit further or to a head in the last episode of the season. You can watch an individual episode and still get the story, but watch the entire season and you see a greater tapestry.
The characters would change and evolve over the episodes, much like MAD MEN. I'd bring the sophistication of today's television storytelling to the action-adventure of STAR TREK.
I'd also buy LitSF short stories, from today and yesteryear, and adapt them. Bring on contemporary writers like John Scalzi, Cory Doctorow and Neil Gaiman as contributors. Maybe even as consultants.
I came up with this about four years ago ...I posted this back in the spring regarding the general direction I think they'd need to go:
Set anywhere between the end of the Romulan War and WNMHGB, show the Federation and Starfleet in their younger days.
Need someone fresh in command, neither Kirk nor Archer, A more Stephen Decatur like character, young - brash - headstrong - driven, exploring the space surrounding the infant Federation. He a veteran of the romulan war, this is his first command, given his youth he's likely only a Lt.Commander or Commander. His lack of "seasoning" result in his making the rare mistake.
The ship will not look like a corridor from a Hilton hotel. Make it tight inside, world war two submarine tight, people squeeze past each other. The crew has families, just not aboard with them. There are married couples.
Story Ideas. Except for the walled off Romulans and the rarely seen Klingons, the new crew explores space with NO gigantic powers. Makes first contacts (without the benefit of the prime directive), fights against minor but strong enemies, encounters pirates and slavers, faces ethical dilemmas, we get to know his crew, this is a time of expansion for the Federation and also Earth.
Story Ideas. No one uses the phrase "empire building' but that basically what it is. It's very 15th through 18th century Earth-like.
Story Ideas. The Federation doesn't coalesce right away into a more perfect union, there are settling in problems.. This will be less politics and more civilian competition. Trade routes, resources, new colonies -- think of the new Federation as a on-going Journey to Babel.
Story Ideas. Humanity wasn't held back for a century by the Vulcans (who are still arrogant assholes), Humans exploded out into the galaxy immediately after Cochrane's first flight. Earth has many dozens of colonies, some of which are successful others not.
Story Ideas. Throw a little zinger in sometimes, show that 22nd century Humans don't think exactly like us. Two centuries had to have changed us in some ways.
Story Ideas. Our heroes lose sometime, sometimes badly.
Story Ideas. There is a female Vulcan character, a young minor officer from the Vulcan defense forces. No catsuit, the Vulcans are usually shown in robes of some kind, put Vulcan-girl in something like that. Think about Japanese Samurai/ Jedi Knight form of dress. But still give her freedom of movement. With the right material you'd still be able to see her boobs. Increase the strangeness factor on the Vulcans, Amok Time did a fair job of this. They live 250 years and the average family has 20 odd children, the reason they send them into the desert on the kas-wan is because they want most of them to die.
Story Ideas. Junk Star Trek's "modern secular liberalism." Sure a few of our characters will embrace this, but most of the characters are a diverse group in terms of their beliefs. Economics, philosophies, religion, politics. As we get to know them we'll realize that the characters are very different from each other. The crew will have relationships, sex hook ups, marriages, friendships, enemies, problems.
Story Ideas. There would be two secondary characters, one a person of profound faith, the other a adamant atheist. Make them best friends, there would be a on going C story arc of the two of them arguing, joking, pushing their individual interpretation of the events in various episodes. Think of the friendly arguments between McCoy and Spock. Just something in the background.
There will be aliens of course, they will be alien through the actors portrayals and minimal make-up, but not super elaborate make-up.
Not sure just how "military" the show would be. I think today's audience might accept a more traditional military organizational structure.
During this particular show Earth/Federation/Starfleet there will be no replicators. But there will be money.
I came up with this about four years ago ...I posted this back in the spring regarding the general direction I think they'd need to go:
Set anywhere between the end of the Romulan War and WNMHGB, show the Federation and Starfleet in their younger days.
Need someone fresh in command, neither Kirk nor Archer, A more Stephen Decatur like character, young - brash - headstrong - driven, exploring the space surrounding the infant Federation. He a veteran of the romulan war, this is his first command, given his youth he's likely only a Lt.Commander or Commander. His lack of "seasoning" result in his making the rare mistake.
The ship will not look like a corridor from a Hilton hotel. Make it tight inside, world war two submarine tight, people squeeze past each other. The crew has families, just not aboard with them. There are married couples.
Story Ideas. Except for the walled off Romulans and the rarely seen Klingons, the new crew explores space with NO gigantic powers. Makes first contacts (without the benefit of the prime directive), fights against minor but strong enemies, encounters pirates and slavers, faces ethical dilemmas, we get to know his crew, this is a time of expansion for the Federation and also Earth.
Story Ideas. No one uses the phrase "empire building' but that basically what it is. It's very 15th through 18th century Earth-like.
Story Ideas. The Federation doesn't coalesce right away into a more perfect union, there are settling in problems.. This will be less politics and more civilian competition. Trade routes, resources, new colonies -- think of the new Federation as a on-going Journey to Babel.
Story Ideas. Humanity wasn't held back for a century by the Vulcans (who are still arrogant assholes), Humans exploded out into the galaxy immediately after Cochrane's first flight. Earth has many dozens of colonies, some of which are successful others not.
Story Ideas. Throw a little zinger in sometimes, show that 22nd century Humans don't think exactly like us. Two centuries had to have changed us in some ways.
Story Ideas. Our heroes lose sometime, sometimes badly.
Story Ideas. There is a female Vulcan character, a young minor officer from the Vulcan defense forces. No catsuit, the Vulcans are usually shown in robes of some kind, put Vulcan-girl in something like that. Think about Japanese Samurai/ Jedi Knight form of dress. But still give her freedom of movement. With the right material you'd still be able to see her boobs. Increase the strangeness factor on the Vulcans, Amok Time did a fair job of this. They live 250 years and the average family has 20 odd children, the reason they send them into the desert on the kas-wan is because they want most of them to die.
Story Ideas. Junk Star Trek's "modern secular liberalism." Sure a few of our characters will embrace this, but most of the characters are a diverse group in terms of their beliefs. Economics, philosophies, religion, politics. As we get to know them we'll realize that the characters are very different from each other. The crew will have relationships, sex hook ups, marriages, friendships, enemies, problems.
Story Ideas. There would be two secondary characters, one a person of profound faith, the other a adamant atheist. Make them best friends, there would be a on going C story arc of the two of them arguing, joking, pushing their individual interpretation of the events in various episodes. Think of the friendly arguments between McCoy and Spock. Just something in the background.
There will be aliens of course, they will be alien through the actors portrayals and minimal make-up, but not super elaborate make-up.
Not sure just how "military" the show would be. I think today's audience might accept a more traditional military organizational structure.
During this particular show Earth/Federation/Starfleet there will be no replicators. But there will be money.
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Setting a series X number of years after the previous series isn't actually moving forward. Exploring new ideas, even if its with the same characters, is.
Marvel reboots all the time. They just like to do them "in continuity". Remember with Bucky was kid in his early teens who was a camp mascot and not a highly trained, ruthless killer? Or when Spider-man was married?
I came up with this about four years ago ...I posted this back in the spring regarding the general direction I think they'd need to go:
Set anywhere between the end of the Romulan War and WNMHGB, show the Federation and Starfleet in their younger days.
Need someone fresh in command, neither Kirk nor Archer, A more Stephen Decatur like character, young - brash - headstrong - driven, exploring the space surrounding the infant Federation. He a veteran of the romulan war, this is his first command, given his youth he's likely only a Lt.Commander or Commander. His lack of "seasoning" result in his making the rare mistake.
The ship will not look like a corridor from a Hilton hotel. Make it tight inside, world war two submarine tight, people squeeze past each other. The crew has families, just not aboard with them. There are married couples.
Story Ideas. Except for the walled off Romulans and the rarely seen Klingons, the new crew explores space with NO gigantic powers. Makes first contacts (without the benefit of the prime directive), fights against minor but strong enemies, encounters pirates and slavers, faces ethical dilemmas, we get to know his crew, this is a time of expansion for the Federation and also Earth.
Story Ideas. No one uses the phrase "empire building' but that basically what it is. It's very 15th through 18th century Earth-like.
Story Ideas. The Federation doesn't coalesce right away into a more perfect union, there are settling in problems.. This will be less politics and more civilian competition. Trade routes, resources, new colonies -- think of the new Federation as a on-going Journey to Babel.
Story Ideas. Humanity wasn't held back for a century by the Vulcans (who are still arrogant assholes), Humans exploded out into the galaxy immediately after Cochrane's first flight. Earth has many dozens of colonies, some of which are successful others not.
Story Ideas. Throw a little zinger in sometimes, show that 22nd century Humans don't think exactly like us. Two centuries had to have changed us in some ways.
Story Ideas. Our heroes lose sometime, sometimes badly.
Story Ideas. There is a female Vulcan character, a young minor officer from the Vulcan defense forces. No catsuit, the Vulcans are usually shown in robes of some kind, put Vulcan-girl in something like that. Think about Japanese Samurai/ Jedi Knight form of dress. But still give her freedom of movement. With the right material you'd still be able to see her boobs. Increase the strangeness factor on the Vulcans, Amok Time did a fair job of this. They live 250 years and the average family has 20 odd children, the reason they send them into the desert on the kas-wan is because they want most of them to die.
Story Ideas. Junk Star Trek's "modern secular liberalism." Sure a few of our characters will embrace this, but most of the characters are a diverse group in terms of their beliefs. Economics, philosophies, religion, politics. As we get to know them we'll realize that the characters are very different from each other. The crew will have relationships, sex hook ups, marriages, friendships, enemies, problems.
Story Ideas. There would be two secondary characters, one a person of profound faith, the other a adamant atheist. Make them best friends, there would be a on going C story arc of the two of them arguing, joking, pushing their individual interpretation of the events in various episodes. Think of the friendly arguments between McCoy and Spock. Just something in the background.
There will be aliens of course, they will be alien through the actors portrayals and minimal make-up, but not super elaborate make-up.
Not sure just how "military" the show would be. I think today's audience might accept a more traditional military organizational structure.
During this particular show Earth/Federation/Starfleet there will be no replicators. But there will be money.![]()
I'm not sure I buy this whole idea of "moving forward" within STAR TREK. There's no limit to what this reboot can offer. The ENTERPRISE can even dispense with Warp Drive, altogether and just fold space, as its chief means of transport, I mean ... people can already beam across the entire Galaxy, as it is. And this is all with the show's primary focus being Captain Kirk and his crew. "Mixing it up" with different ships and crews doesn't add, or change anything. Especially, when at the end of every Great Journey in STAR TREK there is a reflection of "us" ... of Humanity.
V'GER needs something more to believe in. NuKhan is just protecting his family. TNG, DS9, VOY & ENT all gave us the same "Man Behind the Curtain" deal as TOS did. With Kirk & Co., we already have Time Travel, and Aliens of every kind and stakes that aren't just global, they're galactic. There's nothing really to "move forward" to but more of this "meeting ourselves" at the end of our STAR TREK travels. Mixing up ships and crews now will only water down the franchise and weaken it to where it loses all viability again. And I, for one don't want to see that, because I happen to like STAR TREK.
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