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Spoilers Timeline of USS Franklin and Captain relative to ENTERPRISE (2001)

Hey, it isn't my theory. I'm just going by what Pegg, who wrote the new film, said.

No, the "X-Men" movies just have bad continuity and plot holes, unrelated to the time travel in the last two movies.
What about Deadpool, Angel, Psylocke, etc.? I think the filmmakers are using the time travel in DOFP as an excuse for why there can be entirely different versions of the same characters both before and after that point. But whatever, off topic.

causality cannot travel backwards within a single timeline
Is there really any such thing as a "single timeline" though? Is there really any such thing as "past" or "future" even, or are those simply illusions that we perceive from our limited viewpoint? Heck if I know. And even if the real world is one way, why should fiction have to follow that? It operates by whatever rules and dynamics the people who write it imagine it does. I mean, that's the real fact of the matter. Actual physics doesn't really come into it. There might or might not really be a God, but if the writer of a story postulates that there is one, then there is one in that story. If the writer postulates that there isn't one, then there isn't. I might like it or not, consider it to make sense or not, but that isn't really the point. It ain't up to me or you to say "no, it doesn't work like that" if the writer says it does, because it's not real, it's a fantasy. Is it really possible to travel at infinite speed? If it were, would doing so cause a human to turn into a salamander? Probably not. But that's ultimately irrelevant to the fiction.

Again though, personally I don't see any reason why anything about the Franklin and her captain need be interpreted as resulting from Nero and Spock's time travel. (And as for the "Warp 4" thing specifically, while we don't necessarily have to go this route either, I and others have pointed out that the warp scale could have been recalibrated after ENT much as it was between TOS and TNG. Maybe the Franklin's "Warp 4" is faster than Archer's "Warp 5" in the same way Janeway's "Warp 10" was faster than Kirk's "Warp 11" and she isn't really a pre-ENT ship at all.)
 
Well, one way to look at it is that Nero's meddling enabled the actions of time travelers from the future of the Kelvin universe to go back and mess with time even before Nero himself arrived.
You now have a future where time travel happens that didn't happen in the earlier timeline further into the past creating more changes.
You're both making the same point that I did earlier. I absolutely agree that once you create an alternate timeline, then future time travelers in that new timeline can go back and create still more alternate timelines.

For example, if Lt. Yar from Timeline #14 goes back in time to Timeline #15 aboard the Enterprise-C and prevents the Klingon-Federation war and has a half-Romulan baby, that allows Soran from Timeline #15 to use the Nexus to destroy a planet and the Enterprise-D. But Picard from Timeline #15 and Kirk from Timeline #8 then leave the Nexus together to create Timeline #16, where the planet and Enterprise-D are not destroyed.

This allows the Borg Queen in Timeline #16 to go back to 2063 and assimilate Earth in Timeline #17. However, the Enterprise-E from Timeline #16 goes back into timeline #17 and prevents the Borg assimilation, creating Timeline #18, where frozen Borg drones will be found in the wreckage in the Arctic a century later. The Enterprise-E then returns to the future of Timeline #18, where the Voyager will be trapped in the Delta Quadrant for 20 years. But then Admiral Janeway from Timeline #18 goes back to Timeline #19, where she gets the Voyager back to Earth decades earlier. Admiral Janeway, back on Earth in Timeline #19, then orders Picard to go to Romulus in "Nemesis."

Then, sometime in the future of Timeline #19, time travelers (e.g., FutureGuy) alter the past, causing a Klingon to crash on Earth in the pilot of "Enterprise." Further time travel during the Temporal Cold War causes the Xindi to attack Florida in Timeline #24, Then the Space Nazis take over America in Timeline #27, but Archer fights them off and creates a new Timeline #28 free of Space Nazis. The final episode of "Enterprise" was probably in Timeline #37 or something. If there is further time travel in the new series next year, that could mean that Nero and Spock Prime came from the future of Timeline #42, creating this new Alternate Timeline #43, where the last three movies have taken place.

The historical events we now see in Timeline #43 may not reflect the events that were seen at the end of "Enterprise" in Timeline #37 (depending how many time paradox events may have happened after the final episode of "Enterprise" and the black hole that swallowed Spock and Nero 200 years later in Timeline #42).

So, yes, we have seen many alternate timelines already, and each one leaves open the possibility of creating further alternate timelines in both the past and the future. But when Spock and Nero arrived in the current alternate timeline, the events concerning the U.S.S. Franklin had already happened in both their original timeline and this new one (there's no evidence that this last movie is in a different timeline than the previous two). But that's not to say that Spock and Nero's Timeline #42 is the same timeline depicted in any episode of "Enterprise." For that matter, Spock Prime is not even from the same timeline as Ambassador Spock in "Unification." They may have very similar pasts, but they are definitely from different timelines.
 
What about Deadpool, Angel, Psylocke, etc.? I think the filmmakers are using the time travel in DOFP as an excuse for why there can be entirely different versions of the same characters both before and after that point.
Well, Angel in "X-Men 3" was a teenager in our present. In the setting of the last X-Men movie (1985), he would not even be born yet. The same problem exists with many of the characters: Jubilee was a kid in the first "X-Men," set in the 2000s, while she was also a kid in the current movie in 1985. In "X-Men 3" Bill Duke played Trask; In "Days of Future Past" Peter Dinklage played Trask. (Time travel aside, the two actors do not resemble each other.) This isn't an effect of time travel, it's just bad writing, bad planning, and them ignoring their own continuity. (How many different actors, who look nothing like each other, have played Wolverine's boss Stryker?)

Like "Star Trek," "X-Men" used the time travel gimmick as an excuse to hire younger actors to play the same characters. But that shouldn't excuse plot holes in either franchise (i.e., the years Jubilee and Angel were born wouldn't change by two decades because of time travel -- if the timeline were that screwed-up, then none of the characters would even exist anymore).
 
Well, Angel in "X-Men 3" was a teenager in our present. In the setting of the last X-Men movie (1985), he would not even be born yet. The same problem exists with many of the characters: Jubilee was a kid in the first "X-Men," set in the 2000s, while she was also a kid in the current movie in 1985.
That is exactly what I'm talking about. I think their rationale for that is the same as what Pegg said about the Trek movies: that the time travel creates an entirely new continuity, not just a different future. It seems wacky I know, but that seems to me what they're going with. :shrug:
 
I think their rationale for that is the same as what Pegg said about the Trek movies: that the time travel creates an entirely new continuity, not just a different future. It seems wacky I know, but that seems to me what they're going with.
I don't know what Simon Pegg said about backwards "time ripples," but it seems kind of self-serving for the writer to attribute any plot holes and continuity violations to some vague time-travel nonsense, rather than his own shortcomings in the research department. Likewise, my complaints about the "X-Men" movies and their sketchy continuity go back long before "Days of Future Past" -- the direct prequels like "First Class" and "Origins: Wolverine" and even the first three "X-Men" movies seemed like they were making it up as they went along, as if they just threw a bunch of random characters into the first movie, and when it was successful, they couldn't figure out how to make all the sequels work as a coherent story.

Yes, in more than 700 episodes, "Star Trek" has had its share of continuity blunders -- that's usually due to the fact that there have been hundreds of different writers who can't possibly have complete recall of all the previous episodes. The nice thing about "Babylon 5" was that the same guy wrote almost the entire five-year series, so episodes could foreshadow events years later, and ongoing storylines could fit together in a way that "Star Trek" could never pull off (except maybe in DS9, which was basically a carbon copy of B5).

Writers can't just wave their hands and yell "time paradox" every time there's a plot hole or continuity error in their script. There are many series with good continuity -- maybe the best is another J. J. Abrams series, "Person of Interest," which has intertwining storylines and flashbacks that hold up after multiple viewings of the entire series (something to which "Lost" aspired but failed miserably at).
 
I don't know what Simon Pegg said about backwards "time ripples,"
He said:

With the Kelvin timeline, we are not entirely beholden to existing canon, this is an alternate reality and, as such is full of new and alternate possibilities. “BUT WAIT!” I hear you brilliant and beautiful super Trekkies cry, “Canon tells us, Hikaru Sulu was born before the Kelvin incident, so how could his fundamental humanity be altered? Well, the explanation comes down to something very Star Treky; theoretical, quantum physics and the less than simple fact that time is not linear. Sure, we experience time as a contiguous series of cascading events but perception and reality aren’t always the same thing. Spock’s incursion from the Prime Universe created a multidimensional reality shift. The rift in space/time created an entirely new reality in all directions, top to bottom, from the Big Bang to the end of everything. As such this reality was, is and always will be subtly different from the Prime Universe. I don’t believe for one second that Gene Roddenberry wouldn’t have loved the idea of an alternate reality (Mirror, Mirror anyone?). This means, and this is absolutely key, the Kelvin universe can evolve and change in ways that don’t necessarily have to follow the Prime Universe at any point in history, before or after the events of Star Trek ‘09, it can mutate and subvert, it is a playground for the new and the progressive and I know in my heart, that Gene Roddenberry would be proud of us for keeping his ideals alive. Infinite diversity in infinite combinations, this was his dream, that is our dream, it should be everybody’s.

For the X-Men discussion, there's a thread, although it's not like it's really worth getting too wrapped up in.
 
You know you only needed to hyperlink one word in that, right? and it would have worked the same?
 
That doesn't make any sense. The characters in the first movie specifically stated that they were in an alternate timeline caused by Nero and Ambassador Spock's arrival. The destruction of the Kelvin, the death of Kirk's father, Spock's mother, and the destruction of Vulcan were specifically caused by the time traveling Nero. But for his arrival, the timeline would have proceeded naturally with no time travel paradoxes.

The credits of the movie listed "Spock Prime" as the ambassador's name, so obviously he and Nero were from the "Prime" universe (whatever that means), and their history was identical up to the point where Nero destroyed the Kelvin.

Now, if you're saying that due to the Temporal Cold War in "Enterprise" -- with Daniels, FutureGuy, the Xindi, et al. -- not to mention the time-traveling Borg invasion a century earlier (in "First Contact"), that the timeline has been permanently screwed up since 2063, then I agree. The timeline the Enterprise-E returned to after defeating the Borg in "First Contact" was the future of the timeline depicted on "Enterprise." But then in the finale of "Voyager," Admiral Janeway created yet another alternate timeline (just like Nero and Ambassador Spock later would in the Abrams movies), where the Voyager returned to Earth decades sooner than in her original timeline. We saw this alternate timeline in "Star Trek: Nemesis," where Admiral Janeway was seen back on Earth giving Captain Picard his orders.

So, if we take the timeline of "Star Trek: Nemesis" to be the "Prime" timeline where Nero and Spock came from, then that is already Alternate Timeline #17, following the timeline-altering events in "First Contact," "Enterprise," and "Voyager." The Abrams movies take place in Alternate Timeline #18. There's nothing new or different about this alternate timeline. Nero's attack on Vulcan is just a larger-scale version of the Xindi's attack on Florida. They were both events caused by time-traveling aliens that didn't happen in the timeline the aliens came from. (But Nero and Spock Prime came from the alternate future timeline created after the Xindi's attack on Florida in "Enterprise," so their "Prime" timeline isn't even the same one depicted in "Star Trek: First Contact" or Spock's last appearance in "Unification," or even the Admiral Janeway timeline last seen in "Star Trek: Nemesis.")

Not to mention the alternate timeline created in "Yesterday's Enterprise" when Lt. Yar took the Enterprise-C back in time to prevent two decades of war with the Klingons. Just like Nero and Admiral Janeway, Lt. Yar went back in time, created an alternate timeline completely different from the one she came from, and she remained in that new timeline, never to return to her own. "Star Trek" has shown dozens of alternate timelines over the past 50 years. But aside from the Mirror Universe and the alternate realities in TNG's "Parallels," timelines always diverge at the point of the time traveler's arrival in the past -- before that, history was identical to the timeline they came from.

What was my point? Oh, yeah: Everything that happened during and after "Enterprise" -- including the Xindi attack, Romulan War, MACOs, the U.S.S. Franklin, etc. -- were all part of Nero and Spock's original history. Everything different about this new timeline in the movies was directly caused by Spock and Nero after their arrival.
TL,DR. I'll just repeat that I was basing my theory on what Simon Pegg has said about the nature of the Kelvin Timeline, and as a writer on this movie, what he says is as good as a Word of God.
 
Here is a better question... did he do this in the Prime Timeline as well?

I, too, am curious about his Prime counterpart as well, though that probably just means that he's still stuck on that planet, poor guy.

What about Deadpool, Angel, Psylocke, etc.? I think the filmmakers are using the time travel in DOFP as an excuse for why there can be entirely different versions of the same characters both before and after that point. But whatever, off topic.

I can't even begin to attempt to explain Angel and Psylocke, but DOFP provided the opening to revise (essentially reboot) Deadpool from the ground up. The major events in Wolverine, which were in the 80s, happened after the point of time divergence (when Mystique spared Trask in the 70s).

But anyway, I'd say virtually every incarnation of Trek has stricter rules about writing time travel than even the best X-Men stories, though.
 
That doesn't make any sense. The characters in the first movie specifically stated that they were in an alternate timeline caused by Nero and Ambassador Spock's arrival. The destruction of the Kelvin, the death of Kirk's father, Spock's mother, and the destruction of Vulcan were specifically caused by the time traveling Nero. But for his arrival, the timeline would have proceeded naturally with no time travel paradoxes.
Well think of it this way. If Nero arrived in 2233 and changed history, that means everything afterwards will be different. What if Starfleet officers in a future Kelvin Timeline work travel through time on their own to a point prior to 2233? Aren't they going to change history in their own way?

Here's an example from (the non-canon novels). The Myriad Universes novella A Gutted World features a naturally existing alternate timeline wherein the Cardassians instead of the Federation discover the Bajoran Wormhole. It diverges from the Prime Timeline sometime prior to 2369 (just before the start of DS9). And yet the Enterprise-E crew of this timeline still experiences a version of Star Trek: First Contact. But they don't meet their Prime Timeline counterparts in 2063. Because they are their own timeline now.

I don't exactly like Simon Pegg's statement about timeline changes rippling backwards in time, but it makes sense.
I, too, am curious about his Prime counterpart as well, though that probably just means that he's still stuck on that planet, poor guy.
Perhaps the Prime Enterprise under the command of Robert April or Christopher Pike encountered and outwitted Edison/Krall without the Enterprise being destroyed.
 
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I can't believe how many people have "overthought" the Franklin timeline with some theories being truly bizarre. Here is an article which contains basically the same backstory I postulated here on the BBS last week.

http://trekcore.com/blog/2016/07/heres-where-the-franklin-fits-in-the-star-trek-timeline/
Well, I for one am perfectly content to accept the basic timeline as confirmed there, but let's be fair...there are some details that don't exactly square and require "theories" of their own. The sticking point for some is surely the registry number: NX-326. It puts those who would try to make sense of such things in a bit of a double bind. If this was her number from the time she was built in the early days of Starfleet, why isn't she an NX-class ship—which is what that prefix specifically denoted in ENT—and why is it so high? If it's a new number the ship received many years later after the founding of the UFP (when she also seems to have gotten a new dedication plaque) why would she then be given the prefix of an experimental prototype—which is what NX denoted in the Federation-era Starfleet—when she presumably no longer was one? I'm not really one to get tied up in knots about such ultimately trivial details, but in all fairness it is a little head-scratchy, and makes it seem like someone somewhere along the line didn't think something through all the way.

I'm trying to make sense of the speculative answer proposed by the authors of that article—not by the people involved with the production that were interviewed, to be clear—and it isn't making much sense to me. They seem to suggest that Starfleet originally used NX prefixes for the Franklin's line of Warp 4 ships (of which she would be the first, not the 326th) and then used them *again* for Enterprise's line of Warp 5 ships, but starting the numbering over. Eh? So, you'd have two different sets of identically numbered ships? And when being incorporated into the rejiggered Starfleet after the fouding of the UFP, the Franklin kept its original NX prefix but was given a new number reflecting the total number of ships at that point? How is this theory not "overthought" or "bizarre"? Have I misunderstood something? (Honest question, not meaning to sound haughty, if I do.)

I might rather go with the idea that before being folded in the Franklin wasn't a Starfleet ship at all originally, but a Military Assault Command vessel with some completely different designation, which seems a bit more in line with what Highsmith actually said. Except there's a problem there, too. The space expertise of the MACOs in ENT was explicitly said to come exclusively from simulations conducted on Earth, and their presence out there before being invited along with Archer to track down the Xindi was nil, so they shouldn't have their own ships before that point. A bit frustrating. This idea too would have made much more sense if it were a post-ENT ship. Again though, not that I'll hold any of these quibbles about minor background details against the new movie—which I regrettably still haven't had the chance to see, but will within the next day or two, and fully expect to enjoy regardless. This stuff doesn't really matter to the drama, it's just niggling.

I can't even begin to attempt to explain Angel and Psylocke, but DOFP provided the opening to revise (essentially reboot) Deadpool from the ground up. The major events in Wolverine, which were in the 80s, happened after the point of time divergence (when Mystique spared Trask in the 70s).

But anyway, I'd say virtually every incarnation of Trek has stricter rules about writing time travel than even the best X-Men stories, though.
Origins: Wolverine ends in 1979 with the Three Mile Island disaster, which is still after the divergence of 1973, but its version of Wade Wilson was clearly born well before that divergence. So in order to end up with a different version of him born much later as per Deadpool as a result of the timeline change, its effects would have to ripple backward from 1973.

But yes, explaining the mechanics of all that is futile, you just have to shrug and go with it. It's comic books. As others have pointed out, while Pegg's statement seems broader than this, at least with the Trek situation we explicitly know that Kirk Prime personally had the biggest file on record with the Department of Temporal Investigations for messing with the timeline, so right out of the gate, altering his future from the point of his birth could plausibly have consequences reaching far into the past just by itself!

For good measure, I'll quote myself from another thread to illustrate (crudely) the relationship between the Prime and Kelvin timelines as I see it based on Pegg's comments:
I'll have to track down quotes, but I think it was made pretty clear from the beginning by Abrams and/or Orci and/or Kurtzman that the Prime Timeline always continued to coexist in a separate reality parallel to the Kelvin Timeline. All Pegg is adding in is that the Kelvin Timeline's differences ripple backward as well as forward along it, creating not only a parallel future but a parallel past as well.

So instead of this:

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _P
\ _ _ _ _ _ _ _ _ K
We have this:

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _P
_ _ _ _ _ / \_ _ _ _ _ _ _ _ K

That's what I'm getting from it all, anyway.

As for how this jibes with other depictions of time travel in previous Star Trek, that's a whole other can of worms that could probably fill many pages of discussion and debate in its own thread (and probably has many times over on this board) but for the sake of brevity and simplicity—which have already suffered enough here, no doubt—could also be neatly side-stepped by saying that Red Matter has peculiar properties that make the effect of this particular event distinct from other scenarios. It's a handwave, but it's certainly in line with the spirit of that plot device as presented in the film!;)
 
W
Origins: Wolverine ends in 1979 with the Three Mile Island disaster, which is still after the divergence of 1973, but its version of Wade Wilson was clearly born well before that divergence. So in order to end up with a different version of him born much later as per Deadpool as a result of the timeline change, its effects would have to ripple backward from 1973.

But yes, explaining the mechanics of all that is futile, you just have to shrug and go with it. It's comic books. As others have pointed out, while Pegg's statement seems broader than this, at least with the Trek situation we explicitly know that Kirk Prime personally had the biggest file on record with the Department of Temporal Investigations for messing with the timeline, so right out of the gate, altering his future from the point of his birth could plausibly have consequences reaching far into the past by itself!

I stand corrected about Three Mile Island, but yes, shrugging and going along with it is the only way to go. The X-Men films do this anyway; even if we were to remove time travel/divergence and so prior to Apocalypse, everyone's ages are wonky anyway; not just inconsistent Prof X (younger in 1979 than he was when he first met kid-Jean!) and Magneto, but Storm as a child in First Class should be much older in the Halle Berry role, and Rogue, Iceman, and Colossus barely seemed to age between X3 and DOFP, which has a large gap of time. At least Cyclops was rocking the Reed Richards Gray temples.

But yeah, even when time is flowing normally, the X-movies still barely get themselves right.
 
Am not buying that sorry :)

The changes to the timeline should go one way and that's forward.
Recent scientific study has shown that time can indeed run backwards. A future incident informed a past state of the test subject. WE experience time in one direction, but that's our limitation and not one that we should try to place on time itself. Time isn't a solid thing....it's a perceived thing.
 
Recent scientific study has shown that time can indeed run backwards. A future incident informed a past state of the test subject. WE experience time in one direction, but that's our limitation and not one that we should try to place on time itself.
You're trying to apply quantum physics theories to explain causality in the real world -- like Schrödinger's cat died a minute ago because you opened the box now. If quantum physicists could really receive information from the future, they would be in Vegas right now getting rich at the craps tables. They just put the words "time travel" in their headlines to make their experiments seem important. But quantum physics has little to do with causality in the real world.
 
I was basing my theory on what Simon Pegg has said about the nature of the Kelvin Timeline, and as a writer on this movie, what he says is as good as a Word of God.
No, what Simon Pegg says is non-canon. What the characters in the movie say is canon. And what they said in the first movie, repeatedly, is that they are in an alternate timeline caused by Nero and Spock coming from the future.

Now, if Simon Pegg is saying that this movie series takes place in an alternate universe like the Mirror Universe, which is completely different from "our" universe for no reason, then he's about two movies too late to try to work that into a script. ("Spock has a goatee, Sulu is gay, the Ghostbusters are women -- It's alternate! Anything can happen!")

The entire point of the first movie was to show how the timeline was altered because of the arrival of Nero -- Kirk growing up without a father, more knowledge of the Romulans, etc. If Pegg's argument is that this is not a divergent timeline, but simply an alternate universe like those depicted in TNG's "Parallels" (Worf's birthday cake is yellow instead of chocolate), then that's starting to sound like an excuse for lazy research and writing.

cf. Futurama's "The Farnsworth Parabox"
 
No, what Simon Pegg says is non-canon. What the characters in the movie say is canon. And what they said in the first movie, repeatedly, is that they are in an alternate timeline caused by Nero and Spock coming from the future.
Pegg is not contradicting that. He's just saying that this alternate reality is potentially different not only in its "future" relative to the point of divergence, but also in its "past."

Now, if Simon Pegg is saying that this movie series takes place in an alternate universe like the Mirror Universe, which is completely different from "our" universe for no reason...
Not for no reason, because the timeline has been altered, and altering any part of it potentially alters all of it, past and present, because it's all connected and intertwined and not really a "line" at all.

The entire point of the first movie was to show how the timeline was altered because of the arrival of Nero -- Kirk growing up without a father...
And again, as per "Trials And Tribble-ations" (DS9), Kirk Prime canonically incurred more violations of the Temporal Prime Directive than any other known individual. In addition to the ones we saw onscreen, there were others of which we know nothing of the circumstances. Each and every one of these instances and whatever their results were could be completely different in the Kelvin Timeline since his whole life is potentially different. And that's just Kirk!

If Pegg's argument is that this is not a divergent timeline, but simply an alternate universe like those depicted in TNG's "Parallels"
I think his argument is that the former is effectively the same as the latter. Those infinite parallel universes represent every possible variation of every possible event and circumstance that could potentially happen, each one being defined by its own unique combination of these. Since the Kelvin Timeline has a different combination from the Prime Timeline, it is effectively a different universe. As for whether it "always" existed before Nero fell through the red matter black hole or was created at that instant and spun off in both directions from that point, it's really just a matter of how you look at it, of where the observer stands and what terms he uses to describe what he sees. It all amounts to the same thing in terms of continuity.
 
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