As far as Star Trek time travel goes, it's even weirder when you factor in all of the Quantum Realities from "Parallels." And I thought that the implication from "In a Mirror Darkly" was supposed to be that the Mirror Universe is actually the original timeline and that it was only thanks to the good influence of the Enterprise-E crew during the time travel events of First Contact that inspired Zefram Cochrane to not kill the Vulcans when they landed.
Actually, "In a Mirror Darkly" also establishes that it's really easy to time travel back into an alternate universe by mistake. The Tholians from "The Tholian Web" were trying to send the Defiant back into their own past but ended up sending it into the Mirror Universe instead.
I love 7 Days but that show was NOT designed to hold up to intense scrutiny. Every time there's a major continuity flub, it's always contradicting something from THE VERY PREVIOUS EPISODE!
Also, I can name 3 Season 2 episodes that shamelessly recycle clearly identifiable scenes from previous episodes.
Which just goes to show that you're probably going to end up roughly the same no matter what your parents were like, so stop blaming all of your psychological hangups on them, man!
There's a really cool Doctor Who audio adventure called "Flip-Flop." It's a 2-disc set and you can listen to the 2 discs in either order. Each one follows the Doctor & Mel in a different timeline where they land on a planet, get involved with some time travel shenanigans, then end up creating the alternate timeline on the other disc.
That was actually part of why Eric Stoltz was fired from the movie. He kept trying to look into the darker, more tragic angles of this aspect of the story, which was totally not the story that Gale & Zemeckis were trying to tell.
Actually, "In a Mirror Darkly" also establishes that it's really easy to time travel back into an alternate universe by mistake. The Tholians from "The Tholian Web" were trying to send the Defiant back into their own past but ended up sending it into the Mirror Universe instead.
i watched three seasons of 7 days last week.
They describe the process as erasing people's memories for 7 days.
I'd call it murder.
But I was thinking that if all they are doing is creating a new timeline, and the original timeline survived, then every time they backstepped the sphere, everybody left behind post crisis Just shrugs, and gets on with their aspocalypse.
Also in the forked timeline where Frank Parker always arrives back, and saves the day, that means that the team has never backstepped their sphere.
So the grey in the basement "remembers" all the alt timelines that have happened, so all the crisis ridden futures still exist in some quantifiable fashion at least up until the point that the sphere launched.
I love 7 Days but that show was NOT designed to hold up to intense scrutiny. Every time there's a major continuity flub, it's always contradicting something from THE VERY PREVIOUS EPISODE!


At the end of the first movie, Marty had a truck, but the Marty who had a Truck was still Doc Brown's Lab Assistant
Which just goes to show that you're probably going to end up roughly the same no matter what your parents were like, so stop blaming all of your psychological hangups on them, man!

I feel like I once read a fan fiction on this topic and never found it again. But the basic idea was that the Marty that had the truck went back to 1955 and his adventure caused the original timeline--so essentially, the Martys switched places.
There's a really cool Doctor Who audio adventure called "Flip-Flop." It's a 2-disc set and you can listen to the 2 discs in either order. Each one follows the Doctor & Mel in a different timeline where they land on a planet, get involved with some time travel shenanigans, then end up creating the alternate timeline on the other disc.
I like the point that by the end of the BTTF trilogy Marty actually knows very little about "his" life. His parents are no longer the parents he grew up with, his siblings are different, etc.
That was actually part of why Eric Stoltz was fired from the movie. He kept trying to look into the darker, more tragic angles of this aspect of the story, which was totally not the story that Gale & Zemeckis were trying to tell.