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Thoughts on "The 4400"

Goji

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Rear Admiral
I recently checked out this show and enjoyed it quite a bit. I hadn't come across many discussions about it before I started watching and knew next to nothing about it going in, which I liked. I haven't watched a single episode of Babylon 5 (yet) or Heroes, but just from my time around this board I can probably describe them pretty well.

The double-length pilot introduced the characters and concepts well, but I wasn't terribly impressed with the rest of the first season. The other "freaks of the week" weren't as interesting as Orson Bailey was in the pilot, and most seemed to be something of a B story in each episode, with much more time being paid to the principal cast and their stories (which I absolutely didn't mind). The series really picked up with the introduction of the great character of Jordan Collier.

But the big reveal in the season finale feels like it comes way too early, even if the show's future was in doubt. If there had been just a handful of more episodes where the origin of the 4400 abductees was a mystery, I think I would have been sold on the show's ultimate answer a little more.

Season 2 was a big improvement. I liked the development of the 4400 Institute, which became my favorite part of the show. Jordon Collier continued to be an interesting and well played part, and I was really unhappy when it appeared that he'd been killed off. But seeing Shawn, who in the first season annoyed me with his largely stock teenage angst issues, grow into one of the strongest characters on the show as he rose to fill Jordan's shoes made up for it. Seeing Jeffrey Combs sans Weyoun makeup and hanging out with Summer Glau, playing basically the same character as River in her first appearance, was a lot of fun too, and I was glad that both of them came back in later episodes.

The only real problem I had with the season was Alana. Her introductory episodes is one of those "it's really obvious that this isn't really happening, it's a dream or a hallucination" episodes that bore me, and I never bought into her relationship with Tom.

The season ended on a pretty solid note with the "Promicin Inhibitor" storyline, which brought back one of my favorite side characters from the first season, Ryland, who worked better as a villain than he did as Tom and Diana's boss. Having Isabelle suddenly be a 20-something brought about flashbacks to the first episode of Earth Final Conflict's second season, and I found the idea just as silly this time too, but I guess it was unavoidable.

Season 3 had its ups and downs. I liked the new adult Isabelle and the way she changed the dynamic of the show. I didn't care for her one-sided romance storyline with Shawn. Having the future-people actually appear on the show didn't exactly work for me either, though it paid off in later episodes via Tom's orders to kill Isabelle. Showing at least one of the people responsible for altering the 4400, and have Tom talk to her, diminished the show's central mystery a great deal, but I suppose it opened up the possibility for new stories at the same time. Mysteries can't last forever.

Even though the season as a whole felt slightly weaker than the preceding year, the season finale probably stands as my favorite episodes, or if not my very favorite certainly a contender for the spot. Devon's death scene shocked me in ways that television deaths rarely approach, even though the character was a minor and not terribly sympathetic one. The budget restraints seemed to show more than usual during the confrontation between Tom, Diana and Richard with Isabelle, but I liked the emotions involved and felt that it ended in the best way it could.

Season 4 started out kind of "off" but ultimately turned out to be the best of the bunch in my opinion. The season premiere seemed less ambitious than the previous seasons' premieres, and much of "Fear Itself" came off as silly. Tom's angsty search for the missing Alana bored me, and Diana's near instant return from Spain made that entire storyline kind of pointless.

But I loved that Jordan Collier was back, and the story really took off with the introduction of "Promise City" and "The Marked". Though the later allowed for a few more tired body possession cliches than I would have liked, it did provide a tangible threat from the future without stripping away too much more of the mystery involved.

I understand that the season finale was never intended to be the end of the series. But, having just watched it, I think that it works as a largely satisfying series finale anyway. No, the story isn't over. But I'm not sure if the series could ultimately tell the story of the 4400 working together to stop a global cataclysm a.) on its budget and b.) in the same format it has used for its first four seasons. The closing moments of the last episode seem to change the story to search a permanent degree that I'm almost glad it ends where it does. Leaving the rest to the imagination works for me.

So, yeah, very cool little show. I was surprised to see so many Deep Space Nine alumni writing for it. It seems that most everyone who didn't go to Battlestar Galactica pitched in for at least an episode or two.
 
Did you do what I did and blind buy the series when Walmart had the sets so cheap a couple months ago? ;)

I agree with almost everything you posted. As I watched, I found myself comparing the show a little with Heroes and finding it so much better on pretty much every level. They were never afraid of the abilities they introduced, but always seemed to look for ways to challenge the characters with them.

What I loved the most was how they weren't afraid to take a chance and do something completely off the wall. Even when it fell flat (like the Alana character did), it still got points in my book for trying something brave. They had more than a few plotlines that any other show would have said no way, that will completely upend the apple cart. And every time, the writing and/or performances ended up carrying the day.

And can I just commend the younger performers for how they grew to embody and enrich their characters throughout the show's run! Patrick (Shawn) and Chad (Kyle) both ended up so far ahead of where they had started.
 
I really enjoyed "The 4400" quite a bit. I liked many of the characters and thought they did a very good job of setting up a mood and an atmosphere you could really become caught up in.

Unfortunately, I've yet to see the show as a whole. I'm not quite sure how far they got but the TV station running the show at the time dropped it prematurely (might have been around S2, I'm not sure). But I definitely intended to catch up when possible.
 
I'm really disappointed it got canceled when it did, the final episode set up a potentially very interesting storyline.
 
I really enjoyed the show and theres no doubt it had one final season left in it. I was hoping we would get a short mini series to end it like how it began (5 episodes was the 1st season ?).
 
Re. Hermiod:

Does it provide a fair amount of closure? Or is it completely open-ended? It doesn't bother me too much either way but I'm just curious.
 
Re. Hermiod:

Does it provide a fair amount of closure? Or is it completely open-ended? It doesn't bother me too much either way but I'm just curious.

It's very open ended. The end of each season stepped things up, and this was no different.
 
Has anyone read the novels? Are they worth reading? Looking at the authors I would assume so, but can anyone offer a firsthand review?
 
But the big reveal in the season finale feels like it comes way too early, even if the show's future was in doubt. If there had been just a handful of more episodes where the origin of the 4400 abductees was a mystery, I think I would have been sold on the show's ultimate answer a little more.

Well, what we know now as "Season 1" was actually a standalone miniseries. Naturally there was the hope that it would be continued as an ongoing series, but it had to be structured as a complete story with a beginning and end.


I understand that the season finale was never intended to be the end of the series. But, having just watched it, I think that it works as a largely satisfying series finale anyway. No, the story isn't over. But I'm not sure if the series could ultimately tell the story of the 4400 working together to stop a global cataclysm a.) on its budget and b.) in the same format it has used for its first four seasons. The closing moments of the last episode seem to change the story to search a permanent degree that I'm almost glad it ends where it does. Leaving the rest to the imagination works for me.

I agree. It works as an ending. No, it's not a complete resolution to everything, but how often do we ever get complete resolutions in life? Most story endings are really moments of transition, new beginnings, and that's what this was. The principal arcs of the series before had reached a point of climax and resolution -- the resolution being the end of the world as we'd known it. So while it's an open-ended finale, it works as a finale. (And it left plenty of room for Greg Cox and Dave Mack to continue the story in books, so it's all good.)


I have to admit, I was never too impressed with The 4400. It started out pretty weak, though it improved somewhat. I never felt it really explored the potential of its premise. You had all these people from different past eras dumped into the present, and there was barely any exploration of the culture shock that would've created. Instead, we focused mainly on people who'd been abducted far more recently, like the incredibly boring character of Shawn and his incredibly boring high-school angst, and the other returnees apparently dealt with their adjustment during the lengthy quarantine period that was skipped over. So the aspect of the premise that was potentially the most interesting was largely ignored.

Plus there was the original miniseries' ludicrous depiction of "Homeland Security" as an FBI-like agency with field offices and agents and so on. No. The Department of Homeland Security is a cabinet-level department, a bureaucracy that coordinates the efforts of the various pre-existing agencies that actually do have field agents and so on. That's why they retconned it to "NTAC" in the second season, but the damage had already been done.

The main strength of the show, over the course of its entire run, was that it wasn't afraid to make real changes in the world. Too much SFTV strives to keep its SF elements secret or contained in order to maintain the pretense that they happen in the world we live in. And by doing so, they squander so much potential. SF is supposed to be about exploring the consequences of scientific and technological progress -- not just "Hey, look at this neat gadget/invention/discovery" but "Wow, look at how it changes human nature/society/values." The 4400 embraced this in a way most shows avoid, showing the world progressively being more and more changed by the events of the series. That was refreshing, even if many of the characters were dull and too many of the storylines were arbitrarily and awkwardly changed or truncated by cast cutbacks between seasons.
 
Has anyone read the novels? Are they worth reading? Looking at the authors I would assume so, but can anyone offer a firsthand review?


For the record, there are four novels. The first two take place during the run of the series (around season 3), while the last two, by Dave Mack and myself, take place after the series finale and try to wrap things up, more or less.
 
I thought the show was good but not great. It had a lot of potential but sometimes it was too standalone for its own good.
 
Enjoyed it but didn't see any of it past season 1 as it got shafted to stupid random times, as seems to be how Australian free-to-air commercial TV treats anything sci-fi.
 
I found the show so great that I watched almost all of the miniseries and second season i na weekend, sadly seasons 3 and 4 were a mess, however season 4 is better than 3. I hoped there would have been a miniseries to finish it off, but no such luck, oh well.
 
I can attest that Greg Cox's novel is good. The characters are true to how they are depicted in the television series and the story would work very well as a stand alone episode of The 4400.
 
^Which of Greg's novels are you referring to -- The Vesuvius Prophecy (which is a standalone tale set during the series) or Welcome to Promise City (the first of the two novels set after the series finale)?
 
Has anyone read the novels? Are they worth reading? Looking at the authors I would assume so, but can anyone offer a firsthand review?

You can find reviews for Wet Work and The Vesuvius Prophecy (those novels are set during the series) here.

(P.S.: While I write for the site, those reviews aren't by me.)
 
I can attest that Greg Cox's novel is good. The characters are true to how they are depicted in the television series and the story would work very well as a stand alone episode of The 4400.


Thanks. I was a big fan of the show, so I wanted to get it right.
 
But the big reveal in the season finale feels like it comes way too early, even if the show's future was in doubt. If there had been just a handful of more episodes where the origin of the 4400 abductees was a mystery, I think I would have been sold on the show's ultimate answer a little more.

Well, what we know now as "Season 1" was actually a standalone miniseries. Naturally there was the hope that it would be continued as an ongoing series, but it had to be structured as a complete story with a beginning and end.

Yeah, I read that elsewhere, but despite the season finale revealing the identity of what had taken the returnees, nothing else about it feels very final. In particular, the story of Richard and Lily's uber-baby is really just getting started, and I can't imagine anyone feeling satisfied with the way it ends in the first season finale. Considering that the mystery surrounding Lily's pregnancy, and Jordan Collier's interest in her unborn offspring, had become just as prominent as the mystery of the 4400 abductions and it went without any premature explanation, I guess I just feel that the show could have held off even if they weren't sure they'd be back for a second season. Because they did exactly that for everything else. I guess it did make for a suitably momentous finale though, and it's not a major complaint.
 
Well, they had to pay off something in case it didn't return. And naturally the thing they had to pay off was the central plot question of the whole thing, the nature and purpose of the abductions. Even if they left everything else dangling, they had to pay that off in the miniseries or the story wouldn't have had any resolution at all. Because it wasn't "the first season." It's only called that in retrospect (kinda like how WWI wasn't called that until WWII, or how the Old Testament wasn't called that until the New Testament came out). At the time, it was a miniseries and a backdoor pilot. As a backdoor pilot, it left a number of things open-ended, but as a miniseries, it needed a finale.
 
Welcome to Promise City was faithful to the series, not just in characterization, but in artificially maintaining the status quo. By the end, there is still no hint as to the nature of the catastrophe or whether the triumph or defeat of the 4400 as a ploy to change the future are desirable.

The David Mack book opts for the triumph of the 4400, if only after revising characters. Then, he turns around and sets up a new series. I found it very disappointing.
 
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