I remember noting, in my youth, how many spelling differences there were between Foster's adaptations and The Star Trek Concordance. I think the later reprint collections fixed some of Foster's original spellings.
Do you mean “Time Trap”?I have Alan Dean Foster's outline, notes, script, and rough draft manuscript for "Slaver Weapon" and none of the names of the alien races are spelled correctly or consistently in them (with the exception of the script, of course). He also didn't spell many of the items in the Star Trek universe correctly, either. For example, he consistently spelled "phaser" as "faser."
We do know that Larry was miffed that the kzinti ships and spacesuits ended up pink.
I have discussed TAS kzinti with Larry Niven in person, but I never thought to mention the very different look of "The Time Trap" individual. The batwing ears tell us it is kzinti. As I said, the Elysian Councilor needs to be sentient, but there has definitely been a purposeful artistic change between the two episodes. Or, it's an obese male kzin, no longer needing to keep himself predator-lean?
Does the script specify that a kzin is there?
The Logs have plenty of bloopers. In one scene, Arex is described as having three eyes, and in another scene, he glances over a feathered shoulder.
I have Alan Dean Foster's outline, notes, script, and rough draft manuscript for "Slaver Weapon" and none of the names of the alien races are spelled correctly or consistently in them (with the exception of the script, of course). He also didn't spell many of the items in the Star Trek universe correctly, either. For example, he consistently spelled "phaser" as "faser."
I remember noting, in my youth, how many spelling differences there were between Foster's adaptations and The Star Trek Concordance. I think the later reprint collections fixed some of Foster's original spellings.
Do you mean “Time Trap”?
Do you mean “Time Trap”?
No, "Slaver Weapon."
You wrote “none of the names of the alien races” plural so I was curious.No, "Slaver Weapon."
Quickly thumbing through the draft of "Slaver Weapon," ADF referred to "Caitians" as "Katians" and the "Kzinti" are the "Kazenti."You wrote “none of the names of the alien races” plural so I was curious.
I have discussed TAS kzinti with Larry Niven in person, but I never thought to mention the very different look of "The Time Trap" individual. The batwing ears tell us it is kzinti. As I said, the Elysian Councilor needs to be sentient, but there has definitely been a purposeful artistic change between the two episodes. Or, it's an obese male kzin, no longer needing to keep himself predator-lean?
Foster used to dictate his “manuscripts” on a dictaphone, which were then typed up by a professional typist. Foster then used that text as a first draft for later correction and revision. So it’s no surprise the first draft would be full of misspellings — the typist was transcribing unfamiliar words based on how they sounded.I have Alan Dean Foster's outline, notes, script, and rough draft manuscript for "Slaver Weapon" and none of the names of the alien races are spelled correctly or consistently in them (with the exception of the script, of course). He also didn't spell many of the items in the Star Trek universe correctly, either. For example, he consistently spelled "phaser" as "faser."
Foster used to dictate his “manuscripts” on a dictaphone, which were then typed up by a professional typist.
Foster used to dictate his “manuscripts” on a dictaphone, which were then typed up by a professional typist. Foster then used that text as a first draft for later correction and revision. So it’s no surprise the first draft would be full of misspellings — the typist was transcribing unfamiliar words based on how they sounded.
I have no source for this except my memory — I introduced Foster at a symposium in the mid-80’s, and quizzed him beforehand for sound bites for the Introduction.
Random thought: Could the proto-Kzin in "The Time Trap" just be... fluffy?
Hello and greetings Mr. Foster. It's good to have you here, and thank you for the insight into your writing process- it sounds like you put the poor lady through her paces. From what you're saying, it seems like ParamountFilmation didn't give you much of any, or only limited visual analogues / material to draw from when you were writing the novelizations. I can imagine that made it.. interesting. Was that the norm for all episodes, or was it hopscotch / varied, depending on what? I had read somewhere that Fox had you write in the blind for Alien, and I was curious how you had went about getting it done. I would hope they at least gave you a written or verbal description of the creature to work with, but still that's pretty crazy.Hi y'all. Daddy has it right. At the time I wrote the Logs I was dictating into a small portable tape recorder (this is the tech Jurassic, remember). The tapes would then be given to a professional typist to transcribe, and I would write the final draft from her transcriptions. Have a thought for the poor lady. A non-SFreader, she struggled mightily to transcribe phonetically manywordsthat made absolutely no sense to her.
All this was a looonggg time ago. Side trivia note: Robert Kline, who worked on the animated show and later worked for Disney, was one of my best friends from the 9th grade on through high school. The cover for the first printings of Log Five is his work. Wonderful artist.
From what you're saying, it sounds like Paramount/Filmation didn't give you any, or very limited visual analogues / material to draw from when you were writing the novelizations.
Paramount would've had little if anything to do with it. I think they distributed it, but it was a production of Filmation and Roddenberry's Norway Corporation, because he hadn't yet sold the series to Paramount.
The Magicks of Megas-Tu does have a Stardate set before Where No Man Has Gone Before which is ludicrous! Surely the writers would have been briefed to keep their show out of the continuity of the original series? Apparently not though!
JB
Do you know if Roddenberry / Norway Corporation worked directly with and approved or provided materials to Filmation for the artists to work from?
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