But you're picking and choosing your historical perspective, not to mention the vast differences in scale. You're arguing that because the larger products are both about myth, the specific actors don't really matter, and in so doing, you're implicitly putting the Anthony Hopkins, from a major motion picture franchise, on equal ground with some nobody from a cheap, mostly-forgetten niche TV show.
Forget the myth thing; that's a red herring. My main point was that THOR is a pulp fantasy adventure, based on a comic book. FLASH GORDON was a pulp space opera adventure, based on a comic strip. And "major motion picture franchise" aside, are you really arguing that the THOR movies exist at a higher artistic level than XENA: WARRIOR PRINCESS--just because Anthony Hopkins is in them?
(Hopkins was in the WOLF MAN remake, too. Doesn't make it a work of high art.)
Don't get me wrong. The THOR films are possibly my favorite Marvel movies, and I was a huge XENA fan back in the day. But, honestly, I think you're skewing things a bit by asserting that THOR: RAGNAROK is somehow to be held to a higher standard than previous pulp fantasy comic-book adventure movies.
(And, seriously, you're dismissing XENA as "cheap" and "most forgotten"? Them's fighting words, by the gods.

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