According to Paul Ryan, you have to include The Emissary in that as well.I don't need to rewatch TNG to make a shiteograph about Alexander episodes.
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According to Paul Ryan, you have to include The Emissary in that as well.I don't need to rewatch TNG to make a shiteograph about Alexander episodes.
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Alexander has reached the ripe old age of 8, and now he's ready to become a warrior on a Klingon ship.
I think the Doc in VOY actually mentioned Klingon's aging quickly, sort of as a throwaway continuity bone to explain Wildman's rapid age jump.Yeah, DS9 Alexander just struck me as a bumbling Klingon teen with daddy issues. As for the age 8 thing? Maybe Klingons grow up more quickly, and I don't find it hard at all to believe the Klingons would take fully matured people in the middle of a war no matter their age. It is a warrior culture.
I don't think it has one, it's a really shite graph.What's the scale on that graph?![]()
Memory Alpha said:Neither Nana Visitor nor Rene Auberjonois were happy with how the resolution between Kira and Odo was presented, i.e. off-screen. Ira Steven Behr was also unhappy with it and he has admitted, "that was a bad mistake." The reason the scene was written that way was because of a last minute rewrite and no time to come up with anything else. As Ronald D. Moore explains, "We had originally planned that in this episode we were going to start having Odo lock himself away, refusing to mingle with anyone else on the station. The events of "Behind the Lines" and "Favor the Bold" had really shaken him and made him wonder, 'What am I doing, where do I belong, look at what I almost did.' So he was going to show up at the wedding and make an unexpected announcement. He would say, 'I've decided I can't be friends with any of you anymore, because clearly you can't trust me, so I need to go my own way. I'll do my job but that's it and that's all that's ever going to be.' And then he would walk out again. And the people there were going to go 'Whoa, what does this mean?' Then we were going to play Odo completely different for the rest of the season." At the last minute however, Behr, Hans Beimler and Auberjonois came to Moore to inquire where the character was ultimately going to end up. Auberjonois in particular felt strongly about this new development, feeling that Odo was being alienated, and they wondered what Moore's ultimate plan was, how was he going to get Odo back into the fold. Unfortunately, he didn't have one, he hadn't thought that far ahead, so the plan was dropped at the last minute. As Moore says, "It felt wrong to take him out of the mix and alienate him from everybody without a clear idea in our heads about why we were doing it." This change in plans however, left no time for Moore to write a deep scene of resolution between Odo and Kira. He does acknowledge however, that his off-screen solution wasn't entirely successful; "I know Nana and Rene don't like it, and some of the fans don't like it, and I don't like it. It's just one of those things that we had to do because we were out of time, and I felt that I had to do something so that it didn't seem as if we hadn't even touched on it."
Memory Alpha said:So he was going to show up at the wedding and make an unexpected announcement. He would say, 'I've decided I can't be friends with any of you anymore, because clearly you can't trust me, so I need to go my own way. I'll do my job but that's it and that's all that's ever going to be.' And then he would walk out again. And the people there were going to go 'Whoa, what does this mean?' Then we were going to play Odo completely different for the rest of the season."
Which makes sense considering how he takes a leadership role in planning the war effort from now on, which seems odd considering he's a captain. But 24th century Starfleet doesn't seem to have commodores for some reason.Also, this episode does indeed seem very much like Sisko got promoted, which is why I decided to consider him a Commodore for the rest of the series on my latest rewatch.
Meanwhile, Odo has sex with the Female Changeling and she's so bad at it that he begins to regret siding with her. She was like a dead fish during the whole experience, which is completely unlike what Odo imagines Kira would be like, so he regrets having picked the Female Changeling over Kira. But Kira wants nothing to do with Odo, she's so pissed at him that she nearly beats him to hell just like she did to Damar, which simultaneously upsets Odo and reaffirms his belief of what she'd be like in bed.
One interesting thing I didn't notice before is that Damar is revealing a lot of top secret information to Quark even though Damar must know that Quark's loyalties are divided right now. I used to think that this was because of Damar's overconfidence, but is it possible that this was the first sign that Damar's conscience was bothering him and he subconsciously told Quark in the hope that the Dominion would be stopped? That seems a little out there, but MA suggests that the writers were considering such things at this time.
(As an aside, calling the Female Changeling by that moniker is getting lame, I need a new name for her, like how I called The Doctor "K-Shmull". Any suggestions? Because if you guys don't come up with anything then I'll just come up with something stupid like F-Change.)
Doctor Oho nicknamed her "War Criminal". Eh, more of a title than a name, so not much better than Female Changling.(As an aside, calling the Female Changeling by that moniker is getting lame, I need a new name for her, like how I called The Doctor "K-Shmull". Any suggestions? Because if you guys don't come up with anything then I'll just come up with something stupid like F-Change.)
As an aside, calling the Female Changeling by that moniker is getting lame, I need a new name for her, like how I called The Doctor "K-Shmull". Any suggestions? Because if you guys don't come up with anything then I'll just come up with something stupid like F-Change.
Hmm, it's a good idea but it needs a few extra rounds of free association.So you could call her The Leader; imagine it said in a creepy drawn-out voice like in that Simpsons episode with the cult. After all, that's sort of what she is - the cult leader trying to entrap Odo.![]()
Meanwhile, Odo has sex with the Female Changeling and she's so bad at it that he begins to regret siding with her. She was like a dead fish during the whole experience, which is completely unlike what Odo imagines Kira would be like, so he regrets having picked the Female Changeling over Kira. But Kira wants nothing to do with Odo, she's so pissed at him that she nearly beats him to hell just like she did to Damar, which simultaneously upsets Odo and reaffirms his belief of what she'd be like in bed.
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Hmm, it's a good idea but it needs a few extra rounds of free association.
The Leader -> nananananananana -> fishing -> dead fish
Sacrifice of Angels (****½)
I know that the biggest controversy about the episode is the role that the Prophets play in disappearing the Dominion fleet. That's an argument as old as the episode itself and I don't see the benefit in repeating it here, so suffice it to say that I don't agree that it's a deus ex machina, and I actually like it as part of Sisko's arc as the Emissary. My personal view is that the Prophets' intervention indirectly led to Dukat's insanity, which caused him to try and release the Pah-Wraiths, and Sisko had to sacrifice his corporeal existence in the finale to prevent that. That's the penance he's forced to pay: Sisko wins the war for the Federation but at the cost of his future, his family, and his home. I know that a lot of people disagree with me about what happened with Sisko in the finale but that's the way I see it, and when Sisko's arc is viewed that way then this episode is the key moment in Sisko's journey.
Ziyal's story comes to an end with her death, which also sends Dukat off in a new direction. That direction might not have been a good idea, but I feel that his descent into madness in this episode is actually well handled. A lot happens in this episode, and while there are certain obvious contrivances in the plot, the key moments and the story as a whole are still being driven by the characters themselves.
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