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The transporter effects

It saved the production crew a lot of time and money as they didn't have to show a shuttle landing every episode. originals die.
That has long been the rationale, but a bit more thought sort of renders it empty.

Babylon 5 didn’t have transporters and it didn’t hurt the show’s pacing one bit. More parallel was Stargate: SG-1 with their wormhole gate system. In early episodes we often saw the stargate in operation, but as the series progressed they often just cut to the action or locale where the characters were supposed to be. So they quickly learned how to cut down on the redundancy of always showing the stargate in operation.

Star Trek could have done the same thing with a shuttlecraft. Granted it would have altered key moments in some stories. How do you split Kirk in two with no transporter? What of those moments like in “Obsession” and “The Doomsday Machine” were the tension is derived from whether they can retrieve someone at the last second? And how do you exchange counterparts in “Mirror, Mirror” without a corrupted transporter? Moments like those would have to be completely rethought or abandoned altogether.

Contrary to what some believe Star Trek didn’t invent the transporter, like it didn’t invent a lot of the tech it used, but it certainly exposed it to a mass audience and popularized it beyond the pages of SF books, magazines and 1950’s sci-fi movies.
 
Moments like those would have to be completely rethought or abandoned altogether.
I would assume that stories involving such exotic use of the transporter were prompted by the existence of the device in the show. Although the transporter is not needed to explore some of the same themes: Strange Case of Dr. Jekyll and Mr. Hyde may have prompted "The Enemy Within," and there are abundant "parallel dimension"/alternate history stories in sci-fi.
 
I love that throbbing hum of the unit in "The Cage" as Pike's landing party prepares to transport to the planet below. That thing exuded immense power!

It would need a lot of energy to break one down into molecules!
I love that too, it was too bad they didn't keep that up for the series. On a related note, something I liked about Discovery is they put the transporter room in the secondary hull. I always felt like it should be down there since it was a big machine that used lots of power.
 
Kind of an interesting philosophical question. Are you the same you after you've transported?

How could you be? The thing would have to jump start all the electrical activity in your brain to exactly the same configuration as when you've dematerialized. Even a minute interruption in all brain activity would declare you dead. And what happens if you're asleep during transport? What change to your dreams would that make? Would it wake you up?

Are you the same person? You've been broken down. You've been reconstructed. It's not plastic surgery. It's total replacement.

Fortunately for viewers, the continuity is akin to cells in film. Run the projector at the right speed, and there is no discernable difference. So you can accept the transition without too much worry.

Unless you're Sonak, Tuvok, Neelix, etc.;)
 
No other sci-fi series gave us the theory that by stepping into a transporter beam you are killed, then resurrected into the same person (allegedly?) in various other shows a light beam might be projected and someone steps into it and then reappears somewhere else like in a couple of Space 1999 episodes. Or even in Doctor Who itself where people enter the TARDIS and it dematerialises into a time vortex but we the viewer can observe the people inside the ship as still existing and even more, talking, eating watching the screen and the like...;)
JB
 
I've just thought about that awful effect they had in TOS with the transporter effect where the fizzing is much larger than usual and mostly yellow! It's almost as if they had superimposed it upon the actors before they dematerialised! I think it happened in the cave entrance of What Are Little Girls Made of? and a couple of others that I can't name at the moment...:ack:
JB
 
No other sci-fi series gave us the theory that by stepping into a transporter beam you are killed, then resurrected into the same person
TOS never got into any of the technology in that kind of detail. The Making of Star Trek quotes Roddenberry as wanting the audience to simply accept whatever they saw at face value. At most, McCoy grumped about scattering a man's molecules all over the cosmos. But no TV episode got into the mechanics of it.

Post-TOS spin-offs, books and fan discussion groups have taken a stab at it, though. I think the two basic theories are "ultra-fax" and "wormhole." The wormhole idea is common sci-fi handwavium of a "shortcut" through hyperspace. So the traveler is never altered, merely pushed through this shortcut "tunnel" to the other side. "Ultra-fax" is where it gets complicated.

With this approach, matter itself is not transported, only information is sent. And there is typically a sender and receiver, like a telephone. Thus, matter is "transposed" into a signal that is transmitted and reconstituted into matter at the receiving side, like the pressure waves of sound into a phone converted to electrical pulses, and back into sound. Here's the catch: this method is like a paper fax in that a copy is made at the far end. If the local original is not destroyed, you then have two of a thing. Some sci-fi novels have addressed this situation.

But Star Trek has no remote receiver! True, but the "fax copy" situation still applies. The Trek transporter must disintegrate an original while buffering the information to make it. Energy, perhaps like phasers, is then projected to a remote locus and re-assembled. James P. Hogan's The Genesis Machine describes a Trek transporter-like technology that transposes while sending the information through a faster-than-light hyperspace realm.

But the "copy" angle has been addressed in sci-fi having nothing to do with transporters. The Schwarzenegger movie Sixth Day posits an advanced form of cloning that also covers "syncordings" of the subject's mind. The "bad guy" pushing this technology pitches it as immortality. The truth is that the copy only thinks it is the same person and has all the original's memories. Yet everyone, original and copies alike, will one day come to know death personally. That's not immortality.

Dennis E. Taylor's "Bobiverse" books approached from yet another angle. The original Bob was one of our contemporaries, a man who dies in a car accident in the early 21st century, and his head is cryogenically preserved. He "wakes up" a little over a century later to find out that he is a "replicant," a scan of Bob's brain now supported in computer simulation. This software engineer and sci-fi fan is given a dream come true: he will be the "machine intelligence" to guide an interstellar Von Neumann probe. ("Artificial" intelligences weren't up to the task, but this replicant approach is more flexible.)

The Von Neumann concept is a machine that will duplicate itself, and thus Bob becomes "Bobs" spreading out to other stars and paving the way for humanity to follow. Yet each new copy is a distinctly new person. The Bobs ponder this variance, making philosophical guesses about subtle differences in equipment, or quantum hand-wavium. The first clue comes in one of the later books.

Being computer sims, the Bobs make backups through their FTL network. If a Bob is destroyed, they can "resurrect" him. And the new Bob carries on indistinguishable from the lost one. Then one Bob makes the jump across their vast region of explored space, rather than taking the long way and traveling all those tedious years. The surprise is that the transmitted Bob is not a new Bob, like when they build new ones. The difference is that the transmitted Bob shut himself down before transmitting—a risk, of course. But the fact that he comes out "the same Bob" rather than a new person, they start speculating about souls... (Maybe new personalities only show up if a copy is made while the original is still active?)
 
TOS never got into any of the technology in that kind of detail. The Making of Star Trek quotes Roddenberry as wanting the audience to simply accept whatever they saw at face value. At most, McCoy grumped about scattering a man's molecules all over the cosmos. But no TV episode got into the mechanics of it.

Post-TOS spin-offs, books and fan discussion groups have taken a stab at it, though. I think the two basic theories are "ultra-fax" and "wormhole." The wormhole idea is common sci-fi handwavium of a "shortcut" through hyperspace. So the traveler is never altered, merely pushed through this shortcut "tunnel" to the other side. "Ultra-fax" is where it gets complicated.

With this approach, matter itself is not transported, only information is sent. And there is typically a sender and receiver, like a telephone. Thus, matter is "transposed" into a signal that is transmitted and reconstituted into matter at the receiving side, like the pressure waves of sound into a phone converted to electrical pulses, and back into sound. Here's the catch: this method is like a paper fax in that a copy is made at the far end. If the local original is not destroyed, you then have two of a thing. Some sci-fi novels have addressed this situation.

But Star Trek has no remote receiver! True, but the "fax copy" situation still applies. The Trek transporter must disintegrate an original while buffering the information to make it. Energy, perhaps like phasers, is then projected to a remote locus and re-assembled. James P. Hogan's The Genesis Machine describes a Trek transporter-like technology that transposes while sending the information through a faster-than-light hyperspace realm.

But the "copy" angle has been addressed in sci-fi having nothing to do with transporters. The Schwarzenegger movie Sixth Day posits an advanced form of cloning that also covers "syncordings" of the subject's mind. The "bad guy" pushing this technology pitches it as immortality. The truth is that the copy only thinks it is the same person and has all the original's memories. Yet everyone, original and copies alike, will one day come to know death personally. That's not immortality.

Dennis E. Taylor's "Bobiverse" books approached from yet another angle. The original Bob was one of our contemporaries, a man who dies in a car accident in the early 21st century, and his head is cryogenically preserved. He "wakes up" a little over a century later to find out that he is a "replicant," a scan of Bob's brain now supported in computer simulation. This software engineer and sci-fi fan is given a dream come true: he will be the "machine intelligence" to guide an interstellar Von Neumann probe. ("Artificial" intelligences weren't up to the task, but this replicant approach is more flexible.)

The Von Neumann concept is a machine that will duplicate itself, and thus Bob becomes "Bobs" spreading out to other stars and paving the way for humanity to follow. Yet each new copy is a distinctly new person. The Bobs ponder this variance, making philosophical guesses about subtle differences in equipment, or quantum hand-wavium. The first clue comes in one of the later books.

Being computer sims, the Bobs make backups through their FTL network. If a Bob is destroyed, they can "resurrect" him. And the new Bob carries on indistinguishable from the lost one. Then one Bob makes the jump across their vast region of explored space, rather than taking the long way and traveling all those tedious years. The surprise is that the transmitted Bob is not a new Bob, like when they build new ones. The difference is that the transmitted Bob shut himself down before transmitting—a risk, of course. But the fact that he comes out "the same Bob" rather than a new person, they start speculating about souls... (Maybe new personalities only show up if a copy is made while the original is still active?)

No, you're absolutely correct in that the show never suggested that you were being killed and then resurrected in the transporter beam! It's a fans theory from what I've read for a few years oh, and Dr.McCoy was the only character who had a dread of the device and it's breaking down your molecules and hurling you into outer space..blah, blah! :techman:
JB
 
Maybe in the Prime Timeline, Dr. McCoy became known as "Bones" because he kept telling the story of how a fellow medical student suffered a transporter mishap where only their skeleton transported...
 
new gee-whiz techonolgy actually kills you first likely isn't the best way to get your audience wowed in a positive way.
Kids today are weird. They might not be put off by the idea, and look upon it as no different than "re-spawning" in a videogame. That's not to say the experience will match up to that notion. They might come out the other end yelling, "OWWWWWWW! That felt like a full-body Band-Aid being ripped off!"
 
I've just thought about that awful effect they had in TOS with the transporter effect where the fizzing is much larger than usual and mostly yellow! It's almost as if they had superimposed it upon the actors before they dematerialised! I think it happened in the cave entrance of What Are Little Girls Made of? and a couple of others that I can't name at the moment...:ack:
JB

Drowning in Champagne...
 
I didn’t like the sound effects from The Cage…that sound might be good for the transport of a lo res’ stone object with the transporter on its last legs…it sounded “weak.”

The production sound was similar to a window unit air conditioner—a comfort sound to me.
 
The transporter is not a killing machine because of transtator technology/treknobabble. Since it is the basis in the communicator that I assume is a subspace device, then the transtator probably provides for the transmission of energy and mass through subspace. It's the KISS solution. :techman:

SPOCK: The transtator is the basis for every important piece of equipment that we have. :vulcan:
 
I never gave it much thought. The transporter converts a person into energy and at the destination reassembles the energy back into the form they started with. Not a duplicate, mind you, but the same energy being converted back into the same matter. Almost like assembling and disassembling a puzzle.

The technology is fantasy anyway, so it's irrelevant if it makes sense, but that's all the series implied. TNG decided to make it more of a cloning thing with the "reconstitute from the saved pattern in the buffer" sort of thing.
 
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TNG delving into evermore technobabble led them into trying to explain how things worked in greater detail. It was like trying to explain “the force” in Star Wars. Best to keep it vague.
 
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