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The Spirit flops!

Miller is not copying the style of Sin City. That looks like his original graphic novel work. What he did was "draw" The Spirit in his art style. It doesn't fit the character, but it's much more like the comics world where different artists will draw the same character in different styles. Miller is simply bringing that to the film world. 300 and Sin City copied Miller in the first place.
 
Miller's stuff tries to be all arty and badass, but it's just pure shit, imo.

I'm glad to hear it bombed. It should keep Miller from ruining Buck Rogers and maybe he'll steer clear of films from now on. As for The Spirit, it's a shame this was the property that was raped and ruined as a film property so as to put Miller to rest. Though you don't care about the character, a lot of people do, and The Spirit has great potential. Had someone with respect for the material (Brad Bird for example) had made this film the right way, it would've been a success and introduced The Spirit to a new generation. The Spirit is a fun, adventure filled character that could've been approached as a period piece, a la Indiana Jones. Or it could've been updated like Darwyn Cooke did in the comics and would have also worked. All that was necessary was someone who isn't as narcissistic and limited as Frank Miller. Hopefully, the guys who originally wanted to make this film years ago will get their chance down the line.

Agreed.
 
The whole "co-director" thing on Sin City is just because Rodriguez hewed so closely to the comics panels that he felt that Miller deserved credit for the visuals; he didn't actually do any "sit in a chair and direct scenes" stuff (as many, many scenes in The Spirit demonstrate).
 
The whole "co-director" thing on Sin City is just because Rodriguez hewed so closely to the comics panels that he felt that Miller deserved credit for the visuals; he didn't actually do any "sit in a chair and direct scenes" stuff (as many, many scenes in The Spirit demonstrate).

No, Frank Miller did serve as co-director on Sin City. Rodriguez fought so hard for Miller's involvement as co-director that he resigned from the DGA (Director's Guild of America) which usually only allows directing partnerships when the two directors are brothers (such as The Coen Brothers or The Wachowksi Siblings). Quentin Tarantino also directed a scene of Sin City. So technically there were three directors working on the film (because of Tarantino's involvement, he was credited as "Special Guest Director").
 
I'm not surprised it is under performing, i have zero interest in seeing after watching the previews.
I didn't like 300 that much, I thought Sin City was ok, but don't want a sequel, and I think much of me liking Sin City was the cast, not the style.
 
The only thing that connects Sin City & The Spirit is Frank Miller. Besides an inherent similarity in the style of both films, they are radically different. The Spirit is more attune to the style and tone of Dick Tracy (just without pretty much everything that made that film fun) than Sin City.
 
Favourite reviewer comment, from the dean of film critics, Roger Ebert: "To call the characters cardboard is to insult a useful packing material."
 
The whole "co-director" thing on Sin City is just because Rodriguez hewed so closely to the comics panels that he felt that Miller deserved credit for the visuals; he didn't actually do any "sit in a chair and direct scenes" stuff (as many, many scenes in The Spirit demonstrate).

No, Frank Miller did serve as co-director on Sin City. Rodriguez fought so hard for Miller's involvement as co-director that he resigned from the DGA (Director's Guild of America) which usually only allows directing partnerships when the two directors are brothers (such as The Coen Brothers or The Wachowksi Siblings). Quentin Tarantino also directed a scene of Sin City. So technically there were three directors working on the film (because of Tarantino's involvement, he was credited as "Special Guest Director").

You're right in the account of Rodriguez fighting for Miller's credit, but he got the credit for exactly the reason listed above: the film's close adherence to the original panels' visuals. Rodriguez has said as much. Miller wasn't directing the actors in that film.
 
Favourite reviewer comment, from the dean of film critics, Roger Ebert: "To call the characters cardboard is to insult a useful packing material."

Gotta love Ebert.

Posted by Hirogen Alpha
You're right in the account of Rodriguez fighting for Miller's credit, but he got the credit for exactly the reason listed above: the film's close adherence to the original panels' visuals. Rodriguez has said as much. Miller wasn't directing the actors in that film.

To quote Wikipedia, which admittedly isn't the best source. I'll try and find a better one:

Three directors received credit for Sin City: Miller, Rodriguez and Quentin Tarantino the latter for directing one scene in the film. Miller and Rodriguez worked as a team directing the rest of the film. Despite having no previous directorial background, Miller was substantially involved in the direction of the film, providing direction to the actors on their motivations and what they needed to bring to each scene. Because of this (and the fact that Miller's original books were used as storyboards), Rodriguez felt that they should both be credited as directors on the film.
When the Director's Guild of America refused to allow two directors that were not an established team to be credited (especially since Miller had never directed before), Rodriguez first planned to give Miller full credit. Miller would not accept this, as he certainly could not have done it without Rodriguez. Rodriguez, also refusing to take full credit, decided to resign from the Guild so that the joint credit could remain.
 
^^
I had not read that Miller interacted much with the actors. I'm curious to see what other sources on that you can find.

I think, though, if The Spirit demonstrates anything, it's that Rodriguez was integral to crafting believable performances out of his actors, and with him gone, The Spirit is the result.

I didn't really consider Tarantino--his material in the film is so minor that it's more of a shout out to fanboys that he was involved at all.
 
^^
I had not read that Miller interacted much with the actors. I'm curious to see what other sources on that you can find.

I think, though, if The Spirit demonstrates anything, it's that Rodriguez was integral to crafting believable performances out of his actors, and with him gone, The Spirit is the result.

I didn't really consider Tarantino--his material in the film is so minor that it's more of a shout out to fanboys that he was involved at all.

I've got the uncut edition and in the special features you can see him advising allot of the actors about their characters. From what I remember, the actress that played Miho was practically his student. Also I think part of what kept Alba engaged is Miller telling her how he plans to develop Nancy's character into an arse kicking P.I. So I think it's fair to say he gave story and character directing, not necessarily performance directing.

Can't comment on 'The Spirit' as I don't plan on watching it until it comes out on DVD rental. Not holding my breath.
 
^^
I've been meaning to pick up that DVD, but lack of funds have so far prevented me from doing so. Thanks for that.
 
I really enjoyed both "300" and "Sin City," but like so many others, the trailer for "The Spirit" looked SO bad that I gave the movie a pass. Sounds like almost everyone else did as well.

Instead, this weekend my wife and I saw "Slumdog Millionaire," which was fucking great. Really glad I chose to see that instead of "Spirit."
 
Was anyone even looking forward to this movie? I don't recall hearing any real fanboy buzz about it the way you typically get with comic book adaptions.
 
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