The OP seems the racist one to me. One should learn to be colour blind when it comes to Star Trek.
To quote Kyle Broflovski in the s4 South Park episode Chef Goes Nanners "but the colour of a person's skin doesn't matter."
...Could not agree more with the desire of many here to want a spirited, informed, give-and-take discussion on this Board, and within this Thread...too bad we are doing such a good job with each other, and there is nary a sign of the OP...![]()
The OP seems the racist one to me. One should learn to be colour blind when it comes to Star Trek.
And the opening scene in Kevin Smith's "Chasing Amy" featuring Hooper-X addresses this issue in a remarkable way (it's a must-see - and apparently was the inspiration for the OP and Locutus... )
Nothing gets by you, Bob.
The OP has presented food for thought, so I couldn't possibly find fault with that. But, then again, discussing Andrew Probert's Enterprise-C has become a forbidden topic in two sections of this forum, so I don't know anymore.
What could be a problem about discussing ship designs? I don't go to the art forums much, but what could be a problem with the subject?
And the opening scene in Kevin Smith's "Chasing Amy" featuring Hooper-X addresses this issue in a remarkable way (it's a must-see - and apparently was the inspiration for the OP and Locutus... )
Nothing gets by you, Bob.
You did a great job paraphrasing Hooper-X by putting it into a satirical Star Trek context ("skinhead"), but I felt the urge to share Kevin Smith's little masterpiece with everyone who hasn't seen it yet.
(C-3PO acts a lot like an African American stereotype in early films and series)
I know this wasn't your intent, and that you meant it positively as in everyone should be treated equally (and we should strive for that), so forgive me for using your post as a starting point, but while it makes a nice soundbite, being "color blind" doesn't actually solve anything or address the very real problem of racial inequality we face in the world today. It sweeps uncomfortable issues under the rug by pretending that race (artificial construct though it is) is not a major or even the dominant factor in the continuing interpersonal and institutional inequality and injustice faced by minorities around the world.
you should be color-blind when dealing with anyone. You shouldn't factor in race at all when you speak to, do business with, or employ someone.
I know this wasn't your intent, and that you meant it positively as in everyone should be treated equally (and we should strive for that), so forgive me for using your post as a starting point, but while it makes a nice soundbite, being "color blind" doesn't actually solve anything or address the very real problem of racial inequality we face in the world today. It sweeps uncomfortable issues under the rug by pretending that race (artificial construct though it is) is not a major or even the dominant factor in the continuing interpersonal and institutional inequality and injustice faced by minorities around the world.
I don't think he meant it that way. He meant that you should be color-blind when dealing with anyone. You shouldn't factor in race at all when you speak to, do business with, or employ someone. I don't think he meant that you should ignore how races are treated in various parts of the world.
(C-3PO acts a lot like an African American stereotype in early films and series)
Huh??C-3PO talked and acted like a fussy English butler. You must be thinking of a different robot.
Read my first sentence again.
Nichelle's MLK story is like the prize fish someone claims they caught but you never see -- it just keeps getting bigger and bigger.Plus or minus a likely apocryphal story about Nichelle Nichols and Martin Luther King -- what BigJake said.
At this point I really don't care if that MLK/Nichelle thing even happened. The point is she did get to play the part, and did it well. Let her embellish the retelling of it all she wants.
Nichelle's MLK story is like the prize fish someone claims they caught but you never see -- it just keeps getting bigger and bigger.
Can a circular bridge have a back? Uhura's at 11 o'clock.
Can a circular bridge have a back? Uhura's at 11 o'clock.
And the bridge isn't even oriented directly forward anyway. It's rotated a bit off the center line.
As for Terrell's death: It's required for at least two reasons: 1) Terrell has a legitimate reason to die - he sacrifices his life (he had to have known that the Ceti eel would kill him) rather than be ordered to kill Kirk. And 2) he's a guest; of course the guest captain, regardless of race, is much more likely to die, because they're not going to kill off a regular. Terrell didn't die because he was black - he died because he wasn't Kirk.![]()
A fate shared by countless red shirts.
Of course most of them were White, which means.... I have no idea, but I am sure it means something and I am offended by that!
The problem was that we had seen Andrew Probert’s original ............
Bob
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