See, if it was illustrated like that in broad strokes it probably wouldn't hurt the film as is. That said it isn't really needed because you still get the idea that he is/was some sort of alien weapon from what we see in the film we got.After seeing The Iron Giant when it was first released I recall a discussion I had with friends. We all loved it, but there was disagreement about whether there should be a sequel. I and another friend argued the film didn't need a sequel. We didn't need to know the Giant's origin. On the other side another friend argued for a sequel.
Well because the film realized limited commercial success (despite wide acclaim) the likelihood of a sequel became essentially zilch, which was fine by me.
Absolutely no sequel required. It ended on the perfect note and I don't need to know what happens next because it's obvious.
As for the Giant's origin, that was meant to be told in the film in the form of an abstract dream (picked up on Dean's TV set while they were all asleep.) The sequence was never fully animated, but appears in story board form as a feature on the Special Edition DVD. Brad Bird has I think hinted that they might go back and finish it for the inevitable BluRay, so here's hoping.
The short version: he's a war machine left adrift in space after the planet he was fighting on (presumably the homeworld of his creators) blew up in the midst of a war in which he and hundreds light him were the foot soldiers. The implication is that it was some ultimate doomsday bomb, which given the setting and themes of the movie shouldn't be too shocking, especially given the resonence with the ending.
Transformers: I think Michael Bay gets unfairly maligned for his treatment of the Transformers franchise, because it wasn't uber-serious and dire or whatever. I remember thinking after seeing the first one in the theaters: "This movie is so perfect if it were a woman I'd marry it!"
I recently saw Prisoners. It's really good.
Again, since the topic is perfect film, as much as I enjoy Forbidden Planet a lot, I can't call it perfect.
In the nude swimming scene, Anne Francis is too obviously not really nude! You can see the skin-colored swimsuit she's wearing when she comes out, not to mention hints of it while she's still in the water.
"I wouldn't change a thing."
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