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The Most Disliked Episode of DS9 - Season 4...

This season is the closest thing to a perfect season the franchise ever got. As far as I'm concerned, only half of 1 episode did not work. So picking episodes to save is incredibly easy for me. The only difficulty is choosing the order.

So I will begin with the episode that makes me cry every... single... time.

"THE VISITOR"... not just a great DS9 episode, but an incredible one in television. Anyone who has lost someone they loved can identify with this story.

Or most parts of the story. I can't relate to the guest star stick figure who knocks on his door out of nowhere and just as conveniently doesn't even bat an eye when Old-Jake states to her that by killing himself on cue he'll save his (by then long-deceased based on relative age that she wouldn't really know) father in the alternate timeline*. I could relate to a psychiatrist that would cite the DSM-V very quickly, however. The story is A+ on a visceral level but it doesn't hold up to much scrutiny. But all it needs is one viewing, which is sublime.

* Yes, the audience knows it will work out as the audience is getting the clues... but how would she, the visitor and not the good evil lizard kind, get the same clues when she's really not? Just how common is the knowledge of time travel to everyday citizens in the Federation that it's no different than going to a candy store and being surrounded by diabetes overload? But by DS9 season 4 and "Little Green Men" introducing yet another new way to time travel as a plot device, TNG STFC doing it with the Borg (and zero on how to get back, but probably by reverse-slingshot the way they did it in TOS three times), and the casual portable Borg hardware used in VOY such as in the otherwise timeless "Timeless"... and to the point any ol civvie won't think twice... So I just roll with it, there's enough of the story that's legitimately brilliant. Maybe she sat there and humored him, thinking he was an old nutter cranking out another story and felt it unnecessary to call ST911. That would work too.
 
Fuck it, I am drowning in Lwaxana nostalgia lately. Perhaps due to recently hearing a wonderful audio tribute to her at the end of this pod (starts at 72:10):

https://www.maximumfun.org/greatest...n-ds9-ep-269-write-horny-edit-sober-ds9-s4e20

Perhaps due to the upcoming debut of "Picard" -- the announcements on returning cast at Comic Con made me so sad to realize we won't have any return visits from Lwaxana, now that her portrayer has died.

(Though, just realizing Lwaxana's son from "The Muse" could pop up... that is a whole mini-series I would watch, Deanna and her hot 20-something half-brother off on an adventure to save the galaxy together)

Anyway, I'm wandering into tangents. I save "The Muse"! If I had to watch one of these right now, this is the one I'd have the most fun with. I have come to truly adore the Lwaxana/Odo portions in recent years, and vampiric possession aliens is a favorite guilty pleasure Trek trope of mine...

INDISCRETION
HOMEFRONT
CROSSFIRE
RETURN TO GRACE
ACCESSION
RULES OF ENGAGEMENT
THE QUICKENING
BODY PARTS
 
I'll save The Quickening.

I always get emotional the moment when Bashir realizes the baby doesn't have the blight, and the mother dies moments later.

INDISCRETION
HOMEFRONT
CROSSFIRE
RETURN TO GRACE
ACCESSION
RULES OF ENGAGEMENT
BODY PARTS
 
Or most parts of the story. I can't relate to the guest star stick figure who knocks on his door out of nowhere and just as conveniently doesn't even bat an eye when Old-Jake states to her that by killing himself on cue he'll save his (by then long-deceased based on relative age that she wouldn't really know) father in the alternate timeline*. I could relate to a psychiatrist that would cite the DSM-V very quickly, however. The story is A+ on a visceral level but it doesn't hold up to much scrutiny. But all it needs is one viewing, which is sublime.

* Yes, the audience knows it will work out as the audience is getting the clues... but how would she, the visitor and not the good evil lizard kind, get the same clues when she's really not? Just how common is the knowledge of time travel to everyday citizens in the Federation that it's no different than going to a candy store and being surrounded by diabetes overload? But by DS9 season 4 and "Little Green Men" introducing yet another new way to time travel as a plot device, TNG STFC doing it with the Borg (and zero on how to get back, but probably by reverse-slingshot the way they did it in TOS three times), and the casual portable Borg hardware used in VOY such as in the otherwise timeless "Timeless"... and to the point any ol civvie won't think twice... So I just roll with it, there's enough of the story that's legitimately brilliant. Maybe she sat there and humored him, thinking he was an old nutter cranking out another story and felt it unnecessary to call ST911. That would work too.

The title of the episode has double meaning. It's not just about Melanie, but Ben Sisko, who essentially becomes a visitor in Jake's life. I always felt the connection and meaning was more strongly meant for Ben.
 
I will save "RULES OF ENGAGEMENT" next. Good Worf story, and unique directing choices with having the cast talk directly TO the camera. LeVar Burton is a really good director... the reason why he ended up doing 29 episodes of the franchise.


INDISCRETION
HOMEFRONT
CROSSFIRE
RETURN TO GRACE
ACCESSION
BODY PARTS
 
Homefront, as it’s still a very relevant story in many ways, and introduced us to Joseph Sisko.

INDISCRETION
CROSSFIRE
RETURN TO GRACE
ACCESSION
BODY PARTS
 
"Accession." I'm super into the whole Sisko-embraces-being-Emissary arc.

INDISCRETION
CROSSFIRE
RETURN TO GRACE
BODY PARTS
 
This will be my final vote for the season, so I have to make it count.

I am torn between two episodes... "RETURN TO GRACE" and "BODY PARTS". I love both for different reasons. But I have to give the edge out to the one with the ending that my wife really loved, and on rewatching it, it makes me shed a single man tear.

"BODY PARTS" gets the save. And also for giving us probably THE most clever way to write in a pregnancy of an actress I've ever seen.


INDISCRETION
CROSSFIRE
RETURN TO GRACE
 
"RETURN TO GRACE" is Dukat's shining moment. The one time when he seems almost like a good guy (it then steadily goes down until he becomes the embodiment of evil at the very end of the series) and that alone makes it an interesting episode.


INDISCRETION
CROSSFIRE
 
I'll give last place to Crossfire, then. Indiscretion comes across a bit implausible at points, but it's got some good moments for Dukat. Crossfire just makes Odo seem far more petty and jealous than he should be, and to be completely honest, Shakaar always came across a bit too much of a Marty Stu for my tastes.
 
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Yes, that would have been my choice as well. Odo neglecting his duty to the point of total incompetence is a little too much for me.
 
You know, I think "Crossfire" might be my current season 4 low as well, for all the reasons @BigDaveX states. That scene with Odo/Quark at the end is so good, I almost forget all the other flaws with the episode, which are numerous. But when I'm picking a random ep to rewatch, it is never this one.
 
I was just going on about "Rejoined" in another thread. It's pretty damn perfect. The best Trill episode, probably the best Jadzia episode, and also I think it's my favorite ROTW throughout all Trek.

It's too bad Berman or whoever was too obliviously homophobic to allow gay issues to be explored outside one-off episodes. It would be such a franchise legacy enhancer if they'd managed a proper gay character in this era of TV.

But, if one episode was all we could get, I don't see how it could have been done any better than "Rejoined."

I saw it the other day. It explores even more complexities of Trill Symbiant parasites, in particular regarding if they meet in new bodies, in a novel way. It's borderline soap opera but it's a love story and what saves it for me is the complex Trill society, explaining things they don't do and why.

Sisko has the best lines, even though I'm pretty sure the leaders of Trill won't accept Benjamin's pleas.

The acting ranges from "great" to "over the top".

And in the end, nobody breaks custom to face being banned from future hosts to slither into* because they found an old lover** and decided to break the golden rule, which was stated with as much succinctly as with as much clarity as to why the not-quite-minuscule gift of host transferenceis allowed. To be fair, the stated reason is not an unreasonable one since how many of us would boast about having seven lifetimes and all the unique things encountered and experienced and to risk losing future opportunities as such, apart from Doctor Who (of course)?

* and thus be dead forevermore
** in a new host body or otherwise

Lenara Kahn was the correct and sensible person in this episode and I'd swear Dax is almost out of character, and it's nice to see that what one looks like isn't an issue regarding love (unlike Dr Crusher and what was nothing more than lust regarding her Trill episode). Nothing wrong with lust, but "Rejoined" is more intellectual due to its complexity thrown into a soap opera - it's an intriguing mixture of genres.)

Trill lives are not quite identical as humanity's transsexual issues since we're our own beings and not controlled by slug parasite thing stuck in our tender gooey innards, but as with most things with the Trill species it's more engaging because it's about the Trills. Still can't believe that Dax of all people would risk being barred from squishing into another host once Jadzia's body expires. At least, in the final scene, Dax doesn't scream "KAAAAAAAAAAAAHN" as she leaves the station. And now, I'm going to go watch season one of "Dollhouse". (To use an allegory to describe an allegory, it's a show where a person's body is a doll or puppet whose brain can be "programmed" with any personality (read: "other people") for covert operations like espionage or other things - so it's not a gastropod being shoved into a belly and not looking fat but reprogramming the brain as if it were a computer using Assembly Language (there's something else delightfully archaic to look up). Just how nonsensically cool yet confusing is that!)

There's really no such thing as "proper" when it comes to fictional characters made for entertainment, it's only if we enjoy or enjoy loathing the fictional characters.

Lastly, responding to one other thing you'd brought up, it's way too easy to use terms like "homophobic" around out of context, if nothing else. For one example and I'll save the better one (or two) for a few paragraphs down, if the makers were they wouldn't have gone this far with all the hoops and hurdles to try to make any statement. It's a hell of a lot more complex than that as well, it was a different time decades ago and they were trying to be trendsetters while being mindful of other audiences. To the point audiences now can't get enough of it, though it's not always for the same reasons though that doesn't matter as well.

And another thing, even my ex (same sex as me, BTW) had claimed there's more homophobia committed to LGBT people by LGBT people... but that tangent also leads into yet another tangent, all of which go way too far outside of the scope of this to remain directly relevant. Until someone writes a Trek story about that but with some nuance and legitimacy and not as a one-sided throwaway...

Let's now turn to Berman himself for some of his side of the story: http://www.treknews.net/2011/03/03/...n-gay-characters-in-trek-enterprise-and-more/

That's a lot more complex than I had fathomed as well. And depending on who are gay and are script writers, you may or may not see all aspects brought out - with or without seriousness or dignity applied. And may not be as popular with audiences.....

While it makes more sense just to reads the entire article as it covers a lot more, I'll quote a couple fun snippets:

Wilkins: Why were there no gay characters on TNG, DS9, Voyager or Enterprise? Was that your decision or the studio’s?
Berman: It was not the studio’s decision.

That alone successfully rebuttals in that he's not a homophobe if he's trying to do Roddenberry's belief as much justice as possible given ALL the circumstances present at the time in which they had...

I know that when Gene (Roddenberry) was alive he was very ambiguous about the idea of a gay character or gay characters on the show. He felt it was the right thing to do, but never quite had any idea of how he was going to do it As Michael Piller had said many times, the idea of seeing two men or two women in Ten-Forward holding hands was not really going to be an effective way of dealing with it.

It's possible to not have an answer despite already doing it. Remember that in "Encounter at Farpoint"? The whole episode is almost a gay allegory in of itself. Picard states the key line and there are many ways to perceive it.

Also, Troi and Will were former partners. If Roddenberry & co were unsure on how to deal with the issue per the article's full text, how would audiences react if Troi/Will were Ted/Bill or Jane/Jill instead? Or a new character in a later season who was revealed to have been with a former crewmate (who was ambiguous enough for it to work without doing the in-series retcons out of thin air, like Amy Farrah-Fowler had been (but so was Sheldon, ha!) but they're from another show)? So there you go, Troi/Will's past relationship wasn't brought up very often nor was it sledgehammered into every script. Their bedroom life just wasn't the crux to the show; TNG simply wasn't a soap opera in the regard of exploring anyone's sex lives to any detail and to be frank it would be laughable to even try, regardless of genders used. That's another reason why "Rejoined" is as close to "perfect" as anything could get in the time and place and leaving it open-ended without the sledgehammer tactics.

And I agree with him on another point - the following may not be his underlying reasoning but it's a possible reason: Two guys holding hands for the same reason that you're not seeing heterosexuals holding hands all the time on the ship should be enough on its own. And if reading the quote turned you off of it before my response to it, that might prove an interestingly different point. My response to it should have no bearing as that alludes to a different point altogether, and would most audiences really want to see every last sexual pairing on a ship holding hands all the time. Who is counting and are they so, if nothing else, desperate? And desperate for what, exactly, as there are many possibilities there as well.
 
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The title of the episode has double meaning. It's not just about Melanie, but Ben Sisko, who essentially becomes a visitor in Jake's life. I always felt the connection and meaning was more strongly meant for Ben.

True :) But which is more straightforward? My first reaction was it was about Ben being the visitor to Jake. Thinking it's Melanie only suggests I think into things too much. :D
 
An unexpected 'winner' of season 4 is "CROSSFIRE".

This is why this game is so much fun for me... so many unexpected reasons and eliminations happen that it is almost never predictable.

Thank you all for playing. I'll post season 5 shortly.
 
it was a different time decades ago and they were trying to be trendsetters while being mindful of other audiences.

Yeah, I know it was a different time, I was there. Were you? Apologies if you were, but from your post, it certainly does not sound like it. This is not an example of 90's trendsetting, this was a common move for TV at the time: one showcase "very special episode" for your gay issues, and then move on.

I'm going to quote Ron Moore on this, from that amazing spilling-the-tea post-Voyager interview he gave:

“Tell me why there are no gay characters in STAR TREK,” says Ron Moore. “This is one of those uncomfortable questions I hate getting when I was working on the show, because there is no good answer for it. There is no answer for it other than people in charge don’t want gay characters in STAR TREK, period. This stuff about, ‘How would you know? Maybe there are lots of people walking through those corridors that are actually gay. What would you have us do? Show them holding hands? That would be ridiculous. Our regulars don’t hold hands,’ which its own kind of a sad commentary on the state of human relations, that they can’t even hold hands. Just think about what it would say to have a gay Starfleet captain. It would mean something in STAR TREK. It would mean something in science fiction. It would mean something in television. Why isn’t STAR TREK leading the way anymore, in the social, political front?"

That Berman interview you linked to also has a fairly illuminating quote:

"It’s something that Brannon Braga and I discussed, that Jeri Taylor and I discussed, and we never really got around to coming up with a way of just adding a gay character."

"A way of just adding a gay character." The whole frame that they needed "a way" to do it is complete nonsense, a flimsy pretense that camouflages homophobia by pretending to oppose it. The way to do it was to just have the character, in the same way that TOS just had Uhura & Sulu.

That "we can't show them holding hands!" argument is (and always was) preposterous foolishness of the highest order. Give me a break. They managed to establish all the other characters were straight while observing that rule pretty easily.
 
True :) But which is more straightforward? My first reaction was it was about Ben being the visitor to Jake. Thinking it's Melanie only suggests I think into things too much. :D

I think WE were the visitors as we were the only ones who saw everything. Sisko is the only one left who witnessed the incident but even he saw only a small fraction of what was going on.
 
If I'd not missed this I would have saved Crossfire, but it's a pretty strong season really. My least favourite is The Muse.
 
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