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The more I read about this film...

In an effort to halt Cogley's boycott, I whipped out my Photoshoppy and....

Decon_1.jpg


If you wanted Quinto and Pine....tough. :D
 
that is just nasty... I humbly request you delete that one...

anyway, it is all perception, the original poster should not be too worried...
just wait til it comes out...
 
Checking "lifetime gross" at Box Office Mojo shows that TMP grossed about $82 million versus about $79 million for TWOK, which cost a great deal less to make (as I recall, $10 million versus $42 million). Even taking into account that some portion of the expense of TMP went into the sets, the Enterprise model, and a few effects shots in TWOK, the latter was certainly a lot more profitable. (Also, keep in mind that some work done for TMP had to be redone for TWOK, in particular all of the bridge monitors and instruments that consisted of individual film projectors in TMP, leading to lighting problems for all scenes set on the bridge; a few years later the expense of creating electronic replacements was necessary and worthwhile.)

First of all if people are going make real comparison between The Motion Picture & The Wrath of Khan they need put out worldwide gross & not only domestic gross if we really want to see what movie was more profitable. You are right that The Motion Picture made (minimum) $82 million in domestic gross against The Wrath of Khan $ 79.0 million but if we add foreign gross, we clearly see advantage going to The Motion Picture who made (minimum) $ 139 million worldwide gross compare to The Wrath of Khan $ 97 million worldwide. The fact is The Motion Picture made 3 times more in foreign gross then the Wrath of Khan is eye opener.
I agree that The Wrath of Khan was much less costly to make, with a modest special effects and a budget of $ 11 million and if we follow Paramount's bookkeeping, The Motion Picture cost $44 million to make. However, Paramount is including the costs of development of the unfinished Phase II TV series. Much of the TV series elements were not used for the film itself. Only $26 million was spent on the film itself. Most sources place the film's budget at $35 million when including the cost of the usable elements of Phase II.
So if we do the math, The Motion Picture profit was $ 104 million versus The Wrath of Khan $ 86 million. If we adjust those numbers for predicted 2008 inflation then the profit for The Motion Picture is $ 298 million against The Wrath of Khan $ 207 million. Bottom line is The Motion Picture is the most profitable Trek film ever.
 
The only thing that will get me to see this movie is confirmation of either Shatner being it it, or ENT referencs. If Shatner is not in it, shame on Nimoy for doing this without him. Nimoy would be nothing without Shatner, and he knows it, and you all know it, too.

Is it possible I miss Rick Berman? Oh, the humanity of even the thought...

Why not? Shatner did a Star Trek film without Nimoy, so why not the other way around? I actually thought BermanTrek was good, it was good entertainment by a long shot. I would rather watch BermanTrek over American Idol or any of the other crappy shows that are on now.

Agreed, although I like both Battlestar Galactica and Smallville. I don't watch either on TV, always wait for the DVD's, but since they're both still on, it counts.

That said, I am looking forward to the new Trek movie.
 
You know, the new "Star Trek" movie is the only aspect of the Franchise that interests me at all these days. I'm interested in the fan film stuff because it's an activity I'm involved in, but other than that and watching the occasional TOS episode on DVD (some things, one can't do without) I just don't give a damn about Trek.
 
Check out the screencap I used from Patterns Of Force - I didn't really sauce it up at all....

It's all in the perception, people.

:D

I originally thought you pasted Nimoys head and chest on T'Pols body, so I was going to post something like "Nimoy's shoulders look quite lovely"...but thank God I didn't (although his shoulder does look a bit girly in that photo.)
 
Aw jeez, you rear admirals...

If TMP had been a real success, do you really think Admiral Kirk and crew would have returned to Earth!? Seems to me that the next movie (pajama uniforms and all) would have picked up where TMP left off, an adventure in space. Why shouldn't he be able to command a ship as Admiral? Heck, he's just saved Earth! (With the loss of only Matt Decker's stuffy son and that weird Deltan chick - and besides, they're still alive, sort of.)

With respect to TWOK being, of course, a sequel to "Space Seed": I am speaking of a reboot of the movie series, which in fact was necessary if there was to be a movie series at all. This has nothing to do with whether the plot of the reboot movie was or wasn't a sequel to a TOS episode.

I am well aware that TWOK uses a few effects shots created for TMP. But it explicitly avoids referring to any events in TMP, and justififably so. As DeForest Kelley was reported to have said, "Now this is a Star Trek movie."

(Vonda McIntyre's TWOK novelization did include occasional mentions of Deltans, etc.; in her view at least, TWOK was indeed a sequel to TMP and not a reboot of the movie series. Of course, she also has Spock die irreversibly - coffin becomes meteor and burns up - although this may have changed in later editions.)

(Another small point: As Leonard Maltin's movie guide reminds us, TWOK was "originally released without the II in its title." If II had always been the idea, it would have been in the original release prints and the pre-release advertising - which it wasn't.)

As for the last comment, I believe that while early screenings had no "II", the actual public release did.

As for II not having any references to the previous film, did you ever note them mentioning the events in the previous episodes during the run of the series? Rarely, if ever. (And I think it's "never"...except for when Harry showed up again.)

The fact there were no references to TMP in WoK means one thing-

There just weren't any.

Nobody expected there to be any, and there weren't, and that's all it means.

As for it being a true success or not, let's put it this way-

They did Star Trek II, didn't they?

It had enough success for that to happen. The change in the uniforms is the only substantial difference between it and TMP. That and they decided to start phasing out the wrist communicators in favor of going back to the handheld ones.
 
I agree in principle with what you said in the above post...

...but there WAS at least one other case of TOS referencing an earlier episode besides Harry Mudd: The Organian Peace Treaty was mentioned in Tribbles, which I'm sure was a reference to the Organian people from Errand of Mercy.
 
"As for the last comment, I believe that while early screenings had no 'II', the actual public release did."

Sorry, but the "II" was indeed absent from the release prints during the first theatrical run; I saw it on premiere night on Long Island, NY, and then a few more times over the following weeks in Philadelphia, where I was living at the time. A week before release, a four-page ad spread in People magazine (or some other Time-Life mag) also gave the title as Star Trek: The Wrath of Khan. The Vonda McIntyre novelization, evidently prepared before release, also had no "II." But as soon as the picture was in theaters, someone at Paramount decreed that "II" should be added to the posters and ads, and thereupon it appeared in the home video, etc.

I thought of one other TOS episode that explicitly refers to earlier ones: "Turnabout Intruder," where Kirk (inside Janice Lester) tries to identify himself by reminding Spock of the Vians of Minara ("The Empath") and at least one other earlier episode.

"As for it being a true success or not, let's put it this way- They did Star Trek II, didn't they? It had enough success for that to happen." Sure, but just enough; they took it out of Roddenberry's hands and gave it to the TV division of Paramount, a story that's been told elsewhere.

I still maintain that a true, explicit sequel to TMP (pajama uniforms and all, with Admiral Kirk commanding and Roddenberry producing) would have been the result if TMP were a success at all levels -- in particular, if the initial release had been edited to yield some kind of forward propulsion of the story, rather than the frequent intra-V'ger longueurs it's chiefly remembered for.
 
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As for the last comment, I believe that while early screenings had no "II", the actual public release did.

I'm telling you, the prints used for the first three or so weeks of US public release had no "II" in the title. Our club members living in, or visiting, the US for the premiere reported this from all over. Then they started reporting prints with IIs.

Then the II-less prints went international. The first month or so of ST II here in Australia had no IIs in the titles. I know, I saw the film about four times that first few weeks. We had members in all states of Australia reporting the same. Then we also eventually got prints with IIs.
 
I kinda wish they'd left II off, and not used any numerals for ST2-ST6. Adding numbers to titles just seems tacky (i.e. Spider-Man 2, Spider-Man 3, etc.)
 
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