Who's going to drive the truck? Gilead has a ton of check points, and women aren't allowed to drive.
I know I speak from privilege, but I didn’t see it quite that way. I saw June as working to get him into an emotional position where he felt that he owed her. His guilt would be enough to grease the wheels just a little more.Well, I think this episode finally conclusively showed what kind of person Joseph Lawrence is, for better or for worse. It just took pushing to the brink in his protection of his mentally ill wife to finally do something truly significant.
That said, while I appreciate his reluctance in performing the ceremony when Commander Winslow came a knocking, I found June's...willingness...to ease his pain while accepting her role as a rape victim utterly grotesque and repulsive. I get that the show is showing how far June has been knocked down (despite climbing back up again last episode), but positioning June as someone who need to ease a man's pain to rape a woman, to rape her, especially a man who was a primary architect for the nightmare society that the live in now, is far beyond the pale.
That level of disgust I felt made it hard for me to appreciate the progression the show has finally made in getting the children out of Gilead, a goal that has been teased since the end of last season. I'm hopeful, but at the same time, this show loves pulling the carpet out from underneath us just as the good gets going.
My heart broke for Janine. "I'm a brave person!" I knew June would lie to her about Caleb's whereabouts, but it still hurt hearing the sweet lie to comfort the fragile but eager Janine. I don't look forward to the day Janine learns the truth.
I know there's more to say (ugh, the Waterfords), but I can't move past my disgust.
Yeah, I get that...but it still bothers me. That June has to put herself into that position after all of the traumas and rapes she's gone through. It almost feels trivialized.I know I speak from privilege, but I didn’t see it quite that way. I saw June as working to get him into an emotional position where he felt that he owed her. His guilt would be enough to grease the wheels just a little more.
Regarding the rape itself, June has been beaten, abused, and repeatedly raped already. For her, this is one more injustice she will internalize, because she has a laser focus on the ends. June has changed, and her trauma is immeasurably deep, but she has shown herself as willing to use her body in order to move her plans along if it means salvation for herself and others from Gilead.
So I believe it was less acquiescence for his emotional well-being, and more leverage to get what she needed to save the children, and Mrs. Lawrence.
Oh, certainly that doesn't make it any easier to watch. I had the *squick* feeling the entire time, I'm just trying to get inside of June's head. You're right, though, the writers do need to be careful here. Rape is never something to trivialize. If they go to the well too many times, they make it start to look mundane. The idea of rape being normalized is reprehensible, and yet they're starting to do it to the audience.Yeah, I get that...but it still bothers me. That June has to put herself into that position after all of the traumas and rapes she's gone through. It almost feels trivialized.
I think she might. I do know that, at the very least, June has consigned herself to dying. She does not believe she's going to make it home. You can see it in her actions, in her expressions, in the way she makes her plans. June's certain that she is going to die delivering the children stolen by Gilead into the waiting arms of Canada. I think she looks forward to it.I've been pondering this idea for a few episodes, especially this last one: What if June dies at the end of the season, possibly sacrificing herself of the sake of the children, knowing that Hannah is on her way back to her father? For one thing, it would help some of the insane shit June has said and done this season and for another, it would help open the show narratively to focus on Moira and Emily who have undeservedly been sidelined this season (Moira since the beginning).
I know it would also be difficult to do (not just because we would lose the amazing Elisabeth Moss), but as Emily Todd VanDerWerff noted in her review this week, June is a conduit character and all of the other characters on this show connect through her. VanDerWerff postulates similarly to me regarding the possibility of June dying and how it would help/hurt the show, but also acknowledges that it's highly unlikely.
But who knows? Stranger things have happened...
Yeah, I get that...but it still bothers me. That June has to put herself into that position after all of the traumas and rapes she's gone through. It almost feels trivialized.
Oh, certainly that doesn't make it any easier to watch. I had the *squick* feeling the entire time, I'm just trying to get inside of June's head.
...
June's discussion with Commander Lawrence sounded to me like the words of a prostitute who has found herself in such a deplorable position. Perhaps the prostitute is really a sex slave and is not performing by choice. Yes, it's rape and this is how they keep their sanity. Don't think of yourself. Detach yourself. This is just a transaction.
And can't we say that Commander Joseph was raped as well? It wasn't his choice. He was being forced to perform this sex act against his will. Ironic, since he was one of the mastermind's behind this insanity.
Agreed. Just to add, like I mentioned in my earlier post, I like that they give us human moments with the Waterfords. We need reminding that these people who make little jokes to each other, who play music we like, who talk about God and making the earth right again, they were complicit in the countrywide oppression of human beings, women were sex slaves, female children were being raised to become sex slaves, and the boys raised to dominate them. Men and women of every stripe were being murdered, abused, and tortured for fighting back or worse if you were LGBTQ+, for existing in the first place. We get to see both sides of the Waterfords, and to me the message is clear: every human being has the capacity to do monstrous things. Monsters aren't the realm of make believe, or walk the earth alongside humans, they exist in the human heart.At long last some forward movement in getting shit done.
June's plans to rescue children just kept getting more and more overly ambitious, so I kept expecting for the other shoe to drop. Then it kind of did, first with the Marthas trying to shut down June's plan because of the potential of getting in the way of their own plans (which was completely understandable and reasonable, especially considering the scope of June's ambition). That followed with Joseph's apparent cowardice and fleeing from the home with Eleanor in tow (for a potential suicide pact?). But then the shoe didn't really land. The Marthas abided to June's plan as long as it didn't mess up with their own plans and Joseph came back (because, ironically, cowardice again).
That only encouraged June's ambition as she decided to jump onto the Marthas' plan connection and twisted the arm of Billy the bartender to consider allowing her to use his plane connection to get the 52 children out of Gilead, no matter the cost (all of the stolen art to fill Billy's dreams!).
And then the shoe finally did drop. Because of course Commander Winslow would be at Jezebels and of course he desperately wants to get his manpaws all over June the rebel. He wants to put some "proper sense" into her...and June knows she's some serious danger.
So she found herself repeating her past mantra of being in a different place, just like she did the last time she was with Fred at Jezebels, just like she did with Joseph last episode, just like she did every single time she was raped.
But this time, she didn't stick with it. This time she fought back. And she won. And it was fucking glorious.
Even better was the Martha who helped June get out of there alive, who then led a crack squad of a clean-up crew, who made all of that evidence disappear, who made Winslow disappear, as if they've done this before, all to the perfect song selection of Kate Bush's "Cloudbusting."
Fuck. Yeah.
.
.
.
Oh, yes. And then there was the fucking Waterfords. While I'm so sick of this show trying to get me to feel sympathetic towards the Waterfords despite their cruel crimes, I loved how they were lured into such an obvious trap (especially after such a blah road trip). Couldn't happen to a worse couple.
Seriously, this has been a long time coming and I look forward to them receiving their just desserts. I only the show doesn't continue to pull the woe is them bullshit. They've raped, they've kidnapped, they've tortured, they've ruined countless lives and abetted in the murder of even more. All because they couldn't have a child of their own. They deserve no mercy, no remorse, no pity, no sympathy. Fuck them. Let them rot in hell.
On a side note, the show (probably unintentionally) reminded me of Stanley Kubrick's The Shining on two separate occasions: First, while June groggily made her way through the Jezebel hotel after murdering Winslow and then, with the bird's eye view of the Waterford's car following Mark Tuello's car in the alpine forest with omniscient music playing. The uber Kubrick fan in me loved both of those moments, even if the allusions were probably unintentional.
Yup. Exactly.Yes, Lawrence was raped as well. The key difference is that he was raped by the vile system he helped create. It would be like Albert Speer being arrested, detained, and violated by the Nazi war machine for breaking the Nuremberg Laws. That doesn't make it right, but he who lives by the sword will die by it, and Lawrence had crafted for himself a powerful sword, just as many of the other Commanders of Gilead.
Yeah, I had a hard time swallowing that lie as well. Even the most ignorant sort would've realized at some point while building such a society the kind of complications maternal instinct would have on their oppression. And there's no way Joseph wouldn't have thought of the mental health issues considering his wife, Eleanor.He claims he didn't foresee mental illness or maternal instinct, but I don't believe him.
Indeed. It's further easier to fall into the sympathy trap while watching Bradley Whitford perform the role. No matter how much he looks different from Josh Lyman, there's still just a bit of Josh underneath Whitford's performance (comes out the most when he's sarcastic or weary or both at the same time). That's hard to look past, but it must be done. Joseph might be doing the right thing now, but he helped create a truly horrific society and no level of redemption can overcome that.Men can be blind to such things, but he knew damned well what he was doing when he planned Gilead's economy. He had to take those factors into consideration. What he did was decide that they were inconsequential. Remember, folks, Joseph Lawrence is a misogynist, he is a war criminal, and he believed in the goals of Gilead as long as they didn't affect him. Now they have, and he's remorseful, but he wasn't remorseful for all of the other women being beaten, raped, abused, stripped of their rights, and turned into a slave class. He was fine with that. Remember, he was fine with that aspect of Gilead.
Yeeeeeaaah...that allusion didn't escape me at all....and she promises that Lawrence will give him all of the art he stole from museums they raided as Gilead took over various parts of the country. You know, just like the Nazis.
Oh, damn, I didn't think of that allusion but I like your way of thinking.June graduating to double-0 status (well, she receives a gun from Lawrence after she managed to kill Winslow with a pen which somehow mirrored the beginning of Casino Royale for me, even if this may have been unintentional).
Hell, yeah, it was! So damn satisfying.While this was probably not what Atwood intended when she originally wrote the source novel, it was still pretty satisfying to see.
Perhaps so. I've seen that theory before and I believe it. But in the end, it doesn't matter to me because they're both horrible people and they deserve everything that comes to them.So far, I'm also firmly in the camp of those who believe that Serena manipulated Fred into this, because in retrospect I think I saw more than a couple of hints scattered througout the episode which implied that Fred is being set up by Serena, in particular their final dialogue at that "guest house" they stayed in. It certainly would be fitting because Fred was always kind of dumb with Serena being the much smarter one of the two. A suitable end (?) that he walks into the trap wide-eyed.
The questions that arose for me are:
1) Did Serena manipulate Fred into this all the way back from the moment where she got that radio from that American agent and Fred launched a campaign to get Nichole repatriated to Gilead, meaning that she never really had the heel-face turn we've witnessed over the last couple of episodes?
2) Did she make a "you get my husband, and I get my child" deal with the Canadian and American governments? (one moment I saw as a hint that she's playing Fred was when Fred said that she may already have left him for a fertile man hadn't it been for the Gileadan revolution: it's obvious that Serena always picks the child if she has to choose between her husband and becoming a mother herself)
Yeah, I suppose so, but I've loathed them for so long (especially Serena) that I'm so tired of the show trying to get me to feel bad for them.Agreed. Just to add, like I mentioned in my earlier post, I like that they give us human moments with the Waterfords. We need reminding that these people who make little jokes to each other, who play music we like, who talk about God and making the earth right again, they were complicit in the countrywide oppression of human beings, women were sex slaves, female children were being raised to become sex slaves, and the boys raised to dominate them. Men and women of every stripe were being murdered, abused, and tortured for fighting back or worse if you were LGBTQ+, for existing in the first place. We get to see both sides of the Waterfords, and to me the message is clear: every human being has the capacity to do monstrous things. Monsters aren't the realm of make believe, or walk the earth alongside humans, they exist in the human heart.
both Fred and Serena are arrested by Canadian military personnel.
Perhaps so. I've seen that theory before and I believe it. But in the end, it doesn't matter to me because they're both horrible people and they deserve everything that comes to them
Yes, absolutely 100%. She's just as guilty as Fred. While he may not see what he has done as criminal, we've repeatedly seen Serena become self-aware to the crimes she's participated in and continued onward. She has absolutely no business being free, let alone given custody to Nichole!Even if what is coming to Serena is freedom (and maybe Nicole?) in exchange for delivering Fred? Does Serena deserve what is coming to her?
Yes, absolutely 100%. She's just as guilty as Fred. While he may not see what he has done as criminal, we've repeatedly seen Serena become self-aware to the crimes she's participated in and continued onward. She has absolutely no business being free, let alone given custody to Nichole!
It's very convenient how the border crossing between Canada and Gilead just vanished. Even if Gilead removed the American side's signs/border post, why would Canada follow suit?
Huge eyerolling plot point: Why would anyone think Serena has any claim at all to get Holly/Nicole back?
I should say both appeared to be under arrest, then.Were they, though? I only herd Fred get arrested. Nothing was said to Serena.
This. Serena is fixated on Nichole, and whether or not she's aware of anyone else outside of Nichole and wanting her safe from the world she helped create, that still doesn't take away from all of the heinous deeds of which she has been a willing party, as recently as days before this happened. I compared her to Emma Goering once, and I stand by that.Yes, absolutely 100%. She's just as guilty as Fred. While he may not see what he has done as criminal, we've repeatedly seen Serena become self-aware to the crimes she's participated in and continued onward. She has absolutely no business being free, let alone given custody to Nichole!
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