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The Great Chronological Run-Through

I don't like "Cogenitor" much. It tries hard to be a thought-provoking ethical-dilemma episode, but ultimately it resorts to the same lazy cheat as TNG's "Homeward": "Oh, look, one isolated individual committed suicide, therefore the Prime Directive must be right." You don't know a different individual wouldn't have reacted differently. If one suicidal person jumps out in front of a car, that doesn't mean driving cars is immoral. The suicide card is a cheap, melodramatic way to shut down debate on an issue by saying "That side leads to death so it's obviously wrong." It takes a nuanced question and reduces it to black and white. And it smacks of authorial puppeteering, the hand of god reaching in and arbitrarily deciding the question on the side the writer prefers.

I mean, what was really at issue here? Whether the cogenitors as a group, who clearly had the intelligence to participate as more than nameless house pets, could assert the right to fulfill that potential. Are we supposed to believe every cogenitor on Vissia would commit suicide if they tried to push the boundaries and were found out? Or that there was no chance that Vissian society as a whole, if challenged by the cogenitor minority to change, might actually be able to do so? Neither of those makes sense, so resolving this particular instance with a suicide is a total non sequitur, and doesn't actually say anything about the deeper issues. It's just arbitrarily stacking the deck.

See, I think one of the things that make the episode work so well is exactly that everyone seems to have different perspectives on it. To me, there was no preferred conclusion hinted at by the writing, nor were we directed to any particular perspective, which was what I so admire about the episode. I didn't see the cogenitor's suicide as a copout or a way of resolving anything; not a means to comfortably direct viewers to any particular conclusion or to draw a line of finality but a means of underscoring the whole troubling affair without offering an answer. That is, a means of keeping the whole thing implicitly an open wound rather than allowing anyone to draw "The End" under the issue. The suicide, to me, shows the depths of the potential consequences no matter what position you take or the choice you make when facing the difficult questions; questions of where you and another individual, and groupings of people in their cultures or hierarchies or whathaveyou, stand in regards to each other. It's not Trip to blame for the death of "Charles", nor Archer, nor the Vissians, but all contributed to the state of affairs that led to a person's despairing death. The contact and exchange between Humans and Vissians (and so between any societies or differing groups) had consequences, and consequences in such situations (which both Humans and Vissians eagerly embrace, we must remember!) can be serious both objectively and in terms of the self-examination they provokes. In how one evaluates their own behaviour and that of the people around them. It's the price of exploration and the price of discovery.

Is Trip right, is Archer right, was such-and-such an action or position justified? - in all, none of that matters. No matter what happened, there were going to be consequences when different cultural and moral and personal perspectives clashed, and ending in a suicide doesn't, in my book, steer us in any particular direction but merely emphasises the weight of those consequences. Unnecessary, yes, probably, but I don't see it as a copout.

Also, I wouldn't say it matters to the episode's impact what we're supposed to believe about cogenitors, nor are we really supposed to be extending Charles' situation to that of all cogenitors (although naturally we could, and that would be a natural, obvious step). The issue, as I see it, isn't about the cogenitors at all. The status of cogenitors in Vissian society isn't what the episode is dealing with - it's dealing with the question of how perspectives maco- and micro- might conflict, how an individual chooses to involve themselves or hold back from involvement with others, where they draw the line between doing what they think is right and leaving things be, whether their personal ethical biases are more important than a measured cautionary detachment. Its also an exercise in how various different views look right and look very, very wrong depending on the perspective one takes. Ironically enough (I suppose), the cogenitor as a character or as a representative of its ilk isn't, I'd claim, the point here, although naturally Charles is sympathetic as a character, since the matter of its social self-determination and worth is driving the crisis. Obviously, there's no doubt that we're being "told" that cogenitors, being as sapient as any other Vissian, should have the same freedoms, but that's obvious. The episode doesn't concern itself with What Should Be So in that regard, because it assumes that we're all in agreement there, which is no doubt true. It's everything else that's the problem.

Also, I don't agree with what seems to me to be a key argument in what you say - that "playing the suicide card" is generally (or at least on this episode specifically) a way to show a particular conclusion as inherently wrong or otherwise tip the narrative judgement toward a certain position, because another position "leads to death" (or did in this case). If suicide serves the narrative purpose of illegitimating that which led to it, then what led to this suicide wasn't one thing but several things working in concert. I didn't read the episode as claiming that "Trip shouldn't have interfered" when one can just as easily say "The Vissians shouldn't have blocked Trip's interference".

Again, as Trip says to Archer, "not your responsibility". Is it? In a sense, maybe? Yes? No? Not just mine, everyone's, no-one's? What led to Charles' suicide was the whole situation, and that situation can be summarized as "Humans and Vissians boldly go and meet each other", the exact purpose of both their missions. Does Charles' death thereby illegitimate contact, exchange and challenge between cultures? No, of course not, which is why Archer knows that he has to poke around in Pandora's box even if he knows what he's unleashing, and why even though he's angry at Commander Tucker the officer and himself as The Captain Setting An Example, he isn't angry with Trip the ethically proactive Human. That question of responsibility that Trip speaks of hangs there unanswered, just as Charles' suicide will hang there as an open wound reminding everyone of the importance and power of these dilemmas and what can be at stake.

That's how I see it, anyway. ;)
 
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^ Wow, I could never have said it as well. I always saw this episode as more, what happens to cultures when they collide; they influence each other. They do so on a macro level and at a micro level. With this episode we see that micro level as the first beings from the respected species interact and the result of the episode is how their ideals influence each other. Since this is Trek, we mainly focus on how they ENT crew influences the Vissians. Coming in contact with other species our thoughts about everything are challenged since we are often too close to our own situation to think clearly about it. So as the cultures collide, so do the mirrors to see what might never have been seen. Trip gives Charles a new way to think about things as a result of the species meeting (It would be nice to see this more in reverse, yet Trek usually shows us with the Crew as the influencers).
 
"Regeneration"

Not much to say about this one, which isn't a complaint; it's just that this episode is very straightforward. The cyber-zombies are revived from their crash site after lying there for a hundred years and they strike out for home, infecting people as they go. Why they stopped to attack Tarkaleans when they previously fled Earth without harming anyone else is unclear, although I suppose they reasoned, so far as the Borg at low strength and severed from the Queen can reason, that Earth was too powerful and would destroy them before they assimilated it. That wouldn't help them re-establish contact with Unimatrix 01. Also, Tarkaleans are pre-established as carrying some nifty technology aboard their ships ("Dead Stop"), so perhaps the drones wished to pick up some goodies with which to augment their ride even further.

There's a great sense of the ominous to both the beginning and ending of this episode. The whole affair is completely unnecessary, of course, there's absolutely no point to any of this but it is engaging, and very watchable. The Borg is more a plague than an army, infecting people and machinery, and so it plays as a medical thriller as much as it does an encounter with aggressors.

It was refreshing to open on Earth rather than Enterprise, and follow events there for a while; this must, however, be the shortest appearance by Admiral Forrest to date.

As ominously promised at episode's end, we'll be seeing the Borg again in the 24th Century, though rather than head to Earth they'll sniff around the Neutral Zone instead. It will, however, eventually be the full-powered Borg and not the watered-down version we see here (who are formidable enough).

Continuity

Apparently, Zefram Cochrane did eventually tell the whole story of First Contact, only to give in and agree after a few years that the whole thing was too fanciful to be believed. (I wonder if this was around the time that he started looking to the distant horizon and getting restless?)

Having previously been mentioned in "Dead Stop", the Tarkaleans (also spelt Tarkalians) make their first actual appearance here. (This is actually their first true appearance in the real world chronology as well). These people originate on Tarkalea, which is also home to condors, hawks, sheep (with valuable wool), and a form of influenza. Beside the wool, their primary export appears to be tea. Their currency is the notch-rock (Avatar) and here we learn that, disappointingly, they're generic ridge-heads. Through the political turmoil of the next two centuries they'll apparently ride it out as a reasonably prosperous non-aligned minor nation, so good for them.

Mentioned for the first time are the Bynars, who we learn replace a new-born's parietal lobe with cybernetics. (New-born child is here a rather loose description, given that the novels establish that Bynar emerge from their birthing chamber as adults; presumably the upgrade happens while they're gestating). We'll meet a pair of Bynar (former Bynar, as they insist) in a couple of in-universe years, in Rosetta.

This is the first mention too of the quadrant system, here as applied to the entire galaxy and not to individual sectors or sector blocks or however we're interpreting the other "only ship in the quadrant" lines.

Next Time: We have a detour now into Starfleet history, first with the episode "First Flight" and then with the two Daedalus books.
 
I always like Regeneration. To me it made the Borg scary again. In a lot of ways it made complete sense that the Borg would show up, especially with the events of FC. Maybe I'm in the minority, but I felt like this was the perfect use of canon events with ENT to meet a villain from the "future".
 
I honestly don't remember much about "Regeneration." I guess it didn't leave much of an impression. I guess it's kind of a neat idea to use the leftover Borg from FC as the basis for a "horror movie." Sort of like The Thing -- discovering an alien monstrosity frozen in the polar ice. And good use of the series' established history at this point. So the idea of it makes sense, but somehow the execution did little for me.
 
I thought "Regeneration" was an alright episode. With regard to its continuity, I used to dislike how it could only happen with the timeline change of First Contact, but then a few years ago I read a YouTube comment that reminded me that in "Relativity", Seven is fully aware of the events of First Contact, and thus "Regeneration" patched that issue up. Go figure.
 
Maybe it wasn't a timeline change -- maybe it was a time loop all along, and we just didn't know it until we saw it, because history didn't record the intervention from the future.
 
^ What's sad is that Travis could have been a great character, especially since he's "been out in space before". But a lot like Yar in TNG they just don't write him well or really do much with him that is of interest.

To be frank, it didn't help that Anthony Montgomery is simply not a particularly talented actor.

Didn't stop them from giving Connor Trineer a significant role ...
 
"First Flight"

Some insight into the recent backstory of Starfleet, when they were still more astronaut than navy. It's interesting to see confirmation that Enterprise really does represent a shift in the possibilities for Human spaceflight, that this is a time of transition from one set of possibilities to another, more permissive set, that new horizons are opening up for Humans. No wonder the Boomers are uneasy with the changes; Earth space capability has come a long way very quickly, with the fruits of decades of research apparently all popping into being quite rapidly. From warp 2 to warp 3 to warp 5 in a decade, after eighty years of tweaking the original Cochrane engine and moving at warp 1.5. This acceleration in the rate of breakthroughs is noted by Trip as being in contrast to the Vulcans' historical space program, a point which will be explored in later episodes with an eye to the implications for the Vulcans' overbearing attitudes.

On a related note, one of the episode's more interesting features is the exposure it gives us to Admiral Forrest in his role as an uneasy mediator, having to embody the balance between two demanding forces acting on Starfleet Command - its ambitious, restless pilots and officers on the one hand, being representative of increased Human restlessness, and Earth's political situation on the other. The need to retain approval from the Vulcans versus Humanity's ever-increasing eagerness to push past historical limits. Forrest doesn't have to just find the balance, he has to be the balance. We've gotten a good look at the Human-Vulcan relationship over the course of the series, and this episode doesn't add anything new, but does nicely demonstrate the unfortunate position people like Forrest have always been in. No wonder the admiral has a headache every time we get his POV in a book (A Time to Sow, Shockwave).

Although we didn't learn anything about the Earth government, I did notice two Humans in civilian clothes within the control room during the NX-Beta flight, standing with the Vulcans. Presumably these are representatives of, or overseers for, the government; a welcome acknowledgement that Earth isn't run by Starfleet Command. It's a shame they don't say anything, though.

The Vulcan advisor confuses me a little. It's not Soval, because Gary Graham presumably wasn't available - or is it Soval, just played by someone else this time? Vulcans all wear their hair the same way (for some reason - it will make sense with the Romulans, sort of, but what's with the Vulcans' identical bowl cuts?) so I can't tell whether he's supposed to be Soval-like in appearance or if that's not intentional and he just happens to be of similar age.

First Appearances of Things That Are Important

Dark Matter Nebulae, sort of (we'll get to the slight continuity glitch in a moment). Dark matter in its Trekkian form will be important to several later stories, involving time-traveling Romulans, planets made of crystal and other oddities, but for now it's clustering in nebulae for the first appearance of a phenomenon we'll see again down the line. (I assume that the visible dark matter nebula in Deep Space Nine is going to be shown for audience convenience and isn't actually visible; certainly you can't see it from the surface of the planet within). As for that continuity hiccup I mentioned, Archer previously claimed, in "Breaking the Ice", to have investigated a dark matter nebula during a short stint on a Vulcan ship. I guess I have to interpret this as the Vulcans investigating strange readings that some of them cautiously speculated might possibly be evidence of a dark matter nebula and Archer spent the whole trip saying "it totally is, guys. Like, really, it's a dark matter nebula, my gut instinct tells me it is!" Vulcans are leery of the dark matter nebulae and they flat out dismiss time travel, but microsingularities they swear on, even when Humans reverse the usual dynamic and refuse the idea of those ("Shuttlepod One"). Vulcan science is quite odd really. Do they have a chart listing theoretical phenomena and spin an IDIC chip to see what the arrow points to? "This one is obviously true, this one we'll approach cautiously yet open-mindedly, this one is illogical and heretical. The Rite of T'Random is concluded".

Continuity

New Berlin is mentioned several times; one of the primary settlements on Luna.

As well as Archer and Robinson, captains Duvall and Gardner were in the running for the test flight. There were actually two Duvalls, we'll soon learn, brother and sister in fact; the sister died in the Daedalus disaster of 2140 so the episode refers to the brother, who was given command of the Shenandoah in 2151, as revealed in an earlier episode. Archer responded to that development with mild, mostly good-natured mockery, saying that the Enterprise crew were lucky to be a hundred light-years away. Meanwhile, Gardner, who was the Vulcans' first choice for Enterprise captain (he doesn't steal test ships, the bore), will become important in season four, replacing Forrest.

How this episode's depiction of recent Starfleet history fits with what we'll see in Daedalus is an interesting question. That story, coming up next, will introduce an alternative warp development program, a tangent into a different warp engine design; a failed technology developed in the 2130s, despite the stated years of progress on Henry Archer's engine that led into this episode's 2143 events, meaning the programs were running simultaneously. Interpreting the events of "First Flight" in light of the ideas of Daedalus changes the way you look at this one, I think; I might comment on that some more after I get through the two books.

Next time: Actual literature! We have another look at the recent history of the Human warp program in Daedalus, which also features our first alternate universe, Archer's child, and the Suliban Cell Ship (yes, the crew still have that; after being remembered all of a sudden in "The Communicator" it disappeared again, but finally gets its day in the sun).
 
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As well as Archer and Robinson, captains Duvall and Gardner were in the running for the test flight. There were actually two Duvalls, we'll soon learn, brother and sister in fact; the sister died in the Daedalus disaster of 2140 so the episode refers to the brother, who was given command of the Shenandoah in 2151, as revealed in an earlier episode. Archer responded to that development with mild, mostly good-natured mockery, saying that the Enterprise crew were lucky to be a hundred light-years away. Meanwhile, Gardner, who was the Vulcans' first choice for Enterprise captain (he doesn't steal test ships, the bore), will become important in season four, replacing Forrest.

How this episode's depiction of recent Starfleet history fits with what we'll see in Daedalus is an interesting question. That story, coming up next, will introduce an alternative warp development program, a tangent into a different warp engine design; a failed technology developed in the 2130s, despite the stated years of progress on Henry Archer's engine that led into this episode's 2143 events, meaning the programs were running simultaneously. Interpreting the events of "First Flight" in light of the ideas of Daedalus changes the way you look at this one, I think; I might comment on that some more after I get through the two books.
I'm confused. In 2151 did Archer mean that he was good friends with Duvall or not?

I wonder if in the modern novelverse the Daedalus class began with a lead ship called Daedalus. If so, then it seems to me that the Earth Starfleet needs more originality in names.
 
I'm confused. In 2151 did Archer mean that he was good friends with Duvall or not?

Well, he seems to have a slightly cruel but overall good-natured joke at Duvall's expense, perhaps indicating that Duvall is considered a rather odd choice for a captain and has a lot to prove, or has a rather haphazard or undesirable style, but since "First Flight" names Duvall as one of the NX program's leading pilots, it seems likely that it's mostly meant in jest and that Duvall is well regarded, if not as likely a candidate for command as Archer, Robinson, etc. As Robinson and T'Pol note, it takes a range of qualities to be a captain; maybe Duvall doesn't have them all. ;) (But is too important to Starfleet to be turned down if he finally requests a ship).

I wonder if in the modern novelverse the Daedalus class began with a lead ship called Daedalus. If so, then it seems to me that the Earth Starfleet needs more originality in names.

They (well, the Federation) will keep using Enterprise and Intrepid, and the Humans will stubbornly keep using Columbia to the point that Pike will one day note "there's something about ships named Columbia..." (that is, they suffer disaster), so they don't tend to be very imaginative anyway. :lol: I'll have to see what the novels reveal as I re-read them, but I could speculate now that the Daedalus-class was named in honour of the Daedalus with the cascading ion drive?
 
Daedalus and Daedalus' Children

Probably the best of the in-series Enterprise novels. Certainly they held my attention.

Even in an alternate reality, Earth just can’t help itself but launch things into space that are then appropriated by aliens and end up causing upheaval and damage. In this universe, the Daedalus cascading ion drive (a previously unrevealed project which we now learn Trip was involved with) didn’t explode as it did in the prime universe, but rather ended up out at planet Denari. Its technologies were then used to unite the world under a militant over-government by a local general, who overthrew the existing leaders and took power.

The book’s title, and the Human ship’s name, is a little ironic since in this case it was Trip, the “son”, who tried to warn the “father”, Brodessor, about being too careless, so Icarus and Daedalus took each other’s roles. I guess Soval is King Minos.

The plot is an interesting take on the “crew involved in local politics” plot, since the actual political situation is less the focus and more something that defines the backdrop, something the crew are truly caught up in rather than actively mediating. Rather than interfere with things the crew are more concerned with surviving the chaos. The books really emphasise the sense that this is a situation they have no business being part of - spending much of their time as prisoners, hearing of various factions second-hand without understanding the backstories, physically declining because the universe itself is hostile to them; they need to get out of this. It’s impossible to ignore this sense that the crew simply don’t belong. There’s a troubling sense of familiarity juxtaposed with this though, in that Starfleet technology and recognized, even beloved faces made this possible, which conflicts with that otherwise constant theme. (References to such encounters as the Xyrillians and the cogenitor reinforce this do-I-or-don't-I-involve-myself confusion). It’s not their Starfleet, so it’s not their responsibility, but that uncomfortable notion that it might be is still dancing around on the edge of everyone’s minds regardless. It dances in closer when we learn that Sadir’s son is actually the son of this universe’s Archer, and Trip worries that our Archer is letting himself feel responsible for the boy because of it. Between this and the captain’s recent cogenitor rant, Trip must think Archer is starting to have some issues about his responsibility as captain. The Xindi will come along soon to put a lot more weight on those shoulders, which wasn't exactly what the doctor ordered.

No doubt this seductive appeal to responsibility even in light of everything else about the situation screaming “YOU DON’T BELONG HERE” is the reason why the Denari not only look Human but are politically and culturally largely indistinguishable from Humans.

We don’t see established TV lower decks crewmen in this one – no Rostov, Cutler or Novakovich, though Dave Stern has his own recurring spear-carriers in Carstairs, Hess, Duel and O’Neill (particularly O’Neill), some of whom will make it over to other authors’ books.

Trip meets not an alien road buddy this time but a full-on love interest. I liked Dr. Trant, and it was a shame she was killed in the end, since obviously she and Trip would have to part ways anyway, so you didn’t need to kill her off to explain why they don’t stay together.

Did the Denari not get into Daniels’ cabin when they controlled the ship?

There’s a Denari named Colonel Gastornis. This amuses me, because Gastornis is a giant extinct bird. I duly pictured him appropriately. The other Denari were unfazed.

Archer just cuckolded a whole planet. Long live the Archerian dynasty? Assuming sending Lee through the transporter didn’t cause any, er, problems. (PSSST, that thing’s not safe!)

First Appearances of Things That Are Important:

Alternate universes/timelines, not counting Daniels-created screw-up futures. Odd that the exact same people and structures exist in both when the proteins are different, though? Does this make sense?

Continuity:

A couple of times, it's mentioned that both Captains Duvall are female; however, the Romulan War books have the surviving Duvall being referred to as male, and since the role is a larger and more notable one there, he's male in my continuity (I should have clarified this in the post above). I basically just replace mentions of "younger sister" with "younger brother". That said, though, maybe the younger Duvall decided to change sex. I mean, why not? Maybe Duvall is transgendered.

ShiKahr (or Shi’Kahr, or Shir-kar, it depends on the writer/translator) was mentioned in “Fusion” as the place where Tolaris worked prior to becoming V’tosh ka’tur, and is here mentioned again in the context of the ShiKahr Principles, a set of physical laws. Along with the T’Ronna Equations and S’ral’s Theorem, plus the earlier K’luda Luminosity Spectrum, we’re getting some Vulcan physics lessons at last, building on the show’s use of Minshara-class. Phlox gets in on it too by mentioning Parnikee, who seems to have been Denobula’s <insert-notable-20th-century-physicist>, Zefram Cochrane, and Jonathan Archer all rolled into one. They do things efficiently on Denobula, then. To be fair, it’s been established that Denobulans are long lived – Phlox’s grandmother lived through a war that ended three hundred years ago. Plenty of time to build on your earlier work for some truly impressive careers.

We learn in a throwaway line that the newer Centauri settlements were menaced by pirates less than a couple of decades back – whether this refers to outposts at Alpha Centauri that the nation on Centauri III couldn’t handle and needed to call in help from Earth to combat, or whether these settlements are further out, isn’t clear. The pirates were Thlixian – whether that’s a race, a criminal organization, the Nausicaan version of the girlscouts, or what, isn’t revealed.

We learn that Enterprise was loaded with replicas of Earth cultural treasures to trade with alien races they encountered; we also learn that in practice it ended up usually giving these away rather than exchanging them. How many replica Mona Lisa or Imperial Japanese Regalia are hanging in government officials’ living rooms on Kreetassa or Risa? Is Vissian Captain Drennik the proud owner of a smiling Buddha idol?

The Denari of the alternate universe have updated their software so that their command ships can take control of their subordinate craft remotely. This sort of thing, while it will one day be put to good use by the Federation, will first cause a lot of problems during the Romulan War.

The encounter with the Xyrillians is mentioned (and is somewhat relevant to the plot) more than once, and the Risa visit and cogenitor incident are also referenced. Plus, of course, the Suliban Cell Ship returns. It also survives the adventure, so it's still there to be used again the next time someone remembers it.

Next Time: Bringing home the bacon in "Bounty".
 
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Odd that the exact same people and structures exist in both when the proteins are different, though? Does this make sense?

I've never been able to make sense of it. The chirality of amino acids in Earthly life was determined billions of years ago, at the onset of the evolution of life. It seems vanishingly unlikely that every subsequent event in history would've unfolded almost identically.

Unless... hmm. What if the universe's chirality wasn't reversed? What if whatever mechanism caused the crew to jump universes caused them to be inverted in the process? And since they were inverted completely, their brains and perceptions and measuring instruments along with their bodies, they wouldn't be able to tell they were inverted, so it would look to them like the rest of the universe was inverted.
 
"Bounty"

I like that there are consequences to Archer's escape from Klingon justice, although the episode itself is rather dull. Not bad by any means, just a very straightforward 45 minutes. It can't be as good as Judgment because Kolos-the-lawyer-with-a-heart-of-latinum had purpose and meaning as a character, a place in the unfolding narrative of the setting; he was our means of insight into how his society had declined, how it had leeched its integrity and better qualities out of itself. He was the Klingon Empire as it once was, and now stands to lose. Skalaar-the-bounty-hunter-with-a-heart-of-latinum is likeable enough but pointless - he doesn't offer us anything so meaningful, he's just a guy. At least I enjoy looking at him (er, that sounds very iffy :alienblush:...I mean I like the Tellarite makeup).

According to Skalaar, the Klingons are claiming that Archer is the first prisoner ever to escape from Rura Penthe. Seeing as he was literally walked out the front door by his tactical officer after the Vulcans bribed the Klingon authorities to look the other way, I can only assume that this assertion is to showcase Skalaar's naivety rather than something intended to be taken seriously. Clearly people with money or connections escape quite frequently even from there, and no doubt the Klingons insist that each and every one of them is the first to escape.

As for the subplot, I'm torn. On the one hand, it's just an excuse for T'Pol to run around pawing at people in her underwear (yes, show, we get it: T'Pol is sexy. However, she's far more sexy when she's being her cool Vulcan self than when you try and throw sexiness in our face by making her act like this. Sadly they'll do it again next season). On the other hand, this does do a reasonable job of portraying the stress and uncertainty of it all - T'Pol's confusion as she's surrounded by ominous suited figures, Phlox's efforts to calm a patient who is both dangerous and vulnerable, the sense of privacy the Vulcans veil their mating drive in and the embarrassment it causes them. So, like I said, I'm torn. It can be watched as a rather interesting and sensitive portrayal of medicine and of biological conditions we can't control or it can be watched as silly attractive-woman-runs-around-in-her-sexy-underwear-being-sexy misuse of character. Your choice. But the fact that the former choice exists means I'm liable to forgive it this time. Please don't turn T'Pol into a drug addict trying to get her next fix while wearing sexy, sexy clothing. You wouldn't do that, right, show? Right?

First Appearances of Things That Are Important

Tellarites. After a great many references and some audio encounters, the fourth Federation founding race makes its first appearance onscreen. Interestingly enough, unlike the Vulcans or the Andorians we don't meet representatives of their government or military here; this Tellarite is an independent man whose species isn't actually relevant. It's a refreshing change, really, and appropriate that it's the Tellarites who are introduced in this way. The Tellarites are always mentioned on Enterprise in terms of the working (pig-)man: merchants, miners, freight haulers, transport captains, now bounty hunters and maintenance engineers. Their expansion into the galaxy seems decidedly blue-collar and likely rather indiscriminate. While Humans are into exploring, Vulcans are invested in policing the region and Andorians seek to undermine the Vulcans, the Tellarites appear to focus on practical measures of economics and resource extraction.

There's a Vulcan cruiser docked at the station where Skalaar's brother works, a facility which is likely but not necessarily Tellarite in design. We've already heard in previous episodes that Tellarites are not the most agreeable of species, if usually benevolent enough, and here we get a few snippets more on the issue: arguing is a sport on their world. Again, though, since Skalaar and his brother are actually people who just happen to be Tellarite rather than notable representatives of the culture, we don't learn much.

Along with the space station, we can assume that Skalaar's ship is of possibly Tellarite design. His ship fires weapons in three colours, so what's going on there I don't know. Maybe Skalaar thought it prettier that way and programmed them to add a random colour each time they fired?

The seven-year mating cycle has been mentioned before, but this is the first appearance and, I believe, naming of the Pon Farr. Oddly, T'Pol mentions that she hasn't yet gone through the Pon Farr, despite being sexually mature. Is this because she's female? The question of whether female Vulcans enter Pon Farr was a commonly debated one, I think, and while this episode shows that they do, it also seems to imply that their mating cycle is attuned to that of the male, if T'Pol (who hasn't yet affirmed her marriage to Koss) hasn't undergone it. I assume that the first Pon Farr (for males at least) occurs at age 14. Is the marriage bond at age seven, and its low-level telepathic bonding, intended to attune the girl to the boy's Pon Farr cycle to make it easier and less risky for all involved? Then again, who knows what environmental and biological factors can affect the Pon Farr, so maybe every seven years is more the norm than an ironclad rule, and maybe people vary in when it first occurs.

Also making their first appearance, The Eyes of Gowron, which bore into us without mercy and lay bare our souls. The rest of Gowron won't appear for a long while - the eyes are being used by some random bounty hunter this time - but they've made their mark and forever will we flinch before their terrible glare.

Continuity

Mention is made of several previously established pieces of trivia regarding Denobulans: Denobulan medical ethics centre on the will of the patient, and their mating customs are non-exclusive and open, yet they can also be squeamish about intimacy or physical contact (males, anyway - I assume this is why the mating season requires pheromone output from the females ("Dear Doctor"); it's to get the male interested, though apparently, we learnt in that episode, it can work too well). Both Denobulans and Vulcans have biologically-determined mating cycles; I'd be interested to know how common this is among Humanoids.

An L-class planet appears; previously we've had a D-class in "Cease Fire". Where these designations come from I don't know, since the first season established, or more accurately strongly implied (and quite neatly, defying Human-centric tradition) that the M in M-class is for "Minshara", a Vulcan term. L-class planets are basically enough like M-class that you can walk around on them fine, only they're not as good for permanent habitation; too cold or the atmospheric mix is wrong in the long-term or something, I forget. They have plants, but may not have animals. Basically, they allow for something different than M-class without having to create anything actually different.

Next Time: The age of innocence comes to an end for Earth and Archer in "The Expanse".
 
I just finished reading Daedalus and Daedalus's Children. I thought they were decent. While I like alternate timeline stories, the premise of this one confused me a bit. An alternate quantum reality is different down to its Hubble constant and proteins? How does that make sense?

Also, did I read that wrong, or did the alternate Daedalus end up in Denari space because it created a TMP-style wormhole?
 
I assume that the first Pon Farr (for males at least) occurs at age 14.

But Spock's first pon farr didn't strike until his 30s -- 35 or 37 depending on which reference you use for his birth year. And Vorik didn't have his first pon farr until he was in his third year aboard Voyager; we don't know how old he was, but the actor was 25 at the time the episode was made. In The Search for Spock, Saavik explicitly said that it struck Vulcan males every seventh year of their adult life.
 
Future Guy strikes again. My first review of "The Expanse" has been entirely deleted from history. It can't be recovered and I've had to write another. Grrr.

"The Expanse"

This isn't really as effective a season finale as "Shockwave", which threaded various arcs together in a way that served as a suitable thematic summary to the ship's first year in space. This is mostly because the second season lacks an overall arc or theme, its episodes being far more disjointed and less interested in contributing to an understanding of the setting. Still, the Temporal Cold War is brought into play as part of the new direction the show is taking from here on, and it's interesting to see Silik and Future Guy aiding Archer. Archer may see Silik as his enemy, but Silik's (well, Future Guy's) agenda has very little to do with Archer most of the time, and the captain is really a distraction or a pawn at best.

It occurs to me that's there a real diversity of antagonistic relationships here which could constitute a theme if we squint a bit; Silik is seen by Archer as an enemy, maybe even a nemesis, but he has no real interest in Archer and his agenda might not be in conflict with the captain's; the Xindi are a faceless threat striking from nowhere and completely absent any context, and yet - we're told - they consider Humans to be a mortal enemy and are retroactively/pre-emptively retaliating for a devastating attack against them, making this an oddly personal affair between two peoples who have never met (and Trip certainly reciprocates the intensity, having lost a close family member and feeling propelled to do something about it); Duras has a personal vendetta against Archer, but Archer hasn't got time for it or him; Soval and the Vulcan High Command are obstructive and critical while being both allies and advisors. If there's a unity to be found here it's that no-one seems to understand their enemy or where they and their adversaries truly stand in relation to each other. Everyone's out of synch with each other and no-one can comprehend anyone else's agenda or priorities. Possibly a more cynical person than I might suggest that this is appropriate for season two and its relative lack of narrative purpose, particularly in the middle.

I suppose you could stretch the idea further by suggesting that T'Pol's dilemma as to where her allegiance lies is an inverted mirror of this. Phlox tells her that to him the choice to stay aboard was a simple matter of loyalty to the captain; she is torn between her personal bond with Archer - the trust they've built - and her superiors' advice that she take a well-earned break from Human emotional entanglements.

Yes, that's the theme of this episode, I've decided: "It's personal". Not as easy a statement as it might seem, however you mean it. That sort of thing requires reciprocity, but no-one's working from the same script or to the same priorities. Or not sure if they should.

Having claimed that "The Expanse" is less successful at uniting plot threads than the first season finale, there is the matter of Duras, capping off a mini-arc in the season's final third. It's amusing that Duras and the Klingons are treated here as less of a threat and more of an intolerable nuisance, preventing the ship from beginning its urgent mission. Not now, Duras, we're busy. The whole affair is dissatisfying to Klingon honour; not only did Duras fail and die in disgrace, but he didn't even merit the status of nemesis that he probably wanted. In Archer's eyes he was an obstacle, and it was never personal.

Continuity:

Starfleet is now in possession of photonic warheads. A year and a half ago, Reed didn't know what they were. This isn't a continuity problem, of course; he doubtless told Starfleet Command all he could about the weapons he'd encountered, and may have sent them schematics and readouts (Reed-outs, as reports from Malcolm are presumably known). Alternatively, they might have purchased the technology from other species at some point over the course of Enterprise's mission.

We see Columbia NX-02 under construction.

Next Time: "The Xindi", including the novelization of that episode and this one.
 
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I assume that the first Pon Farr (for males at least) occurs at age 14.

But Spock's first pon farr didn't strike until his 30s -- 35 or 37 depending on which reference you use for his birth year. And Vorik didn't have his first pon farr until he was in his third year aboard Voyager; we don't know how old he was, but the actor was 25 at the time the episode was made. In The Search for Spock, Saavik explicitly said that it struck Vulcan males every seventh year of their adult life.

Ah, I forgot that line from Saavik, and indeed that the Pon Farrs in question were the characters' first. So apparently the Vulcans do not enter the mating cycle until they're fully grown. I wonder what triggers it exactly? Seven years from which biological marker?

(I guessed it was at age 14 because, assuming Vulcans develop as Humans do of course, they'd be physically able to mate at that point. I assumed the engagement ceremony at seven years was intended to mesh with the cycle, that it's easiest to form a psychic link at this point because all Vulcans are already on a seven-year cycle from birth, and while not yet sexually capable at seven their body is doing what it can. By 14 I'd guessed they'd be ready, but apparently Vulcans may not be sexually mature in every sense for quite a time after).
 
"Bounty" left little impression, aside from it being generally nice that we finally got to see a Tellarite in a significant role. (Even Gav's role in "Journey to Babel" was fairly brief, what with him spending most of the episode dead and all.)

"The Expanse" is interesting as the end of an era, the moment when the show abruptly chucked out its entire format to date and undertook a wholesale reinvention of itself. Although it's regrettable as an admission that the show just wasn't working anymore, that the season had floundered so badly that there was nothing left but to try something drastic. I wonder how things might've been different if season 2 had managed to build on the strengths of season 1 and carry them further, instead of losing direction and meandering for the bulk of the year.

It's also interesting simply due to how long it takes. Between the long journey home, the time spent preparing for the mission, and the long journey to the Expanse, I estimate this episode spans nearly four months.


Starfleet is now in possession of photonic warheads. A year and a half ago, Reed didn't know what they were. This isn't a continuity problem, of course; he doubtless told Starfleet Command all he could about the weapons he'd encountered, and may have sent them schematics and readouts (Reed-outs, as reports from Malcolm are presumably known). Alternatively, they might have purchased the technology from other species at some point over the course of Enterprise's mission.

The Vissians mentioned having photonic warheads in "Cogenitor" -- and Reed said he'd never heard of them despite the mention of Klingon photon torpedoes in "Sleeping Dogs." So Starfleet may have purchased the technology from the Vissians.
 
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