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The Ending(s) of the Original Five-Year Mission

I think there's an odd tendency among fans today to treat "universes" as somehow a more primary concept than just stories. Every different adaptation or variation on a fictional franchise has to be classified as a "real" alternate reality within that franchise's multiverse. I think that's getting it backward. Ultimately these are all just make-believe stories. Alternate universes are a useful plot device within certain stories, but they're not bigger or more fundamental than the fiction itself. Different stories are just different stories. Whether they're treated as part of the same universe or as facets of the same multiverse is a function of whether there's a reason to do so within a given story. I don't have a problem with treating different interpretations of a fictional concept as just different interpretations. I don't need to believe that the Adam West Batman exists in a parallel universe from the Christian Bale Batman. They're just different ways of telling stories about the same imaginary character. So by the same token, I don't feel the need to use the "alternate timeline" excuse for all the different Trek tie-in continuities out there. I only use it for stories that would fit into my primary continuity except for one or two minor inconsistencies. And generally I only do it for stories that can fit into the same alternate timeline, as a creative exercise in building a larger alternate reality, rather than just treating each inconsistent novel or comic or whatever as a separate timeline. The latter would just be way too messy, but it's an interesting exercise to try to establish one or two significant continuing alternate histories.

Yeah, in a way it's a matter of how different people want to read a story. I found in these forums, and meeting other Trekkies, that we have different preferences.

I fall into the larger universe camp, with a lot of things. I like a certain amount of consistency and a coherent storyline from story to story. That's one reason I've enjoyed the relaunches so much. There is an attempt to follow a specific timeline from book to book now with TNG, DS9, Voyager and Enterprise (including from spinoff to spinoff). I enjoy that a great deal. And I think it's great you guys have a relationship such that you guys try to work together not only when one book follows another in the timeline, when your stories overlap (i.e. David Mack's Section 31 novel-Control and you're last Enterprise novel).

I've also read some comments over time from fans who miss the single stories of the past with some of those series, that don't like that they sort of have to read the relaunches in a certain order---now I know many authors will say that is absolutely not necessary--that you could read most novels as a stand alone. But I can see how someone would feel the need to read the novels that came before (plus why wouldn't you want to, they're all great novels ;) ). They sort of fall into the camp you described, as a different interpretations viewpoint. The original series novels seem to fall into that category a lot of times, even still today.

Maybe there should be room for both. Continuing the relaunches on the one hand, but occasionally having a novel that takes place during the series run--say a TNG book that takes place during season 5 of the TV series--maybe using the TV Series logo to differentiate it from the relaunches. I wouldn't mind having my cake and eat it too.
 
^Well, I wasn't talking about continuity vs. lack thereof, but about how different series continuities based on the same premise are interpreted. Like the various different Batman cartoons vs. the comics and TV, or different Marvel movie and animated-TV continuities, or different Sherlock Holmes series or whatever. There's this odd trend to insist that they all have to be seen as alternate universes of each other rather than just their own independent fictional series that are based on the same characters. Generally, the creators of those different series aren't trying to be alternate universes of each other; each is just trying to create their own independent fictional "reality," their own reinvention of the core ideas and characters. They're not really meant to fit together in a larger whole. And that's how I approach the relationship between different Trek tie-in continuities that aren't making any effort to align, like the novelverse vs. Star Trek Online or DC's comics vs. Marvel's. I just let each be its own thing.
 
Oh, gotcha. I was probably reading more into what you were noting then was there. The only thing I do other than watch the shows is read the books. There is no comic book or Online version for me since I don't follow those. So I tend to look at the continuity of Star Trek through that lens only.

But some of that could still apply to the novelverse too--like you noted with the pre-TNG literature and books that came out after that period. Reading them from the perspective of when they were written if you will. In effect taking your different continuities approach to when the books were actually written (80's vs 90's and so forth)

I think a multi-verse concept could still apply in some cases within the novel universe in areas where there is a gross...or macro inconsistency within a major event in Star Trek history. But that's only necessary IMO for major events that can't be reconciled. I can be obsessive about the overall timeline, but I don't sweat smaller details.

I guess an all of the above approach. I can see where you would not fit all the novels going back to The Entropy Effect into a single continuity. That they are a product of their time and not meant to be looked at in that way. And in some cases a multi-verse concept can be applied. A lot of that would be personal preference of course how anyone chooses to look at things, and how much do they follow. But it's pretty much impossible to try to create a single timeline from all these disparate stories. Memory Beta makes an admiral attempt, but there are even times there where it notes basically there is a disparate story that just can't be fit. I still find it useful to see everything referring to an event or character summarized there, even if it's not consistent.
 
Pre-2001, continuity in Trek novels was always the exception rather than the norm. We talk about "the '80s continuity," but it was a loose thing that developed gradually and only encompassed a portion of the novels from that era, while others remained incompatible with the rest (for instance, Pawns and Symbols came out not long after The Final Reflection and offered a contradictory portrayal of Klingon culture). Basically, at first, the only continuity was between successive novels by the same author, but eventually a couple of authors started referring to other authors' books, and the editor at the time started encouraging such crossovers. But it never became entirely systematic or all-encompassing.

So you had things like multiple conflicting portrayals of the "Enterprise Incident" Romulan Commander and her fate. The Diane Duane novels had her exiled in disgrace. Black Fire had her disgraced but still in the Empire. Yesterday's Son said she was executed. But Dwellers in the Crucible had her rehabilitated and back in command, while Killing Time called her "Thea" and insanely made her Praetor of the Romulan Empire while pretending to be a man. (And those are just in Pocket. The Bantam Marshak-Culbreath novels had her back in her old post with no explanation.) Even later on, you had discrepancies like T'Pau dying in one book but being alive and well later on in a different book.

That's why I don't see the point in trying to make everything fit in one continuity. I tried it that way in my teens, back with the Bantams and early Pockets, but as more books came out with more mutual contradictions, I realized they just didn't fit together. I guess maybe it's a different perspective for modern fans, starting in an era when the books do have continuity and therefore expecting that a similar standard can be applied to the older ones.
 
^ In a way it's a shame they didn't try to set parameters from the get go. Maybe not necessarily to every last detail, but a basic continuity so you didn't end up with a situation like the Romulan Commander.

When I first became a newbie fan in 1986 I had only watched the movies and a handful of episodes at that point. I got my first Star Trek novel which was "Battlestations". Young and naïve I thought it was a novelization of an actual episode, but I quickly learned otherwise. Those were great novels back then too, and initially I thought they were part of a single continuity. But after a few books I realized that wasn't the case. Now there's so many novels that take place during the original series run that there's no possible way they could all fit in 5 years, even if there was an actual continuity amongst them all.

I've read most of the novels from the 80's. Killing Time is one of the few I have yet to read during that era, and I actually got my hands on a first edition version of that novel without the revisions (I did double check to make sure it was indeed a first edition, non-edited version). I'm obviously intrigued since it wasn't without controversy, but somehow I haven't managed to get time to read it yet--now I'm wondering why. Maybe when I finish up the Captain's Table book I'm reading now. Hmmm.
 
^ In a way it's a shame they didn't try to set parameters from the get go. Maybe not necessarily to every last detail, but a basic continuity so you didn't end up with a situation like the Romulan Commander.

I don't see how it's a bad thing. Like I keep stressing, continuity has nothing to do with quality. It's just one storytelling option. It's always possible to tell more than one story based on the same idea. I think it's good that authors have had the freedom to imagine different possibilities for what happened to the Commander or how the 5-year mission ended or how Kirk found out he had a son or whatever. There can certainly be more than one interesting story to build on such an idea, and having that freedom to explore different possibilities is good. It makes for a richer experience. This is supposed to be an exercise in creativity, after all, not just conformity.

For instance, I've mentioned elsewhere that my favorite version of Kirk's Kobayashi Maru test was at least the second distinct version that was written, Kevin Lauderdale's "A Test of Character" from Strange New Worlds. I like the original Julia Ecklar version just fine, but Lauderdale's is more satisfying in some ways -- not as comical, but more thoughtful, and arguably a better fit for Kirk's character (because he doesn't fix the test to guarantee a win, but only to make it a fair challenge). So I'm glad both versions exist. What a shame it would be if some arbitrary rule had forbidden Lauderdale's story from existing. For that matter, to get back to the thread topic, my version of the end of the 5-year mission was the fourth one, dating from when I first described it in Ex Machina.


I've read most of the novels from the 80's. Killing Time is one of the few I have yet to read during that era, and I actually got my hands on a first edition version of that novel without the revisions (I did double check to make sure it was indeed a first edition, non-edited version). I'm obviously intrigued since it wasn't without controversy, but somehow I haven't managed to get time to read it yet--now I'm wondering why. Maybe when I finish up the Captain's Table book I'm reading now. Hmmm.

Honestly, the controversy was pretty much the only thing that made Killing Time memorable. I understand the desire to satisfy your curiosity, but don't expect much. At best, you might be able to enjoy it on a "so bad it's good" level.
 
^Perhaps. I'm one who sort of likes more consistency so it's probably just a matter of preferences. Certainly there's more than one good way to tell a good story too. I liked the Lost Years novel as well as your Ex Machina, so paradoxically while on the one hand I'd love one coherent, continuous story of Star Trek history, I'd hate to lose the stories I enjoyed reading. Mind you, it's not something I lose sleep over or stress over. And there is a lot less of that these day as any inconsistencies have been minimized for the last 20 some years. For TNG for instance, you can probably start with Vornholt's Genesis Wave novels and read a pretty continuous story all the way through 'Hearts and Minds'. Maybe even earlier (The Genesis Wave is the first time I noticed a continuing thread, those events being referenced as far as the A Time To books if I remember correctly).

Honestly, the controversy was pretty much the only thing that made Killing Time memorable. I understand the desire to satisfy your curiosity, but don't expect much. At best, you might be able to enjoy it on a "so bad it's good" level.

Probably true. I read the synopsis and it sounds like it has an alternate reality twist to it. But it also sounds a bit dark. When I read "The Price of the Phoenix" it seemed to me to have some of the same undertones that Killing Time was said to have had, though it wasn't as overt. Maybe I'm reading too much into it, but at times it felt like Marshak and Culbreath were hinting maybe there was more to the Kirk/Spock relationship then just friendship in the novel--but maybe I'm off base.

Personally I always thought of them as a brotherly love sort of thing, not romantic. I never bought into the idea that there was something more than that. Anyway, I digress.
 
^Perhaps. I'm one who sort of likes more consistency so it's probably just a matter of preferences. Certainly there's more than one good way to tell a good story too.

Yes, exactly. I like consistency just fine, but that doesn't mean that there can only be one consistent continuity. Lots of franchises have multiple distinct continuities that each contains a multitude of internally consistent works. For instance, Batman has the comics (various eras), the Adam West series, three different movie series, a half-dozen or so animated series, an ongoing video-game continuity, etc. Each one has continuity and consistency within itself, but there's room for the others to exist as well. It's not an either-or choice, but it would be if every single thing were required to be in one continuity.


Probably true. I read the synopsis and it sounds like it has an alternate reality twist to it. But it also sounds a bit dark. When I read "The Price of the Phoenix" it seemed to me to have some of the same undertones that Killing Time was said to have had, though it wasn't as overt. Maybe I'm reading too much into it, but at times it felt like Marshak and Culbreath were hinting maybe there was more to the Kirk/Spock relationship then just friendship in the novel--but maybe I'm off base.

No, you're not off base. You're probably understating it.


Personally I always thought of them as a brotherly love sort of thing, not romantic. I never bought into the idea that there was something more than that. Anyway, I digress.

As far as the work itself goes, I agree. But I understand why the desire to read an alternate interpretation into it existed. Back when LGBT people saw zero representation of themselves in fiction as anything but villains or stereotypes, "slash" fanfiction interpretations of heterosexual relationships as romantic were the only way to see themselves reflected in fiction. That's always been part of the value of fanfiction -- the freedom to create alternate or even transgressive interpretations that would never fit into the "real" continuity, to make it your own. That's another reason why multiple idiosyncratic interpretations are something to welcome rather than condemn. It'd be a pretty lousy art class if every student had to paint the subject the same way.
 
No, you're not off base. You're probably understating it.

Well, it's good to know I wasn't the only one that noticed some of that in the Price of the Phoenix. I read it last summer and I kept thinking that there was something more then meets the eye with it, but I kept telling myself, nah, that's crazy.
 
So you had things like multiple conflicting portrayals of the "Enterprise Incident" Romulan Commander and her fate. The Diane Duane novels had her exiled in disgrace. Black Fire had her disgraced but still in the Empire. Yesterday's Son said she was executed. But Dwellers in the Crucible had her rehabilitated and back in command, while Killing Time called her "Thea" and insanely made her Praetor of the Romulan Empire while pretending to be a man. (And those are just in Pocket. The Bantam Marshak-Culbreath novels had her back in her old post with no explanation.)...
That is an excellent example (indeed, perhaps the strongest example) of some noteworthy incompatibilities. It's also an indicator of what a powerful impression that character made, in just one appearance — props to the actress! — that so many writers have felt compelled to continue her story.

(Makes me wonder what might have been, if the show had introduced one or two comparably charismatic female captains in Starfleet...)
 
That is an excellent example (indeed, perhaps the strongest example) of some noteworthy incompatibilities. It's also an indicator of what a powerful impression that character made, in just one appearance — props to the actress! — that so many writers have felt compelled to continue her story.

(Makes me wonder what might have been, if the show had introduced one or two comparably charismatic female captains in Starfleet...)

Yeah, she was very good, and part of her allure was the mystery. Who was she? We never even hear her name on screen?

I'm sort of torn in a way on this subject. On the one hand I'd love to say this is how the 5 year mission ended and what happened. But on the other hand, there are times where multiple stories featuring the same event are all good and it'd be a shame to lose them. There's also a lot of differences in how the mission started. Some novels have Gary Mitchell as the first officer, others have Spock always being the first officer since Kirk was made Captain. There's "Enterprise, the First Adventure"--an ok story but I always thought McIntyre forgot to watch "Where No Man Has Gone Before"--and I always thought Margaret Wander Bonnano tried to fix some of those inconsistencies with her "Strangers from the Sky" novel that took place just before WNMHGB. But then later novels that take place early in Kirk's command ignore both those novels.
 
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There's "Enterprise, the First Adventure"--an ok story but I always thought McIntyre forgot to watch "Where No Man Has Gone Before"

If you're referring to her use of the series-era crew instead of the pilot crew, that's understandable given that she was writing an anniversary novel. It's the same reason the 2009 movie ended up putting the TOS crew together a decade early -- they're the famous characters that the audience wants to see, so they get the focus.

Although it was weird as hell that she retconned Janice Rand into a teenager, given that she was more of a contemporary of Kirk and Spock in the actual show.
 
That can't be, because its sequel Battlestations! was set just a month later. Also, the plot of Dreadnought! begins with a whole group of young new crewmembers joining the ship's complement, which is not something they'd do right at the end of the mission.

Maybe you're thinking of the fact that The Lost Years referred to the "Rittenhouse incident" from Dreadnought! as a relatively recent event whose fallout was a factor in the decision to promote Kirk to the admiralty. But it wasn't specified just how recent.
Had a flick through and you're right, I must have been confusing bits of other novels. Apologies.
Even later on, you had discrepancies like T'Pau dying in one book but being alive and well later on in a different book.
I'm pretty sure one of the novels lampshaded it by having a character say "I thought she was dead?" and it being offhandedly dismissed.
 
If you're referring to her use of the series-era crew instead of the pilot crew, that's understandable given that she was writing an anniversary novel. It's the same reason the 2009 movie ended up putting the TOS crew together a decade early -- they're the famous characters that the audience wants to see, so they get the focus.

Although it was weird as hell that she retconned Janice Rand into a teenager, given that she was more of a contemporary of Kirk and Spock in the actual show.

You're more forgiving than me. Probably mostly fans bought the novels even back then and fans I think always considered Where No Man Has Gone Before to be the first on screen appearance of the original series crew in the timeline (even if it was the 3rd episode aired). IMHO I think it was a mistake to seemingly ignore most of that episode. And she didn't totally ignore that episode because Gary Mitchell was mentioned prominently. So it made it very confusing. I'm sure many fans while reading it were thinking, Sulu was a physicist at the time, why is Dr McCoy there, Janice Rand?? and so forth.

I was looking forward to a bridge between the characters seen in The Cage and Where No Man Has Gone Before. Unfortunately it's made it hard for me to look at that book as a true first adventure, and was a disappointment as a result. I know you mention the 2009 crew, and I know there's been debate about a basically green crew taking charge of Starfleet's flagship. But in that case you can argue that's a parallel timeline.

I remember Strangers from the Sky coming out not long after Enterprise: The First Adventure, and it always seemed that Margaret Bonanno Wander tried to fix some of the character issues--I remember specifically her explaining something about Dr. McCoy having to take leave and Dr. Piper temporarily relieved him.
 
You're more forgiving than me. Probably mostly fans bought the novels even back then and fans I think always considered Where No Man Has Gone Before to be the first on screen appearance of the original series crew in the timeline (even if it was the 3rd episode aired). IMHO I think it was a mistake to seemingly ignore most of that episode. And she didn't totally ignore that episode because Gary Mitchell was mentioned prominently. So it made it very confusing. I'm sure many fans while reading it were thinking, Sulu was a physicist at the time, why is Dr McCoy there, Janice Rand?? and so forth.

Never assume all fans have the exact same experience of Trek. The whole reason that franchises branch out into different media is because the audiences for different media don't overlap 100%. There will always be people who are more into the movies than the shows, or more into the comics than the novels, or whatever. And the TOS movies had a major impact on the popularity and public perception of Trek. There were lots of people who knew Trek mainly from the movies and weren't that familiar with, or that interested in, the one-shot characters from the second pilot.

Besides, Enterprise: The First Adventure was a big event. It was the 20th-anniversary novel. It was the first "giant" novel. It was promoted more heavily than an ordinary novel. So it stood to reason that it would attract a wider audience than a typical novel, and thus it was logical to make it more accessible to casual fans. Not to mention that a book that was meant to be a celebration of 20 years of Star Trek should logically focus on the characters we care about most.


I was looking forward to a bridge between the characters seen in The Cage and Where No Man Has Gone Before.

That seems a bit odd to me, considering that there are something like 11 years between those two. Despite the conceit of the movies, it's unrealistic to expect that Pike would've held onto the exact same command crew for that long.


Unfortunately it's made it hard for me to look at that book as a true first adventure, and was a disappointment as a result. I know you mention the 2009 crew, and I know there's been debate about a basically green crew taking charge of Starfleet's flagship. But in that case you can argue that's a parallel timeline.

Isn't that beside the point? You raised the question of why McIntyre chose to focus on the TOS cast instead of the pilot cast -- the real-world reason for the writer's choices, not their in-universe justification. I'm saying that the real-world factors that shaped McIntyre's choice to focus anachronistically on the familiar seven main characters are probably the same ones that shaped Abrams's choice to do the same, and thus were not the result of ignorance of the second pilot. There was a logical reason to make that choice.


I remember Strangers from the Sky coming out not long after Enterprise: The First Adventure, and it always seemed that Margaret Bonanno Wander tried to fix some of the character issues--I remember specifically her explaining something about Dr. McCoy having to take leave and Dr. Piper temporarily relieved him.

"Fix" is a strong word. To be fair, there's nothing in "Where No Man" that excludes the possibility that McCoy was there before Piper. Piper was virtually a non-entity in WNM. He just had a handful of expository lines and we learned nothing about him. Whereas when we first met McCoy, it was clear he and Kirk already had a well-established friendship and history. So it actually kinda makes sense to have McCoy there first and treat Piper as just a temporary fill-in for one episode. There's nothing there that needs to be fixed. Indeed, since McCoy is about a million times more interesting than Piper, I'd say that putting him there in Piper's place is the fix.

Mike Barr did the same thing in DC's earlier (and much better) version of "The First Mission," having Kirk recruit Bones to the crew when he first took command -- although he threw in a line establishing that McCoy would soon need to take leave and let Piper fill in for him. He also included Uhura in the story instead of Alden -- though he made Sulu the astrophysicist, left out Chekov, and included Mitchell and Kelso. Mike recognized the same thing that Vonda McIntyre and J.J. Abrams subsequently recognized: That audiences would be more interested in McCoy and Uhura than they'd be in spear-carriers like Piper and Alden. Though he struck more of a balance between the pilot and series casts than the others did.
 
Besides, Enterprise: The First Adventure was a big event. It was the 20th-anniversary novel. It was the first "giant" novel. It was promoted more heavily than an ordinary novel. So it stood to reason that it would attract a wider audience than a typical novel, and thus it was logical to make it more accessible to casual fans. Not to mention that a book that was meant to be a celebration of 20 years of Star Trek should logically focus on the characters we care about most.

Ok, that may be true. I was a brand new fan at the time and was just getting into the original series. I was so new that I actually thought the novels were official stories, canon if you will. I figured this would be a pre-Where No Man Has Gone Before story and was a bit put off by what I saw were inconsistencies with the characters with that episode. It made the story less enjoyable for me. But that's me.

That seems a bit odd to me, considering that there are something like 11 years between those two. Despite the conceit of the movies, it's unrealistic to expect that Pike would've held onto the exact same command crew for that long.

Yeah, true, I was thinking in general terms, more Pike handing command of to Kirk, Spock staying on, that sort of thing. Maybe some references to what happened to some of the others (which if I remember there was a mention of Number 1 and Dr Boyce).

"Fix" is a strong word.

I guess an alignment or even adjustment would be a better reference. It just seemed to me that someone recognized some of the inconsistencies of Enterprise with Where No Man....and just tried to include a possible explanation why that was.

More recent novels I've read that touch on that period have ignored some of those aspects of those novels. I remember one--I forget the title, that had Kirk choose McCoy, who he already knew AFTER Piper announced his retirement. It also featured McCoy's first visit to Capella. I believe it was an E-book--but the title escapes me. Other novels in the last 15-20 years seem to follow the same timeline, that McCoy was handpicked by Kirk once Piper announced his retirement, and that Sulu was a physicist who decided he wanted to do something different, and Uhura was chosen when Alden left the ship (and others that bridged WNMHGB with The Corbomite Manuever).
 
Yeah, true, I was thinking in general terms, more Pike handing command of to Kirk, Spock staying on, that sort of thing. Maybe some references to what happened to some of the others (which if I remember there was a mention of Number 1 and Dr Boyce).

I'd say the DC "First Mission" annual contained the sort of thing you're talking about here. I always did find it a better handling of the premise than Enterprise: The First Adventure was.

More recent novels I've read that touch on that period have ignored some of those aspects of those novels.

As a rule, modern novels don't make any effort to acknowledge or stay consistent with the '80s or early-'90s novels. There are just too many continuity discrepancies between them and what TNG/DS9/etc. established later on. There are a few cases where isolated elements from early novels are homaged, but overall they just aren't in continuity.
 
As a rule, modern novels don't make any effort to acknowledge or stay consistent with the '80s or early-'90s novels.

True. I was interested to see the first Prometheus novel did pay a homage to Enterprise: The First Adventure, referencing the vaudeville troop encountered in that story (granted that's not technically in the Pocketbook family) And one of the post-Nemesis TNG novels included a reference to the events of the Vendetta novel (I was wondering if they were going to reference Vendetta as that particular story was dealing with the Doomsday device). But those are definitely the exceptions and almost classify as Easter eggs.

I will say there does seem to be hesitation to re-cover the First Adventure. I've seen books come close, including the My Brother's Keeper novel that was pre WNMHGB, but they're always just a bit later then Kirk's actual taking command and his first mission. I've seen Admiral Noguchi's name more than once, which I assume is a homage to Enterprise: The First Adventure (is that the first mention--I don't recall ever seeing or hearing his name before that).
 
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As an aside, I guess it's always gratifying when a fellow writer throws a homage your way years later. I wonder if Peter David was like, 'hey thanks for mentioning my book'.

I know it's nice as a reader to see. That, yeah, there was an earlier novel that included some of this subject matter and acknowledging it, even in a small way.
 
True. I was interested to see the first Prometheus novel did pay a homage to Enterprise: The First Adventure, referencing the vaudeville troop encountered in that story (granted that's not technically in the Pocketbook family) And one of the post-Nemesis TNG novels included a reference to the events of the Vendetta novel (I was wondering if they were going to reference Vendetta as that particular story was dealing with the Doomsday device). But those are definitely the exceptions and almost classify as Easter eggs.

I will say there does seem to be hesitation to re-cover the First Adventure. I've seen books come close, including the My Brother's Keeper novel that was pre WNMHGB, but they're always just a bit later then Kirk's actual taking command and his first mission. I've seen Admiral Noguchi's name more than once, which I assume is a homage to Enterprise: The First Adventure (is that the first mention--I don't recall ever seeing or hearing his name before that).
There've been a few other nods/references to Vonda's novel in the modern Litverse -- one I remember right off the top of my head was in Andy Mangels' and Michael Martin's The Lost Era: The Sundered, which mentioned (among other things) Sulu's victory in the Starfleet Academy fencing championship right before he was unexpectedly reassigned to Kirk's new command.

And yup -- I think E:TFA is the first appearance of Admiral Noguchi, who also showed up in later books.
 
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