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The Design From The Cage

Do You Think So Too?

  • Yes.

    Votes: 19 73.1%
  • No.

    Votes: 7 26.9%

  • Total voters
    26
My ideal hypothetical Trek production would be a high-profile, big-budget feature film with the same level of detail as 2001: A Space Odyssey.

But the Batman approach would have been more likely.
"Atomic batteries to power, turbines to speed."
"Roger. Ahead Warp Factor One." ;)
 
I definitely prefer The Cage's look -- pretty much across the board. I don't even have an issue with the goosenecks; simple components are easier to repair in a crisis, and, frankly speaking, having displays that can be adjusted makes a lot of sense from an ergonomic perspective, which probably helps the crew combat fatigue in the short term and repetitive stress injuries in the long term.

The only way the actual series improved upon The Cage would have to be with props and the Enterprise exteriors. The Bussard collectors were a beautiful alteration, and the smaller dish seems more balanced with the design. Hand phasers and communicators are also improved. Pretty much everything else, for me, is a downgrade.
 
The landscape backdrops for Talos IV, and Rigel ... 7? ... were amazing. Just think how it would have been, if the budget hadn't been cut, and we'd had planet scenes like that every week, rather than endless red-sky-and-boulders planets....
In fairness the regular episodes were never going to have the budget alloted for the pilot episodes. That could just never happen. The pilots were each easily double to four times the budget of the first season episodes.
 
I went through a phase a few years ago when I thought that a new Star Trek TV series should copy "The Cage" production design and costumes completely, being set in the Pike era but aboard a different Constitution class ship.

Another retro-chic idea along the same lines would be a new non-Trek series that looked just like Forbidden Planet, with those once-futuristic costumes and props being so distinctive and offbeat today.

I'm pretty sure "The Cage" era has been continued in comic book form. For all I know, Forbidden Planet has as well.
There is a fan production that apparently intends to be set in the Pike era but aboard a different ship. And many years ago Marvel Comics had a Trek title called Star Trek: Early Voyages that told stories aboard the Enterprise following the events seen in "The Cage." You can still buy the title as a trade edition from Amazon. I quite liked the first half dozen or so issues best.
 
I've been long unhappy with the way "Early Voyages" was abruptly canceled right in the middle of a multi-issue story. :mad:

Kor
 
And don't forget the backpacks and lack of tricorders!

I always imagined that the landing party was expected to be a lot more "hands-on" than later incarnations. And those backpacks held planetary scientific toolkits etc.

I have written some house rules for the FASA Star Trek RPG, re-setting the game in April and Pike's era. Reducing the tech and increasing the "hands-on" level.

Results in a very Forbidden Planet (an acknowledged influence on GR) like ST!
 
I've been long unhappy with the way "Early Voyages" was abruptly canceled right in the middle of a multi-issue story. :mad:

Kor
I found the writing and particulary the art got progressively sloppy towards the end after it started out rather well, in my opinion. But they started to lose me when Yeoman Colt found herself transported to the future.
 
I went through a phase a few years ago when I thought that a new Star Trek TV series should copy "The Cage" production design and costumes completely, being set in the Pike era but aboard a different Constitution class ship.

Another retro-chic idea along the same lines would be a new non-Trek series that looked just like Forbidden Planet, with those once-futuristic costumes and props being so distinctive and offbeat today.

I'm pretty sure "The Cage" era has been continued in comic book form. For all I know, Forbidden Planet has as well.

I agree.

May I take it one step farther? THIS is what enterprise SHOULD have been like. Not the sloppy design mess it was.
 
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IIRC, the landing party jackets in “The Cage” were made of a foam-backed material turned around so that the foam lining was on the outside. That gave the material an interesting, futuristic look, but also made the jackets fragile and easily damaged. I'm sure a more practical fabric could have been found if they'd kept the jackets when the show went to production.

Its landing party. "Away team" was 1980s touchy—feely jargon.
I don't know about "touchy-feely," but to me "away team" always sounded a bit juvenile. It makes me think of high school football.
 
I've been long unhappy with the way "Early Voyages" was abruptly canceled right in the middle of a multi-issue story. :mad:

Kor
Yeah, they should have had the decency to at least finish the final story arc.

I think the title was a great idea even if I might quibble with some things. It wet my appetite for more Pike era stories and fueled the idea for a Pike era animated series (which I doubt would ever come to pass). I like how they introduced a few new characters as well as tweaked the familiar characters.
 
I liked the lucite communicators better than the final TOS ones. The goosenecks look too 1950s but the slideshow-like viewers were a big improvement over the static paintings (I know a few TOS episodes showed visuals in there).

I think had the show kept the drab colors that it would have clashed with the wit and humor of the Kirk/Spock/McCoy dynamic. I mean, come on. Trouble with the Tribbles with The Cage look and feel? It would not have worked. It was fine for Pike and his just-the-facts-mam police-procedural approach but not for the more swashbuckling Kirk.
 
Four of Whitlock's six Star Trek matte paintings got used twice each. The remaining two were the different Starbase 11 scenes in "Court Martial" and "The Menagerie." That's odd, because it's the one time when a re-use would have been totally justified in-universe.

I actually love the fact they give us two different views of the same planet. It was years later that I realized that the two facilities are visible in each other's paintings: The night time shot shows a facility up in the mountains that are visible in the background of the daytime shot. You can see the daytime facility from an opposite angle in the distance, down on the valley floor in the night time shot.
 
I believe the producers were only able to build the Batcopter and the Batboat because the movie had the budget for it. Maybe if TOS had made a movie between seasons, Matt Jefferies could've realized his original concept for the shuttlecraft.

I'd have to check to be sure, but Batman also got his nuclear pile in the Batcave from the film budget as well. It would be interesting to see how many of the Enterprise's partial sets would have been extended/completed with a film budget. A port wall in the engine room, perhaps?
 
I'd have to check to be sure, but Batman also got his nuclear pile in the Batcave from the film budget as well.
I don't think so, as the Batman movie was done between the first and second seasons, and the nuclear pile figured prominently into the second episode.
 
Though I miss the pointy things on the Cage versions.

I actually like that too, so much so that it gave me pause before writing my original comment. But in the end, the bussards just make the nacelle seem interesting and powerful, and add a certain something to the exterior that it lacked before.
 
I do like the 1701 interior sets production design of "The Cage". Albeit I love TOS phaser, communicator, tricorder not "The Cage" laser and communicator.

I do think that both "The Cage" and TMP look much more futurist than TOS/TAS. The landing party jackets used in "The Cage" and TMP [V'ger walk to Voyager 6] look close in design (not color).
 
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I tend to associate the pointy nacelles with the ISS Enterprise from the Mirror Universe. They're more aggressive, so they seem "wrong" to me in the Prime Universe (even though I know they existed there too, of course).
 
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