Re: Third Nolan Batman film title announced!
I rather liked the title sequences to the first two Batman films, but that was mostly because they were excuses to moodily wallow in Danny Elfman's score.
Truth is, while the scores to the Nolan films work well enough in context, they're not something I'd just want to douse myself in at the start of the movie. So I can pass on having a credit sequence.
I have to wonder, now that you mention that, if there's a correlation between the shift away from opening title sequences and the decline of clearly defined musical themes in film scores. Maybe if there isn't a main-title sequence, there's less incentive to come up with a cool main theme to introduce and define the film.
Well, that might be kinda bogus, because there are a number of films that have strong themes without having main-title sequences that showcase them, such as
Robocop or the Indiana Jones movies (which do have opening credits, but not over the Indy theme -- and only
Temple of Doom has a distinct title sequence as opposed to merely showing the credits over the action). Still, it might be a contributing factor to a degree.
I will confound this argument entirely by saying I really like Fahrenheit 451's opening credits.
Oh yeah, that was inspired. Of course, it's not too different from what Quinn Martin shows on TV were doing at the time, having the announcer declare the episode title and guest stars, but it was a great thematic fit for the story.
I've always appreciated the Bond films for trying to create stylistic openings, and I recall with fondness the opening sequences to Spider-Man 2, or Snyder's Dawn of the Dead and (especially) Watchmen.
Spider-Man 2 had probably the best opening titles of the past two decades. What a brilliant idea, using the title sequence as a recap of the first movie! And doing it through Alex Ross paintings! It was both functional and beautiful, and it evoked the comics medium from which the films were drawn. I was deeply disappointed when they didn't do it again for S-M3.
Watchmen was also a good example of using the titles to tell the backstory, but I didn't like it quite as much because I'm just not that fond of Zack Snyder's visual style. Although I daresay the title sequence was perhaps the most effective part of the movie.