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The Classic/Retro Pop Culture Thread

Nonsense. It was obviously Wo Fat, up to his old tricky tricks.
He must've gotten lost...

"But Lieutenant Malloy told me that it's called a Glory Hole."
Had to look that up...at first glance I thought you'd gotten Pete's rank wrong.

I love this. Whenever anyone mentions heading off to New Orleans or Louisiana, I must always quote it. :rommie:
I wasn't previously familiar with this rendition, but of interest is the singer: John Fogerty, in his first post-CCR gig.

At least it's short....
Decent buy low-key.

I love this, too. It was written by Shel Silverstein.
An oldies radio classic and fun bit of commentary about the biz.

I haven't heard this in a while. Good one. I vaguely remember thinking it was Carol Channing at the time.
I was willing to give this one a chance despite its sound when I learned who the artist was--former EMI recording engineer Norm "Normal" Smith, who worked on the Beatles' records up through Rubber Soul (the nickname having been used by John). But the versions available on iTunes don't appear to be the original recording.

Classic. Not sure why it reminds me of ketchup, though.
Uber-classic and nominated for multiple Grammys, the early '70s bringing its A-game. Reportedly it was about three men, one of whom was Warren Beatty, but not including Mick, who does uncredited backing vocals. Also, to clarify something I alluded to a couple of weeks back, it seems that Carly and James were recently married at this point. Also also, there's something very times-signy on that album cover...I'm not gonna say what... :whistle:
 
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50th Anniversary Viewing (Part 1)

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M*A*S*H
"Cowboy"
Originally aired November 12, 1972
Wiki said:
A series of so-called "accidents" makes it clear that someone wants Henry dead.

A chopper brings in casualties and the pilot, John "Cowboy" Hodges (Billy Green Bush), collapses from a wound--not the first that he's sustained on duty. Mulcahy says a Hebrew prayer for one of the casualties, Goldstein (Joseph Corey), in the operating room. Cowboy acts more concerned about a letter he's expecting and getting a temporary leave than about his wound. Hawkeye puts in a medical request for the latter to Blake, but is rejected. He and Trapper think that Blake is overworked and needs to be loosened up, so Hawkeye treats the colonel to a game of golf with Ho-Jon as the caddy, but Blake is fired at during the game. Other incidents ensue, including a driverless Jeep running into Blake's office and a bomb in the latrine, which only causes slapstick harm--a blackened face and a toilet seat around his neck.

Everyone in the camp starts to avoid Blake except Hawkeye and Trapper, who convince him to take leave in Seoul. Cowboy offers to fly him, but after they leave, Hawkeye and Trapper find bomb-making gear in Cowboy's pack. In the chopper, Cowboy confronts Blake, threatening to drop the colonel out over not giving him leave. Hawkeye and Trapper get Cowboy on the radio, and read the letter from his wife that just arrived...and while they're concerned when it looks like a figurative Dear John letter as well as a literal one, his wife expresses her appreciation for and faithfulness to him, which causes him to relent.

In the coda, we learn that the Cowboy has been diagnosed with fatigue at a base hospital and is getting a month's leave.

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Rowan & Martin's Laugh-In
Season 6, episode 9
Originally aired November 13, 1972
The Wiki list of guest appearances said:
Jack Benny, Sue Ane Langdon, Sally Struthers

ShoutFactory has this as episode 10. Sally's the main guest, though Jack also gets onstage time with Dan and Dick in parts of a recurring gag about him doing jokes written for other guests.

Laugh-In does fat jokes:
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I finally looked up the source of all the jokes they've been dropping about Burt Reynolds being nude...he did a centerfold in a 1972 issue of Cosmopolitan that's credited with launching him as a sex symbol and inspiring Playgirl.

The latest in the Farkel serial:
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That one actually got some laughter out of me.

The news segment:
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Hawaii Five-O
"V for Vashon: The Son"
Originally aired November 14, 1972
Wiki said:
The son (Robert Drivas) of the head of a family-dominated crime syndicate (Harold Gould) masterminds a series of small-time robberies. Eventually McGarrett catches him, but it doesn't end there... Luther Adler also guest stars as the Vashon patriarch.

Contrary to the titles give on Wiki, this first of three parts doesn't display a part number onscreen, as the individual episodes already have distinguishing subtitles.

A stocking-masked trio hold up a hotel in the early morning. The leader makes a point of clocking the desk clerk ([Nelson] Dick Fair) with a ring that leaves a V mark, saying that it's an old family custom. Steve talks to the head of that family, Honore Vashon (Gould), at his obligatory beachside estate, asking to see his son, Chris (Drivas), who plays it cool, showing his ring, which he's now wearing on his left hand. His father sees through the ruse, confronting Chris about it afterward, as the elder Vashon is a respectable figure these days, his own father having done most of the dirty work that he still profits from. Steve and Danno puzzle over the motivation for the robbery, as Chris is wealthier than the job would warrant, suspecting that somebody may be trying to implicate the Vashons. In private with his accomplices, Stu and Lance (Christopher Harris and Rick Kelman), we see that Chris is responsible (not that we couldn't tell through the mask), showing signs of being motivated by issues with his father.

The gang hits another hotel, near the first one, and Chris uses the ring again. Five-O scopes out all the local fences for the items taken in the robberies, but Honore's henchman, Tosaki (Kwan Hi Lim), finds them first and takes Chris to his father. Chris admits to being the mastermind behind the crimes, which his father considers beneath a Vashon, but Chris accuses him of being a hypocrite. Honore consults his now-retired father, Dominick (Adler), who at first dismisses the situation, thinking that Chris is out for thrills and advising his son to pay off the right people. But Dominick takes the situation seriously when he learns that the ring is being used, which puts the family history in the spotlight. He emphasizes that Honore has to teach Chris to respect him.

Meanwhile, searching an apartment that Chris has been renting under an alias, Five-O finds the expensive jacket that Chris has been wearing for the robberies, and a lighter with his fingerprint on it. Chris is cavalier about being charged, expecting his father to fix the situation for him, and Honore does, buying off witnesses in various ways, including paying some of them off to leave the country. Manicote (now being openly played by Glenn Cannon) thinks he has an open-and-shut case, but the witnesses don't come through for him and the case is dismissed. Afterward McGarrett exchanges words with the elder Vashons, and after he leaves, Nick slaps Chris, declares him to be a fool, and advises Honore that the boy could use some scars. This evokes a tearful reaction from Chris.

Five-O puts Chris under heavy surveillance on a federal court warrant that's about to expire when Stu and Lance return and Chris plots another job with them, this time burglarizing hotel rooms during a medical convention. Five-O swoops in on the heist in progress, catching everyone red-handed. Chris exchanges fire with McGarrett while making an escape, taking a bullet in the gut. Chris manages to get to his getaway car and via it to his father's estate, where he bursts through the gates and collapses with his head on the horn. Honore finds his son dead, and when Five-O arrives, accuses Steve of killing his son.

McGarrett: No, Vashon, no...I shot him, you killed him! You and his grandfather, a long time ago.​

Honore saves his Bond villain retort for after Steve leaves...

Vashon: McGarrett dies!​

Chris was supposed to be 21. Drivas was well cast, then, in the sense that he had fifteen years of experience.

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Adam-12
"The Surprise"
Originally aired November 15, 1972
IMDb said:
When a string of jewelry stores are robbed with the same M.O., Reed pulls some clever police work during an unrelated traffic stop. Also, Malloy spots the pattern of a second burglar as he breaks into stores in a path across town.

At roll call, Mac advises the officers of a series of 459s, mostly of jewelry stores, using milk crates to bust plate glass windows. Jim wishes Pete a happy birthday. (It's the 15th, narrowing it down to twelve possible dates. I wouldn't put any stock in the day being explicitly a Sunday, given Dragnet's record in that area.) Pete expresses concern about the possibility of a surprise party, as Jim has informed others of the occasion. On patrol, the officers are about to respond to a call about a burglary on Santa Monica Boulevard when a car runs through a stop and they pull it over.

Malloy: This one's all yours, partner, I don't talk to drunks on my birthday.​

The semi-conscious driver turns out to be the owner of the antique store that they were headed for, so the officers take him there before the station. The M.O. of this break-in doesn't match the others, but does involve the burglar having helped himself to some booze.

Their next call is for a purse-snatching at a boutique, but the victim turns out to be a highly defensive man, Bert Stanley (Don Stroud), who was shopping for negligee (said to be for his girlfriend) when his "briefcase" was stolen...but when pressed, the description is that of a handbag. Pete placates Stanley by noting that it's a very practical item.

At the station, Pete thinks he smells a set-up for the surprise party, but Jim insists that there isn't one. On patrol, they see a man (John Goddard) lurking around in a closed gas station and confront him from the other side of the garage's closed gate. He's wearing overalls and says he's the owner, there to work on a car on Sunday, but the emblem on his shirt tips them off that he's a phony. They circle the block, call for backup, and surround the place, arresting him.

On patrol again, the officers pull over another reckless driver, Floyd Sinclair (Felton Perry). While Pete's giving him a ticket, Jim notices a milk crate in the back of his car and discretely writes his serial number on it with his pen. Jim then interrupts Pete from bringing Sinclair in for a misdemeanor warrant, filling his partner in afterward.

At the station, Pete, sure that the party is about to be sprung, is calling a date to tell her he'll be late when he and other officers hear shots being fired and rush to the parking garage, where a policeman has been wounded by an armed suspect. A barrage of fire from various officers taking cover behind cars (including Mac) convinces the suspect (Sam Edwards) to surrender. The wounded officer, Bob Snyder (William Wellman Jr.), explains how he picked the man up for drunk driving but didn't cuff him because he seemed otherwise clean; then at the garage, the man grabbed his gun and tried to make a break for it.

Pete wants to follow a hunch about a pattern he's detected between the antique store burglary and another one he's heard about that matches its M.O, but Jim convinces him to call it a day as their watch is over and it's not likely to pay off. At the station, Wells tells them how he and his partner caught the burglary suspect doing another job on Santa Monica shortly after Adam-12 left the area; and Mac tells how Sinclar has been taken in because the marked milk carton was found at the scene of another jewelry store robbery. Pete's sure that the surprise is imminent when Mac wants help with something, but it turns out he wants Pete to help him load the crates of beer that Pete assumed were for his party into his car for a party being held for an officer who's getting out of the hospital. The other officers leave in their street clothes, one of them wishing Pete a happy birthday, and Pete's clearly disappointed that he was wrong. Then Jim brings him a present that he had Jean pick up...a man's handbag.

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The Brady Bunch
"Career Fever"
Originally aired November 17, 1972
Wiki said:
Mike mistakenly believes Greg wants to follow in his father's footsteps to become an architect. Greg does not want to offend Mike by admitting he does not want to become an architect, he merely wrote that he did for a school assignment. Greg creates ridiculous designs to show he will never make it as an architect. In the subplot, Cindy wants to be a model, Bobby an astronaut, while Peter and Jan want go into the medical profession and borrow large medical encyclopedias from the library. Peter mistakenly concludes that he has contracted a rare disease, but he has misread the encyclopedia.

Greg is helping Marcia with her homework when she notices a writing assignment of his just as Mike's walking by the room, about how he'd like to become an architect. Mike is proud and flattered, and Greg, who tries to play it down, doesn't have the heart to tell him that he only wrote the essay because he didn't have a better idea. Greg shares with Marcia his plan to break it to Mike by drafting a really weird design for a house (which includes a moat). While Mike is clearly taken aback by the plan, being Mike Brady, he puts on a show of trying to be open-minded and supportive. Later, discussing the matter with Carol, Mike decides to invest in helping Greg with his architectural skill, giving him a set of drafting tools and full use of his den.

Meanwhile, the subplot commences with Peter and Jan deciding they want to become a doctor and nurse, and checking out books in the library to study up on strange-sounding diseases. Bobby and Cindy then follow suit, the former wanting to be an astronaut, and thus committing to eating "that powdered junk," and Cindy wanting to be a model, for which Marcia helps her to learn to walk with a book on her head. Bobby also spends time in the doghouse with a toy space helmet and walkie talkie to get himself used to the loneliness of space. (He should try singing some Bowie and Elton. Also, it occurs to me that we never actually see the dog anymore...I don't even remember his name offhand.) Peter becomes convinced that he has a terminal disease that he can't pronounce because of incidental symptoms attributable to other causes (like shortness of breath after he ran a mile on the track). When he expresses concern about writing a will, he has to solemnly break the news to the parents, and Mike finds that a couple pages of his book were stuck together, with the symptoms being for poison ivy and the diagnosis being for a disease too rare and exotic for Peter to have possibly contracted.

Back in the main plot, Greg feels pressured to use the resources given to him by his father to produce something, so he ultimately decides to come up with an even more awful plan. Mike and Carol put on another show of support, but share their true feelings about Greg's talent with each other in private...Mike describing his son as "Frank Lloyd Wrong". Greg decides that he has to come clean now, and Mike tries to break the truth to him at the same time, resulting in both feeling great relief.

In the coda, Bobby and Cindy change to wanting to become a football player and lady wrestler, so they can indulge in overeating.

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The Odd Couple
"Oscar's Birthday"
Originally aired November 17, 1972
Paramount Plus said:
Felix plans a This Is Your Life surprise birthday party for Oscar.

The episode opens with Felix and Miriam planning a surprise party for Oscar, but he's ahead of them, vocally not wanting one, threatening to throw a surprise funeral for Felix. (There's a wonky 50th anniversary viewing coincidence that you'd never notice watching the shows in isolation.) Felix rededicates himself to the effort, rationalizing that it will be an even bigger surprise now that he's agreed not to do it. Felix, wearing rubber gloves, enlists Murray's help in searching Oscar's room for an idea for the party's theme, and finds a high school yearbook. Felix and Miriam have Murray and Myrna at Miriam's apartment to plan the party, with the super's son, Monroe (Andy Rubin), along for the ride.

Felix: Each of you must find out something about Oscar's life, but nobody tells anybody else what he's found out!
Murray: Or else we self-destruct?​

Felix assigns each participant to find out something about a different phase of Oscar's life.

Murray: I got the puberty section!​

Myrna uses the excuse of a new payroll form to question Oscar about his birth and early childhood. Murray claims to be studying to become a detective, so he can practice interrogating Oscar about his teen years (which include 1942, making Oscar at least a little younger than Klugman). When Oscar expresses suspicion, Murray cracks like an egg. Oscar is confronting Felix and the plan is otherwise falling apart when Oscar gets a call from his mother in Paris, and Felix realizes that he's found his spy. Felix is waiting for a follow-up call from Mrs. Madison when Oscar comes home early from a bad date (with Crazy Rhoda with the overbite). Felix allows Oscar to assume that he's waiting for a call from a girl and didn't want Miriam or Gloria to know.

Later, on Oscar's birthday, Felix tries to lure Oscar to his photo studio, but Oscar won't go, knowing what's waiting for him there, until Felix admits to it and argues that it's about pleasing Oscar's friends. Oscar goes and acts surprised, then Felix sits him down in a special chair and plays emcee of This Is Your Life. The first figure from Oscar's past is somebody he never actually knew--a random person who used to fix the jukebox at the soda parlor that Oscar hanged out at, Arthur O'Reilly (Hal Smith--yet again playing to type, as a drunk). Then Felix brings out Oscar's childhood sweetheart, full-figured Judy Skelton (Mickey Fox), and Oscar compliments her for having lost weight. Oscar's being a good sport about it all until the next surprise persona turns out to be Irene Langley (Marjorie Ward, a.k.a. Marjorie Marshall, Penny's mother)...Oscar's childhood tapdancing instructor. Oscar is mortified for everybody to learn that used to specialize in imitating Shirley Temple, and walks out.

Later, Oscar returns home to find Felix acting remorseful about the situation, and the two have a good little talk. Oscar agrees to blow out the candle on his cake, and the whole crowd from the party jumps out of hiding to truly surprise Oscar.

In the coda, Oscar's getting into bed when everyone jumps out again, and he ignores it.

I was disappointed that this one didn't provide much for continuity comparison, as Oscar's marriage and history with Felix weren't covered. There's a twice-occurring sight gag about how Oscar somehow drinks entire six-packs of beer without separating the cans. We also got this gem...

Oscar: Where are my clean socks?
Felix: You don't have any, you buy them dirty.​

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"Jambalaya (On the Bayou)," The Blue Ridge Rangers

That's John Fogerty on all the instruments.

"The Cover of 'Rolling Stone'," Dr. Hook & The Medicine Show

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I've never quite figured out if they're stoned/drunk or it's all an act.

"Oh Babe, What Would You Say?," Hurricane Smith

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Norman Smith, after leaving George Martin and The Beatles as recording engineer, would produce the first Pink Floyd album, "The Piper At The Gates Of Dawn". Pink Floyd would record "Piper" in Abby Road studio in the morning, and The Beatles would record "Sgt. Pepper" in the evening. Should your local library have a copy of "Piper" available, I recommend checking it out. If possible, get the anniversary edition that contains the mono/stereo versions of the album. They're two radically different mixes with different effects throughout the album. And just for good measure, after The Beatles finished recording "Sgt. Pepper", the Zombies recorded their album "Odessey And Oracle" in the same studio, using the same mellotron The Beatles used on "Strawberry Fields Forever".

"You're So Vain," Carly Simon

Found this out while watching the Harry Nilsson documentary - Richard Perry, who produced "You're So Vain", also produced Harry's "Nilsson Schmilsson" and "Son Of Schmilsson". It was while recording, "You're So Vain", that Richard suggested it be a duet, and asked Harry to sing on it with Carly. A version was recorded, however, Mick Jagger happened to be by the studio as he was recording vocals for the upcoming Rolling Stones album. He heard the song and asked if he could add his vocals to it. Harry graciously allowed his vocals to be wiped and replaced with Mick's. No version with Harry's vocals is known to exist. I would like to have heard what it sounded like.
 
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He must've gotten lost...
Nothing stops the Wo!

Had to look that up...at first glance I thought you'd gotten Pete's rank wrong.
Sorry, I was thinking that you're a fan of Orville, but then I remembered you said not.

I wasn't previously familiar with this rendition, but of interest is the singer: John Fogerty, in his first post-CCR gig.
Damn, I didn't even notice.

Also also, there's something very times-signy on that album cover...I'm not gonna say what... :whistle:
The high beams? Isn't that normal by now? We're well into Women's Lib at this point (and not counting the 20s and 30s).

Mulcahy says a Hebrew prayer for one of the casualties
Mulcahy was always ready to be there for just about anyone.

Hawkeye puts in a medical request for the latter to Blake, but is rejected.
Because why?

a bomb in the latrine, which only causes slapstick harm--a blackened face and a toilet seat around his neck.
I recall that. One of the more egregious examples of "early M*A*S*H."

Cowboy confronts Blake, threatening to drop the colonel out over not giving him leave.
He won't like the kind of leave that'll get him.

In the coda, we learn that the Cowboy has been diagnosed with fatigue at a base hospital and is getting a month's leave.
A month. They're in desperate need of good chopper pilots. :rommie:

Sally's the main guest, though Jack also gets onstage time with Dan and Dick
And not much for Sue Anne Langdon, who I always found pretty sexy.

Laugh-In does fat jokes:
Prophetic ones, considering the presence of Sally Struthers.

I finally looked up the source of all the jokes they've been dropping about Burt Reynolds being nude...he did a centerfold in a 1972 issue of Cosmopolitan that's credited with launching him as a sex symbol and inspiring Playgirl.
For years I thought it actually was Playgirl, till I learned about the Cosmopolitan thing. He also wore pantyhose in a TV commercial at around the same time. He was pretty loose.

Chris admits to being the mastermind behind the crimes
"Mastermind" is being a bit cavalier with the English language here. :rommie:

Afterward McGarrett exchanges words with the elder Vashons, and after he leaves, Nick slaps Chris, declares him to be a fool, and advises Honore that the boy could use some scars. This evokes a tearful reaction from Chris.
They just don't make younger generations like they used to.

Chris exchanges fire with McGarrett while making an escape, taking a bullet in the gut. Chris manages to get to his getaway car and via it to his father's estate, where he bursts through the gates and collapses with his head on the horn. Honore finds his son dead, and when Five-O arrives, accuses Steve of killing his son.
He got a hell of a death scene, though.

McGarrett: No, Vashon, no...I shot him, you killed him! You and his grandfather, a long time ago.
"'twas ugly killed the beast."

Honore saves his Bond villain retort for after Steve leaves...

Vashon: McGarrett dies!
Nice. I like that Pulp fiction drama. :D

(It's the 15th, narrowing it down to twelve possible dates. I wouldn't put any stock in the day being explicitly a Sunday, given Dragnet's record in that area.)
Adam-12 and Emergency! don't mention dates as often as Dragnet did, must they must all have the same off-kilter calendar. It looks like the only Sunday the 15th in 1972 is in October. Is there anything to contradict that? Since this is California and not Minneapolis, the weather isn't much help. And weren't there times in Dragnet when we weren't even sure of the year?

Pete expresses concern about the possibility of a surprise party
This has got to be one of the most ridiculous tropes in TV fiction. :rommie:

Malloy: This one's all yours, partner, I don't talk to drunks on my birthday.
Which is probably the opposite of most people.

The M.O. of this break-in doesn't match the others, but does involve the burglar having helped himself to some booze.
No wonder the owner was in a panic. :rommie:

Bert Stanley (Don Stroud)
Manly man character actor.

who was shopping for negligee (said to be for his girlfriend) when his "briefcase" was stolen...but when pressed, the description is that of a handbag. Pete placates Stanley by noting that it's a very practical item.
Making him a great choice for this part. :rommie:

Jim notices a milk crate in the back of his car and discretely writes his serial number on it with his pen.
Clever, but I wonder if that would constitute entrapment or some such.

A barrage of fire from various officers taking cover behind cars (including Mac) convinces the suspect (Sam Edwards) to surrender.
Go, Mac. I don't think he's had any actual action since Highway Patrol (speaking of Highway Patrol).

explains how he picked the man up for drunk driving but didn't cuff him because he seemed otherwise clean; then at the garage, the man grabbed his gun and tried to make a break for it.
So not only did he get shot, he'll be up for quite a bit of internal departmental investigation.

Then Jim brings him a present that he had Jean pick up...a man's handbag.
With a negligee inside? :rommie:

reg shares with Marcia his plan to break it to Mike by drafting a really weird design for a house (which includes a moat).
Moats are cool. And it wouldn't be the first one in California. Possibly the second, but not the first. :rommie:

Bobby also spends time in the doghouse with a toy space helmet and walkie talkie to get himself used to the loneliness of space. (He should try singing some Bowie and Elton. Also, it occurs to me that we never actually see the dog anymore...I don't even remember his name offhand.)
Laika?

Peter becomes convinced that he has a terminal disease that he can't pronounce
High-poe-corn-dree-uh....

Mike describing his son as "Frank Lloyd Wrong".
Good one, Mike. :rommie:

In the coda, Bobby and Cindy change to wanting to become a football player and lady wrestler, so they can indulge in overeating.
Modeling... lady wrestling... I wonder if Netflix is working on Adult Cindy Brady yet.

The episode opens with Felix and Miriam planning a surprise party for Oscar, but he's ahead of them, vocally not wanting one
See? Again. :rommie:

threatening to throw a surprise funeral for Felix.
:rommie:

When Oscar expresses suspicion, Murray cracks like an egg.
He's not exactly Jack Webb material.

In the coda, Oscar's getting into bed when everyone jumps out again, and he ignores it.
It's a miracle that Felix survives each episode. :rommie:

There's a twice-occurring sight gag about how Oscar somehow drinks entire six-packs of beer without separating the cans.
"How does he do that?" :rommie: Something weird that just occurred to me, of interest to no one but myself, is that every time I remember watching Odd Couple, I'm always watching it with my Uncle Joe. Strange.

Oscar: Where are my clean socks?
Felix: You don't have any, you buy them dirty.​
:rommie:

Perhaps it's your anticipation for a different song?
Could be. :rommie: Or postipitation, because I think "Anticipation" has already come up.

I've never quite figured out if they're stoned/drunk or it's all an act.
I think it's their true selves. Aren't they the ones who once did an interview nude?

Norman Smith, after leaving George Martin and The Beatles as recording engineer, would produce the first Pink Floyd album, "The Piper At The Gates Of Dawn". Pink Floyd would record "Piper" in Abby Road studio in the morning, and The Beatles would record "Sgt. Pepper" in the evening.
In an alternate universe, the building collapsed and the only thing that survived was a copy of the album Sgt. Piper & Dawn.
 
_______

50th Anniversary Viewing (Part 2)

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Love, American Style
"Love and the Christmas Punch / Love and the Mystic / Love and the Tycoon"
Originally aired November 17, 1972

"Love and the Christmas Punch" was just in-season by the time I got around to watching it, but seems like it aired a wee bit early. A deliveryman (Henry Gibson, whose character is listed as George on IMDb, though I didn't catch the name being used) brings a large poinsettia plant to the door of Phyllis Simpson (E.J. Peaker). She doesn't have anything to tip him with, so she offers him some of the titular libation, but accidentally spills a ladle on him, so she has to get his pants cleaned before her husband gets home...which of course happens earlier than expected. George trips and knocks himself out in the chaos, so Phyllis hides him in a horizontal cabinet while Charles (Craig Huebing) comes in with his drunk boss, Phoobit (a mispronunciation of Philbert that stuck in childhood; John McGiver), and his wife (Ann Miller). Phyllis sees that George has come to and is looking out of the cabinet, so she tries to distract everyone. George tries to sneak out with his pants still off and is caught and decked by Charles. The others are coming back to the room, so Charles hides George in the piano. Mrs. Phoobit then slips away from the others to give her secret sweetheart a phone call when George crawls out of the piano, to be knocked out by the piano lid and hidden in another horizontal cabinet. George crawls out of that one while only a now-very-under-the-influence Phoobit is in the room, and is decked unconscious again, and hidden in a wood bin next to the fireplace. When everyone's back together in the room, each of them tries to lure the others away from where they think they left George, and they all hastily agree to leave. George is coming to again when he hears the sound of jingling bells, followed by Santa (Joe Brooks) coming down the chimney. Assuming he's in for more of the same treatment, George whacks St. Nick with a mantle wreath and sends him scurrying back up the shaft.

In "Love and the Mystic," a fortune teller who goes by the moniker Mr. Mystic (George Kirby) has just lost a game of poker to the paperboy (Mark R. Brown) when Freddy (Lou Gossett) comes in looking for help with delaying his girlfriend Cindy from wanting to get married by having her come in for a fortune as a birthday present. Mr. Mystic has just settled for a hefty fee when Cindy (Emily Yancy) arrives. He puts on his act, first divining her name, then seeing a vision of Freddy being let out of prison for the fourth time. Cindy leaves, grateful for the insight. The next day Mystic has just lost more money to the paperboy when Freddy returns to inform him that Cindy is more motivated to marry him than ever, as she now wants to protect him from his fate. Cindy returns while Mystic is out of the room, so Freddy dons his garb, which includes a veil. Freddy informs Cindy that her boyfriend has up to a dozen wives, and in her outrage she mentions how she's inherited money from an uncle, causing him to backpedal. The real Mystic, who's been watching from hiding, hears how she wants to find a real man and walks in wearing street clothes, quickly picking her up while Freddy watches, fuming but unable to intervene.

"Love and the Tycoon" opens with dowdy Vanessa Andrews (Susan Tolsky) spending Saturday night playing Wide World of War (a.k.a. Risk) with her parents, Sam and Marian (Jackie Coogan and Helen Verbit), who nag her to find a boyfriend. At Vanessa's job, attractive pal Lisa Detweiler (Erin O'Reilly) offers to hook her up on a blind date. Mr. Jonas (William Tregoe), executive secretary of the boss, Harley Hudson, pays a call on Vanessa to inform her that Mr. Hudson has taken an interest in her and invite her on a dinner date with him. Vanessa's parents and Lisa prep her for the date, and a man comes to the door whom everyone fawns over, thinking he's Hudson, only for him to finally get a word in and introduce himself as Felix (Howard Platt), Mr. Hudson's chauffeur. Vanessa later returns from a fantastic-sounding evening with somebody unspecified (possibly Felix), only to reveal to her disappointed parents and Lisa that Harley couldn't make it.

Mr. Jonas calls to apologize, and Sam invites Hudson to dinner the next evening. Lisa comes by uninvited, dolled up like Ginger Grant for the occasion. But Vanessa receives a flower delivery with an apology note from Hudson, and is devastated to have been stood up again. Back on the job, the supervisor, Mr. Veemer (Dick Van Patten), is propositioning an uninterested Vanessa when her father and his work buddy, Herkie (Reid Cruickshanks), arrive in their welder's outfits with lunch pails to see Hudson, but have to get back to their job. Jonas visits again, but Vanessa insists that Hudson will have to ask her out face to face this time. Jonas escorts her up to the penthouse, where Harley turns out to be a talking computer. (This one almost could've been a Twilight Zone episode.)

_______

All in the Family
"Flashback: Mike and Gloria's Wedding - Part 2"
Originally aired November 18, 1972
Wiki said:
More flashbacks show the wedding of Mike and Gloria as an argument occurs over who should conduct the ceremony.

This part unusually has an episode title card, read by an announcer. After some framing business in the present that doubles as a recap, the flashback commences with the day of the wedding rehearsal, by which point Mike has anticlimactically returned and agreed to using a reverend. Archie coaxes Edith to go tell Gloria about the birds and the bees, then has his own man-to-man with Mike in which tries to convince his soon-to-be son-in-law to put off consummating his marriage by at least a month. Casimir returns and accuses Mike of being a hypocrite for being willing to use a reverend but not a priest, so Mike decides that the only way to be neutral is to have a judge conduct a civil ceremony. Archie blows his stack over this, declaring the wedding to be off.

Edith pleads with Archie in private to let the kids get married the way they want, noting that Archie hasn't been to church for twenty years. Her concern that they might lose Gloria over this convinces him to consent. Cut to the day of the wedding, at which point, at Archie's urging, Edith finally sits down to have that talk with Gloria...but Edith's so uptight about the subject that Gloria has the talk with her instead. Meanwhile, Mike shaves his beard off for the occasion. The judge (Peter Hobbs) arrives, and Archie is put off to learn that his name is Polanski. Archie has his own touching talk with Gloria just before the ceremony...which is briefly delayed by Archie having to use the bathroom (the part I distinctly remember from having seen this in the show's original run).

In both parts of the flashback, Archie refers to Mike as "Hot Lips" when he's smooching with Gloria. I didn't catch if he was using "Meathead" yet. Mike Evans is credited for the episode, but I didn't catch him in it. I wonder if that was a contractual thing that I haven't previously noticed.

_______

The Mary Tyler Moore Show
"Have I Found a Guy for You"
Originally aired November 18, 1972
Wiki said:
If Mary is crushed when she learns the marriage of her longtime friends (guest stars Bert Convy and Beth Howland) is coming to an end, she is stunned when she realizes the husband wants to start dating her.

When Mary is hosting her friends, Jack and Linda Foster, following their trip to Aspen, there are signs of marital tension over Jack having seen a ski instructor kissing Linda. Later at the station (where Ted is trying a combed-down hairstyle), Jack shows up alone to take Mary to dinner, and announces that he and Linda are separated. Afterward, confirming a prediction of Rhoda's, Jack asks Mary out again. Linda comes by the station to tell Mary that the divorce is on, and Mary avoids mentioning who she's currently seeing. After seeing Jack for weeks, Mary still feels uncomfortable about it, so she goes to see Linda to get her permission. Linda is currently seeing Arthur Price (Dan Keough), a "hummer" she'd formerly attempted to fix Mary up with, but Linda very uptightly forbids Mary from seeing Jack. In the coda, Arthur's calling Mary asking her to go out with him. Whether this means that the Fosters got back together is unclear.

It's vividly fall again...I wonder if there was better seasonal continuity in production order.

_______

The Bob Newhart Show
"P.I.L.O.T."
Originally aired November 18, 1972
Wiki said:
The Hartleys try to adopt a child and meet with a woman (Louise Lasser) from the adoption agency. (Note: This is the original unaired pilot of the show, with some scenes added or re-shot.)

IMDb renders the episode's title as "P-I-L-O-T," which perhaps makes a little more stylistic sense. The first scene is in the Hartleys' bedroom, which I think is different...as is Emily's longer hair. Emily is substitute teaching, and Bob's neighbor pal is Margaret's husband, Arthur Hoover (William Redfield), who acts very similarly to Howard. At work, Bob mentions to Jerry how he wants to have a baby with Emily; Jerry reveals that he was adopted and encourages Bob to consider adopting. The Hoovers have Bob and Emily over for a party with Arthur's brother and sister-in-law (M. Emmet Walsh and Helen Page Camp), and Margaret happens to be very pregnant. A slightly wackier-acting neighbor, Mike Mitchell (Ron Masak), drops by, and Emily surprises Bob by announcing that they're going to the adoption agency the next day.

Bob's initially upset about how she spontaneously came to the decision, but warms up to the idea. The Hartleys have Mrs. Radford from the agency over (Lasser), and Bob is very tense, trying too hard to make a good impression. Ultimately Radford tells them that no babies are expected to be available for several months--in which time, they realize, they could have one of their own.

If I had to guess, I'd say that the scenes in Bob's office are the ones that were most likely added. Jack Riley is credited for appearing as Mr. Carlin, which must have been cut for syndication.

_______

Mission: Impossible
"Ultimatum"
Originally aired November 18, 1972
Wiki said:
The IMF has less than one day to locate and disarm a hydrogen bomb planted somewhere in the western United States by a small group led by a brilliant nuclear physicist demanding the resignation of named Congressmen and cabinet officials and the reversal of certain foreign policies of the US Government. This is the last of seven episodes in which Barbara Anderson [guest-]starred as Mimi Davis.

Adele Cooper (Madlyn Rhue) drives her husband, Jerome (Murray Hamilton), up to downtown L.A.'s Daily Planet building, where he makes his way down to the sewers below and arms an ominous device already planted in a hatch. He then puts a letter to Tricky Dick in the mailbox outside, because he's naive enough to think that somebody higher up than an intern is gonna read it in a timely manner...

The reel-to-reel tape in a seaside fort said:
Good morning, Mr. Phelps. The brilliant nuclear physicist, Dr. Jerome M. Cooper, has informed the President of the United States that a 50-megaton hydrogen bomb is located in an unnamed American city, and will be detonated at noon tomorrow, unless the following demands are met. First, eight Congressmen and three Senators and three members of the Cabinet, whose names are listed here, are to resign their seats, to be replaced by men of Cooper's choosing. Second, certain United States foreign policy must be immediately and irrevocably reversed. The authorities are convinced that Dr. Cooper is telling the truth. He and his accomplices have placed millions of lives in jeopardy. Your mission, should you accept, is to locate and disarm the bomb. This tape will self-destruct in five seconds. Good luck, Jim!

Another plot that seems to pine for the good ol' days, and another use of "the authorities" rather than the now-burned-into-our-brains "conventional law enforcement". Cooper's typed letter is plainly readable onscreen, though Paramount Plus minimizes the picture when I freeze-frame. The IMF have narrowed down the bomb's location to one of a number of West Coast cities--L.A. being among them should be a dead giveaway, as that seems to be the only place they operate these days. The IMF have to identify the contact via whom Dr. Cooper plans to disarm the bomb if his demands are met. The Coopers' Beverly Hills mansion--which I think was also used as the Cochran house--is under surveillance; and the IMF has a war room manned by guest agents and extras who have the potential target cities mapped out, intercept phone calls meant for White House staffers, and pipe broadcasts to Cooper's car about a male/female pair of escaped convicts / payroll bandits. Cooper's driving to the Western White House (the closest the episode comes to actually identifying the president) when a remote device blows a hose in Cooper's car just as he's driving by Willy's Service Station and Cafe, so he's forced to make a pit stop. Roadblocks are then set up so Bonnie & Clyde, a.k.a. Mimi & Jim, can take Willy and Cooper hostage in the cafe. Meanwhile, Adele, aware that she's being watched, whacks a delivery boy with a poker so she can get out in his clothes and van.

Fake news broadcasts piped into the cafe indicate White House activity matching Cooper's expectations, so he begs Mimi & Jim to let him make a phone call. Adele makes one to a shady pool hall character named Joel Morgan (Donnelly Rhodes) to send him looking for her husband. She then calls the disarmament contact, loan officer Frederick Rogers (Vic Vallaro), to touch base with him. Morgan is stopped by the roadblock and afterward makes his way to the cafe through the hills by foot to surveil the place, just after a staged visit by patrolman Frank Dagget (Vince Howard--Hey, Johnny's got a contact inside the IMF!). Cooper temporarily takes control of the situation with a concealed gun, during which time he indicates that he has business with the president. Mimi & Jim fake-smell that they're onto something bigger, negotiate a fee, and let him make his call, via which the IMF phone room identifies Rogers as the contact. But as Rogers is leaving his office to ensure a beautiful day in the neighborhood, Adele--tipped off by Morgan that there's a scheme afoot--shoots him dead on the steps from the grassy knoll.

Another fake news flash informs Cooper that Rogers has been shot, and he spills the beans to Mimi & Jim about his entire scheme, including a bit of news to the IMF that there's a secondary mechanism that will cause the bomb to be rearmed in seven days if it's not deactivated as well. When Jim and Cooper step outside, Morgan takes shots at them with a sniper rifle. The roadblocking police hear the shots, but Vince Howard reminds them that IMF General Order One forbids conventional law enforcement from interfering with a scheme in progress.

Taking refuge with the others in the cafe, Cooper assumes that they're being shot at by the police. Jim whispers an improv request to Willy...

Jim: Make a break for it so I can kill you!​

Willy panics, rushes outside, and gets blanked full of assumed holes by Jim, following which he rises from his eternal slumber and goes after the sniper. Jim goes out the front to draw Morgan's fire, and Willy clocks Morgan just before Barney arrives in Mimi & Jim's getaway chopper. Cooper hitches a ride and Barney asks him where to. As a clock literally ticks onscreen, they fly into L.A. and land on the Planet's helipad. As they head for the sewer, Lois gets in the chopper and...but that's a story for another day. The ever-resourceful-and-bloodthirsty Adele takes shots at Mimi & Jim & Jerome in the sewer, and Jim wounds her without Cooper seeing who it is. Mimi sees to her while Cooper takes Jim to the bomb and starts to disarm it with about a minute left on the clock. Jim begins counting down at seventeen seconds and the timer stops when he gets to five. Then the captive Adele enters, laughing hysterically and pointing her husband to the entrance of Barney-led conventional law enforcement.

_______

That's John Fogerty on all the instruments.
Ah, I didn't read far enough.

I've never quite figured out if they're stoned/drunk or it's all an act.
They've got a bit of a '60s spirit vibe to them.

Pink Floyd would record "Piper" in Abby Road studio in the morning, and The Beatles would record "Sgt. Pepper" in the evening....And just for good measure, after The Beatles finished recording "Sgt. Pepper", the Zombies recorded their album "Odessey And Oracle" in the same studio, using the same mellotron The Beatles used on "Strawberry Fields Forever".
Now there's some interesting retro context I wasn't familiar with.

The high beams?
[Looks up slang definition.] Yes!
Isn't that normal by now? We're well into Women's Lib at this point (and not counting the 20s and 30s).
Hence it being sign-o'-the-times, as Women's Lib is a very happening thing at the moment...and Carly's firmly declaring herself to be part of the pro-burning contingent. (James, you ol' son of a gun...!)

Mulcahy was always ready to be there for just about anyone.
While he's playing a priest, William Christopher has a good, authentic Midwestern minister vibe about him.

Because why?
Because he was unsympathetically overworked.

For years I thought it actually was Playgirl, till I learned about the Cosmopolitan thing.
That issue of Cosmo was the magazine that my mother would have wanted five copies of. Now I know why she was so into him...

"Mastermind" is being a bit cavalier with the English language here. :rommie:
Well, "brains" anyway.

It looks like the only Sunday the 15th in 1972 is in October.
That is close enough to be a likely candidate.

And weren't there times in Dragnet when we weren't even sure of the year?
Dragnet routinely gave day/month/date combos that hadn't occurred since the '50s, leading me to speculate that when they were reusing stories from the original series, they hadn't bothered to change the dates.

This has got to be one of the most ridiculous tropes in TV fiction. :rommie:
It doesn't touch taping a line in the middle of your house/apartment to divide it between occupants.

Manly man character actor.
Was he? He set off the 'dar a bit here, though maybe that was an intended part of the act.

Clever, but I wonder if that would constitute entrapment or some such.
I doubt it...they weren't doing anything to encourage/enable his next robbery, they just marked something so that it could be identified.

Moats are cool. And it wouldn't be the first one in California. Possibly the second, but not the first. :rommie:
Maybe it became the Count's pad.

Had to look that one up. The dog's name seems like it's on the tip of my brain, but I'm still drawing a blank.

Good one, Mike. :rommie:
I thought you might like that.

Or postipitation, because I think "Anticipation" has already come up.
It has. There was discussion of how I've never been able to disassociate the song from the commercial.

In an alternate universe, the building collapsed and the only thing that survived was a copy of the album Sgt. Piper & Dawn.
Okay, I was gonna keep this to myself, but you asked for it...Carly's next commercial jingle:

You're so vine
I bet you think this sauce is made out you

I'll show myself out.
 
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deliveryman (Henry Gibson
Legendary Cyberpunk author. No, wait, little Flower Power poet on Laugh-In.

George is coming to again when he hears the sound of jingling bells, followed by Santa (Joe Brooks) coming down the chimney. Assuming he's in for more of the same treatment, George whacks St. Nick with a mantle wreath and sends him scurrying back up the shaft.
Good one. Relentless violence visited upon a hapless innocent can be hilarious if done right. Also, this is the second recent episode that involves the supernatural. Maybe it's not as rare as i thought.

The real Mystic, who's been watching from hiding, hears how she wants to find a real man and walks in wearing street clothes, quickly picking her up while Freddy watches, fuming but unable to intervene.
Another good one. Something tells me this is far from over. :rommie:

Vanessa later returns from a fantastic-sounding evening with somebody unspecified (possibly Felix), only to reveal to her disappointed parents and Lisa that Harley couldn't make it.
If you can't love the tycoon you signed up for, love the chauffeur you're with.

Mr. Veemer (Dick Van Patten)
Mr Bradford, Friar Tuck-- dude was everywhere.

Jonas escorts her up to the penthouse, where Harley turns out to be a talking computer. (This one almost could've been a Twilight Zone episode.)
Yeah, like the one with the computer in the cave. I like it. How does she react? Also, this isn't supernatural, but it does have that genre vibe.

then has his own man-to-man with Mike in which tries to convince his soon-to-be son-in-law to put off consummating his marriage by at least a month.
I like how the show assumes that the kids haven't been consummating on every flat surface they encounter, horizontal or vertical, since they met. :rommie:

Mike decides that the only way to be neutral is to have a judge conduct a civil ceremony. Archie blows his stack over this, declaring the wedding to be off.
So much for civil. :rommie:

Edith finally sits down to have that talk with Gloria...but Edith's so uptight about the subject that Gloria has the talk with her instead.
"Yeah! Yeahhhh!" :rommie:

Meanwhile, Mike shaves his beard off for the occasion.
Smooth as an android's bottom. :mallory:

Mike Evans is credited for the episode, but I didn't catch him in it. I wonder if that was a contractual thing that I haven't previously noticed.
No Best Man or Maid of Honor, I take it. Lionel probably ended up sprawled on the cutting room floor with all that was going on.

Linda Foster
Beth Howland, the best thing about Alice. Well, Mel was pretty cool.

Afterward, confirming a prediction of Rhoda's, Jack asks Mary out again.
Ya don't have to be Mr Mystic...

Linda very uptightly forbids Mary from seeing Jack.
I feel like this should have been the main plot.

In the coda, Arthur's calling Mary asking her to go out with him. Whether this means that the Fosters got back together is unclear.
I think it means that Mary is a Siren of Legend. It's a good thing she doesn't live in Chicago.

It's vividly fall again...I wonder if there was better seasonal continuity in production order.
Like Dragnet, we don't even know if it's the same year, although I don't think there's much leeway. I wonder if there's ever been a show that told stories from a person's life randomly, rather than sequentially. Actually, I think Indiana Jones Chronicles did something like that, but never a sitcom.

The first scene is in the Hartleys' bedroom, which I think is different...as is Emily's longer hair.
This is fascinating. I don't remember ever seeing this. It's a shame they didn't re-work it as a "Menagerie"-style flashback.

Bob mentions to Jerry how he wants to have a baby with Emily
I'm glad this was dropped from the regular series.

Jerry reveals that he was adopted and encourages Bob to consider adopting.
Unfortunately, Jerry means Jerry.

Mrs. Radford from the agency over (Lasser)
Mary Hartman! Mary Hartman! Are you deaf?

Radford tells them that no babies are expected to be available for several months
What the hell planet is this? :rommie:

If I had to guess, I'd say that the scenes in Bob's office are the ones that were most likely added.
I wonder what was subtracted. I need to check the extras on the first season DVD.

Adele Cooper (Madlyn Rhue)
Lieutenant... uh... McGivers? Mrs Khan, anyway.

He then puts a letter to Tricky Dick in the mailbox outside, because he's naive enough to think that somebody higher up than an intern is gonna read it in a timely manner...
"Hey, Cindy, remember that nuclear explosion in LA seven years ago...?"

Another plot that seems to pine for the good ol' days
Yes, indeed, this is a pretty good one.

Cooper's typed letter is plainly readable onscreen
I wonder if the specific Congress Critters being asked to resign affected Jim's decision whether or not to accept the mission. :rommie:

the IMF has a war room manned by guest agents and extras who have the potential target cities mapped out
I like this, as it emphasizes the stakes. Have they ever had a war room like this before?

Joel Morgan (Donnelly Rhodes)
Dutch.

Frank Dagget (Vince Howard--Hey, Johnny's got a contact inside the IMF!).
See, I knew Johnny should have interviewed with Jim. :rommie:

But as Rogers is leaving his office to ensure a beautiful day in the neighborhood, Adele--tipped off by Morgan that there's a scheme afoot--shoots him dead on the steps from the grassy knoll.
Today's favorite sentence. :rommie:

there's a secondary mechanism that will cause the bomb to be rearmed in seven days if it's not deactivated as well.
Potential two-parter.

Jim: Make a break for it so I can kill you!
When you've worked together for a long time, you can say things like that to each other. :rommie:

Willy panics, rushes outside, and gets blanked full of assumed holes by Jim, following which he rises from his eternal slumber and goes after the sniper.
"He Lives! He Walks! No Grave Can Hold Him!" I always loved that line, "No Grave Can Hold Him." So many questions. :rommie:

As a clock literally ticks onscreen
Nice. M*A*S*H will borrow this idea in a few years.

As they head for the sewer, Lois gets in the chopper and...but that's a story for another day.
Another backdoor pilot that went nowhere.

The ever-resourceful-and-bloodthirsty Adele takes shots at Mimi & Jim & Jerome in the sewer
You realize, of course, that I'm picturing Adele doing all these things. :rommie:

Cooper takes Jim to the bomb and starts to disarm it with about a minute left on the clock. Jim begins counting down at seventeen seconds and the timer stops when he gets to five.
I'm not sure if I'm impressed or disappointed that Jim didn't do the disarming.

Hence it being sign-o'-the-times, as Women's Lib is a very happening thing at the moment...and Carly's firmly declaring herself to be part of the pro-burning contingent. (James, you ol' son of a gun...!)
True enough.

While he's playing a priest, William Christopher has a good, authentic Midwestern minister vibe about him.
Given my general dislike of religion and the character's immunity to any personality flaws whatsoever, he should have really irritated me. But you can't help but love him. I don't know if anybody else but William Christopher could have pulled that off.

That issue of Cosmo was the magazine that my mother would have wanted five copies of. Now I know why she was so into him...
:rommie:

Dragnet routinely gave day/month/date combos that hadn't occurred since the '50s, leading me to speculate that when they were reusing stories from the original series, they hadn't bothered to change the dates.
Someday they will find Jack Webb's vault, full of thousands of unproduced half-hour scripts....

It doesn't touch taping a line in the middle of your house/apartment to divide it between occupants.
Right, or grass huts. That's a good one, too.

Was he? He set off the 'dar a bit here, though maybe that was an intended part of the act.
Well, my brain associates the name with tough-guy parts. Not posturing buffoons or anything, just regular tough guys.

Maybe it became the Count's pad.
Actually, it did, and also the Countess after he got ashed. Does the name Don Glut ring a bell? Kind of obscure, but he got around a lot back in the day. In his later years, he wrote and produced some erotic B-Movie homages and he used that location for a couple of them.

Had to look that one up. The dog's name seems like it's on the tip of my brain, but I'm still drawing a blank.
I looked it up. It's...

Tiger.

It has. There was discussion of how I've never been able to disassociate the song from the commercial.
Ah, right. And ditto for me, although it doesn't bother me as much.

Okay, I was gonna keep this to myself, but you asked for it...Carly's next commercial jingle:

You're so vine
I bet you think this sauce is made out you

I'll show myself out.
No, no, you're right in the spirit. :rommie:
 
I had planned on posting the "M:I" book's thoughts on the episode "Ultimatum", however, with the passing of Fleetwood Mac's Christine McVie earlier today, I thought instead that I would post a pair of her songs from the 1972 album "Bare Trees". (IMO, if there was one album I would have to pick between the post-Peter Green era and the pre-Buckingham/Nicks era, this would be the one. All three songwriters, Danny Kirwin, Bob Welch, and Christine McVie bring their "A" game to the proceedings, backed by the rhythm section of Mick Fleetwood and John McVie.)

First up is "Homeward Bound", which shows that Christine could rock with the best of them.

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Next up is "Spare Me A Little Of Your Love", which comes close to the sound she would later perfect with the albums "Fleetwood Mac" and "Rumours".

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How does she react?
It's hard to tell, because she generally had a frowny, uncomfortable-looking demeanor. She was maybe a little disappointed while also seeming to warm up to the situation.

I like how the show assumes that the kids haven't been consummating on every flat surface they encounter, horizontal or vertical, since they met. :rommie:
I'd assume they had been, except for Mike's reaction to Archie's request. Also, it hadn't occurred to me to pay attention to what Mike's living situation was at this point.

"Yeah! Yeahhhh!" :rommie:
I finally looked up that Jean Stapleton won three Emmys for playing Edith...including beating both Marlo Thomas and MTM in 1971.

Beth Howland, the best thing about Alice. Well, Mel was pretty cool.
Flo would like to have a catchphrase with you...

I feel like this should have been the main plot.
Well, once Linda effectively said "hell no," that was that for Mary.

Actually, I think Indiana Jones Chronicles did something like that, but never a sitcom.
At least until they stitched the hour-long episodes together into two-hour movies for home video release.

This is fascinating. I don't remember ever seeing this. It's a shame they didn't re-work it as a "Menagerie"-style flashback.
I looked up images of the regular bedroom...the pilot one was very different...much lighter and didn't have the distinctive bookshelf behind the bed.

Mary Hartman! Mary Hartman! Are you deaf?
One of those shows I've heard of more than seen...bits and pieces barely and in passing when I was a kid.

What the hell planet is this? :rommie:
The one we see outside Mary's window.

I wonder what was subtracted. I need to check the extras on the first season DVD.
If I had to further guess, as it was a pilot, it may have originally had different office characters, or different actors in the same roles. (Carol was in the episode, too.)

"Hey, Cindy, remember that nuclear explosion in LA seven years ago...?"
Would Carter have had people reading Nixon's mail?

Have they ever had a war room like this before?
I wanna say maybe something like it on a previous occasion, but I couldn't say when.

Doc Cottle!
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When you've worked together for a long time, you can say things like that to each other. :rommie:
:D

You realize, of course, that I'm picturing Adele doing all these things. :rommie:
You realize, of course, that I'm almost never going to get a reference to a modern singer without looking it up.

Actually, it did, and also the Countess after he got ashed. Does the name Don Glut ring a bell? Kind of obscure, but he got around a lot back in the day. In his later years, he wrote and produced some erotic B-Movie homages and he used that location for a couple of them.
I meant the one that Greg designed.

I looked it up. It's...

Tiger.
And I couldn't resist looking...yeah, that's right.
 
however, with the passing of Fleetwood Mac's Christine McVie earlier today, I thought instead that I would post a pair of her songs from the 1972 album "Bare Trees".
We lost power in the storm for just under two hours last night, and the first thing I saw when Internet came back was this news. Sigh.

First up is "Homeward Bound", which shows that Christine could rock with the best of them.
I can relate to those lyrics these days.

Next up is "Spare Me A Little Of Your Love", which comes close to the sound she would later perfect with the albums "Fleetwood Mac" and "Rumours".
Yeah, that is unmistakably classic Fleetwood Mac.

Speaking of death, Sparky's 100th birthday was earlier this week. I found my favorite Peanuts strip online, and I'm finally remembering to post it:

Peanuts-Sundial.jpg


Happiness is subversive artistry. :D

It's hard to tell, because she generally had a frowny, uncomfortable-looking demeanor. She was maybe a little disappointed while also seeming to warm up to the situation.
Interesting. That's one of those things I'd like to see get followed up in a series or sequel.

I finally looked up that Jean Stapleton won three Emmys for playing Edith...including beating both Marlo Thomas and MTM in 1971.
Deservedly so, much as I love MTM.

Flo would like to have a catchphrase with you...
I'm sure. :rommie:

Well, once Linda effectively said "hell no," that was that for Mary.
Yeah, but there's a lot of character stuff that was just disregarded. It took Mary a while to decide that she needed to ask Linda. Did she really decide that Linda should have some say in her personal life, or was she looking for an excuse to break up with the guy? She must have talked to Rhoda about it, which would be a conversation worth hearing. Lou, too, for that matter. :rommie: And why did Linda say no, and so definitively, even though she had moved on to someone else? Because she wasn't done with him? Because she was trying to protect Mary from someone she no longer trusted? Residual jealousy? I think the real episode was in those missing weeks.

I looked up images of the regular bedroom...the pilot one was very different...much lighter and didn't have the distinctive bookshelf behind the bed.
Apparently there's no extras on the DVD sets, at least not the first couple. More research lies ahead.

One of those shows I've heard of more than seen...bits and pieces barely and in passing when I was a kid.
It was a big deal for a minute, but I didn't care for it. I liked its spinoff, America Tonight (or 2-Nite maybe?) more, thanks to Martin Mull-- I still use his "That was darn close to funny" line. :rommie:

If I had to further guess, as it was a pilot, it may have originally had different office characters, or different actors in the same roles. (Carol was in the episode, too.)
I find that sort of thing fascinating. I bought the third season of Three's Company just to see the unaired pilots. :rommie:

Doc Cottle!
Ah, I would not have known that. I bailed on nuBSG pretty quickly.

You realize, of course, that I'm almost never going to get a reference to a modern singer without looking it up.
Me too, for the most part. The only modern singers I really care about are Pink and Lady Gaga, and my Sister laughs at me when I refer to Pink as "contemporary." :rommie: But the name Adele is just in the air these days, so I've absorbed it.

I meant the one that Greg designed.
Oh. Never mind then. :rommie:

And I couldn't resist looking...yeah, that's right.
But there's still the mystery of his disappearance.
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I can relate to those lyrics these days.

I did the math and Christine was twenty-nine when she wrote that song and she was already getting tired of the touring life on the road. I've read a few stories where she was the most reluctant to travel and developed a fear of flying later in life, which kept her off the road post-1997 reunion tour, until the "Buckingham/McVie" tour of 2017 and the 50th Anniversary tour of 2018-19.
 
I did the math and Christine was twenty-nine when she wrote that song and she was already getting tired of the touring life on the road. I've read a few stories where she was the most reluctant to travel and developed a fear of flying later in life, which kept her off the road post-1997 reunion tour, until the "Buckingham/McVie" tour of 2017 and the 50th Anniversary tour of 2018-19.
She was definitely the low-key member of a pretty insane group, from what I could tell. I never heard about the fear of flying, though. Interesting.
 
Damn. There's a textbook example of having the world at your fingertips and royally screwing it all up. :(

No better example of Dennis being several cards short of a full deck than his not kicking out Manson from his home once the latter first squatted there in search of a music contract. To top it all off, once the Manson gang were kicked out--with Dennis admitting he had been threatened--he still maintained his connection to Manson (bringing him into contact with Terry Melcher and ultimately, the Cielo residence) and stole the criminal's songs (see: the 20/20 album). Clearly, Dennis Wilson did not respect the idea of separating himself from danger. Then again, when one sees little wrong with massive drug dealers, prostitution and other criminal behavior/actions, breaking free from racist, violent scum like Manson was not the rational option.
 
Mission: Impossible "Ultimatum" Originally aired November 18, 1972

Notes: Shirl Hendryx's original story involved Cooper, his hidden bomb, and a time element, but went in a different direction. Of Cooper, Hendryx explains, "He was a very egocentric character with great pride in his ability to develop this bomb." Fighting for time, Phelps and company put Cooper to sleep. He awakens in a hospital bed, is told that he's been in a coma, and that many weeks have passed. "Then they turn him loose, knowing that this man was going nuts wondering why the bomb hasn't gone off. He then led them to it, because he could not resist going to the bomb to find out what went wrong. Naturally, he got there just before it was going to really blow up." Perhaps due to story points similar to those in episode 137 "Invasion," the story was reworked. Harold Livingston added the irony of would-be bully Cooper himself being bullied by two-bit hoods Phelps and Mimi.
"Ultimatum" marks Barbara Anderson's final Mission, once again playing her tough-girl character. Assistant to the producer Dale Tarter makes an on-screen appearance, this time in the IMF communications room peopled with anonymous agents. It is Tarter who calls Cooper on behalf of the President and arranges the meeting which starts the IMF strategy.
 
Yeah, it seems like there's been several times when they've used the Buck Rogers plot.

Without looking at the book, I think they did the missing time/amnesia plot at least once or twice a season along with a "supernatural" episode.

I think you're right in a previous post that Phelps kept a rolodex of scenarios handy and matched it to the person.

IRL, of course, the writers only had so many ways they could come up with to catch/con someone and they were bound to be repeated.
 
50 Years Ago This Week

BlueMarble.jpg

December 5
  • Screening of all passengers and carry-on luggage would be required in all American airports by January 5, 1973, under emergency regulations announced the United States Department of Transportation. Federal funds would pay for the equipment, and the additional personnel would be paid for by the airlines and airport operators. There had been 29 hijackings in the United States in 1972. In 1973 there were two.
  • A U.S. government spokesman, who asked not to be identified, announced that for the first time in United States history, the fertility rate had dropped below the zero population growth (ZPG) standard of 2.11 births for every woman, from 2.28 in 1971 to 2.04 in 1972.

December 7
  • The last draft call for induction of American adult males into the U.S. Armed Forces was made. As of 2022, nobody has been drafted into military service in the U.S. in more than 48 years.
  • Apollo 17 was launched from Cape Kennedy at 12:33 a.m. EST after a delay of nearly three hours. Carrying astronauts Gene Cernan, Ronald Evans, Harrison Schmitt, and five mice, the mission was the last manned trip to the Moon. With an orbital trajectory that permitted a fully illuminated view of the entire planet, the crew snapped a famous image of the planet, colloquially called The Blue Marble. After three hours, rockets were fired and the three astronauts of Apollo 17 became the last people to go beyond the orbit of the Earth.
  • Imelda Marcos, First Lady of the Philippines, was slashed repeatedly by a bolo knife–wielding assassin, who attacked her at an awards ceremony at the Nayong Pilipino theme park in Pasay. Mrs. Marcos required 75 stitches.

December 8
  • United Airlines Flight 553 Boeing 737 from Washington to Chicago crashed at 2:29 p.m. while attempting to land at Chicago Midway Airport during an ice storm. Killed were 43 of 61 people on board, and two people in a house at 3722 W. 70th Place. The dead included Dorothy Hunt (wife of Watergate conspirator E. Howard Hunt), CBS News reporter Michelle Clark, and Illinois Congressman George W. Collins. This was the first fatal crash of a Boeing 737.
  • Florida became the first state, since the June 29 U.S. Supreme Court ruling in Furman v. Georgia, to reinstate capital punishment. Governor Reubin Askew signed the bill into law a week after it had passed both houses of the State Legislature.


Selections from Billboard's Hot 100 for the week:
1. "I Am Woman," Helen Reddy
2. "Papa Was a Rollin' Stone," The Temptations
3. "If You Don't Know Me by Now," Harold Melvin & The Blue Notes
4. "I Can See Clearly Now," Johnny Nash
5. "You Ought to Be with Me," Al Green
6. "Me and Mrs. Jones," Billy Paul
7. "It Never Rains in Southern California," Albert Hammond
8. "Ventura Highway," America
9. "Clair," Gilbert O'Sullivan
10. "I'm Stone in Love with You," The Stylistics
11. "Summer Breeze," Seals & Crofts
12. "Funny Face," Donna Fargo
13. "Something's Wrong with Me," Austin Roberts
14. "Crazy Horses," The Osmonds
15. "Rockin' Pneumonia--Boogie Woogie Flu," Johnny Rivers
16. "I'd Love You to Want Me," Lobo
17. "Operator (That's Not the Way It Feels)," Jim Croce
18. "I'll Be Around," The Spinners
19. "Corner of the Sky," Jackson 5
20. "Sweet Surrender," Bread
21. "If I Could Reach You," The 5th Dimension
22. "Superfly," Curtis Mayfield
23. "Walk on Water," Neil Diamond
24. "Dialogue (Part I & II)," Chicago
25. "Keeper of the Castle," Four Tops
26. "Living in the Past," Jethro Tull
27. "Sitting," Cat Stevens
28. "Convention '72," The Delegates
29. "Your Mama Don't Dance," Kenny Loggins & Jim Messina
30. "Long Dark Road," The Hollies
31. "Rock 'n Roll Soul," Grand Funk Railroad
32. "Superstition," Stevie Wonder
33. "Pieces of April," Three Dog Night

37. "I Wanna Be with You," Raspberries

40. "Been to Canaan," Carole King
41. "Don't Let Me Be Lonely Tonight," James Taylor

53. "Separate Ways," Elvis Presley

55. "You Turn Me On, I'm a Radio," Joni Mitchell

57. "992 Arguments," The O'Jays
58. "Dancing in the Moonlight," King Harvest
59. "Oh Babe, What Would You Say?," Hurricane Smith
60. "You're So Vain," Carly Simon
61. "Rocky Mountain High," John Denver
62. "Why Can't We Live Together," Timmy Thomas

71. "The World Is a Ghetto," War

73. "Crocodile Rock," Elton John
74. "Do It Again," Steely Dan

76. "Jambalaya (On the Bayou)," The Blue Ridge Rangers
77. "Reelin' and Rockin'," Chuck Berry

80. "Love Jones," Brighter Side of Darkness

82. "The Relay," The Who

94. "Daddy's Home," Jermaine Jackson


99. "The Cover of 'Rolling Stone'," Dr. Hook & The Medicine Show


Leaving the chart:
  • "All the Young Dudes," Mott the Hoople (11 weeks)
  • "America," Simon & Garfunkel (2 weeks)
  • "Freddie's Dead (Theme from 'Superfly')," Curtis Mayfield (16 weeks)
  • "Garden Party," Rick Nelson & The Stone Canyon Band (19 weeks)
  • "Nights in White Satin," The Moody Blues (18 weeks)
  • "Witchy Woman," Eagles (13 weeks)

Recent and new on the chart:

"America," Simon & Garfunkel
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(Nov. 25; #97 US; #25 UK)

"Been to Canaan," Carole King
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(Nov. 25; #24 US; #1 AC)

"Love Jones," Brighter Side of Darkness
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(#16 US; #3 R&B)

"Daddy's Home," Jermaine Jackson
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(#9 US; #3 R&B)

"Crocodile Rock," Elton John
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(#1 US the weeks of Feb. 3 through 17, 1973; #11 AC; #5 UK)


And new on the boob tube:
  • Rowan & Martin's Laugh-In, Season 6, episode 12
  • Hawaii Five-O, "The Clock Struck Twelve"
  • Adam-12, "The Chaser"
  • The Brady Bunch, "Greg's Triangle"
  • The Odd Couple, "The Odd Father"
  • Love, American Style, "Love and the Ghost / Love and the Out-of-Town Client / Love and the Secret Habit"
  • All in the Family, "Edith's Winning Ticket"
  • Emergency!, "Musical Mania"
  • The Mary Tyler Moore Show, "Operation: Lou"
  • The Bob Newhart Show, "Bob and Emily and Howard and Carol and Jerry"
  • Mission: Impossible, "Crack-Up"

_______

Timeline entries are quoted from the Wiki pages for the month or year.

_______
 
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"America," Simon & Garfunkel (Nov. 25; #97 US; #25 UK

Okay, so here is the thing. While I'm a fan of Simon and Garfunkel and recently purchased their "Complete Studio Albums Collection", I also purchased the Yes "Complete Studio Albums Collection" prior to that, and that is where I first heard "America", as a bonus track to the album "Fragile".

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This was one of the first songs recorded with Steve Howe as guitarist, replacing Peter Banks. This is the full-length studio version. An edited version, clocking in at around 4 minutes, was released as a single and peaked at No. 46 on the US charts.

"Love Jones," Brighter Side of Darkness (#16 US; #3 R&B)

A song which inspired probably one of the most unusual and star-studded parodies ever. The story goes that Cheech Marin and Jack Nicholson were on their way to a L.A. Lakers game when "Love Jones" came on the radio. Cheech started singing "Basketball Jones" to the song. By the time they got to the stadium, Marin had the lyrics sketched out. A quick call to Lou Adler, Cheech and Chongs producer, set the wheels in motion. George Harrison was in L.A. working on Ringo Starr's forthcoming album "Ringo" and he received a call from Lou asking him if he would like to contribute to the song. George quickly rounded up fellow "Ringo" musicians, Klaus Voormann on bass, Billy Preston on organ, Nicky Hopkins on piano, Jim Keltner on percussion, Tom Scott on saxophone, Jimmy Karstein on drums, as the cheerleaders, Carole King, Darlene Love and Michelle Phillips and George on lead guitar.

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Released as a single, the song peaked at No. 15 on the US charts.
 
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Without looking at the book, I think they did the missing time/amnesia plot at least once or twice a season along with a "supernatural" episode.
That sounds about right.

There had been 29 hijackings in the United States in 1972. In 1973 there were two.
Yeah, it was incredible how often hijackings were in the news back then.

The last draft call for induction of American adult males into the U.S. Armed Forces was made.
Missed me by seven years. I still had to register, though. I'm not sure if that's still required or not.

As of 2022, nobody has been drafted into military service in the U.S. in more than 48 years.
That must be the third-longest period without a draft.

Carrying astronauts Gene Cernan, Ronald Evans, Harrison Schmitt, and five mice
I know the feeling.

rockets were fired and the three astronauts of Apollo 17 became the last people to go beyond the orbit of the Earth.
It may not be much longer....

"America," Simon & Garfunkel
Fun fact: The man in the gabardine suit really was a spy!

"Been to Canaan," Carole King
A lovely Sunday morning song.

"Love Jones," Brighter Side of Darkness
Dude, your mike is hot. Use the back office for privacy.

"Daddy's Home," Jermaine Jackson
Sounds like the 50s. :rommie:

"Crocodile Rock," Elton John
Classic early Elton.

I also purchased the Yes "Complete Studio Albums Collection" prior to that, and that is where I first heard "America",
Yes is a great band, and this cover has that great Yes sound, but it's just so odd. :rommie:

The story goes that Cheech Marin and Jack Nicholson were on their way to a L.A. Lakers game when "Love Jones" came on the radio. Cheech started singing "Basketball Jones" to the song.
This is hilarious. Cheech is a funny guy. :rommie:
 
Missed me by seven years. I still had to register, though. I'm not sure if that's still required or not.

I don't know if I've told this story or not, but I'm a product of the draft, or rather, the avoidance of it. It was the mid-sixties and President Johnson was ramping up operations in Vietnam. My father had a low draft number, which meant, more than likely, he was going to get called up and sent to the front lines. Rather than be drafted into the Army, my father chose to join the Air Force as a requisition and supply officer, where, if he were sent to Vietnam, would mean he would be kept off the front lines. After completing basic training in Texas, my father and his unit received their assignment, and they were shipped overseas to England. A side effect of this was that enlisted men could take their spouse with them. So, before they were due to ship out, Dad and Mom got married and spent the next 3-4 years in England, where I was conceived towards the end of Dad's enlistment. Had Mom gave birth to me in England, Dad would have had to re-enlist for another four years, because I would have been too young to travel, and Mom and Dad would have been stuck without housing. Therefore, Mom flew back to Seattle and gave birth to me about a week after returning. Dad finished his deployment and flew back about six weeks after I was born. Had I been born in England, on the Air Force base, I would have been an American citizen, because it's considered American soil, however, had Mom given birth to me in an English hospital, I would have been British. I could have claimed dual-citizenship.
 
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