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The Classic/Retro Pop Culture Thread

Shooting of the film That'll Be the Day starts, in England. Ringo Starr has a major role in the film.

Since it doesn't come out until '73, I'll not post the Ringo Starr clip from YouTube. David Essex will have a big hit with the song 'Rock On' from the soundtrack.

"Crazy Horses," The Osmonds

This is your Osmonds on drugs. That was so insane and terrible that I actually like it. :rommie:

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Gotta love that Merrill keeps playing even though the guitar strap breaks. If the stage were any smaller, I think Jay would have fallen off. I'd love to get a translation of what she's saying when she makes the "slash" motion when she mentions "Puppy Love."

Very good one. These guys are heading toward their sadly brief peak period.

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A bit of cheat, This performance is from 1975. Still, it's a good song.
 
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50th Anniversary Viewing (Part 1)

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M*A*S*H
"Chief Surgeon Who?"
Originally aired October 8, 1972
Wiki said:
Hawkeye is named chief surgeon of the 4077th, to the great chagrin of Frank Burns and Margaret Houlihan. Jamie Farr is introduced as the cross-dressing Corporal Maxwell Q. Klinger.

After a particularly combative round of surgery in which Hawkeye countermands Burns's instructions, Burns files charges to Blake, largely based on Hawkeye not following protocol in treating him as a superior officer. Blake tries to talk Burns out of it, then comes up with a solution--he makes Hawkeye chief surgeon based on his skill, despite Burns's rank. Considering this a breach of regulations, Burns and Houlihan call General Barker on the night that Hawkeye is being thrown a party and insist that he come to the camp right away. When Barker arrives, the party's over, but Hawkeye and Trapper are in a poker game while a patient is awaiting surgery. Hawkeye explains that he's got the procedure scheduled for an hour later, while the patient is receiving a transfusion and being monitored by a nurse. Barker orders Hawkeye to start the procedure immediately, and Hawkeye refuses.

Barker tries going to Blake's office, only to find Radar kicking back at Blake's desk while enjoying his brandy and cigars. The general storms around the camp looking for Blake, having run-ins with various personnel engaged in nocturnal activities--including Burns and Houlihan--as well as Klinger on guard duty in a woman's suit. When the general finds Blake, even he's spending time with a young woman. The surgery proceeds on schedule, with the general watching over Hawkeye's shoulder, and in what seems a bit repetitive of the pilot episode that just aired a few weeks prior, the general apologizes to Hawkeye afterward, now impressed with his qualifications. In the coda, Burns humbly asks for Hawkeye's assistance during surgery.

Jack Riley plays a one-shot officer at the camp.

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Rowan & Martin's Laugh-In
Season 6, episode 5
Originally aired October 9, 1972
The Wiki list of guest appearances said:
Steve Allen, Mama Cass Elliott, Michael Landon, Della Reese, Lyle Waggoner, Henny Youngman, Hank Grant, Frank Welker

Landon is introduced onstage. After the announcements, Lyle Waggoner walks out with Dan, serving as Dick's "stand-in".

Edith Ann on football.

A skit featuring Henny Youngman:
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Laugh-In Salutes Commercials:
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The news segment has some jokes that wouldn't fly today...must be Monday.
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Frank Welker does dogs, more dogs, and a dog meeting a cat.

Ernestine calls General Motors.

A Whoopee Award for the Air Force:
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The cocktail party:
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Hawaii Five-O
"The Jinn Who Clears the Way"
Originally aired October 10, 1972
Wiki said:
Wo Fat is suspected of being behind the theft of a secret ballistic missile device, and McGarrett uncovers a plot to get the device into the hands of the highest bidder.

A government facility is broken into by two stocking-masked men bearing Five-O Specials, who shoot all the guards and tranquilize their pooches (we're later informed to my relief). During the escape, one of the men, Carl Tu (Daniel Kamekona), shoots the other while he's climbing the fence, and brings their loot--a small box--to Wo Fat's limo. A surviving guard hits an alarm and they hightail it away. McGarrett identifies the shot thief as a safecracker named Connor. In a meeting with Jonathan Kaye at the NORAD-like Diamond Head Crater facility, we learn that the stolen item was a prototype of an ICBM guidance system. The bigwigs determine that the thieves were well informed, knowing exactly what to grab and where it was. McGarrett suspects Wo Fat, and has sightings of doubles eliminated to confirm that he was seen headed for Hawaii in a sub.

Chin's cousin, George Wong (Andy Ichiki), is run over by Tu in what's meant to look like a hit-and-run accident. Chin visits George's father and his uncle, Mr. Wong (C.K. Huang), while Wo Fat is wooing George's brother, fanatical Maoist Tom Wong (Soon-Tek Oh, credited as Soon Taik Oh). Tom isn't in on the murder of his brother, and Fat learns from him that Tu was seen by several witnesses, so Fat has Tu killed. Upon investigation, it turns out that Tu was raising rare orchids that match pieces found on Connor's clothes. Fat then has his henchman/assassin suffocate Mr. Wong in his sleep, which is taken as a heart failure.

Steve catches some Z's on his office couch and shaves with an electric razor in his desk. If we hadn't gotten that one tightly shot scene in his bedroom, I'd be thinking by now that he doesn't have a pad. Steve has Chin bring Tommy in discretely. McGarrett informs him that both of his family deaths were murders; shows him a slide of Carl Tu, identifying him as a known contract killer; and produces evidence that Tu hit Tommy's brother, as well as forensic evidence of his father having struggled with his killer. Steve argues that both were killed so that Tommy would accompany his father's coffin to Taiwan with an object smuggled inside. Finally, McGarrett describes the henchman who killed Tommy's father, whom Tommy has seen with Wo Fat. Tommy is horrified to realize the truth.

Tommy demands an audience with Wo Fat via an intermediary, threatening not to take the coffin to Taiwan. Fat visits him in private at the funeral, getting in by disguising himself in a ceremonial costume. When Tommy confronts Fat about what he did, Fat pulls out a garotte, only to find himself surrounded by waiting Five-Oers. McGarrett brings Fat into his office and threatens to charge him with treason, among other crimes, as he's established a US citizenship. Kaye comes in and outrages Steve by declaring that Fat will be returned to his government. Fat smugly walks out a free man, after which Kaye explains to Steve that he was exchanged for a U-2 pilot that the Chinese captured three years prior. Steve is not happy with this deal.

This is Joseph Sirola's final appearance in the recurring role of Kaye. I had to laugh when Che tested one of the guns used in the heist--you'd think he of all people would know that you can't use a silencer on a revolver.

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Adam-12
"Training Wheels"
Originally aired October 11, 1972
Wiki said:
The officers undergo driver refresher courses to hone their pursuit and driving skills, leading to Reed attempting to drive the cruiser. Incidents include the officers going undercover as paperboys riding bicycles to find car strippers, Wells wrecks his bicycle that belonged to a young girl, Malloy dealing with an irate newspaper customer, and Reed and Malloy stopping a van where the driver's crested myna keeps chanting "Down with the Pigs!".

Various officers, including Malloy, Reed, and Wells, attend the driving course in civilian clothes. Malloy, of course, does excellent on the track, with instructor Sgt. Smith (Walt Davis) suggesting that he join the training staff. Then Malloy drives a practice chase of another squad car. At the course, Wells boasts of having come up with an idea for stopping car strippers. Back at HQ, Mac mysteriously questions Malloy about what kind of shape he's in. Various officers, again in plain clothes, are assigned to borrowed bicycles so that they can pose as paper boys and ride the sidewalks, as the strippers tend to work on the curbside and hide from police cruisers. Reed is skeptical, but Wells mentions the program of picking up truants that was Reed's suggestion in a previous episode.

At 4:00 in the morning, a woman (Ann Doran) comes out in her robe and hairnet to chastise Malloy about not getting her paper, and Malloy directs her to Wells, who's riding across the street. Wells calls in Malloy and Reed when he spots a trio of car strippers in operation. The perps try to run when they see paper boys converging on them from all sides, but all three are caught...though Wells damages his bike in the pursuit, having to explain it to the girl who owns it the next day.

Back on patrol via their usual wheels, the officers see a hippie van run through an intersection and pull it over. The driver (Tom Bellin) tries to berate Malloy for being close-minded and judgmental and targeting him for having long hair, but Malloy reveals that he wasn't even planning to give the man a ticket. Then Malloy hears a high-pitched voice chanting "Down with the pigs!," and the driver embarrassingly shows them the myna in back. The officers still let him go with a friendly.

After nightfall, Reed is imitating the bird while Malloy acts defensive about the prospect of Reed driving for the rest of the watch. The officers are assigned to a 459 at a car dealership. When they announce themselves to the suspect inside, he busts through the showroom window in a red 1972 Javelin, and the officers pursue, Malloy putting into practice the skills that he demonstrated on the course. When they get reports of various other units surrounding the vehicle, Adam-12 discontinues pursuit, and shortly after hears a report from Wells's unit, Adam-14, that the suspect has wrapped the stolen vehicle around a tree. Reed tries to explain why they didn't stay with the vehicle themselves, but Wells is understanding about it, noting the suspect's recklessness.

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The Brady Bunch
"Today, I Am a Freshman"
Originally aired October 13, 1972
Wiki said:
Marcia is anxious about her freshman year of high school, and Mike asks Greg to introduce his sister around. Marcia decides to join every club at school, including the Boosters, a club of conceited girls who administer strict social rules. When Marcia invites the Boosters over for her interview, Peter's previously malfunctioning science project model volcano, which is the subplot, finally erupts, spewing "lava" over Marcia and the outraged Boosters. Marcia breaks into laughter and realizes the humorless Boosters are not the types of girls she wants to socialize with. She subsequently quits all the other clubs, except for ceramics, the only one she truly wanted to be in.

It's the first day of school, which is good continuity with the Hawaii trilogy. Marcia claims to feel sick, but is actually fully dressed under the covers of her bed. Doctors are still making house calls in TV Land, and the one who visits the Brady home (John Howard) diagnoses nerves. Mom lets Marcia stay home for the day, and teams up with Dad to talk to her that night. She shows them her shelf of trophies (good continuity with the "Marcia, Marcia, Marcia!" episode) and expresses her fear that she'll have to start all over again and her best years may be behind her...a situation exacerbated by how most of her junior high friends are going to a different school. Mike enlists Greg to introduce her around.

Greg: But she shouldn't have any problem, she's a cool chick.​

But Marcia decides to try to impress everyone by acting sophisticated, and her affected mannerisms only alienate Greg's friends. She comes home upset, and Greg angry, feeling that she made them both look like jerks. Then Marcia overhears about Mike's arrangement with Greg and erupts...

Marica: I hate high school! I hate it! I hate it!

Jan's apple didn't fall far, huh? Anyway, the parents have another talk with Marcia and encourage her to meet people by getting involved in activities. When Marcia sees the club bulletin board at school, she's initially interested in ceramics, but influenced by a friend billed as Kim (Vicki Cos), who recommends other, more popular clubs, she signs up for every one of them.

Thus Marcia comes home in a wetsuit that she got for scuba club, while admitting that she hates going underwater. She hits Dad's briefcase while practicing archery, and flips Greg over a footstool while practicing karate. The parents find her up late practicing yoga and she tells them that she's applying for the exclusive Boosters. Meanwhile, Peter (whose voice sound much more even here) has gotten into the science club at his school and is enthusiastic about building a volcano. He tries to interest the other kids in it, but only Bobby and Cindy respond, so he recruits them to help, which results in all three making a mess of themselves.

Alice: Are you covering the volcano with mud, or is the volcano covering you?​

When the project should be finished, however, Peter has trouble igniting it, and goes to get a new battery. Marcia brings the Boosters over and out to the patio, where their leader, Kim--who talks a lot like Marcia had been trying to on her first day--announces that Marcia's been accepted, but goes over how she'll be expected to project a certain image, which includes wearing the right clothes and only dating lettermen. Kim and the other girls find the sight of Peter's volcano ghastly, and when he comes out with his new battery and tries it out, it works better than expected, spewing mud all over the patio--and the Boosters. Marcia gets a good laugh out of it, though Kim is outraged. Marcia is happy not to join the Boosters, and decides to quit all of the other clubs except ceramics.

In the coda, Alice tries the volcano for herself, with predictable results.

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Love, American Style
"Love and Dear Old Mom and Dad / Love and the High School Sweetheart / Love and the Spaced Out Chick / Love and the Country Girl"
Originally aired October 13, 1972

In "Love and the High School Sweetheart," a married couple of seventeen years who've grown apathetic to one another find that the kids are away and they have the place to themselves for the night. Gladys (Alice Ghostley) has romance on her mind, but Fred (Michael Constantine) wants to play Chinese checkers. At any rate, it turns out that Gladys already had plans, as she's making a fancy dinner for a visiting old flame, Bert Brockmeyer. Fred accuses her of wanting to get things going with Bert again, though neither has seen him since they were all in school together twenty years before. When the still-handsome Bert (Stephen Dunne) arrives at the door, Fred is ready to start a fight, but Bert takes off his coat to reveal that he's now a man of the cloth. Gladys learns that he's an Episcopalian priest, which means that he's allowed to...you know...but Gladys asks him to let Fred believe that he's Catholic to keep things peaceful.

In "Love and the Country Girl," broom salesman Donald Baxter (Bill Daily) returns from a two-week sojourn in the country to be greeted by his concerned fiancée, Christine (Bridget Hanley), who wants to discuss marriage. Then the titular female, Wanda June (Erica Hagen), shows up at the door, announcing to Donald that he won her hand in marriage in a card game with her pappy at a general store in Backwash. Donald tries the sitcom trick of keeping the ladies in separate rooms, but they quickly meet, and then Pappy (Pat Buttram) arrives bearing a shotgun and priest (Shug Fisher). Pappy forces Christine out, but she returns in a disguise, complete with a pillow under her dress, posing as a neighbor who's been knocked up by Donald. Pappy repurposes both shotgun and priest to make Donald tie the knot with Christine.

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I know I should know this.... :rommie:
Early Installment Weirdness.

That's cute. Is that his kid?
I believe so, yes.

Remarkable. I wonder what he was fighting for at that point. Patriotism? Ideology? Hatred? Habit? Or was he just delusional? He deserves a measure of respect for his stick-to-it-iveness anyway.
And here we thought Gilligan's Island was being far-fetched...

This is your Osmonds on drugs. That was so insane and terrible that I actually like it. :rommie:
It pretty much screams "trying way too hard".

Cute. There used to be a few of these back in the day. I wonder how long it's been since anyone made something like this.
They leaned on "Troglodyte" pretty hard.

Very good one. These guys are heading toward their sadly brief peak period.
Another very good one. The heartbreaking lyrics are somewhat at odds with the upbeat music.
Both classic car songs.

Teach me how to be so smooth, Al!
He's in his classic groove.
 
Since it doesn't come out until '73, I'll not post the Ringo Starr clip from YouTube. David Essex will have a big hit with the song 'Rock On' from the soundtrack.
That's a good song. I didn't realize it was from a soundtrack.

Gotta love that Merrill keeps playing even though the guitar strap breaks. If the stage were any smaller, I think Jay would have fallen off. I'd love to get a translation of what she's saying when she makes the "slash" motion when she mentions "Puppy Love."
I want to know why he's doing the Funky Chicken while singing about horses. :rommie:

A bit of cheat, This performance is from 1975. Still, it's a good song.
1975 was their peak year. They just kind of dropped off the radar after that.

Blake tries to talk Burns out of it, then comes up with a solution--he makes Hawkeye chief surgeon based on his skill, despite Burns's rank.
Interesting. I didn't know, or remember, that Hawkeye being made chief surgeon happened during the show.

Considering this a breach of regulations, Burns and Houlihan call General Barker
You'd think Barker would be sick of these two by now. :rommie:

Barker tries going to Blake's office, only to find Radar kicking back at Blake's desk while enjoying his brandy and cigars.
That seems a bit un-Radar-like. Must be EIW.

In the coda, Burns humbly asks for Hawkeye's assistance during surgery.
Burn's skill level would eventually be retconned in later episodes, either in an effort to rehabilitate the character somewhat or just to justify his presence.

After the announcements, Lyle Waggoner walks out with Dan, serving as Dick's "stand-in".
That's hilarious. :rommie:

A skit featuring Henny Youngman:
One of the Elder Gods of comedy.

The news segment has some jokes that wouldn't fly today...must be Monday.
Indeed. I find the Irish jokes totally offensive. :mad:

who shoot all the guards and tranquilize their pooches (we're later informed to my relief).
Apparently these hard-ass international espionage mercenaries are animal lovers. :rommie:

During the escape, one of the men, Carl Tu (Daniel Kamekona), shoots the other
I don't get the motivation for this. Talk about leaving behind a pile of evidence.

while he's climbing the fence
This government installation needs a major security upgrade. :rommie:

The bigwigs determine that the thieves were well informed, knowing exactly what to grab and where it was.
On the other side of the fence.

Garrett suspects Wo Fat, and has sightings of doubles eliminated to confirm that he was seen headed for Hawaii in a sub.
How do you see somebody in a sub? Unless you're on the sub too.

Steve catches some Z's on his office couch and shaves with an electric razor in his desk. If we hadn't gotten that one tightly shot scene in his bedroom, I'd be thinking by now that he doesn't have a pad.
His real pad is in the Large Magellanic Cloud, so too much of a commute.

When Tommy confronts Fat about what he did, Fat pulls out a garotte, only to find himself surrounded by waiting Five-Oers.
He was actually about to do his own dirty work for a change.

McGarrett brings Fat into his office and threatens to charge him with treason, among other crimes, as he's established a US citizenship. Kaye comes in and outrages Steve by declaring that Fat will be returned to his government.
This is really weird. Fat is now a US citizen, or has dual citizenship (with China-- is that even possible?), only to be freed by a diplomatic exchange? Why even establish his US citizenship? And why is China rescuing him? I thought Fat was an independent operator, like a Bond villain.

I had to laugh when Che tested one of the guns used in the heist--you'd think he of all people would know that you can't use a silencer on a revolver.
It seems like this episode was kind of a mess overall.

Malloy, of course, does excellent on the track, with instructor Sgt. Smith (Walt Davis) suggesting that he join the training staff.
Yeah, like that'll happen. :rommie:

Various officers, again in plain clothes, are assigned to borrowed bicycles so that they can pose as paper boys
What the hell? :rommie:

At 4:00 in the morning, a woman (Ann Doran) comes out in her robe and hairnet to chastise Malloy about not getting her paper, and Malloy directs her to Wells, who's riding across the street. Wells calls in Malloy and Reed when he spots a trio of car strippers in operation. The perps try to run when they see paper boys converging on them from all sides, but all three are caught...though Wells damages his bike in the pursuit, having to explain it to the girl who owns it the next day.
I keep waiting for Malloy to wake up and say, "Thank god it was only a dream?" Was this a backdoor pilot for Newsboy Legion or a leftover skit from Laugh-In? :rommie:

The officers still let him go with a friendly.
And a better impression of the police.

After nightfall, Reed is imitating the bird
That's great. :rommie:

When they announce themselves to the suspect inside, he busts through the showroom window in a red 1972 Javelin
Now there's some action. :rommie:

Reed tries to explain why they didn't stay with the vehicle themselves, but Wells is understanding about it, noting the suspect's recklessness.
Wells is actually being portrayed as a reasonable human being in this episode.

Marcia claims to feel sick, but is actually fully dressed under the covers of her bed. Doctors are still making house calls in TV Land, and the one who visits the Brady home (John Howard) diagnoses nerves.
A doctor had to make a house call to diagnose nerves in a teenage girl on the first day of high school? :rommie:

Mom lets Marcia stay home for the day
Sure, why not miss the first day of high school. Anything else we can do for you, Marcia, Marcia, Marcia? :rommie:

Greg: But she shouldn't have any problem, she's a cool chick.
Don't mind me, I just have something in my eye....

When the project should be finished, however, Peter has trouble igniting it
Mike and Carol should call in a geologist from UCLA to make a house call and confirm that it's not a real volcano.

Marcia gets a good laugh out of it, though Kim is outraged.
Something tells me that in any other episode Marcia would be righteously pissed off. :rommie:

Gladys (Alice Ghostley)
Esmerelda.

Fred (Michael Constantine)
The principle on Room 222.

Gladys asks him to let Fred believe that he's Catholic to keep things peaceful.
That cracks me up. Like Jack pretending he's gay on Three's Company. :rommie:

Donald Baxter (Bill Daily)
One of the best second bananas ever.

Pappy (Pat Buttram)
Mister Haney!

Pappy forces Christine out, but she returns in a disguise, complete with a pillow under her dress, posing as a neighbor who's been knocked up by Donald. Pappy repurposes both shotgun and priest to make Donald tie the knot with Christine.
So many things wrong, but all's well that ends well. :rommie:

Early Installment Weirdness.
I need to put that on a Post-It note or something.

And here we thought Gilligan's Island was being far-fetched...
I never lost faith in Gilligan's Island.

It pretty much screams "trying way too hard".
Indeed. :rommie:

They leaned on "Troglodyte" pretty hard.
And Kissinger's bizarre reputation as a lady's man.
 
You'd think Barker would be sick of these two by now. :rommie:
I don't think he dealt with them directly before.

That seems a bit un-Radar-like. Must be EIW.
Maybe, or Radar became Flanderized.

I don't get the motivation for this. Talk about leaving behind a pile of evidence.
I understand why they offed him after the job--Tu was the hardcore killer, Connor was just a safecracker, he might have talked. But killing him on the scene and leaving him behind? Yeah...

How do you see somebody in a sub? Unless you're on the sub too.
He was seen boarding a sub, the sub was tracked. Of course, if it was his cute little yellow sub, it would have been easy to track.

This is really weird. Fat is now a US citizen, or has dual citizenship (with China-- is that even possible?), only to be freed by a diplomatic exchange? Why even establish his US citizenship? And why is China rescuing him? I thought Fat was an independent operator, like a Bond villain.
No, he's working directly for Red China. But the citizenship angle did seem to come out of nowhere.

It seems like this episode was kind of a mess overall.
Well, the silenced revolvers are now a long-established trope of the series. They show us one every chance they get.

What the hell? :rommie:
I keep waiting for Malloy to wake up and say, "Thank god it was only a dream?" Was this a backdoor pilot for Newsboy Legion or a leftover skit from Laugh-In? :rommie:
Not a dream! Not a hoax! Not an imaginary story!
A1202.jpg
A1203.jpg
A1204.jpg

Now there's some action. :rommie:
The historically interesting thing here is that this stunt will be repeated in no less than a Bond film, 1974's The Man with the Golden Gun. In that case, it's Bond driving a red AMC Hornet out through a showroom window to pursue Scaramanga. I can only think that both sequences were AMC's idea. For chronological context, 1973's Live and Let Die has just begun filming this past week in 50th Anniversaryland.

Wells is actually being portrayed as a reasonable human being in this episode.
Crashing on a girl's bike is a humbling experience.
 
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I don't think he dealt with them directly before.
Oh, okay. I thought they had previously summoned him to the unit.

He was seen boarding a sub, the sub was tracked. Of course, if it was his cute little yellow sub, it would have been easy to track.
Shouldn't a secret sub have a secret boarding facility?

Not a dream! Not a hoax! Not an imaginary story!
That's crazy, man! :rommie: The villains attempted to flee as the paperboys converged on them....

"Calling Codename Beav! Codename Wally here!"

The historically interesting thing here is that this stunt will be repeated in no less than a Bond film, 1974's The Man with the Golden Gun. In that case, it's Bond driving a red AMC Hornet out through a showroom window to pursue Scaramanga. I can only think that both sequences were AMC's idea. For chronological context, 1973's Live and Let Die has just begun filming this past week in 50th Anniversaryland.
The scene that popped into my mind was The Omega Man. :D

Crashing on a girl's bike is a humbling experience.
Seriously, the Department couldn't spring for a half dozen bikes? They had to borrow them? :rommie:
 
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50th Anniversary Viewing (Part 2)

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Kung Fu
"King of the Mountain"
Originally aired October 14, 1972
Series premiere
Wiki said:
Caine finds work with a widowed ranch woman and also finds he has romantic feelings for her. But the arrival of a bounty hunter (John Saxon) and the likelihood that others will follow cast an ominous shadow on their love. Winner of the Writers Guild of America Award for Best Drama (to Herman Miller).


Did somebody say "flashback"...?
What if Caine had gotten lucky and snatched the pebble while he was still a kid and hadn't finished his training?

The flashbacks here connect particularly strongly with the origin business in the pilot, helping to catch viewers up and firmly establish the premise. There's one rather awkward piece of voiceover shoehorned into a scene from the pilot, though.

Tigers feel pity? I have a hard time picturing that, Master Kan.

Lara Parker's been getting referenced prominently over in the MeTV thread. Well, here she is! The Wiki description overplays the sexual tension as a full-on romance that it doesn't quite become...but along the way, we get the Shaolin version of the birds and the bees....

Caine: Master, our bodies are prey to many needs. Hunger, thirst...the need for love.
Master Kan: In one lifetime, a man knows many pleasures. A mother's smile in waking hours...a young woman's intimate, searing touch...and the laughter of grandchildren in the twilight years. To deny these in ourselves is to deny that which makes us one with nature.
Caine: Shall we then seek to satisfy these needs?
Master Kan: Only acknowledge them, and satisfaction will follow. To suppress a truth is to give it force beyond endurance.​

In the pilot, a Shaolin-trained Chinese bounty hunter comes after Caine. Here we get more of a Western type for variety. Caine beats the armed bounty hunter with his feet chained together, which is pretty badass.

The fugitive angle is in full play here, but one important ingredient is missing--They've yet to set up Caine's quest...he's just staying on the move at this point. I know there's an episode in which he visits his American grandparents and learns about his half-brother, but I'm not sure how soon it comes up.

TOS guest: Ken Lynch

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All in the Family
"Lionel Steps Out"
Originally aired October 14, 1972
Wiki said:
Archie is furious when his visiting niece Linda (Dianne Hull) goes out with Lionel.

Linda, the daughter of Archie's brother who lives in Baltimore, is having dinner with the Bunkers between flights in her job as a stewardess. While Archie's out getting cigars at the corner store, Lionel come by to pick up Linda for a date, and Edith has a multiple ohhhs moment. When she's clearly taken aback by this, Gloria kindly makes the point that Lionel has all of the qualities that Edith would approve of in a man who's dating her niece. When Archie comes home, Edith tries to hide, and then draw Archie's attention away from, a picture of Linda and Lionel that the latter dropped off...which is sitting on the table between Archie and Edith's chairs. Noticing how strangely Edith is acting, Archie brings up the "change thing" that she'd previously gone through. Eventually Archie sees the picture. His initial expression is priceless, and then he's beside himself.

Archie calls the Jeffersons, then goes on with the family about everything that's wrong with the situation.

Archie: If God had intended white people to dance with c****** people...
Mike: He'd have given us rhythm, too.​

Henry Jefferson arrives, and he's just as upset about Lionel seeing a white girl, along with the prospect of adding more "cream into the coffee". When Lionel and Linda return, Archie has a condescending talk with Lionel in the kitchen, during which Lionel makes clear that he values his friendship with Archie, but won't tolerate his bigotry anymore. Linda informs Archie that her father isn't so strict about who she sees, and Archie can't believe it. After Lionel leaves, she refuses to let Archie sit her down to have a talk.

In the coda, all's well with the family as Archie gets a thank you letter from his brother for hosting Linda.

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Emergency!
"Peace Pipe"
Originally aired October 14, 1972
Wiki said:
A drunk driver (William Campbell) rams into a car, trapping a little girl inside, and the doctors are concerned the girl may have brain damage...as well as paralysis, if surgery is successful. Firefighter Chester B. "Chet" Kelly pesters Gage about his Native American heritage. The firefighters have to rescue a man on a scaffold while a sniper is pinning them down. Other rescues include a boy getting his hand stuck in a gumball machine, a woman whose extremely tight girdle is causing breathing problems, and a fire caused by a workman mixing fuel into water lines.

The episodes open with Station 51 arriving at the scene of the auto accident, where the driver, Sam Jenks (Campbell), protests that he only had a couple of beers. The owner of the other car, Nancy Taylor (Brooke Bundy), comes up crying that her little girl Debbie was in the car while she was handling groceries. Johnny pries open the door with the jaws of life and they find the girl trapped comatose under crushed dashboard. Jenks is taken to Rampart escorted by a recurring deputy (Vince Howard), who has blood taken for a test. After she's freed, Debbie (uncredited Jennifer Lesko) is taken to Rampart, followed by her mother and father, Stan (Kip Niven). Brackett doesn't like the risks of performing surgery--not surviving or potentially suffering brain damage if she does--but it's her only option. Dixie consults the parents, learning that they'd already lost a son in an auto accident and adopted Debbie afterward. Stan signs his consent and Brackett proceeds.

Debbie remains comatose afterward, the results uncertain. Stan goes into Jenks's room with the intent of doing harm, and has a talk with Brackett instead.

Stan: How can a person drink himself to oblivion and then drive a car?
Brackett: That's the problem--they can't.​

Back at the station, the firefighters finish watching a Western. Chet thinks the film is a classic, but Johnny denounces it as propaganda, giving Chet a piece of his mind about the historical mistreatment of Indians. When Roy tries to cool things down, Johnny accuses him of siding with a fellow Irishman. When Chet protests that he allegedly has some Indian blood in him via a princess down the family line, Johny mocks him for evoking this common family myth. (Seems like maybe the show is trying to emulate a certain timeslot rival, perhaps...?)

Squad 51 heads to a food stand where a sassy kid (uncredited Richard Steele) has his hand stuck in a gumball machine while being berated as a crook by the owner (uncredited Ken Lynch). While the owner advocates cutting the kid's finger off, the paramedics have no choice but to break the glass, for which they wrap the kid's arm and face in a protective tarp, then take the dispenser apart. The kid points out where his penny is stuck in the machine. The kid negotiates for a free hot dog a day for two months in return for not suing.

Back at the station, Chet has been reading an anthropological study of Native Americans and questions Johnny about why he left the reservation. Johnny expresses his disapproval of the academics who came around every summer to observe his people in their attempts to prove new theories, and cites the millions of dollars that the one who wrote the book spent on his research, arguing that it would have been better spent directly on his research subjects.

Squad 51 goes to an apartment to help a woman who's having trouble breathing (Renee Lippin). The full-figured, bathrobe-clad woman reveals that the problem is her new girdle, which Johnny has to cut off from the side, causing it to snap off in his face.

The squad is called with a couple of engines to a home where there's a bathroom fire. Arriving first, the paramedics try to use a garden hose, and find that the water has something flammable in it. Outside, a bystander tosses a match in a puddle of the tainted water and it goes up, by which point the engines have arrived to put it out with their hoses. The paramedics check a hydrant on a nearby street and find that the local water has fuel oil in it. They proceed to a location where they've seen a fuel pipeline routinely being worked on, to find a worker there using a water hose attached to a hydrant. Roy explains how the pressure difference between the two is causing a backup into the hydrant.

At the station again, a suspicious-acting Chet makes a show of promising to stop making Indian jokes. When Roy and Johnny get into an argument over whether the jokes are funny, Chet delivers his punchline--offering them the episode's titular object.

At Rampart, just as Brackett is admitting to being out of answers regarding Debbie's condition, he's summoned to her room, her parents having noticed movement. At Brackett's instruction, the girl moves her fingers and toes...then she opens her eyes and addresses her mommy and daddy, to their joy.

At the station, Chet is setting up his next joke, offering a treaty over a fire axe dressed in feathers, when the station is summoned to a construction accident. They find another man lying on a scaffold, this time having to climb up the exposed girders of a rooftop sign to get to him. Just as Roy declares that the man's been shot, a sniper starts taking shots at them from another building. The paramedics have a tarp passed up and set it up to conceal themselves while lowering the victim on the Stokes. Police arrive to apprehend the sniper.

At the station, the paramedics get a call from Rampart that the bullet has been removed from the victim, and Johnny plays into Chet's running gag when explaining how he got the idea to use the tarp.

I was wincing when I saw what they were planning to do in this episode, but I thought they handled it pretty well, having Johnny be so aggressively informative on the subject.

_______

The Mary Tyler Moore Show
"It's Whether You Win or Lose"
Originally aired October 14, 1972
Wiki said:
When Lou is kept from joining his poker pals in Las Vegas, he insists Mary set up a poker game at work, which becomes a problem for Murray, a former compulsive gambler.

It's now blizzard season in Minneapolis, and the airport is shut down, canceling Lou's flight to Vegas. Lou is the last to find out...for a seasoned news guy, he's slow on the uptake regarding the situation. When he's filled in, Lou tries to blame Gordy, then rants to the entire newsroom about snow. Gordy suggests getting a poker game going after hours at the station to cheer Lou up, and Murray avoids the subject. Mary makes arrangements, which include using the table on the set of the children's show King Artie's Castle. When Murray learns how clueless Ted is about the rules of the game, he agrees to play. That night, Marie comes to Mary's unable to find Murray at the newsroom, and when she learns what Murray's doing, she informs Mary of Murray's compulsive gambling...and Mary is forced to admit that she persuaded him to play.

Mary drops in on the game to try to talk to Murray, who's intensely into it. When she tries to take Murray home, Lou sees her out. Ted ends up bumbling his way into winning the game, with Murray owing him $375. Murray offers Ted a wager that involves canceling his debt if Ted blows a Japanese finance minister's name on the air. Ted flubs his way through the rest of the news, and while he worries everyone by flawlessly practicing saying the name, he ends up blowing it as usual on camera, causing him to curse and break into tears during the broadcast.

_______

Mission: Impossible
"TOD-5"
Originally aired October 14, 1972
Wiki said:
In order to recover a stolen bioweapon canister and ferret out a diabolical scientist's (Ray Walston) terrorist organization, the IMF makes the organization's courier believe he has been infected himself.

Gordon Holt (Peter Haskell) meets with Paul Morse (Ross Elliott) in a hotel room about obtaining a container of TOD-5 on behalf of his people in an organization called Alpha. Afterward Holt makes a call to Dr. Victor Flory (Walston). A pay phone go-between, Ralph Davies (Michael Conrad), eavesdrops on the call, after which a female scientist (Susan Brown, whose character is colorfully billed as Alpha Woman) informs Flory that Davies has been asking questions about TOD-5.

The record on an old-fashioned phonograph in a museum said:
Good morning, Mr. Phelps. This man, Paul Morse, is a government scientist who intends to sell a top secret biological weapon called TOD-5 to a terrorist ring called the Alpha Group. It is headed by this man, Dr. Victor Flory. We believe the Alpha Group intends to use chemical and biological weapons to terrorize the nation in a bid for power within the next few days. Ex-intelligence officer Gordon Holt is Alpha's contact with Morse and the one man who can lead us to Alpha headquarters. Conventional law enforcement agencies have not been able to locate the Alpha Group. Your mission, should you choose to accept it, is to is to find the Alpha Group and destroy their bio-warfare operation. This record will self-destruct in five seconds. Good luck, Jim!
It looked more like the needle was going up in smoke, but whatever. This is a Mimi episode, and Casey's said to be monitoring a European satellite of Alpha.

Jim and Willy nab Morse in the garage across from the hotel where he parks his car, after he's retrieved the TOD-5 canister. Holt returns to the hotel to be told that nobody's been staying in the room where he met Morse, so he picks the room's lock and has a look around. Then he returns to his own car in the garage to find Mechanic Willy working on a problem he noticed, with Sheriff Jim intervening on Willy's behalf. Everyone's attention is drawn to a woman screaming outside, where a man stumbles into the street and collapses with nasty-looking sores covering his face. Mimi appears as the man's distraught-acting girlfriend, and Army Doctor Barney is among the crew that takes him away in an ambulance.

Holt visits the bar where Mimi's working as a waitress to ask questions about her boyfriend, Morse, and how to get a call out of town, as the phone lines are down. Afterward Davies comes in asking about Holt, while Sheriff Jim sits at the bar. It becomes clear that Davies isn't an IMF informant, and they later identify him by his fingerprints. Davies calls Flory to report his own observations about what's going on in the town, and Flory dismisses the idea of an outbreak because the TOD-5 is potent enough that everyone would already be dead. Meanwhile, Holt sneaks around the garage and finds Morse's car with an IMF-switched counterfeit TOD-5 canister in it. He tries to drive out of town to find the road blocked, with Sheriff Jim advising him to return his stolen car. Holt goes back to the bar to question Mimi about what's really going on in the town, and she confirms what he suspects about a breakout being covered up, and the sheriff being an imposter. Mimi has a rendezvous with Holt in his hotel room and starts to get romantic so she can stick him with a knockout drug, after which the IMFers inject him with something that will later cause nasty sores to develop on him. A tape of a news broadcast hidden in his room radio and a turned-back watch give Holt the impression that no time passed while he was out. Mimi tells Holt that Willy was just found dead, and Holt follows the ambulance crew that picks him up to their facility, where he finds a morgue locker of sore-faced bodies, including Willy's.

Holt is caught by Doctor Barney, who confirms the outbreak, demonstrates a sore indicating that he's one of the lucky few who are immune to the contagion, and then shows Holt that he's got a sore of his own. Holt busts out too easily and returns to Mimi, whom he reasons is one of the immune, and offers to take her to a place that can help them. Sheriff Jim shows up at Mimi's door with sores on his face and collapses, and they use his car to too-easily get through the roadblock. They're followed on road by the IMF Van with the help of a homing transmitter in Mimi's watch, and offroad by Davies in a Jeep. Davies blows out the sheriff's car's tire and takes shots at Holt when he and Mimi get out, demanding Holt turn over the canister. The IMFers catch up and witness the shouted negotiations from concealment, concerned that Davies is a rogue element who'll blow the whole operation. Holt surrenders and tosses Davies a bag with the fake canister in it. While Davies is inspecting it, Holt rolls for his gun and shoots Davies, whose rifle fires a wild shot that wounds Mimi. (I think we have a rule for the M:I Season 7 Drinking Game.) Mimi, who somehow knows where the others are watching from, visually signals them that her watch is broken. Holt puts her in Davies's Jeep and heads for Alpha.

The IMFers get the location of Alpha's lair out of a surviving Davies by threatening to expose him to the TOD-5 by firing on the canister from a distance. Holt takes Mimi to the lab hidden in a church basement and shows Flory his worsened sores, using his deliberate exposure of everyone in the facility as leverage to get them to develop a cure from Mimi's immunity. Contrary to his earlier skepticism, Flory actually buys this indirect ruse, hook, line, and sinker. Then Holt appears to die--an intended effect of what the IMF shot him up with--and Mimi's transmitter is discovered by the female scientist's Alpha Vision. Holt then recovers and starts peeling the temporary sores off his face. Just as Flory is ordering both visitors killed, the IMFers storm in, shoot him, and rescue Mimi, who's shown recovering in a hospital bed in a coda scene.

This was was definitely a very pre-Syndicate episode.

_______

Shouldn't a secret sub have a secret boarding facility?
Spies, perhaps?

The scene that popped into my mind was The Omega Man. :D
Did he drive a car out of a showroom window? Was this already a thing?

Seriously, the Department couldn't spring for a half dozen bikes? They had to borrow them? :rommie:
Supposedly they were up for auction, but I didn't catch why Wells's had an owner to contend with.
 
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The scene that popped into my mind was The Omega Man. :D

Did he drive a car out of a showroom window? Was this already a thing?

Yup. I just happened to watch a YouTube review of the movie the other day and within the first five minutes Charlton Heston drives a Ford Mustang out of a car showroom. This was in 1971.

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Mission: Impossible
"TOD-5"

Mimi has a rendezvous with Holt in his hotel room and starts to get romantic so she can stick him with a knockout drug, after which the IMFers inject him with something that will later cause nasty sores to develop on him. A tape of a news broadcast hidden in his room radio and a turned-back watch give Holt the impression that no time passed while he was out.

The "M:I" book really has nothing much more to say about this episode, other than it was a clever way to get Holt to think that nothing more had happened other than a brief blackout.
 
Linda, the daughter of Archie's brother who lives in Baltimore, is having dinner with the Bunkers between flights in her job as a stewardess.
I don't remember her at all. Too bad, because she would have made a good recurring character as Lionel's girlfriend.

a picture of Linda and Lionel that the latter dropped off...which is sitting on the table between Archie and Edith's chairs.
Might be a little baiting going on there. :rommie:

Archie: If God had intended white people to dance with c****** people...
We can't say c*****d? That's the acceptable sl*r now.

Lionel makes clear that he values his friendship with Archie, but won't tolerate his bigotry anymore.
That's kind of sweet. What did Archie say to that?

Linda informs Archie that her father isn't so strict about who she sees
Plus, she must be an adult if she's a stewardess.

Sam Jenks (Campbell)
Trelane, and a Klingon.

Dixie consults the parents, learning that they'd already lost a son in an auto accident and adopted Debbie afterward.
Damn.

Stan goes into Jenks's room with the intent of doing harm, and has a talk with Brackett instead.
An amazing show of restraint.

Brackett: That's the problem--they can't.
Now there's a Fridayesque quip.

When Roy tries to cool things down, Johnny accuses him of siding with a fellow Irishman.
Ah, yes, the DeSoto clan. Always a bunch of troublemakers they were.

(Seems like maybe the show is trying to emulate a certain timeslot rival, perhaps...?)
Yeah. I wonder if we'll be seeing anything more like this. I don't recall it being an especially topical show.

Back at the station, Chet has been reading an anthropological study of Native Americans and questions Johnny about why he left the reservation. Johnny expresses his disapproval of the academics who came around every summer to observe his people in their attempts to prove new theories, and cites the millions of dollars that the one who wrote the book spent on his research, arguing that it would have been better spent directly on his research subjects.
Johnny has a serious side.

The full-figured, bathrobe-clad woman reveals that the problem is her new girdle, which Johnny has to cut off from the side, causing it to snap off in his face.
The universe still doesn't take him seriously, though. :rommie:

Arriving first, the paramedics try to use a garden hose, and find that the water has something flammable in it.
I hope nobody was in the shower when the fire started.

Outside, a bystander tosses a match in a puddle of the tainted water and it goes up
"Hey, guys, I'll just check to see if this liquid is flammable."

by which point the engines have arrived to put it out with their hoses.
Can you do that with an oil fire?

The paramedics check a hydrant on a nearby street and find that the local water has fuel oil in it.
You'd think that would be visible.

At Brackett's instruction, the girl moves her fingers and toes...then she opens her eyes and addresses her mommy and daddy, to their joy.
Whew.

At the station, Chet is setting up his next joke, offering a treaty over a fire axe dressed in feathers
Just when Wells is acting like a grown up, Chet is ramping up his assholeishness.

Police arrive to apprehend the sniper.
Did he have a motive or did he just not like Mondays?

I was wincing when I saw what they were planning to do in this episode, but I thought they handled it pretty well, having Johnny be so aggressively informative on the subject.
Yeah, Chet was more of an irritant than a bigot and Johnny was angry but not self righteous. Well played.

for a seasoned news guy, he's slow on the uptake regarding the situation.
But ask him about the situation in the Middle East! :rommie:

Gordy suggests getting a poker game going after hours at the station to cheer Lou up, and Murray avoids the subject.
Just tell them, Murr. I'm sure both Lou and Gordy are aware.

Murray offers Ted a wager that involves canceling his debt if Ted blows a Japanese finance minister's name on the air.
Not only do we have another anticlimactic ending, but Murray gets out of his gambling debt by gambling. :rommie:

Dr. Victor Flory (Walston)
Uncle Martin! :adore:

(Susan Brown, whose character is colorfully billed as Alpha Woman)
I hope she wears a cape.

Then he returns to his own car in the garage to find Mechanic Willy working on a problem he noticed, with Sheriff Jim intervening on Willy's behalf.
So they're in Mayberry now, I take it?

Flory dismisses the idea of an outbreak because the TOD-5 is potent enough that everyone would already be dead.
Martian justice for that incident back in the 50s.

Davies, whose rifle fires a wild shot that wounds Mimi. (I think we have a rule for the M:I Season 7 Drinking Game.)
Yeah, definitely a bad year for them.

This was was definitely a very pre-Syndicate episode.
Indeed, it sounds much better. Kind of a missed opportunity, though. Alpha could have been their SPECTRE and Flory could have been their Loveless.

Spies, perhaps?
That's what I was thinking.

Did he drive a car out of a showroom window? Was this already a thing?
Yeah, but that was the only example I could think of, so I don't know if it was an actual thing.
 
Haven't done one of these in a while. This is The Move. The Move was the Electric Light Orchestra before it became the Electric Light Orchestra. It's interesting that Beat Club has performances of their first line-up with their first single and their last line-up with them performing the B-Side to their next to last single. With the addition of Jeff Lynne from The Idle Race, The Move transitioned over to the Electric Light Orchestra. The band performing "Down On The Bay" is ELO in all but name, but, due to contractual reasons, had to perform and release an album and a pair of singles before they could record and tour as ELO. The last Move album and the first Electric Light Orchestra album were recorded at the same time. The songs deemed "electric" went on The Move's last album "Message from the Country". The songs deemed "orchestral" went on ELO's debut album "Electric Light Orchestra".

"Night Of Fear" - The Move's debut single, written by Roy Wood, built around Pyotr Ilyich Tchaikovsky's 1812 Overture. Reached #2 on the British charts.

The Move - Night Of Fear (1967) - YouTube

"Down the Bay" - Written by Jeff Lynne. B-Side to the single "Chinatown". Reached #23 on the British charts.

The Move - Down on the Bay (1971) - YouTube
 
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Haven't done one of these in a while. This is The Move. The Move was the Electric Light Orchestra before it became the Electric Light Orchestra.
That's interesting. ELO was a great band in the mid 70s.

"Down the Bay" - Written by Jeff Lynne. B-Side to the single "Chinatown". Reached #23 on the British charts.
This is very familiar. I wonder if ELO ever included it on an album or covered it.
 
Might be a little baiting going on there. :rommie:
I think it just ended up there by circumstance.

We can't say c*****d? That's the acceptable sl*r now.
I'm pretty sure this has come up before.

That's kind of sweet. What did Archie say to that?
Without going back to check, I think he was speechless.

Plus, she must be an adult if she's a stewardess.
She was.

I hope nobody was in the shower when the fire started.
I think it started with a tossed cigar/cigarette in the toilet.

Can you do that with an oil fire?
Dunno. High-pressure hose, though.

You'd think that would be visible.
Maybe not. Could have been clear.

Did he have a motive or did he just not like Mondays?
We never found out.

Not only do we have another anticlimactic ending, but Murray gets out of his gambling debt by gambling. :rommie:
They did make him sweat it out, though.

I hope she wears a cape.
Maybe she was concealing one under that lab coat.

So they're in Mayberry now, I take it?
More or less.

Yeah, definitely a bad year for them.
Any gunshot wound you bounce back from in the coda is a good one.

Yeah, but that was the only example I could think of, so I don't know if it was an actual thing.
Any idea what model of car it was? I'm wondering if there was another AMC connection.
 
The historically interesting thing here is that this stunt will be repeated in no less than a Bond film, 1974's The Man with the Golden Gun. In that case, it's Bond driving a red AMC Hornet out through a showroom window to pursue Scaramanga.

What's with early 70's characters crashing cars out of a showroom window? Charlton Heston did the same in 1971's The Omega Man.
 
his is very familiar. I wonder if ELO ever included it on an album or covered it.

@RJDiogenes - Well, you're half right. ELO did cover a Move song, just not this one. You're thinking about the song "Do Ya", which was the B-Side to the Move's last single "California Man". In the United States, the single was flipped and "Do Ya" became the A-Side; giving the Move their only chart single at #98.

Here's the Move's version. (Working title "Look Out Baby, There's A Plane A Comin'")

The Move - Do Ya (2021 Remaster) - YouTube

Here's the Electric Light Orchestra's version.

Electric Light Orchestra - Do Ya (Audio) - YouTube

And the unedited previously unreleased alternate version.

Do Ya (Unedited Alternative Mix) - YouTube

The reason Jeff Lynne/ELO covered his old Move song was that he was informed that Todd Rundgren was performing it in concert with his band Utopia and people were mistaking it for a Todd song. Jeff said, "I'll show ya," and did his own version.
 
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I'm pretty sure this has come up before.
And probably will again in this era. :rommie:

Without going back to check, I think he was speechless.
That sounds like a really nice scene.

I think it started with a tossed cigar/cigarette in the toilet.
That could be even worse, depending on the position being tossed from. :rommie:

Maybe she was concealing one under that lab coat.
She probably just pretended the lab coat was a cape. "Look at me, I'm Reed Richards!"

Any idea what model of car it was? I'm wondering if there was another AMC connection.
As far as I can tell, it was a 1970 Ford Mustang convertible.

Well, you're half right. ELO did cover a Move song, just not this one. You're thinking about the song "Do Ya", which was the B-Side to the Move's last single "California Man".
Oh, yeah, that's a good one. Pretty much indistinguishable from the ELO sound.
 
50 Years Ago This Week

October 22
  • The Oakland Athletics defeat the Cincinnati Reds four games to three to capture Major League Baseball's World Series. It is the Athletics' first championship since 1930, when the franchise was in Philadelphia.
  • In Saigon, Henry Kissinger and South Vietnamese President Nguyễn Văn Thiệu met to discuss a proposed cease-fire in the Vietnam War, already discussed between Americans and North Vietnamese in Paris.
  • Stranded deep in the Andes on the border of Argentina and Chile without supplies, the remaining survivors of the crash of Uruguayan Air Force Flight 571 made the decision to eat the corpses of those who had already died.

October 23
  • The United States halted bombing of North Vietnam above the 20th parallel, bringing to a close Operation Linebacker after nearly six months.
  • The musical Pippin, with music and lyrics by Stephen Schwartz, directed by Bob Fosse, and based on a book by Roger O. Hirson, began its run at the Imperial Theatre on Broadway, and went on for 1,944 performances. The production was based on the life of Pepin the Hunchback (769–811), the son of Charlemagne.

October 24
  • Anwar Sadat, President of Egypt, convened a meeting of his armed forces leaders and announced plans to prepare for a limited war with Israel....The attack on Israeli positions in the Sinai Peninsula, known as the Yom Kippur War, would eventually take place on October 6, 1973.
  • Died: Jackie Robinson, 53, American baseball player who broke the color line in 1947, of a heart attack

October 25
  • In its continuing investigation of the Watergate scandal, the Washington Post reported that White House Chief of Staff H. R. Haldeman was the fifth person to control a secret cash fund designed to finance illegal political sabotage and espionage during the 1972 presidential election campaign.
  • The first female FBI agents are hired.

October 26
  • "We believe that peace is at hand", American presidential advisor Henry Kissinger announced to the world. Eleven days before the U.S. presidential election, Kissinger said that the United States and North Vietnam had come to a basic agreement on ending the long running Vietnam War. Privately, President Nixon was outraged at his advisor's unauthorized statement, which Nixon saw as an attempt to take exclusive credit as a peacemaker. Kissinger, on the other hand, noted that North Vietnam had published the text of the agreement and a response was necessary. As it turned out, peace was not quite at hand and a final agreement was not signed until early 1973.
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October 27
  • The Consumer Product Safety Act was signed into law in the United States.
  • Mariner 9 was switched off after having transmitted 7,329 images since its arrival into orbit (November 13, 1971) over the planet Mars.
  • Elton John's single "Crocodile Rock" was released, and would become his first No. 1 hit by February.

October 28
  • The Airbus A300 flies for the first time.


Selections from Billboard's Hot 100 for the week:
1. "My Ding-a-Ling," Chuck Berry
2. "Burning Love," Elvis Presley
3. "Nights in White Satin," The Moody Blues
4. "Use Me," Bill Withers
5. "I Can See Clearly Now," Johnny Nash
6. "Freddie's Dead (Theme from 'Superfly')," Curtis Mayfield
7. "Garden Party," Rick Nelson & The Stone Canyon Band
8. "Ben," Michael Jackson
9. "Everybody Plays the Fool," The Main Ingredient
10. "Good Time Charlie's Got the Blues," Danny O'Keefe
11. "Tight Rope," Leon Russell
12. "Listen to the Music," The Doobie Brothers
13. "Why" / "Lonely Boy", Donny Osmond
14. "I'll Be Around," The Spinners
15. "I'd Love You to Want Me," Lobo
16. "Witchy Woman," Eagles
17. "I Am Woman," Helen Reddy
18. "The City of New Orleans," Arlo Guthrie
19. "If I Could Reach You," The 5th Dimension
20. "Starting All Over Again," Mel & Tim
21. "Baby Don't Get Hooked on Me," Mac Davis

24. "Popcorn," Hot Butter
25. "Spaceman," Nilsson

27. "Midnight Rider," Joe Cocker & The Chris Stainton Band
28. "Summer Breeze," Seals & Crofts
29. "You Wear It Well," Rod Stewart

31. "Get on the Good Foot, Pt. 1," James Brown
32. "Elected," Alice Cooper
33. "Go All the Way," Raspberries

36. "If You Don't Know Me by Now," Harold Melvin & The Blue Notes
37. "Speak to the Sky," Rick Springfield
38. "Papa Was a Rollin' Stone," The Temptations
39. "From the Beginning," Emerson, Lake & Palmer
40. "Back Stabbers," The O'Jays
41. "All the Young Dudes," Mott the Hoople
42. "Ventura Highway," America

44. "Rock 'n Roll Soul," Grand Funk Railroad

46. "Operator (That's Not the Way It Feels)," Jim Croce

49. "Rockin' Pneumonia--Boogie Woogie Flu," Johnny Rivers
50. "It Never Rains in Southern California," Albert Hammond
51. "Funny Face," Donna Fargo

55. "Something's Wrong with Me," Austin Roberts

57. "Convention '72," The Delegates

59. "You Ought to Be with Me," Al Green

60. "I'm Stone in Love with You," The Stylistics

70. "Crazy Horses," The Osmonds

72. "Dialogue (Part I & II)," Chicago

86. "Clair," Gilbert O'Sullivan

88. "Corner of the Sky," Jackson 5

90. "Dancing in the Moonlight," King Harvest


Leaving the chart:
  • "Black & White," Three Dog Night (11 weeks)
  • "Play Me," Neil Diamond (11 weeks)
  • "Saturday in the Park," Chicago (12 weeks)


New on the chart:

"Dialogue (Part I & II)," Chicago
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(#24 US)

"Corner of the Sky," Jackson 5
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(#18 US; #9 R&B)

"Dancing in the Moonlight," King Harvest
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(#13 US; #22 AC)

"Clair," Gilbert O'Sullivan
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(#2 US; #1 AC; #1 UK)


And new on the boob tube:
  • M*A*S*H, "Yankee Doodle Doctor"
  • Rowan & Martin's Laugh-In, Season 6, episode 7
  • Hawaii Five-O, "Chain of Events"
  • Adam-12, "Badge Heavy"
  • The Brady Bunch, "Fright Night"
  • The Odd Couple, "The Odd Couples"
  • Love, American Style, "Love and the Happy Medium / Love and the Jinx / Love and the Little Black Book / Love and the Old Swingers"
  • All in the Family, "The Bunkers and the Swingers"
  • The Mary Tyler Moore Show, "Just Around the Corner"
  • The Bob Newhart Show, "Come Live with Me"
  • Mission: Impossible, "Underground"

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Timeline entries are quoted from the Wiki page for the month or year.

_______

You're thinking about the song "Do Ya", which was the B-Side to the Move's last single "California Man".
"Do Ya" entered the chart this week as well, FWIW.
 
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"Dialogue (Part I & II)," Chicago

Sort of rings a bell.

"Corner of the Sky," Jackson 5

Nope. Can't say I've heard of it.

"Dancing in the Moonlight," King Harvest

I know this from my Time Life "Sounds of the Seventies" collection.

"Clair," Gilbert O'Sullivan

Oddly enough, the one that reached #1 on the charts I don't think I've heard of either. I know of Gilbert O'Sullivan from "Alone Again, Naturally". He comes across as a mix of Paul McCartney and The Bee Gees.
 
"Dialogue (Part I & II)," Chicago
I do remember this, but it never got a lot of play. It does have that early Chicago sound.

"Corner of the Sky," Jackson 5
No memory of this at all.

"Dancing in the Moonlight," King Harvest
This is a goodie.

"Clair," Gilbert O'Sullivan
Cute. :rommie:

I know this from my Time Life "Sounds of the Seventies" collection.
This must be one of those regional things. It used to get frequent airplay on the Oldies stations in this neck of the woods, and I still hear it sometimes.

Oddly enough, the one that reached #1 on the charts I don't think I've heard of either.
This also used to pop up from time to time, but I haven't heard it in ages.
 
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50th Anniversary Viewing (Part 1)

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M*A*S*H
"The Moose"
Originally aired October 15, 1972
Wiki said:
Hawkeye and Trapper plot to free a Korean girl from serving a GI.

Sergeant Baker (Paul Jenkins) arrives at the camp accompanied by an eager-to-please servant, Young Hi (Virginia Lee). Hawkeye expresses his disapproval of Baker's use of a muted-out epithet to describe Koreans, and is appalled to learn from Radar that the girl, who's referred to as a "moose," was sold into servitude by her family. Hawkeye goes to Blake, who informs Hawkeye that Baker's colonel has a moose of his own, so Hawkeye tries to pull rank on Baker himself, getting into full uniform for the occasion, but the sergeant doesn't recognize Hawkeye's authority over him in the chain of command. Hawkeye switches to trying to buy Young Hi out of service, but Baker isn't interested. Finally, the guys resort to a poker game, with Radar watching Baker's hand from another tent through a telescope and reporting to Hawkeye via an earpiece (and temporarily distracted by a nurse going to the shower). Hawkeye takes in an IOU of over $1,000 from Baker and offers to exchange it for Young Hi, which the sergeant accepts. But when Hawkeye tries to explain to Young Hi that she's now free, she's just eager to serve him the same way she did Baker.

Trapper and Jones don't recognize the tent after Young Hi tidies the place up, and rib Hawkeye about the situation (Burns being on leave in Tokyo / not in the episode). Hawkeye tries putting her on a truck to Seoul, but she just comes back, so he sends Ho-Jon to the city to find a member of her family to return her to. In the meantime, the guys try to teach Young Hi to be more assertive and interact with others as equals. Young Hi's streetwise, tough-talking little brother Benny (Craig Jue) arrives for her, thinking the guys are crazy to give her up, and they're disheartened to learn that he just plans to sell her again. But after they leave, Young Hi comes back, informing the guys that she told her brother to shove off.

In the coda, the guys receive a letter from Young Hi, who's learning to be a nurse at a convent school.

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Rowan & Martin's Laugh-In
Season 6, episode 6
Originally aired October 16, 1972
The Wiki list of guest appearances said:
Jack Benny, James Farentino, Michele Lee, Peter Marshall, Hugh O'Brian, Charles Nelson Reilly, Frank Welker, Sue Cameron

Here's another one that's in a different order on ShoutFactory (episode 7). They also list W. C. Fields as a guest when Richard Dawson appears as him in a brief sketch...

Brian Bressler appears briefly onstage as Diogenes.

Edith Ann names her favorite movie star.

Charles Nelson Reilly as a lion tamer
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Laugh-In gets ahead of the Bicentennial thing and Salutes the American Revolution:
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Bill who? The News of the Future puts its money on Conrad Hilton in '92:
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Frank Welker does Bill Cosby:
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A bad audition.

Strip poker...?
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_______

Hawaii Five-O
"Fools Die Twice"
Originally aired October 17, 1972
Wiki said:
An Army officer devises a bizarre scheme to kidnap a top government scientist and collect a ransom of one million dollars in diamonds.

Jack Gulley (Clu Gulager) kicks out his ladyfriend, Lana Trotter (Anita Alberts), to discuss plans for a payroll heist at the Army base where he works in computer maintenance. His conspirators are Kira Johnson (Michael Conrad), Johnny Arnett (Sam Edwards), and Mac Mozu (John Farias). Afterward, Gulley talks to a Russian to arrange a pickup via ship. Gulley also tips off McGarrett to the heist via a series of calls, as that part of the scheme is only a diversion. While Five-O and some soldiers are engaged in a firefight with the robbers, Gulley nabs Dr. Frank Clapton (Albert Harris), the high-security-clearance chief of computer programming, and smuggles him out in the back of a station wagon. Johnson and his men try to use the payroll guards as hostages to get out via the delivery copter, but the pilot starts the rotors as the thieves are approaching, giving Danno an opening to take out Johnson with a rifle.

Another Hawaiian Brackett (Ted Nobriga) manages to pull Johnson through despite multiple perforations. Meanwhile, Gulley rants to his prisoner about how he was relegated to a desk job for being too gung ho an officer in combat. Gulley then makes a ransom call to McGarrett, asking for the Evil sum of one...million...dollars--in diamonds. To discuss his operational leeway, Steve calls Jonathan Kaye, who's apparently not out of the series, but has been recast with Bill Edwards and is only seen here as a shadowy profile. Johnson comes to and McGarrett--having put him away twice in the past--visits his oxygen tent-side to goad him into talking by going into detail about how he was set up. Johnson remains clammy, apparently intending to get revenge on his own terms, rising from the tent after McGarrett leaves.

While Chin questions Gulley about his whereabouts at the time of the kidnapping, Johnson stumbles through the streets like a barefoot zombie, and Ben gets to play with the Lucite Map of Honolulu. Johnson busts into what's actually Lana's place demanding to know where Jack is before collapsing dead...for real this time.

Johnson's inhuman perseverance serves the purpose of putting Five-O onto Gulley via Lana. Steve makes this known when he gets his morning ransom exchange call. The arrangements involve loading the diamonds on a German shepherd within whistle distance of where Johnson is hiding. But Danno found the time between shootings to isolate the sounds of a sea bird and a heavy-duty pump from a tape of one of the calls, and narrowed down a couple of possible locations. Thus Steve manages to get aboard Johnson's boat and free Clapton from under his nose during a call to the Russian, following which the rest of Five-O and the police swarm in.

This week's notable line...

McGarrett: We're cops, we're not built to stand still.​

Even when donuts are involved?

_______

The Brady Bunch
"Cyrano de Brady"
Originally aired October 20, 1972
Wiki said:
Peter is smitten when Jan brings home her pretty classmate Kerry Hathaway (Kym Karath). Peter is shy with Kerry, so he enlists Greg to help with what to say to Kerry. Kerry mistakenly concludes that Greg is the one interested in her, which causes friction between Greg and Peter. To make it up to Peter, Greg enlists Marcia's help in a play-act to convince Kerry that he is an aggressive, womanizing playboy so she will lose interest in him. Peter arrives home and, unaware of the plan, tells Kerry that "Debbie" (Marcia) is their sister, and that it was an act. Peter's honesty wins Kerry's love.

Greg's working on a car when Jan introduces him to new neighbor and classmate Kerry. Jan takes Kerry inside and introduces her to most of the rest of the family, and Peter is smitten--"Pleased to meet me." Peter asks Jan about asking Kerry out, and she and Marcia encourage him, but he becomes discouraged upon calling Kerry when she remembers her other brothers but not him (referring to Greg as "groovy-looking"). Peter dresses up for school and uses some of Mike's aftershave to approach Kerry in person, but he makes a farcical mess of things when he drops her books and ends up wiping her face in mud. Drawing on a teenage romance of his own, Mike advises Peter to write a letter, and Alice dictates him a poetic one, but Jan informs him afterward that he forgot to sign his name. Then Peter comes up with the idea of doing Cyrano in reverse, standing outside Kerry's window while Greg feeds him romantic lines from the bushes. But when Kerry comes outside because of Peter's strange behavior, she finds Greg and assumes it's a straight-up Cyranario, with Greg being the one too shy to talk to her.

Kerry falls head over heels for Greg, and won't listen when he tries to explain the situation; while Peter accuses Greg of having hijacked his girl. Greg comes up with the idea of having Jan tell Kerry what a rotten two-timer he really is and how great Peter is, but this doesn't do the trick, so Greg decides to demonstrate...getting the idea to use Marcia as the other woman a little too fast when he learns that Kerry hasn't met her. Greg has Kerry over for a date in which he lays down the rule that he can see whoever he wants, then Marcia shows up at the door as "Debbie," wearing a dark wig and big '70s Elton shades just to be safe. Debbie begs Greg to take her back and he treats her like dirt, but Kerry just stands up for Debbie...all while Alice watches from the darkened kitchen in her robe and curlers, to be joined by the parents returning home via the back door. Then Peter, who's not in on the plan, comes home from the library via the front door and outs Marcia. When he gets wind of what's going on, he tells off Greg for playing such a rotten trick on Kerry, describing how he'd treat a girl like her...and it becomes evident that he's finally found the right way of getting through to her, with Kerry asking him to walk her home.

In the coda, Cindy has Bobby feed her lines from below the counter to convince Carol to give them donuts.

_______

Love, American Style
"Love and the Confession / Love and the Disappearing Box / Love and the Hip Arrangement / Love and the Old Flames"
Originally aired October 20, 1972

"Love and the Confession" opens with Norman (Robert Webber) and Blanche (Madeleine Sherwood) having just returned home after their cruise ship sank during a typhoon, and for some reason Blanche pests Norman for the name of a woman he had an affair with years earlier. He makes up a name--Lolita Tolstoy--to placate her. Then she finds one in the phone book and calls the woman (Char Fontane) to inform her that she knows about what was going on between her and her husband. Lolita then calls the man she's actually having an affair with, Jim Saunders, to let him know that his wife's onto them. When Norman finds out what Blanche did, he confesses to having falsely confessed.

Jim (James Callahan) confronts his wife, Kathy (Yvonne Craig), who initially thinks he's talking about the affair she's having, but soon finds out about Lolita, which she doesn't take well. She calls her boyfriend, Lawrence, from her brass-bedside phone to tell him that they don't have to sneak around anymore, but gets Lawrence's wife instead. Meanwhile, Norman decides to go to Lolita Tolstoy to prove to Blanche that they don't know each other. Jim goes to Lolita first to try to straighten out why she thought his wife knew. Norman arrives and explains the situation.

Kathy is trying to explain things to Lawrence's wife on the phone when Norman arrives at her window with the intent of explaining the situation to her, and it turns out they know each other...because Kathy's the woman he actually had an affair with. They end up getting in a spat and he leaves. Norman returns to Lolita's while Jim is explaining things to Blanche, and Norman and Lolita start to hit it off...even as Jim and Blanche start to take to one another.

This one reminded me of what I vaguely recall about that wedding cake installment in a previous season.

In "Love and the Disappearing Box," Sadie (Jane Connell) has herself let into the hotel room of her husband, Delmo the Magnificent (John Myhers), who has a history of fooling around with his assistants, and hides in his new disappearing box. Delmo returns with his new assistant, a former topless waitress named Bunny (Pamela Rodgers), and starts trying to make moves on her, but is chastised by the voice of his wife. Delmo tries to hide Bunny in the box, followed by the sounds of a confrontation between the two women. Delmo, uncertain how the box works, changes places with Bunny, and while the married couple get into an altercation, Bunny calls the bellhop (Danny Wells), who's a fan of her part of the act. The two of them start to hit it off over a mutual love of the accordion, and the bellhop goes into the box, trading places with Delmo and coming out after having been bitten by Sadie. Delmo goes back in to retrieve his wife from the box, but the person he brings out wrapped in Bunny's cape turns out to be a worker for the Fujikawa Toy Company (Jerry Fujikawa), where the box was made. Bunny goes off with the bellhop, and Delmo calls the magic shop that he bought the box from to return it, on the basis that it has a defect in it.

"Love and the Old Flames" has Flora (Estelle Winwood), a former magician's assistant and dancer now in an old folks' home, striking up a conversation with Reggie (Paul Ford), a former magician in a wheelchair with a bandaged foot. They compare notes about how one of his wives was a dancer in the same act 50 years before, and it turns out it was her. They get reacquainted, then start to argue about old times, and she reveals that she had a son by him, Roger, who's now a 50-year-old insurance salesman, resulting in two adult grandchildren. The segment ends with her trying to rekindle the flame, but him apparently regretting the time lost from the family he never knew.

_______

Sort of rings a bell.
I do remember this, but it never got a lot of play. It does have that early Chicago sound.
Definitely not one of their oldies radio classics.

DarrenTR1970 said:
Nope. Can't say I've heard of it.
RJDiogenes said:
No memory of this at all.
I read that this was a song from Pippin, which is the only reason I included the blurb about it.

DarrenTR1970 said:
I know this from my Time Life "Sounds of the Seventies" collection.
RJDiogenes said:
This must be one of those regional things. It used to get frequent airplay on the Oldies stations in this neck of the woods, and I still hear it sometimes.
It was an oldies radio classic in my neck as well. A seasonal entry that's in my Halloween playlist.

DarrenTR1970 said:
Oddly enough, the one that reached #1 on the charts I don't think I've heard of either.
RJDiogenes said:
I want to give this song some benefit of the doubt that it's not about what it sounds like it's about, but the lyrics make it hard to deny.
 
Hawkeye goes to Blake, who informs Hawkeye that Baker's colonel has a moose of his own
You'd think there'd be regulations about this sort of thing.

Hawkeye tries to pull rank on Baker himself, getting into full uniform for the occasion
That must have been a sight. :rommie:

Finally, the guys resort to a poker game, with Radar watching Baker's hand from another tent through a telescope and reporting to Hawkeye via an earpiece
Why don't they just call General Barker, like Ferret Face and Hot Lips always do?

But when Hawkeye tries to explain to Young Hi that she's now free, she's just eager to serve him the same way she did Baker.
She also refers to him affectionately as "Gilligan."

Trapper and Jones don't recognize the tent after Young Hi tidies the place up
"She's tidied up and I can't find anything!"

In the coda, the guys receive a letter from Young Hi, who's learning to be a nurse at a convent school.
During the course of the series, she graduated nursing school, enjoyed a rewarding career, and retired comfortably.

Brian Bressler appears briefly onstage as Diogenes.
No clip?!? :(

Laugh-In gets ahead of the Bicentennial thing and Salutes the American Revolution:
Dick knows as much about the Revolution as the current generation does-- same with the writers, who mixed up the Revolution and the War of 1812. :rommie:

"Fools Die Twice"
Kinda Bondish.

and smuggles him out in the back of a station wagon.
How humiliating.

Another Hawaiian Brackett
They should have a regular Hawaiian Brackett in the cast.

Gulley rants to his prisoner about how he was relegated to a desk job for being too gung ho an officer in combat.
Something tells me this is not an accurate account. :rommie:

Steve calls Jonathan Kaye, who's apparently not out of the series, but has been recast with Bill Edwards and is only seen here as a shadowy profile.
He's still recovering from his plastic surgery.

Johnson stumbles through the streets like a barefoot zombie
Because not only does the hospital have a uniquely unobservant staff, but they have no security, and conventional law enforcement has failed to put a guard at the door of a guy who was captured during the commission of a felony and whose compatriots are still at large.

Johnson's inhuman perseverance serves the purpose of putting Five-O onto Gulley via Lana.
Which, admittedly, is kind of cool. :rommie:

The arrangements involve loading the diamonds on a German shepherd within whistle distance of where Johnson is hiding.
This is an interesting plan.

Even when donuts are involved?
Or a stake out? Or being pinned down in a crossfire? Or spending the night in your regeneration booth?

Peter dresses up for school and uses some of Mike's aftershave to approach Kerry in person, but he makes a farcical mess of things when he drops her books and ends up wiping her face in mud.
I'm a firm believer in making a bad first impression. You have to live up to a good first impression, but after a bad first impression you seem not so bad in comparison to yourself.

it's a straight-up Cyranario
Wow. Is that your line or theirs? :rommie:

and it becomes evident that he's finally found the right way of getting through to her
See? Pretty good compared to mud in the face.

with Kerry asking him to walk her home.
Never to be seen again.

Kathy (Yvonne Craig)
She's somebody, but who?

Norman arrives at her window with the intent of explaining the situation to her
People love to use windows on this show. :rommie:

Norman returns to Lolita's while Jim is explaining things to Blanche, and Norman and Lolita start to hit it off...even as Jim and Blanche start to take to one another.
Madness. This is why we love LAS. :rommie:

the person he brings out wrapped in Bunny's cape turns out to be a worker for the Fujikawa Toy Company (Jerry Fujikawa), where the box was made.
That's hilarious. More classic LAS madness. :rommie:

The segment ends with her trying to rekindle the flame, but him apparently regretting the time lost from the family he never knew.
Well, that's unusually poignant. Overall, this was a really good episode.

It was an oldies radio classic in my neck as well. A seasonal entry that's in my Halloween playlist.
Interesting. To me, it's a Summery song.

I want to give this song some benefit of the doubt that it's not about what it sounds like it's about, but the lyrics make it hard to deny.
For shame! That would never even have occurred to anybody back then. :rommie: There was another, similar song back in the 70s, but I'm having a hard time dredging it up. Maybe I'll remember it by tomorrow.

Edit: It didn't take so long after all. The song is called "Save All Your Kisses For Me."
 
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