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The Classic/Retro Pop Culture Thread

50 Years Ago This Week

Wiki said:
September 6 – Dawson's Field hijackings, The Popular Front for the Liberation of Palestine hijacks four passenger aircraft from Pan Am, TWA and Swissair on flights to New York from Brussels, Frankfurt and Zürich.
September 7
  • An anti-war rally is held at Valley Forge, Pennsylvania, attended by John Kerry, Jane Fonda and Donald Sutherland.
  • Fighting breaks out between Arab guerillas and government forces in Amman, Jordan.
September 8 – 10 – The Jordanian government and Palestinian guerillas make repeated unsuccessful truces.
September 9
  • Guinea recognizes the German Democratic Republic.
  • Elvis Presley begins his first concert tour since 1958 in Phoenix, Arizona, at the Veterans Memorial Coliseum.
September 10
  • Cambodian government forces break the siege of Kompong Tho after three months.
  • The Chevrolet Vega is introduced.
September 11 – The Ford Pinto is introduced.



Selections from Billboard's Hot 100 for the week:
1. "War," Edwin Starr
2. "Ain't No Mountain High Enough," Diana Ross
3. "In the Summertime," Mungo Jerry
4. "25 or 6 to 4," Chicago
5. "Lookin' Out My Back Door" / "Long as I Can See the Light", Creedence Clearwater Revival
6. "Patches," Clarence Carter
7. "Julie, Do Ya Love Me," Bobby Sherman
8. "(They Long to Be) Close to You," Carpenters
9. "Make It with You," Bread
10. "Spill the Wine," Eric Burdon & War
11. "Candida," Dawn
12. "Don't Play That Song," Aretha Franklin w/ The Dixie Flyers
13. "Signed, Sealed, Delivered I'm Yours," Stevie Wonder
14. "Snowbird," Anne Murray
15. "I (Who Have Nothing)," Tom Jones
16. "(I Know) I'm Losing You," Rare Earth
17. "Hand Me Down World," The Guess Who
18. "Rubber Duckie," Ernie (Jim Henson)
19. "Hi-De-Ho," Blood, Sweat & Tears
20. "Groovy Situation," Gene Chandler
21. "Solitary Man," Neil Diamond
22. "Cracklin' Rosie," Neil Diamond
23. "(If You Let Me Make Love to You Then) Why Can't I Touch You?," Ronnie Dyson
24. "I Just Can't Help Believing," B. J. Thomas
25. "It's a Shame," The Spinners
26. "All Right Now," Free
27. "Everybody's Got the Right to Love," The Supremes
28. "Overture from Tommy (A Rock Opera)," The Assembled Multitude
29. "Neanderthal Man," Hotlegs
30. "Joanne," Michael Nesmith & The First National Band
31. "Long Long Time," Linda Ronstadt
32. "Get Up (I Feel Like Being Like a) Sex Machine (Part 1)," James Brown
33. "Closer to Home (I'm Your Captain)," Grand Funk Railroad

35. "Out in the Country," Three Dog Night
36. "Tell It All Brother," Kenny Rogers & The First Edition

39. "Express Yourself," Charles Wright & The Watts 103rd Street Rhythm Band
40. "Lola," The Kinks

43. "That's Where I Went Wrong," The Poppy Family feat. Susan Jacks

45. "Indiana Wants Me," R. Dean Taylor
46. "Green-Eyed Lady," Sugarloaf

49. "Still Water (Love)," Four Tops

52. "Look What They've Done to My Song, Ma," The New Seekers feat. Eve Graham

54. "El Condor Pasa (If I Could)," Simon & Garfunkel

57. "It's Only Make Believe," Glen Campbell

60. "Riki Tiki Tavi," Donovan

65. "Yellow River," Christie
66. "Stand by Your Man," Candi Staton

71. "Uncle John's Band," The Grateful Dead

73. "Funk #49," James Gang

75. "Somebody's Been Sleeping," 100 Proof (Aged in Soul)

77. "Gypsy Woman," Brian Hyland

82. "For the Good Times," Ray Price
83. "Fire and Rain," James Taylor
84. "We've Only Just Begun," Carpenters

88. "Montego Bay," Bobby Bloom


91. "Monster Mash," Bobby "Boris" Pickett & The Crypt-Kickers
92. "Deeper & Deeper," Freda Payne

96. "Border Song," Elton John

99. "Alone Again Or," Love


Leaving the chart:
  • "Band of Gold," Freda Payne (20 weeks)
  • "Big Yellow Taxi," The Neighborhood (11 weeks)
  • "Lay a Little Lovin' on Me," Robin McNamara (15 weeks)
  • "The Sly, Slick, and the Wicked," The Lost Generation (14 weeks)
  • "Summertime Blues," The Who (9 weeks)
  • "Tighter, Tighter," Alive and Kicking (14 weeks)

Re-entering the chart:
  • "Border Song," Elton John

New on the chart:

"Alone Again Or," Love
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(Originally bubbled under at #123, May 4, 1968; #99 US; #436 on Rolling Stone's 500 Greatest Songs of All Time)

"Deeper & Deeper," Freda Payne
(#24 US; #9 R&B)

"El Condor Pasa (If I Could)," Simon & Garfunkel
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(#18 US; #6 AC)

"Montego Bay," Bobby Bloom
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(#8 US; #18 AC; #3 UK)

"Fire and Rain," James Taylor
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(#3 US; #7 AC; #42 UK; #227 on Rolling Stone's 500 Greatest Songs of All Time)

"We've Only Just Begun," Carpenters
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(#2 US; #1 AC; #28 UK; #405 on Rolling Stone's 500 Greatest Songs of All Time)

_______

Unfortunately a very maligned act--and over time, I've found that mistreatment usually by those with a bug up their butts about any music that was not about a guitar and an "edgy" attitude (as if all of rock/pop, etc. was all about that)..
And yet one of their albums and songs made it onto the respective Rolling Stone lists.

A nice folk song.
I dug a little deeper chart-wise to have some examples of Baez songs in the playlists, as she's one of those major names that tends to come up in accounts of Dylan and the Beatles, but didn't see a lot of singles chart success in the day.

It sounds good, but I think she's trying to be Ronnie Spector.
I assume you mean lyrically, as the production isn't particularly Spectoresque to my ear.

Also very familiar.
An enjoyable bit of oldies radio classic pop, though not particularly noteworthy in its contribution to the musical progress of the era.

This is a good one that I haven't heard in a while.
A striking use of classical music in a classic pop song.

Interesting. I had no idea.
When I first read of that in relation to the song, it vaguely rang a bell with me...I think I may have seen the commercial in one of those '70s/early '80s TV shows where they'd just show old commercials.

So he was implying that Chin Ho was keeping the money and Five-Oh wasn't in on it-- which would seem to work against their goal of getting to McGarrett. I wonder what made them choose Chin Ho, other than it being time for a Chin Ho focus episode.
Bottom line was that the accusation of Chin being on the take got the investigation rolling. The money itself was planted evidence. How the scheme was meant to get around to McGarrett being indicted wasn't revealed, but it all cast a bad light on Five-O. Calhao was trying to use bad press and political pressure to tear them down. If there are holes in the scheme, I think we're supposed to be too distracted by the 'stache to notice...
H528.jpg

Ah, yes, that makes sense now.
Thing I realized about that scene is that, IIRC, it doesn't really serve much of a purpose in moving the plot forward. I think they put it in there because they had to have a scene of the mother and son together to sell just how bad it was between them, which was the major motivating factor behind his issues.
 
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"Somebody's Been Sleeping," 100 Proof (Aged in Soul)
I didn’t know this song was quite as old as it was when we used to party to it when I was in college.

“Fee-fi-fo-fum, I can feel the presence of someone...” Now THATS poetry. :lol:
"Gypsy Woman," Brian Hyland
Decent reading of an all time great song, but as “whitewashed” (compared to the Impressions’ original), as it gets.
To open the second side, the Carpenters cover a song that was previously covered by the Beatles--and originally a Top 10 hit for the Shirelles in 1961-62--Bachara
Unfortunately a very maligned act--and over time, I've found that mistreatment usually by those with a bug up their butts about any music that was not about a guitar and an "edgy" attitude (as if all of rock/pop, etc. was all about that)..
I think The Carpenters were placed in the wrong genre of music back in the day. They were an MOR, easy listening, pop group. But I also thought they were one of the blandest of acts n the rock era.

Even those great Bacharach/David songs were rendered unlistenable for me after a few go rounds with the Carpenters. Karen had a beautiful voice, sure, but it never did anything that wasn’t totally expected. Boring..

BTW, that is a horrific arrangement of Baby It’s You.
Make Me Your Baby," Barbara Lewis
Gotta be in the top five of my all time fav r&b love ballads.
Fire and Rain," James Taylor
I was pretty much mesmerized by this song when I first heard it. Loved the tone of the song, lyrics, melody, James’ masterful playing, didn’t have a clue what it was about. Still don’t, but still love it.
 
"Alone Again Or," Love
I can't decide if I've heard this before or not, but it's pretty good.

This is okay.

"El Condor Pasa (If I Could)," Simon & Garfunkel
Wonderful, of course. That guitar intro is pure bliss and a time travel ride to the Summer of 71.

"Montego Bay," Bobby Bloom
This is a very good Oldie.

"Fire and Rain," James Taylor
Not saying it's bad, but this is not the one James Taylor song I like. :rommie:

"We've Only Just Begun," Carpenters
Meh. These guys will never go anywhere.

I dug a little deeper chart-wise to have some examples of Baez songs in the playlists, as she's one of those major names that tends to come up in accounts of Dylan and the Beatles, but didn't see a lot of singles chart success in the day.
Which is kind of mind boggling.

I assume you mean lyrically, as the production isn't particularly Spectoresque to my ear.
Actually both, but don't ask me to explain how music sounds to me. I think it has something to do with the tambourine percussion.

When I first read of that in relation to the song, it vaguely rang a bell with me...I think I may have seen the commercial in one of those '70s/early '80s TV shows where they'd just show old commercials.
I'm surprised that I didn't know about it.

If there are holes in the scheme, I think we're supposed to be too distracted by the 'stache to notice...
Good grief, I don't even recognize him. :rommie:

Thing I realized about that scene is that, IIRC, it doesn't really serve much of a purpose in moving the plot forward. I think they put it in there because they had to have a scene of the mother and son together to sell just how bad it was between them, which was the major motivating factor behind his issues.
Which is fine. It establishes both characterization and backstory, and pretty elegantly too.
 
_______

50th Anniversary Catch-Up Viewing

_______

Hawaii Five-O
"Most Likely to Murder"
Originally aired February 11, 1970
Wiki said:
A cop's wife has been murdered. When the widowed officer (Tom Skerritt) seeks revenge, Danno, his longtime friend, tries to stop him.


The murder victim is Marjorie Morgan, who's found in her home. Danny grew up with her and her husband, Lew (Skerritt), a uniformed cop. He's desperate to help Five-O with the investigation, but Steve won't have it. As previewed, Danny takes Lew back to his place for a drink, and finds that losing Marjorie feeds into Lew's preexisting lack-of-accomplishment issues. Meanwhile, back at Lew's house, Chin and Kono catch a Lonnie Kahekili (Lanikai) entering with a key, and he reluctantly explains that he'd been having an affair with Marjorie. What's more, he claims that she has a newer beau, whom he hasn't met.

Prints turn up a likely suspect--Gary Oliver (Sam Melville), who has a fairly lengthy record for various crimes. Steve and Dan pay him a visit, but he jumps out a second-floor window. They do catch a girlfriend who was with him, Annette Barnes (Jennifer Billingsley). They then have to break the news about Marjorie's affair to Lew before he finds out on TV. It comes out in the car with Danno afterward that Steve still considers Lew a suspect, because McGarrett found a possible hole in his alibi of having been on patrol at the time of the murder.

A Gloria Warren (Linda Ryan) comes into the office, offering to help them catch Oliver to get even for beating on her. She tips them off that he's also seeing a society lady named Mrs. Hadwell. Meanwhile, Lew starts doing the expected taking-the-investigation-into-his-own-hands thing, paying a call on Annette Barnes, roughing her up for info that she doesn't have, and leaving a threatening message for Oliver. Still another woman comes into the office regarding Oliver, a youthfully flakey Mrs. Shivley (Alice Lemon), but she doesn't have any useful info...she mainly seems to be there for a comic relief beat.

Danno goes to confront Lew about roughing up Barnes and it doesn't end well. Meanwhile, Oliver calls on Warren for help, offering his by-now-notorious sweet lovin' as compensation...on her brass bed. Later, when she's gone, Lew busts in with gun in hand, telling Oliver that he's the reason that Marjorie is dead. When Oliver protests that he didn't do it, Lew responds, "I didn't say you did"...then shoots Oliver twice. Lew calls McGarrett, who isn't a happy camper, believing that Morgan's behavior reflects badly on every cop on the island. Lew tells a different story of how things went down with Oliver, but the until-then-elusive Mrs. Hadwell (Jane Adrian) arrives at 5OHQ, belatedly providing Oliver with an alibi on the night of the murder. McGarrett plays her testimony to Morgan, who admits to having killed his wife as well as Oliver, repeatedly offering that they deserved it.

Here's a case of H5O giving us a clue to whodunnit in the episode title, as Lew, Marjorie, and Danno knew each other in school. Chin smokes a pipe in this one...don't think I've noticed that before.

_______

Dragnet 1970
"A.I.D. – The Weekend"
Originally aired February 12, 1970
Xfinity said:
Friday and Gannon find their weekend of rest and recreation plagued by interruptions.
Seems like they've gone to this well twice already.
Sgt. Joe Friday said:
This is the city: Los Angeles, California. I work here. I carry a badge.

Friday, September 12 (1969): Friday and Gannon have been working the day watch out of Accident Investigation Division, Follow-Up section.
Sgt. Joe Friday said:
Bill's wife had gone out of town to visit relatives in San Diego. He didn't wanna spend the weekend alone. I drew the lucky ticket.
Some friend! The episode opens with the two of them carrying groceries into Bill's house, and Joe learns that Bill's rewired his doorbell to turn on the porch light. Apparently Friday got the invitation to come over during the same work day, as Joe objects that he hasn't brought anything to stay for the weekend. Gannon points out how he got rid of his wallpaper, playing on the earlier Gannon home episode, in which he made a big deal about his new wallpaper. A neighbor called Rhoda Bass (Rhoda Williams) comes by for oregano and complains about a door-to-door saleswoman. She also mentions that her husband, Robert, is coming over later, and asks if they can keep him for the weekend.

Bill has Robert (Jack Sheldon) and another neighbor named Dan Patrick (Herb Ellis) over for the evening to play Pinochle. Nobody wants to try the peanut butter, cream cheese, and pumpernickel bread sandwich that Bill makes. Robert tries to describe his job as a systems analyst. Dan, who's in insurance, gets a call that his wife's having car trouble and has to leave; then Robert gets a call and has to go back because Rhoda's having so much trouble with the kids that she's locked herself in the bedroom. Bill and Joe decide to play Gin Rummy, but don't have the cards for it. (Gannon didn't have a regular deck of cards in the house?)

Break to the next afternoon, when Bill's slept through the entire ball game they were supposed to be watching, and has to thaw a duck that he planned to make for dinner at the last minute. Also, Bill's never cooked glazed duck before, and tries to improvise. Just as they're sitting down, they get a knock at the door. It's Betsy Nichols (Judy McConnell), the door-to-door saleswoman, who was referred to Gannon by Mrs. Bass. Betsy goes into a spiel about needing to sell magazines for a nursing school scholarship. Without knowing she was coming or having prepared, Bill and Joe act as a well-oiled machine...Bill orders $54 worth of magazines so that money will change hands, while Friday makes an excuse to go to a bedroom, where he uses the phone to check into her...finding that the nursing school in question doesn't exist, and that Bunco has reports of someone operating using this M.O. Once they get their receipt and have her dead to rights by the book, Friday pulls his badge and Gannon declares that she's under arrest for violation of 17-500 of the Business and Professions Code.

Betsy: You mean I just sold to the heat?...I sure had you two figured wrong....I had you down as the Odd Couple.​

Heh--I was thinking when Joe and Bill answered the door, the latter wearing an apron, that at first glance she might have thought they were...you know. Anyway, some Bunco officers come to take her downtown, and Bill and Joe sit down to dinner. Bill has trouble carving the duck and it turns out to be very overdone inside. Joe suggests going out for a steak dinner, but all of their money is now downtown serving as Bunco evidence. Bill decides to make duck hash.

The Announcer said:
On November 20th, trial was held in Department 41, Municipal Court for the County of Los Angeles....The suspect was found guilty of giving false and misleading information in order to sell her magazines, a misdemeanor. Violation of 17-500 of the Business and Professions Code is punishable by a fine of not more than $500, or six months in the county jail, or both.
The mugshot said:
BETSY NICHOLS
Fined five hundred dollars and placed on one year's summary probation.

_______

Love, American Style
"Love and the Coed Dorm / Love and the Optimist / Love and the Teacher"
Originally aired February 13, 1970

This was the nineteenth episode aired; the YouTube video is numbered 21.


In "Love and the Coed Dorm," Stanley Stein (Don Grady) is moving into his dorm room while talking with his pal Ira Cook (Johnnie Collins III) about the coed arrangements. Then Stan's roomie, Pat Stark, arrives...and he turns out to be a Karen Valentine! Stan and Pat assume that this sort of thing must have been intended, and much awkwardness over the situation ensues...exacerbated by Stan's mother obsessively calling him because of her own concerns about the coed dorm, and with Pat answering the phone one time! But as they're turning in for the night, somebody else shows up at the door--Pete Stark (Hank Jones), Stan's actual roommate! Stan and Pat are embarrassed to realize that her being brought to Stan's room must have been an error with the computer punch card--sound familiar? Not wanting to send Pat out to find her actual room at such a late hour, Stan volunteers that he and Pete will sleep in the lobby that night.

The bunk beds in the dorm are not brass.


"Love and the Optimist" opens with movers repossessing the belongings of unsuccessful inventor Arnold Dickerson (Hal Buckley). While he's meeting all of this with a positive attitude that his day will come, Arnold gets a call from a woman named Maggie (Jo Anne Worley), who thought she was dialing the suicide hotline. Just as Arnold's trying to convince her how much she has to live for, his phone is disconnected, but he manages to get her address first.

Back at Maggie's apartment, she vacillates between preparing her suicide note and noose, and reading every gesture of potential reconciliation on the part of her neurotic boyfriend, Lyle (Dave Ketchum), as a reason to go on living. Arnold shows up to continue their conversation, but she shoos him away because Lyle called. Lyle finds Arnold's jacket, assumes Maggie is seeing another guy, and leaves. Maggie resumes her preparation, but Arnold comes back for his jacket, talks with her, and comes to admit that he doesn't have it as great as he's been trying to convince himself. They commiserate over drinks and decide to jump off a building together. Then Lyle shows up again, a dispute ensues, and Arnold slugs Lyle, who promptly leaves again. Arnold and Maggie proceed to the top-floor ledge of the building they've picked out, but by this point Arnold has gained renewed confidence from his altercation with Lyle, and decides that he wants to live. Maggie acts like she's still going to go through with it, but having formed a bond with Arnold, ends up finding an excuse not to when she learns that he hasn't seen a favorite movie of hers that's coming on TV.

So apparently plain ol' suicide-by-hanging was perfectly TV-friendly, and could even be used as a source of humor...just as long as it wasn't portrayed as a yoga technique. The brass bed is seen through the bedroom door in Maggie's apartment.


In "Love and the Teacher," Artie Kaufman (Orson Bean), a painter of nude models, is mortified when his son, David (Clint Howard), comes home with a failing grade in Sex Education...Artie having taught David about the birds and the bees based his own life experiences. He goes to talk to David's teacher, Mary Busby (Bridget Hanley), and learns that the course curriculum consists of detailed knowledge of the anatomy rather than practical know-how. He and Mary debate their two approaches to the subject, and Artie comes to acknowledge that he needs to be brought up to speed on what she's been teaching her students. She brings over a projector and slides from the school, he tries to get romantic with her, and she walks out in a huff. She later comes back to pick up the projector, and Artie reveals his new painting to her...not of a nude, but of a bee pollinating a flower. This sign of her influence on his outlook causes Mary to warm up to Artie romantically.

I didn't notice a bed in Artie's place.

_______

“Fee-fi-fo-fum, I can feel the presence of someone...” Now THATS poetry. :lol:
Tried and true.

Decent reading of an all time great song, but as “whitewashed” (compared to the Impressions’ original), as it gets.
I think it does something interesting of its own by anticipating that mid-'70s soft rock sound.

I think The Carpenters were placed in the wrong genre of music back in the day. They were an MOR, easy listening, pop group. But I also thought they were one of the blandest of acts n the rock era.
50,000,000 Three Carpenters fans can't be wrong.

I was pretty much mesmerized by this song when I first heard it. Loved the tone of the song, lyrics, melody, James’ masterful playing, didn’t have a clue what it was about. Still don’t, but still love it.
It's quite sad...
Wiki said:
The song follows Taylor's reaction to the suicide of Suzanne Schnerr, a childhood friend, and his experiences with drug addiction and fame.
Suzanne...died while Taylor was in London working on his first album after being signed to Apple Records. Friends at home, concerned that it might distract Taylor from his big break, kept the tragic news from him and he found out six months later.


I can't decide if I've heard this before or not, but it's pretty good.
You have, I posted it a couple years ago when it bubbled under, and you liked it then, too.

This is okay.
Forgotten by oldies radio for a reason, I think.

Wonderful, of course. That guitar intro is pure bliss and a time travel ride to the Summer of 71.
This week's entries are packed with Album Spotlight flashbacks. This one is OK but doesn't do as much for me as many another S&G song.

This is a very good Oldie.
It's alright but doesn't do much for me. A notably late seasonal entry.

Not saying it's bad, but this is not the one James Taylor song I like. :rommie:
Hush, you!

Meh. These guys will never go anywhere.
You could say that they won't be going anywhere for a while.

Which is kind of mind boggling.
Oddly, her one big hit, a Top Five cover of "The Night They Drove Old Dixie Down," will come along as late as 1971.

Actually both, but don't ask me to explain how music sounds to me. I think it has something to do with the tambourine percussion.
Maybe...but I've heard things that sounded much more blatantly Spectoresque to my ear.

Good grief, I don't even recognize him. :rommie:
Watching the episode, you couldn't fail to recognize that distinctive Martin Sheen voice.

ETA: All this talk about not having seen Steve's pad made me skip through the pilot episode, which I watched two years ago, to verify that we hadn't seen it there. I didn't catch any scenes in it. So to the best of my recollection, this is what we know of his accommodations thus far:H530.jpg
"Why pay rent when the Governor gave me this cushy office in a palace? I got Kono to bring me take-out."
 
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Meanwhile, back at Lew's house, Chin and Kono catch a Lonnie Kahekili (Lanikai) entering with a key, and he reluctantly explains that he'd been having an affair with Marjorie.
Wow, she gives out house keys to her toy boys? :rommie: And did he not know that she was dead? Why was he coming to the house?

Meanwhile, Oliver calls on Warren for help, offering his by-now-notorious sweet lovin' as compensation...on her brass bed.
I think he does this for a living.

McGarrett plays her testimony to Morgan, who admits to having killed his wife as well as Oliver, repeatedly offering that they deserved it.
What about Lonnie? Did he not know about him?

Chin smokes a pipe in this one...don't think I've noticed that before.
He's cultivating a Sherlock Holmes look after his brilliant performance in the last episode. :rommie:

Seems like they've gone to this well twice already.
This is why cops go crazy.

(Gannon didn't have a regular deck of cards in the house?)
Not a full one, apparently.

Once they get their receipt and have her dead to rights by the book, Friday pulls his badge and Gannon declares that she's under arrest for violation of 17-500 of the Business and Professions Code.
At least they didn't have to draw guns this time.

Heh--I was thinking when Joe and Bill answered the door, the latter wearing an apron, that at first glance she might have thought they were...you know.
Interior decorators?

Bill decides to make duck hash.
The real reason that Friday doesn't want to get married is because of his weekends with Bill. :rommie:

Then Stan's roomie, Pat Stark, arrives...and he turns out to be a Karen Valentine!
That makes all that tuition worthwhile right there.

Stan and Pat are embarrassed to realize that her being brought to Stan's room must have been an error with the computer punch card--sound familiar?
These new-fangled computers will never replace a good old-fashioned ledger.

Not wanting to send Pat out to find her actual room at such a late hour, Stan volunteers that he and Pete will sleep in the lobby that night.
These kids today-- they're not so bad.

The bunk beds in the dorm are not brass.
There's the problem.

So apparently plain ol' suicide-by-hanging was perfectly TV-friendly, and could even be used as a source of humor...just as long as it wasn't portrayed as a yoga technique.
Actually, I can follow their thinking in this case. The yoga thing can lead to accidental death, whereas this story taught the valuable lesson to the kids at home that suicide is not the answer and that there is a happy ending waiting for you just around the corner.

Artie reveals his new painting to her...not of a nude, but of a bee pollinating a flower. This sign of her influence on his outlook causes Mary to warm up to Artie romantically.
Smooth move, Artie.

You have, I posted it a couple years ago when it bubbled under, and you liked it then, too.
Ah, that explains why it sounded familiar.

This one is OK but doesn't do as much for me as many another S&G song.
I think it's a cover of an old folk song or something, so it's not technically theirs.

It's alright but doesn't do much for me. A notably late seasonal entry.
It's catchy. I was singing it all day.

Hush, you!
:rommie:

Maybe...but I've heard things that sounded much more blatantly Spectoresque to my ear.
Definitely.

Watching the episode, you couldn't fail to recognize that distinctive Martin Sheen voice.
Oh, sure. I love Martin Sheen.

ETA: All this talk about not having seen Steve's pad made me skip through the pilot episode, which I watched two years ago, to verify that we hadn't seen it there. I didn't catch any scenes in it. So to the best of my recollection, this is what we know of his accommodations thus far:View attachment 17635
"Why pay rent when the Governor gave me this cushy office in a palace? I got Kono to bring me take-out."
It would be funny if he were revealed to be homeless in the final episode. :rommie:
 
55.5th Anniversary Viewing

12 O'Clock High
"The Trap"
Originally aired March 5, 1965
Xfinity said:
Occupants of a London air-raid shelter, including Savage, become desperate when a delayed-action bomb blocks the sole exit.


https://www.trekbbs.com/threads/the-classic-retro-pop-culture-thread.278375/page-67#post-12208868

They forgot to mention the woman in late pregnancy! The tension of the main situation was pretty good, as they had no idea when the bomb might choose to go off, and had a ceiling threatening to collapse right over it to boot...such that when they were found, they had to get the message to their rescuers to stop digging. I missed some of the whispered-in-accents backstory drama of the characters that Savage was trapped with, as I was watching in the wee hours and had the sound down to a murmer. One of the occupants looked a little too Herman's Hermits for the 1940s.


The episode opens with Savage and Stovall staying in a hotel in London, where the general has an important meeting to attend the next day. He's pensive concerning an assignment to cripple Luftwaffe production in Strasbourg, which he feels can't be done and will cost him far too many planes and lives in the effort.

After the credits, Savage is out on the street when the air raid siren sounds and a warden leads him and some civilians to a shelter under an abandoned building that was damaged in the Blitz. Immediately after, the warden is felled by a bomb blast...and he's the only one who know that they're down there. As the bombs fall, Savage notices the ceiling threatening to buckle.

Savage starts to get to know the guest characters whom he's stuck with. One of them, Dr. Lewis Glenway (David Frankham), says that he's previously acquainted with another, Lady Constance Belden (Hermione Baddeley), though she doesn't remember him; and he tells the others that he's getting married the next day. Lady Constance's husband was killed in a fire raid last Christmas, and she's now trying to sell her manor. Our aforementioned Sixth Hermit, Bert Higgs (John Leyton), just came back to London to enlist. The character says he's 18, though the actor had turned 29 by the time the episode aired. The Obligatory Woman-Who's-Ready-to-Drop-Any-Minute is Eleanor Nichols (Dinah Anne Rogers). Her baby daddy was killed on convoy duty before learning of her pregnancy or having the chance to make an honest woman of her.

Things get tense as the second wave commences; some stock footage of a nearby building collapses, and a model of a German plane crashes into the building above the shelter. Bert is buried under Styrofoam rubble, but the others dig him out only psychologically harmed, as this establishes his fear of being buried alive. A loud ticking is heard, and Savage discovers the bomb that's found its way into the shelter through the debris. All of the exits are blocked and they have to avoid doing anything that might jar their new roomie. And Eleanor, right on cue, is now threatening to deliver.

Savage and his mop-topped guest sidekick notice that the center ceiling beam is almost fully cracked, and is hanging right over the bomb. Eleanor says that it's better if she dies, because her mother wouldn't have let her keep the baby. The doctor, who doesn't seem much help trapped in a room with a pregnant woman (but there's a reason for that), goes hysterical and starts bouncing off the walls, so Savage has to punch him out. The bomb slides out of the rubble some and Savage can see that it has a propeller fuse. With Bert the Boy Wonder doing his best to hold the bomb steady, Savage attempts to break the circuit. The general tries to enlist the doctor to spot Bert, and Glenway reveals that he's not really a doctor, he's not really engaged to the heiress he said he was, and he's not even really Lewis Glenway. He's just some loser who invented a dashing new identity for himself, apparently in the hope of impressing people with whom he gets trapped in bomb shelters.

Meanwhile, back at the hospital where Stovall is asking around about Savage, the air raid warden has come to enough to tell where the general is. Stovall goes there with some other wardens and calls for Savage, who tries to yell up a warning that they not start digging, but isn't heard. While Savage works at the bomb, Lady Constance, inspired by a portrait of Queen Victoria, I think it was, has helped to deliver the baby off-camera, without so much as asking somebody to bring her hot water. Flush with her victory, she decides on the spot to turn her manor into a home for war widows and orphans.

A rat in the shelter (so they say--looks like a mouse to me) leads Savage and Bert to a coal chute, which the general has to persuade his new chum to climb up into despite his fear. Fake Glenway, no longer wanting to live, says that he won't hold the bomb for Savage...but as the general continues his work, Glenway comes over for his redemptive moment. In the chute, Bert gets panicky when the digging above causes light debris to start raining on him, but the plucky lad nevertheless makes it to hatch and pounds on it. Stovall hears him and he and the wardens clear some rubble and open it. Bert tells them about the bomb and the digging is stopped. Down below, Savage manages to pull out the detonator and tosses it to the far end of the shelter, where it explodes not as harmfully as if it were nestled inside a bomb.

In the Epilog, everyone has been freed from the shelter, the ladies and baby are carried away in an ambulance, and Savage seems to have gained new confidence regarding the Strasbourg plan.

_______

Wow, she gives out house keys to her toy boys? :rommie: And did he not know that she was dead? Why was he coming to the house?
Yes, no, and though he hadn't seen her in a couple of weeks, he was hoping to patch things up with her. Can I go now, McGarrett?

What about Lonnie? Did he not know about him?
Guess not, and Oliver was much easier to frame.

He's cultivating a Sherlock Holmes look after his brilliant performance in the last episode. :rommie:
I was thinking maybe it was his post-exoneration Victory Pipe.

Not a full one, apparently.
Now that you mention it, that...suits him.

At least they didn't have to draw guns this time.
They never seem to for the lady criminals. Add "male" and "chauvinist" to the usual hippie-era epithet.

Interior decorators?
One of 'em, anyway.

The real reason that Friday doesn't want to get married is because of his weekends with Bill. :rommie:
Again, now that you mention it...

"You know the problem with you, Joe? You're married to your job, that's the problem."
"No, Bill, the problem with me is that I'm married to you."​

These kids today-- they're not so bad.
Fred MacMurray raised him right.

Actually, I can follow their thinking in this case. The yoga thing can lead to accidental death, whereas this story taught the valuable lesson to the kids at home that suicide is not the answer and that there is a happy ending waiting for you just around the corner.
I dunno...they actually showed Joanne sticking her head in the noose, cue laugh track. Still seems like there was a double standard between what managed to get by just fine and what got banned for all time.

It's catchy. I was singing it all day.
Different strokes...there's definitely catchier-to-me stuff in my playlist than that.
 
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A loud ticking is heard, and Savage discovers the bomb that's found its way into the shelter through the debris. All of the exits are blocked and they have to avoid doing anything that might jar their new roomie. And Eleanor, right on cue, is now threatening to deliver.
When it rains, it pours. Do missile bombs really tick?

Glenway reveals that he's not really a doctor, he's not really engaged to the heiress he said he was, and he's not even really Lewis Glenway.
And Savage punches him out again.

Yes, no, and though he hadn't seen her in a couple of weeks, he was hoping to patch things up with her. Can I go now, McGarrett?
Yes, but don't leave town.

Now that you mention it, that...suits him.
Wotta joker.

They never seem to for the lady criminals. Add "male" and "chauvinist" to the usual hippie-era epithet.
At least they didn't spank her.

"You know the problem with you, Joe? You're married to your job, that's the problem."
"No, Bill, the problem with me is that I'm married to you."​
:rommie:

I dunno...they actually showed Joanne sticking her head in the noose, cue laugh track. Still seems like there was a double standard between what managed to get by just fine and what got banned for all time.
Censors are always inconsistent and you never know what will trigger them. The banned-for-all-time thing is just mind boggling.
 
_______

50th Anniversary Catch-Up Viewing

_______

Hawaii Five-O
"Nightmare Road"
Originally aired February 18, 1970
Wiki said:
Steve McGarrett encounters resistance from federal agents when he attempts to uncover the mystery behind a gullible research scientist (Charles Aidman)'s disappearance from his important government post.


In what sounds like something you'd read in a spam email, Dr. Royce (Aidman) gets a call from a ladyfriend named Theresa (Pillar Seurat) about needing help because somebody's trying to blackmail her uncle. In what's obviously a set-up, he rushes to her apartment to find her struggling with a man wearing an eyepatch, whom she urges him to shoot with the gun that the man had just dropped. After they rush out, we see that it's the scheme of our latest Bondian criminal mastermind, Professor Hans Kreuter (Ronald Long). Patch was only acting, but Kreuter proceeds to have him plugged for real.

Five-O investigates the scene, with witnesses having seen Royce fleeing the apartment. Also on the case is CIB agent Merrill Carson (Fred Beir, who looks like Dan Rowan at a glance). Five-O checks out Royce's lab, where he's been working on a project called Nautical Observation of Submerged Enemy (NOSE), which is developing a sophisticated chemical sensor for detecting submarines. Back at Che Fong's Playhouse, suspicious marks are found on the gun, which Steve deduces are from a pair of vise-locking pliers having been used to handle it, making him smell a frame-up.

Meanwhile, Theresa has taken Royce to her fake uncle's house. Uncle eventually arrives--Kreuter, of course--and offers to help Royce with his fugitive situation, while discouraging him from going to the authorities. (Maybe he's a TV producer.) Instead, he offers the help of his "friends," who will give Royce his own laboratory to continue his research. (Sound familiar?) In private, he strongly encourages Theresa to go all-out in keeping Royce happy and distracted. She then returns to her apartment, which Chin and Kono are staking out, to check her mail...but Kono gets knocked out by two guys who turn out to be CIB, who are trying to nab her. Steve, of course, registers a complaint with Carson.

Royce is allowed to take a walk to think things over and, having started to see through the scheme, he hoofs it to a phone booth to call McGarrett, who immediately puts a trace on call, which is promptly interrupted by one of Kreuter's men. Back at the house, Royce confronts Theresa, and she seems repentant about her role.

At 5OHQ, they examine a recording of the brief call, determining that it was made from a phone booth and hearing what McGarrett identifies as a piledriver in the background. This allows them to narrow down the location of Kreuter's highway-side hideout, where they find his radio equipment for contacting the getaway sub. By this time Royce is being driven to a rendezvous with said craft in a bakery truck, which a construction worker saw leaving the vicinity. The truck is spotted and tailed to a stretch of shore where Kreuter's men are preparing to launch a raft. The team surround the beach, an exchange of fire ensues, Theresa struggles with Kreuter, Kreuter shoots Theresa, and McGarrett shoots Kreuter. Theresa starts to roll into the drink, but Royce pulls her out...too late. The CIB men, who've been tailing Five-O, arrive as an afterthought, with some final-beat info about how Theresa was applying for citizenship under an alias, apparently as part of an attempt to defect from Kreuter's operation.

_______

Dragnet 1970
"Narco – Pill Maker"
Originally aired February 19, 1970
Xfinity said:
Friday and Gannon track down the "big" man behind a factory turning out dangerous drugs.

Sgt. Joe Friday said:
This is the city: Los Angeles, California. I work here. I carry a badge.

Monday, November 3 (1969): Friday and Gannon, working the day watch out of Narcotics Division, are looking for leads on a supplier of amphetamines when another detective brings in a user, Howie Frazer (Felton Perry). Perry followed his dealer home once to use the knowledge as an ace in the hole if he ever got busted. Proceeding to the suburban house, the detectives find the landlady, Mrs. Benstead (Maudie Prickett), breaking into the place with a crowbar--the lease having expired, the locks having been changed, and the tenant being gone. She identifies her tenant as a Michael Smith. Once inside, the detectives and landlady find that the place has been turned into a pill factory.

The dealer's license plate leads the detectives to a Fred Watkins (Sam Edwards), a retired radio repairman who lives in an apartment. He seems genuinely ignorant of the drugs or pill factory and goes on about old tube radios, but Friday gets suspicious of his keepsake vintage piece not being operational, so he opens the back and finds a bag of pills. Back at HQ, when they put pressure on Watkins about a Michael Cooper whom he was found with a check from, Watkins switches his story to being behind the whole operation, but the detectives know that at least one other individual was involved and believe that he was the one running the show, and that Watkins is willing to take the fall for him because he's a first-time offender who'd receive a light sentence and would stand to receive a payoff.

They track down Michael Cooper (Stacy Harris) to a tennis club. He acknowledges knowing Watkins and renting the house, but says he didn't know about the drug factory. He says that his full legal name is Michael Cooper Smith, and he claims to be an old Army buddy of Watkins, but that story doesn't check out. The detectives go back to the house to look for clues that they might have missed that would link Cooper to the operation. They find three: a plate on one of the machines identifying the manufacturer; a repair sticker on the same machine; and a torn-up note with a formula for making amphetamines. Investigating these, they find that the purchase of the machine, the repair of the machine, and the handwriting all point to Michael Cooper Smith.

The Announcer said:
On March fifth, trial was held in Department 184, Superior Court of the State of California, for the County of Los Angeles....The court found the accused, Michael Cooper Smith and Fred C. Watkins, guilty on two counts of violating Section 11-9-11 of the Health and Safety Code, possession of dangerous drugs; and guilty on two counts of violating Section 11-9-12 of the Health and Safety Code, manufacturer of dangerous drugs. The penalties for such violations are terms in the state prison of not less than one year or not more than three on each count, Section 11-9-11; and not less than one year, or more than five, on each count, Section 11-9-12.
The mugshot said:
FRED C. WATKINS
and
MICHAEL COOPER
Now serving their sentences in the State Prison, San Quentin, California.

_______

Love, American Style
"Love and the Safely Married Man / Love and the Uncoupled Couple / Love and the Many Married Couple"
Originally aired February 20, 1970

This was the twentieth episode aired; the YouTube video is numbered 10.


"Love and the Safely Married Man" opens with Zack Wilton (Ronnie Schell) walking into his new office to find his secretary, Mary (Judy Knaiz), doing the hair of a fellow secretary, Janine Newell (Beth Brickell), to whom Zack is clearly attracted. After some later prodding, Mary informs Zack that Janine wouldn't be interested in him because he's single--she considers married men safer to date as they don't threaten to get emotionally involved and tie her down.

Zack proceeds to perpetrate the illusion that he is actually married, which involves donning a wedding ring and displaying pictures of his family. The triple frame that Zack buys for this purpose comes with heads shots of Mike Connors, Florence Henderson, and...I don't know if the gag was intentional, but it's funny to see somebody else dropping this guy's portrait on the pile...
LAS03.jpg
Zack has dinner with Janine, who tells him how much she values honesty. He proceeds to "admit" that he's married, and she admits that she already knows. He then spins a story of his marital issues, and arranges to spend a day with her at the beach. They stay together in a hotel, and the next morning at breakfast both are tense. It turns out that she's unexpectedly fallen for him, and has to call things off because she won't break up a family. While she's away from the table, he hastily arranges for the waiter to type up and deliver a telegram informing him of his family's tragic death at sea...clearly not having learned the honesty lesson. While Janine is comforting him, she's shocked to see "Mrs. Wilton" alive and well, sitting at another table. Zack goes over to greet his "wife" and tries to cue her in to play along, but then "their" children scamper in and loudly greet him as "Uncle Zack"! The woman turns out to be Norma Blake (Leslie Perkins)...Zack's sister. Janine introduces herself to Norma as Zack's fiancee, and Zack gets a happy ending that he didn't really earn.


"Love and the Uncoupled Couple" is that last pilot episode segment to show up in broadcast...
"Love and the Uncoupled Couple" wasn't aired until episode 20, on February 20, 1970. Mike (Greg Morris) and Dessie (Janee Michelle) are another unmarried couple. His mission, which he's chosen to accept, is to get married when he's through with his medical internship and can better support her as a husband. They have an argument over this which culminates in him leaving...and selling the big, brass bed that does indeed feature in every segment as I'd read on Wiki. Dessie pays a visit to Dr. Harris (Tom Bosley) because she thinks she's pregnant, but gives him a couple of false names, unable to keep them straight--"Palmer" and "Parker" (make a note of this for comparison with our unshown fourth segment). At the hospital where they both work (she as a nurse), word gets around fast that she's available and other interns start asking her out. Mike's fellow intern and confidant Ernie (Darryl Hickman) learns of her condition, and the news quickly gets to Mike. Now he wants to get married, but she doesn't want him to just for that reason. She subsequently learns from Dr. Harris that she's not pregnant after all, and Tim sticks to the new plan.

Burt Mustin makes an uncredited appearance as a patient in this segment. And there's another song in the story.
Actually, she's the one who sells the bed. Mustin is in the end credits, he just doesn't get a heart in the opening ones. And the bed is back in Dessie's apartment in the last scene with no explanation. I should also note that Dessie was initially going to Dr. Harris for "help" regarding her pregnancy, but unlike his predecessor, he's not that kind of doctor. And learning that she's seeing him, thinking that he is that kind of doctor, motivates Mike to burst into his office during a follow-up visit to stop her from getting rid of the baby.


"Love and the Many Married Couple" stars Steve Alan as Johnny Manson, the emcee of a Hollywood premiere. The stars of the film, Chuck Fuller and Tana Wright (Jack Cassidy and Jayne Meadows), reveal on camera that they just got married the previous day. It turns out that he's her sixth husband and she's his fifth wife. Johnny is understandably skeptical as to whether this is really "it" for them, as more and more details of their previous marriages come out in the interview. It turns out that a couple of their exes have been married to each other; Chuck's first wife may have been Tana's mother; and Johnny has to inform Tana of kids she doesn't remember from her second marriage, and reminds her that he was her third husband. Once they're off camera, Chuck and Tana get a little more sincere with each other, expressing their mutual insecurities about whether this one will last, and revealing their real names to one another.

The newlyweds reference having spent their wedding night watching The Brady Bunch--at this point in the season they were airing the same night on ABC.

_______

Do missile bombs really tick?
I dunno, I was just rolling with it. I think it was more of a clicking than a ticking.

Yes, but don't leave
...the island, buddy, the island.

At least they didn't spank her.
Maybe they're saving that for Luana Anders in next week's episode...

Censors are always inconsistent and you never know what will trigger them. The banned-for-all-time thing is just mind boggling.
To be fair, it wasn't the censors that yanked the episode, it was the lawsuit. Guess I answered my own question there.
 
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When it rains, it pours. Do missile bombs really tick?

The Luftwaffe really did have bombs that had a delayed action fuze with a ticking timer. IIRC it was originally a back-up; the idea was that if the bomb didn't blow up from the contact detonator like it was supposed to, the timer would still set it off later. At first this would take out rescue workers, damage control crews etc. who were unaware that could happen. Later the Germans did this on purpose with some bombs because it would render an area unusable for longer and tie up more personnel than just an immediate explosion. As the British learned how to defuze unexploded bombs, the Germans used various kinds of booby-trapped fuzes to kill experienced bomb disposal personnel.

All this was the basis of the excellent ITV/Thames series Danger: UXB which aired on PBS when I was a lad. The book on which it was based, Unexploded Bomb by A. B. Hartley, is out of print but goes into great detail about the technical aspects of the German fuzes and the measures that were used to counter them. For the ticking timer for instance, they applied a powerful electromagnet near the fuze that stopped the metal moving parts of the clockworks.

ETA: I don't think you could really hear the ticking unless you put your ear right up to the fuze.
 
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Five-O checks out Royce's lab, where he's been working on a project called Nautical Observation of Submerged Enemy (NOSE), which is developing a sophisticated chemical sensor for detecting submarines.
That's a pretty good McGuffin.

Back at Che Fong's Playhouse, suspicious marks are found on the gun, which Steve deduces are from a pair of vise-locking pliers having been used to handle it, making him smell a frame-up.
McGarrett is the Sherlock Holmes of Hawaii.

Uncle eventually arrives--Kreuter, of course--and offers to help Royce with his fugitive situation, while discouraging him from going to the authorities.
Did we ever find out what he was allegedly being blackmailed for? And did Theresa deliberately befriend Royce for the purpose of manipulating him?

She then returns to her apartment, which Chin and Kono are staking out, to check her mail...
She just goes back to her apartment that they fled from after a shooting? We're not up against the smartest villains that ever villained, are we? :rommie:

This allows them to narrow down the location of Kreuter's highway-side hideout, where they find his radio equipment for contacting the getaway sub.
Who is this guy working for? Or is he really just an independently wealthy Bond villain who wants to rule the submarines?

Theresa was applying for citizenship under an alias, apparently as part of an attempt to defect from Kreuter's operation.
That's kind of a sad little twist.

Perry followed his dealer home once to use the knowledge as an ace in the hole if he ever got busted.
Hah! They'll tack on an extra few months for stalking.

the detectives find the landlady, Mrs. Benstead (Maudie Prickett), breaking into the place with a crowbar--
She might have considered a locksmith for this particular occasion.

Once inside, the detectives and landlady find that the place has been turned into a pill factory.
He left all his equipment? The villains are making it easy this week.

He seems genuinely ignorant of the drugs or pill factory and goes on about old tube radios
Sounds like my old friend Dr Kaufman. :rommie:

but Friday gets suspicious of his keepsake vintage piece not being operational, so he opens the back and finds a bag of pills.
"Hmm. Why is this 1947 Victrola playing Jefferson Airplane?"

a plate on one of the machines identifying the manufacturer; a repair sticker on the same machine; and a torn-up note with a formula for making amphetamines.
These guys really know how to cover their tracks. :rommie:

he hastily arranges for the waiter to type up and deliver a telegram informing him of his family's tragic death at sea...clearly not having learned the honesty lesson.
And he doesn't think too far ahead. Now he has to plan an expensive funeral for non-existent people when he could have just sent himself a telegram that his wife had filed for divorce.

Janine introduces herself to Norma as Zack's fiancee, and Zack gets a happy ending that he didn't really earn.
Well, he's hooked up with a woman who values honesty and only dates married men, so they kind of deserve each other. :rommie:

Once they're off camera, Chuck and Tana get a little more sincere with each other, expressing their mutual insecurities about whether this one will last, and revealing their real names to one another.
Awww, cute.

The newlyweds reference having spent their wedding night watching The Brady Bunch--at this point in the season they were airing the same night on ABC.
Jack Cassidy doesn't watch The Partridge Family?

...the island, buddy, the island.
Oh, right. :rommie:

Maybe they're saving that for Luana Anders in next week's episode...
We definitely need to find out.

To be fair, it wasn't the censors that yanked the episode, it was the lawsuit. Guess I answered my own question there.
True. I'd love to know the whole story there.

The Luftwaffe really did have bombs that had a delayed action fuze with a ticking timer. IIRC it was originally a back-up; the idea was that if the bomb didn't blow up from the contact detonator like it was supposed to, the timer would still set it off later. At first this would take out rescue workers, damage control crews etc. who were unaware that could happen. Later the Germans did this on purpose with some bombs because it would render an area unusable for longer and tie up more personnel than just an immediate explosion. As the British learned how to defuze unexploded bombs, the Germans used various kinds of booby-trapped fuzes to kill experienced bomb disposal personnel.
That's fascinating. The war was really fought on multiple ruthless levels.

For the ticking timer for instance, they applied a powerful electromagnet near the fuze that stopped the metal moving parts of the clockworks.
That's pretty futuristic for WWII.

ETA: I don't think you could really hear the ticking unless you put your ear right up to the fuze.
Eh, artistic license. They weren't too far off.
 
_______

50th Anniversary Catch-Up Viewing

_______

Hawaii Five-O
"Three Dead Cows at Makapuu (Part 1)"
Originally aired February 25, 1970
Wiki said:
Dr. Alexander Kline (Ed Flanders) is a scientist who has disappeared. He discovered a biological mutation which he calls "Q strain," which he plans to unleash as a protest against germ warfare.


The titular objects of curiosity and concern are found on a civilian farm that's within an Army reservation, their bodies hardened like rock and covered in lesions. The doctors who examine the cows see similarities to a type of nerve gas that killed a large number of sheep in Utah, but are unfamiliar with whatever agent caused this. An Army lieutenant tries to claim the cows, so Steve goes straight to his superior officer, Colonel Sindell (H.M. Wynant), who seems to be hiding something...but isn't. The Governor brings in a government VIP named Jonathan Kaye (Joseph Sirola), who appears to be with the Department of Defense, and Dr. Benjamin (Dana Elcar), Chief of Operations of the United States Army Department of Chemical and Biological Warfare. They point the Governor and McGarrett to Dr. Kline, who was working on a way to make man immune to all disease, but accidentally discovered a bacteriological agent hostile to all life on Earth. The DoD enlisted Kline to weaponize it, but after a series of setbacks in the project, it was psychiatrically determined that Dr. Kline was subconsciously sabotaging the project because of issues with what his work was being used for. He was removed from the project and subsequently disappeared. While he's being talked about in the Governor's office, there are several cuts to scenes of Kline watching crabs on a rocky beach, and being approached by Wanda Russell (Loretta Swit), who tells him that she's a telephone operator.

Having been given the government's dossier on Kline, McGarrett instructs a group of uniformed HPD officers to conduct a manhunt for him. What they'd know if Steve had a TV in his office is that Kline is working in a medical research laboratory under the alias of Arnold Clay. He tries to connect to a number through the operator and gets Wanda, who practically throws herself at him over the line, but he just gets nervous and ends the call. She tracks him down the place that he was calling, the workshop of a blind sculptor named Abel Morgan (Karl Swenson). Seeing that he appears sick, she takes him back to her place and, while he's in a delirious state, carefully examines the chemical contents of the case that he's carrying. I was all "A-ha!" at this point because I thought for sure that she was a spy who was after his research...but she wasn't. She leaves what we're obviously meant to know is the vial dangerously lying out near her drinking bird...which gets a lot of camera time, though it doesn't serve any purpose in the story unless it's a symbolic one. Wanda nurses "Arnold" back to consciousness and says that she looked through his things searching for medication, assuming he had something like malaria.

Meanwhile, Steve has been tipped off to Kline's alias by his boss at the lab, Dr. Soong (Yankee Chang), who called in after seeing a picture of Kline put out by the police. Dr. Benjamin examines the contents of Kline's lab, but the object of most interest to McGarrett is a whale-tooth carving that leads them to Morgan, who offers his insight that he has reason to believe that "Arnold" is dying...though he isn't, at least not literally.

Later, Wanda tries to call Arnold at his lab from her switchboard and Soong puts Danny on the phone. She quickly hangs up and finds Kline on the beach to tell him that the heat is on. Trying to get her to leave him alone, he manhandles her and accidentally pushes her off a rock into the rough, lapping drink, but then dives in to fish her out. He rushes her to a hospital, and after she regains consciousness, opens up to her a bit about his youth as a prodigy, then urges her to leave for the mainland as soon as possible...telling her that he's done something to open the world's eyes about the dangers of biological warfare, and that in twelve hours, every living thing on the island will be dead!

Danny having deduced that Wanda was an operator, Five-O checks out her workplace and another operator helps to identify her, and confirms second-hand that she's met a guy who could be Kline. Then the team is alerted to Kline having been spotted at the hospital, so they rush there and run into him in the corridor. He flees and McGarrett tackles him outside, but he tells McGarrett that the agent isn't on him and there's nothing they can do. The episode ends with Kaye, Benjamin, and Sindell questioning Kline in a hospital room, and the colonel roughing up Kline because his wife is in danger.

_______

Dragnet 1970
"Burglary – The Dognappers"
Originally aired February 26, 1970
Xfinity said:
Friday and Gannon track a pair of thieves who steal dogs and then collect the rewards.

Sgt. Joe Friday said:
This is the city: Los Angeles, California. I work here. I carry a badge.
I'm likin' this run!

Monday, November 6 (last occurred in 1967...ah, if only they'd used a Thursday): Friday and Gannon, working the day watch out of Burglary Auto Theft Division, get a list of lost dogs from a man named Watson who works for the Department of Animal Regulation, and believes from the pattern that criminal activity may be involved. Captain Green (Art Gilmore) is skeptical of whether this is a matter for Burglary Division, but then starts reminiscing fondly about his family's beloved old German shepherd, and sells himself on the matter.

The detectives talk to a recent potential victim, Myron Bently (Bert Holland), who lost a beloved clumber spaniel named Duke. Myron shows them the doghouse he's been building in his garage for Duke. The house is styled like a castle, complete with a drawbridge on the opening. Bently swears that when he left the dog in the car, the window was only slightly down rather than most of the way as he later found it. He tells the detectives of a neighbor who paid a $100 reward to get her lost dog back. They talk to the neighbor, Eula Van Meter (Luana Anders), a pretentious lady with an Afghan hound named Zardi. It was at this point that I realized the episode was subtly engaging in a "dogs resemble their owners" running gag, as the similarity of her hairstyle to the dog breed was unmistakable, and the camera kept switching between closeups of each of them, with Eula playing with the dog's fur and then her own bangs...plus she was wearing a choker that looked like a collar. Eula describes the man to whom she paid the reward (with a bonus), and also recalls the make of his car and part of his license number.

There's a running gag of Gannon always getting the breeds wrong that pays off with an unusual bit of continuity. Mid-episode, Bill's brushing up on his breeds via a library book, and Joe's able to identify all of them, though he's never owned a dog. Friday reveals that he checked out the same book after the case they handled involving trained dogs snatching ladies' purses, which is said to have been a year ago. (It was actually in Season 2, airing in late 1967.)

Following up with several other owners during the commercial indicates a pattern of findings and rewards and descriptions of two suspects. A newfangled computer runs down the license number and they dig up a radio car report that ID'ed two men matching the descriptions who were using the car when they were stopped as possible car prowlers--Harry Jennings and Carl Barth. The vehicle registration leads them to an address where they find Jennings (Tim Donnelly again) keeping a large number of dogs. They arrest him on suspicion of grand theft. Jennings was bringing a Scotty home who matches the description of a recently lost dog, and the dog is brought into the station with him. Prints on the owner's vehicle match his. (We never see the black-furred Scotty's owner, so I'm thinking that he was supposed to resemble Donnelly, hence keeping them onscreen together.)

Then they get a call from Myron Bently that he's been contacted by a man who found his dog. They stake out the Bently garage when Duke is returned. They wait for Bently to pay the reward, then nab "Mr. Smith" (James Minotto). Searching him, they find Duke's collar with ID tag, which he'd just claimed Duke wasn't wearing when he was found. As a last gag after Barth is hauled away by uniformed officers, Duke won't go into his new doghouse until Gannon comes up with the idea of tossing a biscuit into it, which he uses to score points with Friday regarding his knowledge of dogs.

The Announcer said:
On December 3rd, trial was held in Department 184, Superior Court of the State of California, for the County of Los Angeles....The court found the suspects guilty of five counts of burglary and three counts of grand theft.
The mugshot said:
HARRY JENNINGS
and
CARL BARTH
Now serving their sentences in the State Prison, San Quentin, California.

This episode seemed familiar, especially the parts with the captain waxing nostalgic over his old dog and Luana Anders looking like her dog. Maybe I'd seen it before, or part of it.

_______

Love, American Style
"Love and Las Vegas / Love and the Good Samaritan / Love and the Marriage Counselor"
Originally aired February 27, 1970

This was the twenty-first episode aired; the YouTube video is numbered 22.


In "Love and Las Vegas," Harvey Marshall (Bill Dana) and Judy Ricker (Ann Prentiss) from North Dakota are getting married while they're in town for a teachers' convention. Elmo (Edward Everett Horton), the justice, has them wait in his garish chapel while he makes a house call, giving Judy time to assert that she doesn't want to get married in a place like that and temporarily walk out. Harvey downs the champagne that Elmo left, then a young couple comes in, Clyde (Jim Connell) and Bonnie (Patricia Stich). (A passing gag is gotten out of the names.) Bonnie's upset that Clyde's a mama's boy, and Clyde is worried about what his mother will think. They think that Harvey's the justice, so he agrees to marry them, though he doesn't know what he's doing. Judy comes back and blows his true identity, then Elmo returns, upset that his deal with another client fell through, so he tells everyone to get out. The two couples each decide to get married somewhere else. Elmo's ladyfriend, Sarah (Nellie Burt), asks about tying the knot themselves, and he says that he wouldn't get married in a dump like that.


"Love and the Good Samaritan" opens with Freddy (Sandy Baron) dressed as the Devil for a date at a Hollywood costume party. As he's leaving, a neighbor, Delila (Hope Holiday), comes out of her apartment begging for help with a water issue. He ends up soaking wet, so she offers to iron his costume pants. Her husband, Jake (Kenneth Mars), comes home and thinks the worst of the situation.

Jake: Well I thought I imagined the worst, but I never dreamed that I'd catch ya with Rosemary's Baby.​

Freddy and Delila don't do a very good job of explaining the situation, and Freddy ends up getting slugged. Back at his apartment, he calls his date, Marna (Maggie Peterson), who's dressed as an angel, to explain that he's running late. Then Delila comes knocking and wants Freddy to come back over so Jake can apologize. He reluctantly agrees, but Jake wants to make too big a deal out of it, while Freddy just wants to get going. Getting himself drunk, Jake tells Freddy that he suspects his wife is seeing another guy. Freddy tries to talk some sense into him, but a misunderstanding ensues over flowers that Freddy had left there, so he gets punched out again.

Delila comes over yet again, having been locked out of her apartment and wanting to stay at his place until Jake comes home. He agrees to let her in to call some friends. While he's out of the room, she calls her boyfriend, Danny, to arrange a rendezvous. Delila's still there when Marna drops by. Freddy hides Delila in the closet, and Marna offers to apologize for thinking the worst the last time he called her. Then the boyfriend, Danny (Laugh-In's LBJ, Jack Riley), comes knocking while Freddy's trying to sneak Delila out; and then he has to hide them both in the closet when Jack angrily comes knocking--in uniform, as it turns out that he's a cop. He sees Marna and briefly thinks he was wrong about Freddy--but then he brings a clue that another woman has been in the apartment to Marna's attention. Freddy resigns to pointing Jake to the closet, where he finds Delila and Danny. Jake doesn't get what's going on as Danny is his best friend, but leaves with Delila. Once Freddy and Marna are alone, they make up.


"Love and the Marriage Counselor" features Jim Backus and Ken Murray as Jerry and Ben, partners in a sweater-manufacturing business. They have a disagreement over what type of secretary they want to hire, so Ben insists that they see his nephew, Paul, a hip marriage counselor (Bernie Kopell). Paul encourages them to air their grievances with one another to let out the emotions that they've been bottling up...which ultimately results in him having to break up a fight. Paul then wants to get to the core of their hostility, which he thinks will also shed light on why they've nevertheless stayed together for so many years. Ben, ironically, ends up talking about a childhood attachment to a teddy bear, and Jerry comforts him over the bear having been thrown away by Ben's father. But they find their way back into the secretary dispute and start fighting again. Then Paul brings in their wives (Joan Shawlee and Mary Benoit); and Jerry's wife informs him that the woman he was interviewing, Miss Hazelton (Sharyn Hillyer), has gotten an offer for a role in a Swedish film.


I thought these were all weak segments that didn't really go anywhere. I didn't notice the brass bed in any of the main segments, but it appeared in more than one interstitial.

_______

Did we ever find out what he was allegedly being blackmailed for? And did Theresa deliberately befriend Royce for the purpose of manipulating him?
Who is this guy working for? Or is he really just an independently wealthy Bond villain who wants to rule the submarines?
The uncle-in-trouble thing was only a thin lure...they were a spy ring trying to manipulate Royce into defecting. Theresa was working for Kreuter, and Kreuter was working for the URP (Unnamed Rival Power).

She just goes back to her apartment that they fled from after a shooting? We're not up against the smartest villains that ever villained, are we? :rommie:
She was specifically picking up mail about her immigration application in the lobby, so there was a purpose. I wasn't clear if she was supposed to be going there for other reasons...or if she even went up to her apartment.

"Hmm. Why is this 1947 Victrola playing Jefferson Airplane?"
Friday would probably put a "the" in front of Jefferson Airplane.

Well, he's hooked up with a woman who values honesty and only dates married men, so they kind of deserve each other. :rommie:
Maybe...but he was the one acting like a weasel the whole segment.

Jack Cassidy doesn't watch The Partridge Family?
He can't, it's a TV season early. (And I did not know that he was David and Shaun's dad until I just now looked up the connection.)

That's pretty futuristic for WWII.
This is the war that brought us jet aircraft, guided ballistic missiles, and nuclear weapons.
 
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"Three Dead Cows at Makapuu (Part 1)"
Finally, a decent title after a long drought.

The titular objects of curiosity and concern are found on a civilian farm that's within an Army reservation, their bodies hardened like rock and covered in lesions.
My first thought was aliens, but I know that's one place they won't go. :rommie:

Dr. Kline, who was working on a way to make man immune to all disease, but accidentally discovered a bacteriological agent hostile to all life on Earth.
Pro tip: Always close the lab on Opposite Day.

I was all "A-ha!" at this point because I thought for sure that she was a spy who was after his research...but she wasn't.
This Wanda character is very weird.

She leaves what we're obviously meant to know is the vial dangerously lying out near her drinking bird...which gets a lot of camera time, though it doesn't serve any purpose in the story unless it's a symbolic one.
The bird is the real spy.

his boss at the lab, Dr. Soong
!!! :eek:

...telling her that he's done something to open the world's eyes about the dangers of biological warfare, and that in twelve hours, every living thing on the island will be dead!
An excellent way to express his moral objections to chemical warfare!

The episode ends with Kaye, Benjamin, and Sindell questioning Kline in a hospital room, and the colonel roughing up Kline because his wife is in danger.
This is a great plot, but I wonder if Wanda will somehow make more sense in Part 2. And if they'll ever explain those cows.

I'm likin' this run!
I want to know more about the history of dogs in Los Angeles. :(

It was at this point that I realized the episode was subtly engaging in a "dogs resemble their owners" running gag
Now I'm imagining Friday and Gannon making the rounds with their own pets: An old bulldog and a dour basset hound. :rommie:

Friday reveals that he checked out the same book after the case they handled involving trained dogs snatching ladies' purses, which is said to have been a year ago. (It was actually in Season 2, airing in late 1967.)
These guys exist in dream time, no doubt about it.

A newfangled computer runs down the license number and they dig up
...Karen Valentine!

As a last gag after Barth is hauled away by uniformed officers, Duke won't go into his new doghouse until Gannon comes up with the idea of tossing a biscuit into it, which he uses to score points with Friday regarding his knowledge of dogs.
I like these episodes where there is no life-or-death situation, just something of emotional significance to the victims, but the boys take it just as seriously.

Elmo (Edward Everett Horton)
Cool. I love Edward Everett Horton. Coincidentally, the grade school I went to in Dorchester was named the Edward Everett-- not after him, though. :rommie:

Jake: Well I thought I imagined the worst, but I never dreamed that I'd catch ya with Rosemary's Baby.​
Hmm. More like Rosemary's Baby Daddy.

He reluctantly agrees, but Jake wants to make too big a deal out of it, while Freddy just wants to get going.
Damned if you do, damned if you don't.

Jake doesn't get what's going on
I don't think anybody does. :rommie:

Jerry and Ben, partners in a sweater-manufacturing business.
They should have switched it around and gone into ice cream.

I thought these were all weak segments that didn't really go anywhere.
Some good actors, though.

The uncle-in-trouble thing was only a thin lure...they were a spy ring trying to manipulate Royce into defecting. Theresa was working for Kreuter, and Kreuter was working for the URP (Unnamed Rival Power).
Almost a Mission: Impossible crossover.

She was specifically picking up mail about her immigration application in the lobby, so there was a purpose. I wasn't clear if she was supposed to be going there for other reasons...or if she even went up to her apartment.
Yeah, but there had just been a shooting in her apartment and she was trying to avoid the police-- how could she not know they would be there or watching?

Friday would probably put a "the" in front of Jefferson Airplane.
The Rock and Roll promotes drug usage.

Maybe...but he was the one acting like a weasel the whole segment.
Love, American Style is very forgiving of the quirks and foibles of a flawed humanity. :rommie:

He can't, it's a TV season early. (And I did not know that he was David and Shaun's dad until I just now looked up the connection.)
He is, and he's another one of those guys, like John Colicos and Mark Peter Richman, who just looks evil.

This is the war that brought us jet aircraft, guided ballistic missiles, and nuclear weapons.
Yeah, huge changes came with that war.
 
_______

50th Anniversary Catch-Up Viewing

_______

Hawaii Five-O
"Three Dead Cows at Makapuu (Part 2)"
Originally aired March 4, 1970
Wiki said:
Five-O rush to find a test tube of "Q strain" which Dr. Kline has hidden and, if not found within 12 hours, will devastate Hawaii.


The recap is five minutes, which is more reasonable than some other shows in this era. After the credits, Steve arrives at the hospital in time to pull Sindell off of Kline. There's a bit of a debate between Kline and Kaye about whether what Kline seeks to accomplish is necessary given the safeguards that the government is taking, but Kline points out that they made a mistake with him. Outside the room, they debate how to get information out of Kline. McGarrett fills Wanda in on the truth of the situation and asks her to help convince Kline to cooperate. Once more, Kline emphatically urges her to get off the island.

The government brings in an interrogation expert, Dr. Malden (Ken Drake), whom Kline recognizes as "the great mind-bender". Alex is shot up with something and then left alone with Malden. The doctor pretends to be Kline's mother, but Alex resists, insisting that his mother is dead. While that avenue doesn't work, somehow between scenes Malden gets out of Kline that he's hidden the vial under a pier. McGarrett suggest a new tactic: letting Klein go so that he might lead them to the vial. In this part Steve boasts of the unlimited manpower at his disposal: the HPD, the National Guard...but does he have a pad?

Chin and Kono tail Kline, who visits Abel Morgan, then Wanda. She's had trouble getting transportation off the island, and wants to know why he's doing what he's doing. He tells her about a beehive he used to have and that what he's doing is for the good of the greater hive. He helps her get on a boat with some friends whom she tipped off, and Kline gets in an altercation with one of the passengers when he finds out who Kline is and what he's done, which tailing Steve and Danno break up. Then Wanda insists that she won't leave without Alex, because he's everything to her, and he realizes that he was "wrong...so wrong," and decides to lead McGarrett to where he hid the vial. But when they get to the pier in question, Kline finds that the vial is gone!

With only five hours to go, Kline gives Five-O some tips on how the virus can be destroyed if they find it. Kaye takes McGarrett aside and tells him that he wants it recovered intact, but Steve basically says "screw you, buddy". Meanwhile, we see the vial in the possession of a surfer living in a beach shack, who accidentally drops it and is exposed. Five-O has been scouring the area talking to local surfers and gets tipped off about this guy having been seen snooping around that pier. The surfer stumbles out of his hut toward a phone booth, with lesions appearing on his skin and his legs constantly giving out. He manages to call the operator and Five-O rushes to the booth. Alex also gets tipped off from the operator calling Wanda. Once the surfer's corpse is found and a grieving ladyfriend points them to his shack, Kline rushes there on foot ahead of McGarrett and the National Guard, finds the broken vial, and buries it in the sand outside to buy time. He calls for McGarrett to burn the hut, which a guardsman does with a flamethrower. Then he digs up the vial and they do the same with it. He dies on the beach while Five-O, the government officials, and a distraught Wanda can only watch, safely distanced.

_______

Dragnet 1970
"Missing Persons – The Body"
Originally aired March 5, 1970
Xfinity said:
Friday and Gannon must learn the identity of a young woman whose body is found off a pier.

Sgt. Joe Friday said:
This is the city: Los Angeles, California. I work here. I carry a badge.
Yeah, baby!

Thursday, May 13 (looking ahead to 1971, or back to 1965?): Friday and Gannon are working the day watch out of Detective Headquarters, Missing Persons section, when a Jane Doe is found under a Venice pier with her face badly damaged from her body being smashed against the pylons by the surf. Checking missing persons reports, the detectives find three possible matches, so they follow up on them. One of them has turned up. They see another's mother, Mrs. Campbell (Virginia Gregg), being careful not to tip her off as to why they're now trying to learn more about her. But Campbell's daughter calls while they're there, having ran off with a young man whom her family doesn't approve of, as the family had suspected in the first place. When Mrs. Campbell lists all of her daughter's negative qualities as reasons for not driving up to get her, Friday counters that she has one other quality: she's alive.

Lacking other clues, they focus on an unusual ring found on the body that they think may be imported. Putting a picture of it in the paper asking for identification, they learn that the only place it's sold in Southern California is a jewelry shop in the Farmers Market. (The intro with info about the Farmers Market would have been better used in this episode.) Walt Wright (John Nolan) tells them that it's imported from Syria, and leads them to two buyers. One is an older woman who's wearing hers. The other is a man who lives in a nice house, Thomas Dutcher (Anthony Eisley), who tells them that bought one for his wife. He seems suspiciously evasive about not wanting to go ask his wife, whom he says is in the shower, about the whereabouts of her ring. But eventually she comes out (Luana Patten) and is annoyed at the detectives, saying that she'd dropped her ring in the garbage disposal and was planning to replace it without her husband knowing.

Meanwhile, SID has managed to recover part of what was on a soaked wad of paper, enough to identify it as a boarding pass for Royal German Airlines. Airline representative Paul Overbeck (Ben Wright) is able to give them quite a bit of information based on a photo of what was recovered, determining that she'd checked in for a flight to Frankfurt but apparently never boarded. The detectives follow the possibility that she may have sent unclaimed luggage to Frankfurt. Some days later, an object of interest arrives from the Frankfurt police--a photograph of eight people, three of them blonde women. And as I saw coming a mile away (in part because he was the top-billed guest), one of the men in the photo is Thomas Dutcher.

Going back to question him about it, he identifies her as Inge Halstrom, a woman he'd been having an affair with, and confesses that he'd bought the ring for her, not his wife. His wife knew about the affair and they both lied to the detectives about it because they wanted to avoid scandal. He leads them to Inge's apartment, and tells them that the last he knew, she was supposed to be flying home. Everyone's left to assume that she committed suicide because Dutcher wouldn't leave his wife. Though Dutcher is innocent of any criminal wrongdoing (not having been under oath when he lied to the detectives), Friday can't help getting in some barbs at him.

The Announcer said:
Jane Doe, number 37, was positively identified as Inge Halstrom. The Coroner, as well as the next of kin, were so notified.

_______

Love, American Style
"Love and the Other Guy / Love and Grandma"
Originally aired March 6, 1970

This was the twenty-second episode aired; the YouTube video is numbered 12.


"Love and the Other Guy" opens with unmarried couple Eddie and Gloria (Corbett Monica and Donna Douglas) returning from having seen a production of Hamlet done in the nude--shades of The Magic Christian! Bill from upstairs (Gary Collins) comes by even though it's after 1:00 in the morning, and casually jaws with Gloria...then he realizes that she and Eddie want to be alone, so he heads off to bed...in Gloria's spare room! Eddie's none too happy to learn of the situation, and it doesn't help when Bill comes out of the bathroom and accidentally walks into Gloria's bedroom, because it's the same as his bedroom in his apartment. Eddie decides to make a point by calling a ladyfriend who's seeing somebody else and asking if he can stay at her place, but to his surprise she agrees, and he reconsiders Gloria's situation.

Later, back at his own place, Eddie wakes up to have a conversation with a more cynical side of himself in the mirror, which gets him worked back up, so that he decides to go back to Gloria's and raise a ruckus. Meanwhile, Bill has been woken in the middle of the night by loud music and takes a pill to go back to sleep...accidentally going to Gloria's room in his drowsy state and lying down next to her in her brass bed. Eddie comes knocking, Gloria gets up to answer the door--not noticing Bill--and then she insists on showing Eddie her bedroom to prove that there's nothing going on. At first she sees Bill and closes the door quickly. Then he insists on seeing who's in there, but doesn't find Bill in the room, and is satisfied...until he accidentally opens the closet door when leaving and finds Bill hiding. They explain the situation to Eddie and he seems to see reason...but on his way out he surreptitiously presses in the door locks so he can sneak back in afterward to keep an eye on things from the couch.


"Love and Grandma" features a young woman named Ruthie (Meredith MacRae) visiting her titular relative, Terry (Ruth McDevitt), at her retirement community, where Ruthie is surprised to be meet the man she's introduced to as Grandma's husband, John (Paul Ford). While Terry and John are out playing in a community miniature golf tournament, the handsome young manager, Oliver (Patrick Wayne), drops by with their checks. He's doesn't seem to know that the couple are married, and when pressed on the point, reveals that they've deliberately remained unmarried, in order to not lose some of their Social Security income. When Terry and John return, Ruthie tries to make excuses to leave, and ends up having a talk with her grandmother about the situation. When Terry sees how upset Ruthie is, she announces that she and John are going to get married. Ruthie's happy, but several of Terry and John's senior friends who've dropped by are shocked. Even Oliver's upset about it, and explains in private what the difference in income means to the couple's quality of life.

Terry and John have their friends over for the wedding, but Terry takes Ruthie aside and announces that she and John have decided not to get married because it upsets Ruthie so much, and that Terry will go to live a sister that she doesn't get along with. Ruthie takes back everything she said and encourages them to stay together. After Ruthie leaves, Terry and John announce to their friends that the wedding is off because Ruth bought their story, declaring that she was always a sucker!


This was another weak episode. "Grandma" had a decent premise, but they played it with too straight of a face, even having Terry admitting that she wouldn't be okay with Ruthie living with a man outside of wedlock. The segment could've used a more satirical approach that really played up the swapping of generational values.

_______

Finally, a decent title after a long drought.
So nice, they used it twice!

My first thought was aliens, but I know that's one place they won't go. :rommie:
Twelve seasons...I wouldn't be so sure. :shifty: The question is, which will we see first--aliens or Steve's pad?

This one's actually Asian, and doesn't just sound like it.

This is a great plot, but I wonder if Wanda will somehow make more sense in Part 2. And if they'll ever explain those cows.
My description of Wanda here was informed by my already having watched Part 2 by the time I posted the review for Part 1. As you could tell from the "...but it didn't" bits, Part 1 had a lot of elements that set off seasoned couch potato red flags, but didn't pay off as expected. Wanda was just an awkwardly obsessive romantic interest.

The cows are easy, though I didn't spell it out...they were a test on Kline's part.

I want to know more about the history of dogs in Los Angeles. :(
You wouldn't have gotten it this episode...it would've been some other, random thing.

Now I'm imagining Friday and Gannon making the rounds with their own pets: An old bulldog and a dour basset hound. :rommie:
Somebody must have done a cartoon of that...

DOGNET
WOOF-woof-WOOFWOOF!

...Karen Valentine!
Broderick Crawford! :p

ETA: Just read in this forum that Diana Rigg has passed away. :( She was 82.
 
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but Kline points out that they made a mistake with him.
They sure did.

Alex is shot up with something and then left alone with Malden.
This strikes me as possibly illegal.

McGarrett suggest a new tactic: letting Klein go so that he might lead them to the vial.
Or away from it, as fast as he can possibly travel.

In this part Steve boasts of the unlimited manpower at his disposal: the HPD, the National Guard...but does he have a pad?
Stephen Aloysius McGarrett has no time for a pad!

Then Wanda insists that she won't leave without Alex, because he's everything to her
Wanda needs a great mind-bender herself.

He dies on the beach while Five-O, the government officials, and a distraught Wanda can only watch, safely distanced.
"Cook 'im, Danno."

This was a pretty good adventure, but I think it could have used another draft, and Wanda could have used some backstory or motivation. And how did Kline survive his first exposure to the virus or nerve toxin or whatever it was supposed to be? Or was that illness unrelated?

Friday counters that she has one other quality: she's alive.
Friday cuts right through the BS.

Lacking other clues
No leads on the third missing person?

Putting a picture of it in the paper asking for identification
You'd think they'd have some jewelry experts they could turn to.

Some days later, an object of interest arrives from the Frankfurt police
Between this and the newspaper ad, this episode takes place over quite a long period of time.

Everyone's left to assume that she committed suicide because Dutcher wouldn't leave his wife.
That's a hell of an assumption. The half hour must be up.

This was the twenty-second episode
That's pretty short. Haha. Never mind.

he heads off to bed...in Gloria's spare room!
Too lazy to go all the way back upstairs?

until he accidentally opens the closet door when leaving and finds Bill hiding.
I guess Bill has a sixth sense about these things.

Terry (Ruth McDevitt)
Miss Emily from Night Stalker!

After Ruthie leaves, Terry and John announce to their friends that the wedding is off because Ruth bought their story, declaring that she was always a sucker!
You go, granny. :rommie:

This was another weak episode. "Grandma" had a decent premise, but they played it with too straight of a face, even having Terry admitting that she wouldn't be okay with Ruthie living with a man outside of wedlock. The segment could've used a more satirical approach that really played up the swapping of generational values.
I'd have to see it again to refresh my memory, but I do remember seeing it back in the day. The part about the Social Security made a big impression on me. In fact, this may be how I learned about Social Security.

Twelve seasons...I wouldn't be so sure. :shifty: The question is, which will we see first--aliens or Steve's pad?
It would be so cool if Steve was an alien who lived in a flying saucer. :rommie:

This one's actually Asian, and doesn't just sound like it.
Well, our guy is a few generations later.

Wanda was just an awkwardly obsessive romantic interest.
That's what I thought. Not even much of a red herring. She needed a little backstory or motivation.

The cows are easy, though I didn't spell it out...they were a test on Kline's part.
Also awkward, but in keeping with his erratic nature, I guess. I don't know why he wouldn't do his testing in a lab, especially if it was really a virus (but that part seemed unclear to me).

You wouldn't have gotten it this episode...it would've been some other, random thing.
True. :rommie:

Somebody must have done a cartoon of that...
I was thinking it would have made a good Warner Brothers cartoon-- and maybe was.

Broderick Crawford! :p
:rommie:

ETA: Just read in this forum that Diana Rigg has passed away. :( She was 82.
Yeah, I found out last night. Another great hero of my childhood is gone. :(
 
55 Years Ago This Week

Mark Lewisohn's The Beatles Day by Day said:
September 13 – Ringo and Maureen's first child, a boy named Zak by his father, is born one month prematurely at Queen Charlotte's Hospital, London. Cornered by the press with the inevitable question, Ringo declares 'I won't let Zak be a drummer!' Less than 20 years later Zak proves his father wrong.
Pic here.
Wiki said:
September 14
  • The fourth and final period of the Second Vatican Council opens.
  • The infamous "bad sitcom" My Mother the Car premieres on NBC.
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September 16
  • China protests against Indian provocations in its border region.
  • In Iraq, Prime Minister Arif Abd ar-Razzaq's attempted coup fails.
September 17 – King Constantine II of Greece forms a new government with Prime Minister Stephanos Stephanopoulos, in an attempt to end a 2-year-old political crisis.
September 18
  • In Denmark, Palle Sørensen shoots 4 policemen in pursuit; he is apprehended the same day.
  • Comet Ikeya–Seki is first sighted by Japanese astronomers.
  • Soviet Premier Alexei Kosygin invites the leaders of India and Pakistan to meet in the Soviet Union to negotiate.



Selections from Billboard's Hot 100 for the week:
1. "Help!," The Beatles
2. "Eve of Destruction," Barry McGuire
3. "Like a Rolling Stone," Bob Dylan
4. "You Were on My Mind," We Five
5. "Catch Us If You Can," The Dave Clark Five
6. "The 'In' Crowd," The Ramsey Lewis Trio
7. "Hang on Sloopy," The McCoys
8. "It Ain't Me Babe," The Turtles
9. "I Got You Babe," Sonny & Cher
10. "Heart Full of Soul," The Yardbirds
11. "Unchained Melody," The Righteous Brothers
12. "Papa's Got a Brand New Bag, Part I," James Brown & The Famous Flames
13. "Action," Freddy Cannon
14. "Laugh at Me," Sonny
15. "California Girls," The Beach Boys
16. "You've Got Your Troubles," The Fortunes
17. "Hold Me, Thrill Me, Kiss Me," Mel Carter
18. "We Gotta Get Out of This Place," The Animals
19. "It's the Same Old Song," Four Tops
20. "The Tracks of My Tears," The Miracles

22. "Baby Don't Go," Sonny & Cher
23. "Nothing but Heartaches," The Supremes
24. "Agent Double-O-Soul," Edwin Starr
25. "Since I Lost My Baby," The Temptations
26. "Treat Her Right," Roy Head & The Traits
27. "Summer Nights," Marianne Faithfull
28. "Do You Believe in Magic," The Lovin' Spoonful
29. "Sad, Sad Girl," Barbara Mason
30. "Down in the Boondocks," Billy Joe Royal
31. "Liar, Liar," The Castaways
32. "I'm Yours," Elvis Presley

35. "Ride Away," Roy Orbison

39. "In the Midnight Hour," Wilson Pickett
40. "Shake and Fingerpop," Jr. Walker & The All Stars

42. "Just You," Sonny & Cher
43. "Some Enchanted Evening," Jay & The Americans
44. "Baby, I'm Yours," Barbara Lewis

49. "All I Really Want to Do," Cher

59. "Keep On Dancing," The Gentrys

61. "Colours," Donovan

64. "Just a Little Bit Better," Herman's Hermits

67. "I Want to (Do Everything for You)," Joe Tex

70. "Respect," Otis Redding
71. "There but for Fortune," Joan Baez

88. "Make Me Your Baby," Barbara Lewis
89. "Not the Lovin' Kind," Dino, Desi & Billy
90. "You're the One," The Vogues

92. "I Knew You When," Billy Joe Royal

93. "A Lover's Concerto," The Toys


Leaving the chart:
  • "(I Can't Get No) Satisfaction," The Rolling Stones (14 weeks)
  • "I'm a Fool," Dino, Desi & Billy (12 weeks)
  • "Ju Ju Hand," Sam the Sham & The Pharaohs (7 weeks)
  • "Save Your Heart for Me," Gary Lewis & The Playboys (11 weeks)

New on the chart:

"Not the Lovin' Kind," Dino, Desi & Billy
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(#25 US)

"I Knew You When," Billy Joe Royal
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(#14 US)

"Just a Little Bit Better," Herman's Hermits
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(#7 US; #15 UK)

"You're the One," The Vogues
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(#4 US)


And new on the boob tube:
  • The Ed Sullivan Show, Season 18, episode 1
  • Branded, "Judge Not" (Season 2 premiere)
  • 12 O'Clock High, "The Loneliest Place in the World" (Season 2 premiere)
  • Gilligan's Island, "Gilligan's Mother-in-Law" (Season 2 premiere)
  • The Wild Wild West, "The Night of the Inferno" (series premiere)
  • Hogan's Heroes, "The Informer" (series premiere)
  • Get Smart, "Mr. Big" (series premiere)
All scheduled to be covered in six months, as 55.5th Anniversary Viewing, though I'll continue listing them in this post as they come up.

And yes, The Wild Wild West, Hogan's Heroes, and Get Smart all premiered this week...but what made it into the Wiki timeline...?

_______

This strikes me as possibly illegal.
Overseen by a member of the Executive Branch in 1970? Who'da thunk?

Or away from it, as fast as he can possibly travel.
He was definitely not concerned with saving himself.

"Cook 'im, Danno."
Ooooh...ouch. :ouch:

And how did Kline survive his first exposure to the virus or nerve toxin or whatever it was supposed to be? Or was that illness unrelated?
I think he may have just been suffering from nerves or something.

No leads on the third missing person?
They mighta handwaved that one away and I missed it...they sure read those teleprompters fast.

Between this and the newspaper ad, this episode takes place over quite a long period of time.
It does. I don't normally keep track of the dates after the introductory one, but they skipped weeks more than once during the voiceovers. I think as much as a couple of months elapsed altogether.

That's a hell of an assumption. The half hour must be up.
And IIRC, Dutcher had an alibi for his whereabouts that night.

That's pretty short. Haha. Never mind.
https://www.youtube.com/watch?v=CQeezCdF4mk

Too lazy to go all the way back upstairs?
Or, I was too lazy/forgetful to note that his apartment was being repaired or renovated, and he was staying in her spare room temporarily.

It would be so cool if Steve was an alien who lived in a flying saucer. :rommie:
I later had the same thought! :lol: Maybe he bunks down in a pod on the mothership!

Not even much of a red herring. She needed a little backstory or motivation.
Her operator buddy did paint her as the type who had a thing for picking up strays.

I don't know why he wouldn't do his testing in a lab, especially if it was really a virus (but that part seemed unclear to me).
Pretty sure they described it as a virus...there's a reason I kept typing it that way. He was working on it covertly under an alias, so he couldn't exactly test it on the job. Early on they were speculating that he'd found a way to disperse it in aerosol form, though that didn't play into how he actually planned to unleash it. The idea is that it was growing in the vial, which would eventually burst.
 
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"Not the Lovin' Kind," Dino, Desi & Billy
About average.

"I Knew You When," Billy Joe Royal
Ditto.

"Just a Little Bit Better," Herman's Hermits
It has that nice Hermits sound, but it's not their best.

"You're the One," The Vogues
This is a goodie.

And yes, The Wild Wild West, Hogan's Heroes, and Get Smart all premiered this week...but what made it into the Wiki timeline...?
My Mother, The Car? I don't think I've ever seen a complete episode, but it's another one for the I Dream of Jeannie and My Favorite Martian category, that I still wish I could think of a pithy name for.

Overseen by a member of the Executive Branch in 1970? Who'da thunk?
I know, right? I'm disillusioned.

He was definitely not concerned with saving himself.
Ah, a suicide bomber.

Ooooh...ouch. :ouch:
:D

I think he may have just been suffering from nerves or something.
Okay, a nervous breakdown fits the characterization.

Or, I was too lazy/forgetful to note that his apartment was being repaired or renovated, and he was staying in her spare room temporarily.
Ahhh.

I later had the same thought! :lol: Maybe he bunks down in a pod on the mothership!
See, any show can be improved with a little Sci Fi. :rommie:

Her operator buddy did paint her as the type who had a thing for picking up strays.
Hopefully this experience taught her a thing or two. :rommie:

Pretty sure they described it as a virus...there's a reason I kept typing it that way. He was working on it covertly under an alias, so he couldn't exactly test it on the job. Early on they were speculating that he'd found a way to disperse it in aerosol form, though that didn't play into how he actually planned to unleash it. The idea is that it was growing in the vial, which would eventually burst.
Sounds like a fungus or something, but that's a nice tension builder.
 
50 Years Ago This Week

Wiki said:
September 13
  • The covert incursion of Operation Tailwind is instigated by the American forces in southeast Laos.
  • The first New York City Marathon begins.
September 15 – King Hussein of Jordan forms a military government with Muhammad Daoud as the prime minister.
September 17 – "Black September": King Hussein of Jordan orders the Jordanian Armed Forces to oust Palestinian fedayeen from Jordan.
September 18 – American musician Jimi Hendrix dies at age 27 from an overdose of sleeping pills.
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September 19
  • The first Glastonbury Festival is held, at a farm belonging to Michael Eavis.
  • Kostas Georgakis, a Greek student of geology, sets himself ablaze in Matteotti Square in Genoa, Italy, as a protest against the dictatorial regime of Georgios Papadopoulos.



Selections from Billboard's Hot 100 for the week:
1. "Ain't No Mountain High Enough," Diana Ross
2. "War," Edwin Starr
3. "Lookin' Out My Back Door" / "Long as I Can See the Light", Creedence Clearwater Revival
4. "Patches," Clarence Carter
5. "Julie, Do Ya Love Me," Bobby Sherman
6. "25 or 6 to 4," Chicago
7. "In the Summertime," Mungo Jerry
8. "(They Long to Be) Close to You," Carpenters
9. "Candida," Dawn
10. "Make It with You," Bread
11. "Don't Play That Song," Aretha Franklin w/ The Dixie Flyers
12. "Cracklin' Rosie," Neil Diamond
13. "Snowbird," Anne Murray
14. "(I Know) I'm Losing You," Rare Earth
15. "I (Who Have Nothing)," Tom Jones
16. "Spill the Wine," Eric Burdon & War
17. "Groovy Situation," Gene Chandler
18. "Rubber Duckie," Ernie (Jim Henson)
19. "Signed, Sealed, Delivered I'm Yours," Stevie Wonder
20. "All Right Now," Free
21. "Hand Me Down World," The Guess Who
22. "Hi-De-Ho," Blood, Sweat & Tears
23. "Solitary Man," Neil Diamond
24. "(If You Let Me Make Love to You Then) Why Can't I Touch You?," Ronnie Dyson
25. "It's a Shame," The Spinners
26. "Express Yourself," Charles Wright & The Watts 103rd Street Rhythm Band
27. "Neanderthal Man," Hotlegs
28. "Joanne," Michael Nesmith & The First National Band
29. "Everybody's Got the Right to Love," The Supremes
30. "Long Long Time," Linda Ronstadt
31. "Closer to Home (I'm Your Captain)," Grand Funk Railroad

33. "Out in the Country," Three Dog Night
34. "Look What They've Done to My Song, Ma," The New Seekers feat. Eve Graham
35. "Indiana Wants Me," R. Dean Taylor
36. "Lola," The Kinks
37. "That's Where I Went Wrong," The Poppy Family feat. Susan Jacks

39. "Green-Eyed Lady," Sugarloaf
40. "I'll Be There," Jackson 5
41. "Overture from Tommy (A Rock Opera)," The Assembled Multitude
42. "It's Only Make Believe," Glen Campbell

45. "El Condor Pasa (If I Could)," Simon & Garfunkel
46. "Still Water (Love)," Four Tops

50. "Fire and Rain," James Taylor

52. "Somebody's Been Sleeping," 100 Proof (Aged in Soul)

59. "Yellow River," Christie
60. "Riki Tiki Tavi," Donovan

64. "Stand by Your Man," Candi Staton
65. "We've Only Just Begun," Carpenters

68. "Funk #49," James Gang
69. "Uncle John's Band," The Grateful Dead

71. "For the Good Times," Ray Price

73. "Gypsy Woman," Brian Hyland

77. "Deeper & Deeper," Freda Payne

80. "Montego Bay," Bobby Bloom

84. "Our House," Crosby, Stills, Nash & Young

93. "Border Song," Elton John

100. "Alone Again Or," Love


Leaving the chart:
  • "Get Up (I Feel Like Being Like a) Sex Machine (Part 1)," James Brown (9 weeks)
  • "I Just Can't Help Believing," B. J. Thomas (13 weeks)
  • "Monster Mash," Bobby "Boris" Pickett & The Crypt-Kickers (3 weeks)
  • "Tell It All Brother," Kenny Rogers & The First Edition (11 weeks)

New on the chart:

"Our House," Crosby, Stills, Nash & Young
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(#30 US; #20 AC)

"I'll Be There," Jackson 5
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(#1 US the weeks of Oct. 17 through Nov. 14, 1970; #24 AC; #1 R&B; #4 UK)


And new on the boob tube:
  • Rowan & Martin's Laugh-In, Season 4, episode 1
  • Hawaii Five-O, "And a Time to Die…" (Season 3 premiere)
  • Ironside, "A Killing Will Occur" (Season 4 premiere)
  • Mission: Impossible, "The Killer" (Season 5 premiere)
  • Adam-12, "Log 174: Loan Sharks" (Season 3 premiere)
  • The Mary Tyler Moore Show, "Love Is All Around" (series premiere)
All to be covered...now! (Well, in a week or so, I guess...)

_______

About average.
You're being too kind.

Now this is a nice little oldies radio classic.

It has that nice Hermits sound, but it's not their best.
We'll be getting a lot of those from the Hermits going forward...songs that were legitimate hits in the day, but that oldies radio forgot.

This is a goodie.
Another ORC.

My Mother, The Car? I don't think I've ever seen a complete episode, but it's another one for the I Dream of Jeannie and My Favorite Martian category, that I still wish I could think of a pithy name for.
Not quite pithy, but I'd just refer to them as fantasy sitcoms.
 
"Our House," Crosby, Stills, Nash & Young
Here's a song that I really love. It's also very nostalgic for me-- it reminds me of Love, American Style and Room 222.

"I'll Be There," Jackson 5
And this is a classic.

All to be covered...now! (Well, in a week or so, I guess...)
You're doing Mary Tyler Moore? Cool.

Now this is a nice little oldies radio classic.
Must be regional or something. I didn't even recognize it.

Not quite pithy, but I'd just refer to them as fantasy sitcoms.
Yeah, but of a specific type where a fantasy character lives with a normal person, and must be kept secret. I Dream of Jeannie, Bewitched, My Favorite Martian, Nanny and the Professor. Also, My Mother, The Car and Living Doll. Probably others I'm forgetting. Later on, Mork & Mindy. Perfect Strangers may qualify, except the character was from a fictional country, yet had no fantastic qualities (maybe there's a Mission: Impossible connection).
 
55th Anniversary Album Spotlight

Highway 61 Revisited
Bob Dylan
Released August 30, 1965
Chart debut: October 2, 1965
Chart peak: #3; November 6, 1965
#4 on Rolling Stone's 500 Greatest Albums of All Time
Wiki said:
Highway 61 Revisited is the sixth studio album by American singer-songwriter Bob Dylan, released on August 30, 1965 by Columbia Records. Having until then recorded mostly acoustic music, Dylan used rock musicians as his backing band on every track of the album, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural chaos of contemporary America.


The LP that ranks on the Rolling Stone list below only Sgt. Pepper, Pet Sounds, and Revolver--and immediately above Rubber Soul--opens with the single that tops the Rolling Stone songs list, "Like a Rolling Stone" (charted July 24, 1965; #2 US; #4 UK; #1 on Rolling Stone's 500 Greatest Songs of All Time):
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Wiki said:
"Like a Rolling Stone" completed the transformation of Dylan's image from folk singer to rock star, and is considered one of the most influential compositions in postwar popular music.
Wiki said:
[Mark] Polizzotti writes that the composition is notable for eschewing traditional themes of popular music, such as romance, and instead expresses resentment and a yearning for revenge. It has been suggested that Miss Lonely, the song's central character, is based on Edie Sedgwick, a socialite and actress in the Factory scene of pop artist Andy Warhol. Critic Mike Marqusee has written that this composition is "surely a Dylan cameo", and that its full poignancy becomes apparent upon the realization that "it is sung, at least in part, to the singer himself: he's the one 'with no direction home'."
Despite its length, the song is Dylan's most commercially successful release, remaining in the US charts for 12 weeks, where it reached number 2. The song that held it from the top spot was the Beatles' "Help!".
Dylan's contemporaries in 1965 were both startled and challenged by the single. Paul McCartney remembered going around to John Lennon's house in Weybridge to hear the song. According to McCartney, "It seemed to go on and on forever. It was just beautiful ... He showed all of us that it was possible to go a little further."


Next up is Dylan's latest in a line of crazy, sprawling story songs, "Tombstone Blues," which Wiki describes as a "fast-paced, two-chord blues song...driven by Michael Bloomfield's lead guitar" that "uses a parade of historical characters...to sketch an absurdist account of contemporary America."

"It Takes a Lot to Laugh, It Takes a Train to Cry," described as "an acoustic/electric blues song" that "is made up of lines taken from older blues songs combined with Dylan's own lyrics," is the closest thing to a love ballad on the album, though it's not one of his gentler ones.
Wiki said:
Rather than the aggression of some of the other songs Dylan wrote during this time, "It Takes a Lot to Laugh, It Takes a Train to Cry" reflects world-weary resignation. The imagery is sexual, and the song can be interpreted as an allegory of someone who is sexually frustrated.


Following that is "From a Buick 6," which Wiki describes as "a raucous blues song played recklessly by a band that included Al Kooper on organ and Mike Bloomfield on guitar." This enjoyably upbeat number about a heat-packing "graveyard woman" who sees to the narrator's various needs will be used as the B-side of "Positively 4th Street".

The first side closes with the dour, brilliant-but-enigmatic "Ballad of a Thin Man," previously known to me for being referenced by John Lennon in "Yer Blues" on the White Album:
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Wiki said:
Dylan's song revolves around the mishaps of a Mr. Jones, who keeps blundering into strange situations, and the more questions he asks, the less the world makes sense to him. Critic Andy Gill called the song "one of Dylan's most unrelenting inquisitions, a furious, sneering, dressing-down of a hapless bourgeois intruder into the hipster world of freaks and weirdoes which Dylan now inhabited."
This song features the most attention-grabbing lyric on the album--only Dylan could have the balls to rhyme "tax-deductible charity organizations"! :guffaw:

Side two opens with the more upbeat "Queen Jane Approximately," which will later be the B-side of "One of Us Must Know (Sooner or Later)" from Blonde on Blonde.
Wiki said:
"Queen Jane Approximately" has the singer criticizing the subject of the song, warning her of an imminent fall from grace. Although the song covers similar ground to "Like a Rolling Stone", "Queen Jane Approximately" is gentler and shows the subject some compassion. The main point of criticism is that the subject lives in an inauthentic world filled with superficial attitudes and people and meaningless, ritualized proprieties. However, the singer also invites the subject to come and see him if and when she is willing to break away from her superficial diversions and engage in an honest, authentic experience, or when she needs someone to ultimately pick up the pieces.
Some speculate that the song is about Joan Baez and her connection to the folk scene that Dylan had left behind at this point, though Dylan has reportedly said that it was about a man.

Easily the album's most welcomely playful track is its title song, "Highway 61 Revisited," which will be used as the B-side of between-albums single "Can You Please Crawl Out Your Window?". Already in my collection for several years from being #364 on Rolling Stone's 500 Greatest Songs of All Time, this is perhaps the ultimate achievement among Dylan's rambling, crazy, surreal story songs, overflowing with colorful characters and situations.
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"Just Like Tom Thumb's Blues" gives us a mellower flavor of rambling story song that, to my ear, anticipates the country rock subgenre:
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Wiki said:
"Just Like Tom Thumb's Blues" has six verses but no chorus. The song's lyrics describe a vision of the narrator's experiences in Juarez, Mexico, where he encounters poverty, sickness, despair, available women, indifferent authorities, alcohol and drugs before finally deciding to return to New York City.


The album closes with "Desolation Row," which according to Wiki, "has been noted for its length (11:21) and surreal lyrics in which Dylan weaves characters from history, fiction, the Bible and his own invention into a series of vignettes that suggest entropy and urban chaos."
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According to Wiki, this was the longest song in popular music at the time. It ranks #185 on Rolling Stone's 500 Greatest Songs of All Time, but hadn't previously been in my collection because iTunes won't let you purchase songs longer than 10 minutes as individual tracks. The opening line, "They're selling postcards of the hanging," is believed to reference a 1920 lynching in Duluth, Minnesota, where Dylan was from. The line "At midnight all the agents..." was used as the title of the first chapter of Watchmen.


Wiki said:
Positively received on release, the album has since been described as one of Dylan's best works and among the greatest albums of all time.
Highway 61 Revisited has remained among the most highly acclaimed of Dylan's works. Biographer Anthony Scaduto praises its rich imagery, and describes it as "one of the most brilliant pop records ever made. As rock, it cuts through to the core of the music—a hard driving beat without frills, without self-consciousness." Michael Gray calls Highway 61 "revolutionary and stunning, not just for its energy and panache but in its vision: fusing radical, electrical music ... with lyrics that were light years ahead of anyone else's; Dylan here unites the force of blues-based rock'n'roll with the power of poetry. The whole rock culture, the whole post-Beatle pop-rock world, and so in an important sense the 1960s started here." In the opinion of PopMatters critic Hank Kalet, the album was the most "electrifying" rock and roll record ever and "one of a handful of albums (including the Beatles' Rubber Soul and Revolver) that gave literate rockers the green light to create a kind of intelligent, probing rock music that had not existed before".
In 2003, Rolling Stone magazine described Highway 61 as "one of those albums that changed everything".


As acclaimed as this album is, it suffers a bit from "middle chapter syndrome" in Dylan's "rock trilogy" for me, as his subsequent album, Blonde on Blonde, was my first Dylan album purchase a couple years back. This one didn't really pop for me on first listen the way that album, The Freewheelin' Bob Dylan, and Bringing It All Back Home did. It didn't strike me as being as well-rounded or as downright fun as some of his other albums. And it didn't have that mesmerizing, "let it play over and over" quality that his previous albums did...at least not at first. But listening to it in the context of its times, it's definitely a major step forward; and I find that it grows with listening...such that the following passage on the album's Wiki page resonates with my experience:
Among Dylan's contemporaries, Phil Ochs was impressed by Highway 61, explaining: "It's the kind of music that plants a seed in your mind and then you have to hear it several times. And as you go over it you start to hear more and more things. He's done something that's left the whole field ridiculously in the back of him."


So now I have all of all of Dylan's '60s albums except his first one, which is generally considered to be an unnoteworthy debut, though I find myself inclined to go back and get it anyway.

_______

Right after temporarily leaving DS, Karlen guest starred as a conflicted reporter on the original N.Y.P.D. series, which--by the way--was shot at the same New York-based ABC studios as Dark Shadows.
Yesterday I caught this episode in the background, as Decades is doing an N.Y.P.D. Binge. It was a kick, because if I've seen him in anything else, it wasn't so close to when he did Dark Shadows. And as it's a half-hour series, it looks like they've looped back around this morning to a few episodes past it, and an appearance by Mitchell Ryan.

I guess being produced in New York would explain why I'm not seeing a lot of actors that I'd recognize from other shows of the era. The most noteworthy recognizable guest face to pop up has been Roy Scheider, before he was anybody.

ETA: Woah--Al Pacino!

ETA: And there's our pal Martin Sheen...clean-shaven.

ETA: Looks like Mitchell Ryan's back in another episode...though the episode information for this series on IMDb is woefully incomplete.

ETA: Andrew Robinson.

ETA: James Earl Jones!

Here's a song that I really love. It's also very nostalgic for me-- it reminds me of Love, American Style and Room 222.
The former is an interesting association. (Not personally familiar with the latter.) A pleasant if fluffy number for me. I recall years back hearing/seeing CSN referred to as "bubblegum for adults".

And this is a classic.
Very nice...and damned smooth.

You're doing Mary Tyler Moore? Cool.
Purty sure I mentioned that before. Because of DVR tightness, I've currently only got the first season stashed away, and am relying on Decades keeping it on its 10-episodes-a-week schedule to pick up the next season when I need it.
 
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