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The Classic/Retro Pop Culture Thread

55th Anniversary Album Spotlight
England's Newest Hit Makers, The Rolling Stones
The Rolling Stones
Released May 30, 1964
Chart debut: June 27, 1964
Chart peak: #11, August 22, 1964

Their first American LP opens with a cover that wasn't on its British counterpart, the Stones' not-too-impressive American single chart debut, a Bo Diddley-flavored cover of Buddy Holly's "Not Fade Away":

I thought their version of the Holly standard was inventive with Jones's cut-loose harmonica, which made the song their own--it had a different energy than the original.

The first side closes with "Little by Little," credited to Nanker Phelge and Phil Spector. Containing words and phrases, this gives us our first full taste of an original Stones song...and it's not bad.

Good in that it shows potential for the band to do more than successful covers in a confident manner.

It's back to the blues for the opening of side two, "I'm a King Bee," written and originally recorded by Slim Harpo (James Moore) in 1957. The Stones' recording has a certain atmosphere/attitude to it, but it lacks the attention-grabbing energy of say...

But its in keeping with the musical atmosphere of this period of the band, and overall, its refreshing to revisit this period of the group, when they were raw and challenging themselves.

"Tell Me," the Stones' second single in the States, is the only song on the album with a Jagger/Richards writing credit. As such, its distinct sound shows a certain promise of stronger compositions to come.
(Charted July 4, 1964; #24 US)

A song that in truth, should have been credited to the bad, as the longer version of this song, with the guitar solo bridge was said (I believe by pre/early Stones bassist & confidant Dick Taylor) to be the work of Jones.
 
As with The Beatles, the amount of covers is amazing.

Their first American LP opens with a cover that wasn't on its British counterpart, the Stones' not-too-impressive American single chart debut, a Bo Diddley-flavored cover of Buddy Holly's "Not Fade Away":
I do like this.

This is followed by the British album's opener, their enjoyable rendition of the 1946 classic "Route 66," which was written by Bobby Troup (later Dr. Early on Emergency!)
What th--? :rommie:

The first side closes with "Little by Little," credited to Nanker Phelge and Phil Spector. Containing words and phrases, this gives us our first full taste of an original Stones song...and it's not bad.
The Origin of The Rolling Stones!

"Tell Me," the Stones' second single in the States, is the only song on the album with a Jagger/Richards writing credit. As such, its distinct sound shows a certain promise of stronger compositions to come.
Or is this the Origin of the Rolling Stones? Hmm....
 
50th Anniversary Viewing

Scooby Doo, Where Are You!
"What a Night for a Knight"
Originally aired September 13, 1969
Series premiere
Wiki said:
While walking home from the movies, Shaggy and Scooby-Doo discover a black suit of armor in a pickup truck, and the gang deliver it to the local museum. The kids later break into the museum to search for clues, after learning that the archaeologist who was transporting the suit is missing, and they find that the knight's armor has come to life.

OK, I don't plan to cover the whole series as 50th anniversary business, but since it came up in the Wiki timeline and is available on YouTube (broken into parts), I figured what the hell, why not check out the first episode in commemoration of its anniversary?

Dogs are allowed in the theater, apparently. Shaggy and Scooby find the suit of armor in the driver's seat of the truck. When the gang goes to investigate at the museum, Scooby finds a pair of jeweler's glasses, also used by archaeologists, on a statue in the museum. This combined with being told of the disappearance of the archaeologist, Prof. Hyde White, motivates the gang to take their investigation further. Apparently being meddlesome kids involves breaking and entering into museums on a hunch.

Daphne said:
Don't worry, Shaggy's the swingingest gymnast in school!
Huh, wouldn't have taken him for the athletic type. Shaggy also demonstrates skill in ventriloquism to create a distraction.

After the armor starts roaming around (with only Shaggy and Scooby seeing it, of course), Shaggy notices a picture temporarily missing from the wall. The gang then find a secret room behind a mummy case where paintings are being copied.

Of course, all sorts of over-the-top cartoon hijinks ensue, culminating in Shaggy and Scooby not only getting a biplane that was on display in the museum running, but flying it back and forth through the museum! There's a small concession to verisimilitude when the wings are ripped off as they're moving between exhibit halls.

From the description, I initially called that the missing archaeologist, Prof. Hyde White, was in the armor. But it turned out to be the curator, Mr. Wickles...which makes some sense, since we met him onscreen early in the episode, whereas Hyde White wasn't found (tied up and camouflaged as a display) until the coda. (We saw him driving the truck in the first scene of the episode, but he wasn't clearly identified.)

Unlike many an early installment of a live action series, most of the classic elements are in place from the get-go: The Mystery Machine, Scooby Snacks, the gang splitting up at the first opportunity, Zoinks! Was Thelma losing her glasses a regular thing? We didn't get an "And I would have gotten away with it too, if not for you meddlesome kids!" My practical memory of the show from childhood being pretty hazy, I have to wonder how often that actually came up...it certainly has become a widely spoofed quote. Also, I didn't notice whether or not we got a "Ruh-roh!"

It was probably pretty common in the Saturday morning programs of my day, but it's kind of weird to hear a laugh track in a cartoon. "Scooby Doo was drawn before a live studio audience."

_______

Pre-ordered the 50th anniversary edition of Abbey Road on iTunes this weekend, and got the preview tracks. "Something" is more gorgeous than ever in remastered form, especially in earbuds:
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Also available in advance:
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This time they're not doing a regular edition, deluxe edition, and super deluxe edition, they're just doing regular and super deluxe, and the super deluxe is only $30, so I'm getting that. The Super Deluxe Edition of The White Album was $70!

_______

As with The Beatles, the amount of covers is amazing.
In the Beatles' defense, their originally sequenced early British albums tended to consist of less than half covers. On the Stones' debut album, only three of twelve are original, and they're not directly owning up to two of them.

What th--? :rommie:
Could've sworn that had come up in these parts before, or maybe The Other Thread back in the day. Probably in relation to the Route 66 TV show.

The Origin of The Rolling Stones!
Or is this the Origin of the Rolling Stones? Hmm....
Rocketed to Earth on a radioactive rolling stone...
 
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Scooby Doo, Where Are You!
Yay!

OK, I don't plan to cover the whole series as 50th anniversary business
Boo!

Huh, wouldn't have taken him for the athletic type.
He was a lot younger then.

Was Thelma losing her glasses a regular thing?
I seem to remember that happening a few times.

We didn't get an "And I would have gotten away with it too, if not for you meddlesome kids!"
I think that was probably played up more in later shows, like Fred's pathological obsession with traps, but I could be wrong.

It was probably pretty common in the Saturday morning programs of my day, but it's kind of weird to hear a laugh track in a cartoon. "Scooby Doo was drawn before a live studio audience."
Maybe it's a cartoon audience-- composed of all the other Hanna-Barbera characters.

"Something" is more gorgeous than ever in remastered form, especially in earbuds:
Ahhh....

Also available in advance:
Also very nice.

In the Beatles' defense, their originally sequenced early British albums tended to consist of less than half covers. On the Stones' debut album, only three of twelve are original, and they're not directly owning up to two of them.
Definitely kind of a slow start.

Could've sworn that had come up in these parts before, or maybe The Other Thread back in the day. Probably in relation to the Route 66 TV show.
Yeah, I probably forgot. You know how it is. :rommie:
 
55th Anniversary Album Spotlights

A Hard Day's Night
The Beatles
Released June 26, 1964 (US version); July 10, 1964 (UK version)
US chart debut: July 18, 1964
US chart peak: #1, July 25 through October 24, 1964
#388 on Rolling Stone's 500 Greatest Albums of All Time (UK version)
AHDN_UScover.jpg
Wiki said:
A Hard Day's Night is the third studio album by the English rock band the Beatles, released on 10 July 1964, with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing.
The American version of the album was released on 26 June 1964 by United Artists Records in both mono and stereo, the fourth Beatles album in the United States. The album went to number one on the Billboard album chart, spending 14 weeks there, the longest run of any album that year.

All seven songs from the film, the first side of the UK album, were featured along with "I'll Cry Instead", which, although written for the film, was cut at the last minute. The American version also included four easy listening-styled instrumental versions of Lennon and McCartney songs arranged by George Martin conducting an orchestra of studio musicians: "I Should Have Known Better", "And I Love Her", "Ringo's Theme", and "A Hard Day's Night".

The UK version is my easy favorite among the Fabs' pre-Rubber Soul albums, containing as it does all Lennon-McCartney originals. But the American version (which I don't own, so I'm going by the track listing on Wiki) dispenses with five non-soundtrack songs from side two of the UK version in favor of four George Martin instrumentals...and what was kept was resequenced, of course.

It begins, as do the UK album and the film, with the title song, "A Hard Day's Night" (charted July 18, 1964; #1 US the weeks of Aug. 1 and 8, 1964; #1 UK; #153 on Rolling Stone's 500 Greatest Songs of All Time).

This is followed by "Tell Me Why," which is noteworthy for being the only song from the film that wasn't released as a single or B-side in the States, and I can understand why. While it's a perfectly enjoyable, energetic, poppy number, it always seemed relatively undistinguished to me compared to the surrounding material in the film and on the album. That being the case, it seemed better placed to me on the UK version as the penultimate song on side one.
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Next is the one non-film song on the album, "I'll Cry Instead" (charted Aug. 1, 1964; #25 US), which was the second song on side two in the UK.

The US album then gives us our first George Martin instrumental, a rendition of "I Should Have Known Better". The last actual Beatles song on side one is George's "I'm Happy Just to Dance with You" (B-side of "I'll Cry Instead"; charted Aug. 1, 1964; #95 US). Side one closes with another Martin instrumental of "And I Love Her".

Side two opens with the very enjoyable "I Should Have Known Better" (B-side of "A Hard Day's Night"; charted July 25, 1964; #53 US), which I'm used to being the second song on side one.

I find it odd that United Artists put the two soft ballads from the film, "If I Fell" (B-side of "And I Love Her"; charted Aug. 1, 1964; #53 US) and "And I Love Her" (charted July 25, 1964; #12 US), back to back, and that Capitol followed suit on 45. On the UK version of the album, they were sensibly separated by the more upbeat "I'm Happy Just to Dance with You".

As with side one, songs four and six are instrumentals: "Ringo's Theme (This Boy)" (charted July 25, 1964; #53 US) and "A Hard Day's Night". The track in-between and last Beatles song on the album is the one that closed the first side of the UK version...the hit single that preceded both the film and the album, "Can't Buy Me Love" (charted Mar. 28, 1964; #1 US the weeks of Apr. 4 through May 2, 1964; #1 UK; #289 on Rolling Stone's 500 Greatest Songs of All Time), which is particularly noteworthy for having been at #1 the week that The Beatles held the top five spots on the Hot 100.

While I much prefer the UK version of the album, the American record buyer of 1964 had little reason to complain about the collection of eight Beatles tracks that they got on its US counterpart.


Something New
The Beatles
Released July 20, 1964
Chart debut: August 8, 1964
Chart peak (#2): August 22, 1964
SomethingNew_cover.jpg
Wiki said:
The album is the third Capitol LP release and fifth American album release overall by the band, following the United Artists release of A Hard Day's Night. Originally scheduled for 1 August 1964, the album was rush-released on 20 July 1964, ten days after the British release of A Hard Day's Night. The album includes eight songs from the original British release of A Hard Day's Night, as well as the tracks "Slow Down" and "Matchbox" from the Long Tall Sally EP and the German-language version of "I Want to Hold Your Hand".
The album spent nine weeks at No. 2 on the Billboard Top LPs chart in 1964, behind the United Artists A Hard Day's Night album.

This competing American album, released by Capitol, shares five songs with the United Artists A Hard Day's Night album covered above, and gives us three of the non-soundtrack songs from the UK version of AHDN that were left off its American counterpart, along with a few other odds and ends.

Side one consists of non-soundtrack songs, opening with the familiar "I'll Cry Instead". Following that are three more of the songs from side two of the UK AHDN album.

Paul's "Things We Said Today" is a strong, distinctive number, and probably my favorite on side two of the UK album. Had it been released as a single, it easily could have been a hit.
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John's "Any Time at All," which opened side two of the UK album, is a personal favorite going way back.
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I've always had a love/hate relationship with "When I Get Home"...it's a generally enjoyable John number, but the line "I'm gonna love her 'til the cows come home" always made me cringe. OTOH, it has the distinction of using the first five-syllable word in a Beatles song, "trivialities" (in a line that was later called out in the Yellow Submarine film).
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Side one is rounded out by two covers released on the Long Tall Sally EP in the UK, "Slow Down" (B-side to "Matchbox"; charted Sept. 5, 1964; #25 US) and "Matchbox" (charted Sept. 5, 1964; #17 US)...appearing first here before sharing a 45 in the States.

Side two consists mostly of songs from the A Hard Day's Night soundtrack: "Tell Me Why," "And I Love Her," "I'm Happy Just to Dance with You," and "If I Fell". The album closes with the other German-language recording that the Beatles did, "Komm, Gib Mir Deine Hand," which translates as "Come, give me your hand".
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The American record buyer of 1964 did have some reason to complain here, as they were being sold so many of the same songs on contemporaneous albums...but they still got a very enjoyable collection consisting entirely of Beatles songs, including several new goodies.

With "You Can't Do That" having already been released in the US both as the B-side of "Can't Buy Me Love" and on The Beatles' Second Album, that leaves only one song from the British version of A Hard Day's Night that hasn't been released in the States, UK album-closer "I'll Be Back"...which will be included on the Fabs' next Capitol album, Beatles '65.


Next up: 50th Anniversary Album Spotlight--The Soft Parade, The Doors

_______

Now you're getting it! Its like that other band..what was their name? McCartney and the Sidekicks Three? That's the one!
;)
Admiral James T. Kirk said:
I'll give him this, he's consistent.


If I'd gotten the first reaction when I posted the series intro for the news item, I might have considered it. :p

Also very nice.
But does it sound like the '50s? This one always had a bit of a '50s vibe for me. That, and when I was a much newer Beatles fan, I thought it was a John song.
 
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It begins, as do the UK album and the film, with the title song, "A Hard Day's Night" (charted July 18, 1964; #1 US the weeks of Aug. 1 and 8, 1964; #1 UK; #153 on Rolling Stone's 500 Greatest Songs of All Time).
Back when AHDN was first released, my mother had a male friend who was in his 40's or 50's and liked nothing but straight ahead hard bop (jazz). He used to laugh at Beatles songs, which he considered completely inconsequential, and at me, my sister, and brother, because we liked them so much. Anyway, he liked A Hard Days Night (the song). We couldn't believe it. He would ask us to play it when he came over. Looking back on it, I think what he liked was the song's hard driving beat which was rather Motown-like.
Next is the one non-film song on the album, "I'll Cry Instead" (charted Aug. 1, 1964; #25 US), which was the second song on side two in the UK.
"I'll Cry Instead" was never one of my favorites.
Side two opens with the very enjoyable "I Should Have Known Better" (B-side of "A Hard Day's Night"; charted July 25, 1964; #53 US), which I'm used to being the second song on side one.
"I Should Have Known Better" was one of the few songs in life that I loved from the first time I heard it. Great shuffling beat and melody.
Something New
The Beatles
Released July 20, 1964
Chart debut: August 8, 1964
Chart peak (#2): August 22, 1964
Another really bad album title, but one of my favorite collections of their songs up to that point.
I've always had a love/hate relationship with "When I Get Home"...it's a generally enjoyable John number, but the line "I'm gonna love her 'til the cows come home"
It's an old country saying that I grew up hearing. I do member being a bit surprised to hear the Beatles use it.
Paul's "Things We Said Today" is a strong, distinctive number, and probably my favorite on side two of the UK album. Had it been released as a single, it easily could have been a hit.
Yeah this is another of those rare songs that I loved from first hearing. The song had a one of those "smokey" sweet melodies that I just never tire of hearing. I consider Paul to be a melodic genius. This was one of the things that separated the Beatles from the Stones, neither Mick nor Keith had the gift of melody.

Things We Said Today was such a great song, who could blame the Hollies for writing another version of it called "Bus Stop". Or maybe "inspired by" is more accurate. As Ringo once said, "I don't mind copping one, as long as it's a good one." :)
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#388 on Rolling Stone's 500 Greatest Albums of All Time (UK version)
Seems a little low. Someday I'm going to have to look at these lists (and make proper revisions :D).

Released July 20, 1964
The negative fifth anniversary of the Moon landing.

but the line "I'm gonna love her 'til the cows come home" always made me cringe.
Because it's a cliche or too countrified? It's still in common use in this neck of the woods, if used a bit tongue in cheek. Like "this neck of the woods."

OTOH, it has the distinction of using the first five-syllable word in a Beatles song, "trivialities"
They're growing more sophisticated (also five syllables).

The American record buyer of 1964 did have some reason to complain here, as they were being sold so many of the same songs on contemporaneous albums...but they still got a very enjoyable collection consisting entirely of Beatles songs, including several new goodies.
Actually, this seems to me to be the better album.

If I'd gotten the first reaction when I posted the series intro for the news item, I might have considered it. :p
Must have gotten lost in the quoting.....

But does it sound like the '50s? This one always had a bit of a '50s vibe for me. That, and when I was a much newer Beatles fan, I thought it was a John song.
Now that you mention it, yes. I guess the Beatles vibe superseded the 50s vibe.
 
55th Anniversary Viewing

12 O'Clock High
"Golden Boy Had 9 Black Sheep"
Originally aired September 18, 1964
Series premiere
IMDb said:
General Savage believes that Gallagher, part of a military family, is too quick to abort missions at the first sign of engine trouble. Savage rides Gallagher hard, assigning him a crew of slackers and misfits and ordering Gallagher to paint the name "Leper Colony" on his plane. Gallagher turns his crew is to an efficient outfit but he despises Savage and wants to do anything to get a transfer.

It seems that it's been a couple of years since I started my watch-through of the series, and I didn't start doing regular write-ups until late in the first season. I vaguely recalled having posted something brief about the first episode, but it was even briefer than I remembered. So I guess it's fair game, then!

Captain Joseph Gallagher (future series lead Paul Burke) fills the role that Hugh Marlowe's Lt. Col. Ben Gately played in the film--the storyline is pretty much identical, making me wonder why they changed the character's name. When we meet Gallagher, he has a reputation for being extremely risk-averse. The bearer of a military family tradition, his main concern is getting out of the war alive, and he takes any opportunity to abort a mission. This displeases General Savage (current series lead Robert Lansing) to no end, so using a pending promotion to Major and potential transfer to a desk job as leverage, he sticks Gallagher with a crew of the 918th's assembled slackers and misfits and orders Gallagher to name their bomber the Leper Colony. Now Gallagher's strategy for staying alive involves turning them into the best crew in the bomber group, so he rides them as hard as Savage rides him.

Despite some initial mishaps they prove themselves in combat, and following the obligatory montage sequence of subsequent missions, Savage thinks that the crew have earned the right to change their bomber's name, but by then they've come to take pride in it. Savage also notices that the crew have bonded...he actually manages to crack a full smile. When Gallagher comes to his office concerning the transfer, Savage is ready to tear up the papers, but Gallagher informs Savage that he still wants out. But he also wants to go out with the best possible record, so he insists on being included in a very dangerous two-plane mission.

Gallagher and his co-pilot are wounded by fighter fire during the mission, but the Colony's bombardier (Bruce Dern) manages to hit the target. The plane is in rough shape but Gallagher refuses to bail because his co-pilot (Joby Baker) is unconscious, so he flies the Colony home while fighting his own injury...dramatically barely clearing some stock footage of the White Cliffs of Dover. In the Epilog, Savage gives a cane-sporting Gallagher his promotion, and informs the newly minted major that his crew has earned a commendation. With Savage's blessing, Major Gallagher stays on with the 918th to take command of a squadron.

The episode also gives us the first appearances of co-leads John Larkin as Maj. Gen. Crowe and Frank Overton as Maj. Stovall. Lew Gallo appears his first of fourteen times as Maj. Joe Cobb, another character from the film.

_______

It's an old country saying that I grew up hearing. I do member being a bit surprised to hear the Beatles use it.
Because it's a cliche or too countrified? It's still in common use in this neck of the woods, if used a bit tongue in cheek.
I'm well aware of the saying. I guess, as gblews indicates, it doesn't seem very Beatlesque. Banal and uncool, I'd say.

gblews said:
Things We Said Today was such a great song, who could blame the Hollies for writing another version of it called "Bus Stop".
Huh! I'd never noticed the similarity between those songs! Well, "Bus Stop" is certainly a good, classic song in its own right, especially the lyrics.

RJDiogenes said:
Seems a little low. Someday I'm going to have to look at these lists (and make proper revisions :D).
There's a lot of stuff to cover on those lists, and given that The Beatles occupy four of the top ten spots on the albums list, I can't complain.

Actually, this seems to me to be the better album.
Maybe...it doesn't have the two major singles from the film, the title song and "Can't Buy Me Love". And context matters...it was the second of the two albums and repeated too much of the same content. But the really better album is the British version of A Hard Day's Night:

Side one
"A Hard Day's Night"
"I Should Have Known Better"
"If I Fell"
"I'm Happy Just to Dance with You"
"And I Love Her"
"Tell Me Why"
"Can't Buy Me Love"

Side two
"Any Time at All"
"I'll Cry Instead"
"Things We Said Today"
"When I Get Home"
"You Can't Do That"
"I'll Be Back"
The Beatles as they were meant to be listened to!
 
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Huh! I'd never noticed the similarity between those songs! Well, "Bus Stop" is certainly a good, classic song in its own right, especially the lyrics.
Bus Stop is a great song and probably still my favorite by the Hollies. Someone pointed out the similarities between the songs to me a few years ago. To me, it speaks to how great and maybe underrated, "Things" was.
Side one
"A Hard Day's Night"
"I Should Have Known Better"
"If I Fell"
"I'm Happy Just to Dance with You"
"And I Love Her"
"Tell Me Why"
"Can't Buy Me Love"

Side two
"Any Time at All"
"I'll Cry Instead"
"Things We Said Today"
"When I Get Home"
"You Can't Do That"
"I'll Be Back"
Why must you torture us this way? :lol: It's like whoever was putting the albums together for Americans, thought they knew better than Brits about what people liked. I think they thought that American fans were somehow different from Brits. Plus, there was the greed factor. :rolleyes:
 
To me, it speaks to how great and maybe underrated, "Things" was.
Definitely underrated...doesn't even seem to rank among their many well-known album tracks.

Why must you torture us this way? :lol: It's like whoever was putting the albums together for Americans, thought they knew better than Brits about what people liked.
Not just better than Brits in general, but better than The Beatles themselves and George Martin! AFAIK, they had complete control over the content and sequencing of their albums in the UK, whereas they had zero control over how Capitol and other record labels released their content outside the UK prior to Sgt. Pepper.

But why be tortured? The UK albums have been the standard since The Beatles came out on CD in '87. Surely you've had a chance to upgrade your collection since then...?
 
When we meet Gallagher, he has a reputation for being extremely risk-averse. The bearer of a military family tradition, his main concern is getting out of the war alive, and he takes any opportunity to abort a mission. This displeases General Savage (current series lead Robert Lansing) to no end, so using a pending promotion to Major and potential transfer to a desk job as leverage, he sticks Gallagher with a crew of the 918th's assembled slackers and misfits and orders Gallagher to name their bomber the Leper Colony. Now Gallagher's strategy for staying alive involves turning them into the best crew in the bomber group, so he rides them as hard as Savage rides him.
Such a pleasant premise. :rommie:

Despite some initial mishaps they prove themselves in combat, and following the obligatory montage sequence of subsequent missions, Savage thinks that the crew have earned the right to change their bomber's name, but by then they've come to take pride in it. Savage also notices that the crew have bonded...he actually manages to crack a full smile.
Okay, that's better. :rommie:

Maybe...it doesn't have the two major singles from the film, the title song and "Can't Buy Me Love".
Okay, somehow I was thinking that it had all the movie songs. My main reason for saying that was the instrumentals-- not just because of the Squiggy Rule, but because they weren't performed by The Beatles.
 
55 Years Ago This Week

Wiki said:
September 20 – At the autumnal equinox, the Order of Bards, Ovates and Druids (OBOD) is founded in England.
Mark Lewisohn's The Beatles Day by Day said:
September 20 – The group performs its final concert of the US/Canada tour, a charity performance at the Paramount Theatre, New York City.
September 21 – Flight from New York to London Airport, arriving at 9.35 p.m. The Beatles bring back a total of 465 albums with them. To facilitate the hordes of Beatles' fans waiting to welcome their idols home, the roof of the airport's Queen's Building remains open after dusk for the first time ever. Beatles' music is played over the airport PA, and fans are kept aware of the plane's whereabouts via regular bulletins.
Wiki said:
September 21
  • The island of Malta obtains independence from the United Kingdom.
  • The North American XB-70 Valkyrie makes its first flight at Palmdale, California.
September 24 – The Warren Commission Report, the first official investigation of the assassination of United States President John F. Kennedy, is published.
September 25 – The Mozambican War of Independence is launched by FRELIMO.
September 26 – The sitcom Gilligan's Island, starring Bob Denver as Gilligan, premieres on CBS in the United States.
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Selections from Billboard's Hot 100 for the week:
1. "Oh, Pretty Woman," Roy Orbison
2. "Bread and Butter," The Newbeats
3. "The House of the Rising Sun," The Animals
4. "G.T.O.," Ronny & The Daytonas
5. "Remember (Walkin' in the Sand)," The Shangri-Las
6. "Do Wah Diddy Diddy," Manfred Mann
7. "Where Did Our Love Go," The Supremes
8. "Dancing in the Street," Martha & The Vandellas
9. "It Hurts to Be in Love," Gene Pitney
10. "Save It for Me," The Four Seasons
11. "Haunted House," Jumpin' Gene Simmons
12. "Maybelline," Johnny Rivers
13. "Baby I Need Your Loving," Four Tops
14. "We'll Sing in the Sunshine," Gale Garnett
15. "Everybody Loves Somebody," Dean Martin
16. "Funny (How Time Slips Away)," Joe Hinton
17. "Because," The Dave Clark Five
18. "A Summer Song," Chad & Jeremy
19. "A Hard Day's Night," The Beatles
20. "Selfish One," Jackie Ross
21. "When I Grow Up (to Be a Man)," The Beach Boys
22. "I'm on the Outside (Looking In)," Little Anthony & The Imperials
23. "Matchbox," The Beatles
24. "Out of Sight," James Brown & His Orchestra

26. "You Must Believe Me," The Impressions
27. "Let It Be Me," Betty Everett & Jerry Butler
28. "Rhythm," Major Lance
29. "Last Kiss," J. Frank Wilson & The Cavaliers
30. "From a Window," Billy J. Kramer w/ The Dakotas

32. "Slow Down," The Beatles

36. "C'mon and Swim," Bobby Freeman
37. "It's All Over Now," The Rolling Stones
38. "Under the Boardwalk," The Drifters
39. "Girl (Why You Wanna Make Me Blue)," The Temptations

41. "Maybe I Know," Lesley Gore

44. "You Never Can Tell," Chuck Berry

47. "Little Honda," The Hondells

49. "Mercy, Mercy," Don Covay & The Goodtimers

52. "Baby Don't You Do It," Marvin Gaye

59. "If I Fell," The Beatles
60. "Tobacco Road," The Nashville Teens
61. "Have I the Right?," The Honeycombs
62. "Come a Little Bit Closer," Jay & The Americans
63. "Ride the Wild Surf," Jan & Dean

66. "I Like It," Gerry & The Pacemakers

72. "I've Got Sand in My Shoes," The Drifters

75. "All Cried Out," Dusty Springfield

78. "I'm Crying," The Animals

92. "You Really Got Me," The Kinks


Leaving the chart:
  • "And I Love Her," The Beatles (9 weeks)
  • "How Do You Do It," Gerry & The Pacemakers (11 weeks)
  • "Ringo's Theme (This Boy)," George Martin & His Orchestra (8 weeks total)
  • "Walk, Don't Run '64," The Ventures (11 weeks)

Recent and new on the chart:

"Girl (Why You Wanna Make Me Blue)," The Temptations
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(Sept. 12; #26 US; #11 R&B)

"I'm Crying," The Animals
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(#19 US; #8 UK)

"I Like It," Gerry & The Pacemakers
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(#17 US; #1 UK in 1963)

"You Really Got Me," The Kinks
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(#7 US; #1 UK; #82 on Rolling Stone's 500 Greatest Songs of All Time)

Total Beatles songs on the chart: 4


And new on the boob tube:
  • 12 O'Clock High, "Follow the Leader"

_______

On the subject of this past week's 12OCH episode, I should note that in the Epilog, the crew has transferred the Leper Colony name to a new bomber...so I guess that would explain the many lives of the Piccadilly Lily. Remind me when it comes up that I'm doing a Piccadilly Lily Crash Count this time around.
 
This just in from the Road:
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If I had to describe what I'm hearing differently...it sounds like I'm swimming in the bass.
 
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Now there's a classic. :bolian:

"Girl (Why You Wanna Make Me Blue)," The Temptations
Not unpleasant, but not memorable.

"I'm Crying," The Animals
Sounds okay, but not memorable.

"I Like It," Gerry & The Pacemakers
Kind of cute, but not memorable.

"You Really Got Me," The Kinks
Memorable! :D

On the subject of this past week's 12OCH episode, I should note that in the Epilog, the crew has transferred the Leper Colony name to a new bomber...
I wonder if 12 O'clock High counts as germ warfare.
 
50 Years Ago This Week

September 22 – San Francisco Giant Willie Mays becomes the first major league baseball player since Babe Ruth to hit 600 career home runs.
September 22–25 – An Islamic conference in Rabat, Morocco, following the al-Aqsa Mosque fire (August 21), condemns the Israeli claim of ownership of Jerusalem.
September 23
  • China carries out an underground nuclear bomb test.
  • Butch Cassidy and the Sundance Kid (directed by George Roy Hill and starring Paul Newman and Robert Redford) opens to limited release in the United States.
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September 24 – The Chicago Eight trial begins in Chicago, Illinois.
September 25 – The Organisation of the Islamic Conference is founded.
Mark Lewisohn's The Beatles Day by Day said:
September 25 – The Beatles finally lose all control of Northern Songs Ltd.
A.k.a. the Lennon-McCartney song catalog. Their loss will eventually be Michael Jackson's gain.
Wiki said:
September 26
  • The Beatles release their Abbey Road album which is an enormous commercial success and, although receiving mixed reviews at this time, comes to be viewed by many as the group's best.
Coming out October 1 in the States, and Coming Soon to an Album Spotlight near you!
  • The Brady Bunch is broadcast for the first time on ABC.
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The Old Mixer is the size of a cantaloupe...and his birthday #1 has entered the chart!


Selections from Billboard's Hot 100 for the week:
1. "Sugar, Sugar," The Archies
2. "Green River," Creedence Clearwater Revival
3. "Honky Tonk Women," The Rolling Stones
4. "Easy to Be Hard," Three Dog Night
5. "Little Woman," Bobby Sherman
6. "I Can't Get Next to You," The Temptations
7. "Jean," Oliver
8. "I'll Never Fall in Love Again," Tom Jones
9. "Hot Fun in the Summertime," Sly & The Family Stone
10. "Oh, What a Night," The Dells
11. "A Boy Named Sue," Johnny Cash
12. "This Girl Is a Woman Now," Gary Puckett & The Union Gap
13. "Get Together," The Youngbloods
14. "Hurt So Bad," The Lettermen
15. "That's the Way Love Is," Marvin Gaye
16. "Keem-O-Sabe," The Electric Indian
17. "Everybody's Talkin'," Nilsson
18. "Your Good Thing (Is About to End)," Lou Rawls
19. "Suspicious Minds," Elvis Presley
20. "Lay Lady Lay," Bob Dylan
21. "When I Die," Motherlode
22. "What's the Use of Breaking Up," Jerry Butler
23. "What Kind of Fool Do You Think I Am," Bill Deal & The Rhondels
24. "Put a Little Love in Your Heart," Jackie DeShannon
25. "I'd Wait a Million Years," The Grass Roots
26. "I'm Gonna Make You Mine," Lou Christie
27. "Sweet Caroline," Neil Diamond
28. "Soul Deep," The Box Tops
29. "Share Your Love with Me," Aretha Franklin
30. "You, I," The Rugbys

32. "Carry Me Back," The Rascals
33. "Sugar on Sunday," The Clique

35. "The Nitty Gritty," Gladys Knight & The Pips

40. "It's Getting Better," Mama Cass

42. "Going in Circles," The Friends of Distinction

49. "Tracy," The Cuff Links
50. "Baby It's You," Smith

54. "Make Believe," Wind

57. "You've Lost That Lovin' Feelin'," Dionne Warwick

60. "Jealous Kind of Fella," Garland Green

62. "Something in the Air," Thunderclap Newman
63. "Walk On By," Isaac Hayes

67. "Wedding Bell Blues," The 5th Dimension

71. "Runnin' Blue," The Doors

76. "Is That All There Is," Peggy Lee

86. "Baby, I'm for Real," The Originals

92. "Mind, Body and Soul," The Flaming Ember

100. "Reuben James," Kenny Rogers & The First Edition


Leaving the chart:
  • "Birthday," Underground Sunshine (10 weeks)
  • "Commotion," Creedence Clearwater Revival (8 weeks)
  • "Give Peace a Chance," Plastic Ono Band (9 weeks)
  • "Laughing," The Guess Who (11 weeks)
  • "Polk Salad Annie," Tony Joe White (12 weeks)
  • "Workin' on a Groovy Thing," The 5th Dimension (10 weeks)

New on the chart:

"Reuben James," Kenny Rogers & The First Edition
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(#26 US; #29 AC; #46 Country)

"Mind, Body and Soul," The Flaming Ember
(#26 US)

"Baby, I'm for Real," The Originals
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(#14 US; #1 R&B)

"Is That All There Is," Peggy Lee
(#11 US; #1 AC)

"Wedding Bell Blues," The 5th Dimension
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(#1 US the weeks of Nov. 8 through 22, 1969; #1 AC; #23 R&B; #16 UK)


And new on the boob tube:
  • Rowan & Martin's Laugh-In, Season 3, episode 2
  • That Girl, "Mission Improbable" (Part 2)
  • Ironside, "Goodbye to Yesterday"
  • Get Smart, "Pheasant Under Glass" (Season 5 premiere)
  • The Brady Bunch, "The Honeymoon" (series premiere)
  • Hogan's Heroes, "Hogan Goes Hollywood" (Season 5 premiere)
  • Adam-12, "Log 153: Find Me a Needle"

_______

Now there's a classic. :bolian:
And the song is quite...memorable.

Not unpleasant, but not memorable.
An obscure, but I've been finding it enjoyable.

Sounds okay, but not memorable.
Ah, now this is a minor British Invasion classic...very sign-o-the-fab-timesy.

Kind of cute, but not memorable.
Brits apparently found it memorable...it was quite the hit over there, and I've seen the title referenced as a Mersey Sound catchphrase.

Memorable! :D
Time to crank the Invasion up a little!
 
72. "I've Got Sand in My Shoes," The Drifters

This song represents one of those quaint little 1960's music industry habits of "cloning" a previous hit. In this case it's the Drifters' hit, "Under the Boardwalk."
September 25 – The Beatles finally lose all control of Northern Songs Ltd.
In all the stuff I've read about the Beatles I've never read anything that made it clear exactly how this happened. I would love to know.
"Girl (Why You Wanna Make Me Blue)," The Temptations
God, this song brings back memories. Eddie Kendricks had one of the best falsettos of all time. He was featured a lot more prominently in the days when the group was singing mostly Smokey Robinson songs, and gave them a decidedly softer sound than they had after David Ruffin left.
"I Like It," Gerry & The Pacemakers
Brits apparently found it memorable...it was quite the hit over there, and I've seen the title referenced as a Mersey Sound catchphrase.
Really? I never liked the song either.
"You Really Got Me," The Kinks
Great song by a truly great band.
"Wedding Bell Blues," The 5th Dimension
I never was a big 5th Dimension fan, but I just loved Marilyn McCoo. She had one of my all time favorite female voices and was also a world class beauty. I used to look at her husband, Billy Davis, who was a nice enough looking guy with a good voice, and jealously mutter, "how the hell did he get her?" :lol:
"Baby, I'm for Real," The Originals
Marvin Gaye composition. You can easily hear him crooning it.
 
The Old Mixer is the size of a cantaloupe...and his birthday #1 has entered the chart!
Happy Birthday!
Birthday-Cake-Animated.gif


"Reuben James," Kenny Rogers & The First Edition
This is nice. I don't think I've ever heard it before.

Nice sound, although the song is kind of mediocre.

"Baby, I'm for Real," The Originals
Meh.

Ah, the classic ode to clinical depression. :rommie:

"Wedding Bell Blues," The 5th Dimension
Another Laura Nyro classic. Who else could make me love a song about a plea for marriage? :rommie: And of course the 5th Dimension's rendition is lovely.

And the song is quite...memorable.
Better than a Top 40 classic. :D
 
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