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The Classic/Retro Pop Culture Thread

Wilbur Mills, Chairman of the Ways and Means Committee of the U.S. House of Representatives for almost 17 years, had his political career ended by a bizarre incident of public intoxication. Mills was drunk when police pulled over the car he was riding in, along with his extramarital mistress, Fanne Foxe. Although he won re-election as a Congressman from Arkansas, he compounded his reputation for drinking irresponsibly on November 30 as reporters followed him and would resign on December 1.
How quaint. :rommie:

U.S. President Gerald Ford launched his "Whip Inflation Now" (WIN) campaign
I remember those little WIN buttons. :rommie: Comic book geek that I am, the first thing that comes to mind is an issue of Guardians of the Galaxy (actually Marvel Premiere) by Steve Gerber with a very Trekkish plot about a planet that turned out to be an insane asylum.

to reduce the federal deficit by reducing federal spending and raising the income tax for corporations and wealthy individuals by five percent.
Wait, what? :rommie:

The next day in major newspapers, a button that said "WIN" on it was offered to anyone who signed and mailed back a pledge
I don't remember that part.

In La Paz, Bolivia, a bomb destroyed a statue of former U.S. President John F. Kennedy on the Avenue of the Americas.
Hey! You jerks!

John Lennon met the veteran record industry executive Morris Levy to discuss an out-of-court settlement for John's copyright infringement of Chuck Berry's "You Can't Catch Me"
"The saucer people came to me and advised me to settle."

The 3850 Mass Storage System could store a then-record 50 megabytes of memory on a small 4 inches (100 mm) long cartridge with a 70 inches (1,800 mm) long spool of magnetic tape
Ooh, a thumb drive. :rommie:

Also on October 9, Dr. Winston O'Boogie turned 34! :beer:
A mere 34.
Birthday-Cake-Animated.gif


One of the first popular crime horror films, The Texas Chain Saw Massacre (as billed in the credits and in its copyright registration), more popularly written as The Texas Chainsaw Massacre, premiered in theaters.
Still haven't seen it. Likely never will. :rommie:

"Love Don't Love Nobody, Pt. 1," The Spinners
I don't remember this one. It might be the only Spinners song I've heard that I don't care for.

"Rockin' Soul," The Hues Corporation
I don't remember this one either, but it's okay. I remember Hues Corporation mainly for "Rock the Boat."

"You Got the Love," Rufus feat. Chaka Khan
Ah, Chaka Khan. Always a pleasure. I remember Rufus mainly for "Tell Me Something Good," but this is decent.

"Kung Fu Fighting," Carl Douglas
Oh, yeah! Great song. Super-strong nostalgia. :rommie:

What, you're not gonna sic Squiggy on him?
Y'know, I didn't even realize. I think I zoned out.

I meant to mention that the music Billy was listening to last week was also Squiggy-disapproved.
Probably would have sided with Mentor in that case. :rommie:

My sister was into him for a spell. She had his double live album and some singles. I recall it coming up somewhere upthread, but the most memorable thing on the album was a medley of commercial jingles that he'd written.
Yeah, I remember talking about it. It was customary back then for the DJ to mention how he got his start with a McDonald's jingle or something. :rommie:

Yeah, that was a nice historical tidbit in the Ascension of the King.
Might be a nice idea for an album, actually.

Another number that will become a mainstream chart-topper when covered by the Crew-Cuts.
Which is probably the version I'm familiar with. I'm not always sure with these old 50s numbers.

The group came up previously, for "Riot in Cell Block #9".
Aha, right. I remember liking that one.

Maybe in the WWI era. Some go considerably faster. (Any search attempt at finding the slowest they go invariably led to results about the fastest.) And that's just multi-seat civilian planes, never mind that single-prop fighters could go over 400 mph.
That's just amazing. :rommie:

To find another example, the Cessna 140 in which Mrs. Bell was supposed to be taking a flying lesson in Live and Let Die (N77029) would have had a top speed of about 125 mph when its wings were still attached.
I suppose that's not too far off from what I would have guessed, but it still surprises me.

You'll just forget what it's for. :p
I'm pretty good when I'm on a mission. Or at least I used to be. I'm retired now. :rommie:

Oh, that's come up before! Not sure if it was here or in the TOS forum in another context. Wanna say that it was probably in the Guest Actors thread where we'd gotten off on a brief tangent about actors who would've made good TOS Klingons.
Interesting. I've never thought of Klingons in particular, though I've given some thought to old-time actors I would have loved to have seen in TOS-- Teresa Graves, Robert Conrad, Alan Hale Jr, Diana Rigg, et cetera, et cetera....

My Dad and his wid his wife saw Barry Manilow when he came to town about twenty years ago and some firends of mine have seen him in concert in Las Vegas, and they have all said he puts on an entertaining performance and is the consumate showman; and I must confess that we had his albums growing up and I have his "Greatest Hits" on CD that I still play on occasion.​
Yeah, I've always heard that he's quite a showman.

I think they're one of the definitions of a "cult" band. Everyone has heard of them, but no one knows any of their albums/material.
I kind of think of them in the same category as Emerson, Lake, and Palmer, except I'm more familiar with Emerson, Lake, and Palmer.

It requires you to sit down and listen to the musical interplay between the musicians and their instruments and their uncommon time signatures.
Something my math-blind brain is incapable of.

Tobe Hopper also directed what could be considered a "side-quel" to "Chain Saw" called "Eaten Alive".​
I was about to say I've never heard of it, but the trailer does ring a bell. I'm sure I've never seen it, though.
 


50th Anniversary Viewing (Part 1)



Adam-12
"Camp: Part 2"
Originally aired October 1, 1974
MeTV said:
Officers Malloy and Woods take a group of children to a youth camp, but Malloy becomes preoccupied with the 14-year-old boy he reluctantly brought along, who continues to compensate for his small stature by getting into trouble. Meanwhile, Reed goes on patrol alone, and deals with a woman who uses a unique weapon to fend off an attacker.

The recap consists of a replay of the final scene of last week's episode, of Jim bringing Greg Whitney to the camp bus, to Pete's consternation. As the bus pulls away, a tearful Mrs. Whitney tells Jim that Greg is all she's got.

At the youth camp, the director, Sgt. Willard (Buck Young), introduces the kids to their celebrity volunteer coach, Olympic pole-vaulter Bob Seagren (himself). Later Pete finds Greg, who has a chip on his shoulder about being smaller than the other kids his age, involved in an altercation with a couple of them. When Pete tries to talk with Greg about his issues, Greg accuses Malloy of sounding like his mother. One of the kids involved in the altercation, Rod (Randy Whipple), overhears in the cafeteria as Seagren asks Pete about Greg's record. Afterward, Pete comes upon Greg, who'd been serving ice cream, sharing a smuggled-out carton with some of the guys. Greg ends up sentenced to kitchen duty, with Pete trying to tell him that he can't buy friends.

Back in L.A....
A1207.jpg
Reed is flagged down by a woman (Shannon Christie) who reports how a man tried to attack her in an alley. After Officer Wells's unit joins them, the woman credits Lucy with having subdued her attacker by making him faint. She opens her coat to reveal a boa inside--the kind with scales, not feathers--the woman apparently being an exotic dancer.

Back at camp, Rod and another boy named Tim (Sean Kelly) go to Malloy with an accusation of Greg having stolen Tim's watch. Pete directs a search of the dorm, but the watch isn't found. After Pete tries unsuccessfully to talk Greg into joining a ball game instead of moping alone, Bob reports to Pete that he found the watch in the shower. When Pete goes to share the news with Greg, he finds the boy gone. Pete and Jerry Woods search the premises for him. Jerry updates Pete that Greg fell into a ravine, and Pete arrives to find Woods, Seagren, and another guy pulling Greg out with a rope. Pete has another talk with Greg, updating him about the watch and advising him that being 14 doesn't last forever.

On the last day, Greg joins a cross-country endurance race, boasting to Tim and Rod that he's outrun Malloy before. Rod drops out early, but Tim keeps pace just behind Greg as he's ultimately beaten by an exhausted Malloy. Nevertheless, the guys are impressed with how Greg hanged in for the long run.

Jim brings Mrs. Whitney to pick up Greg when the bus returns. She tells Reed of how she followed his advice in seeing a counselor, who advised her to be more firm with her son. When Greg wants to go somewhere with his new friends, she takes a first step by insisting that he get himself squared away at home first. When Jim asks Pete and Jerry how Greg did at camp, they give Reed an exaggerated list of pranks that Greg presumably didn't pull.



M*A*S*H
"Iron Guts Kelly"
Originally aired October 1, 1974
IMDb said:
Lieutenant General "Iron Guts" Kelly (James Gregory) dies whilst in bed with Hot Lips, but Kelly's aide (Keene Curtis) invents a more militarily meaningful way to mark Kelly's passing.

When the general and his aide, Colonel Wortman, inspect the OR, Hawk and Trap are characteristically not impressed...though to be fair, they do have their hands full. Frank and Margaret try to kiss up to the VIP in the Officers' Club, but the general finds an excuse to have Burns escort Wortman elsewhere so he can have some alone time with Houlihan. Cut to Margaret frantically waking the guys in the Swamp to take them to her tent, where the general is dead from a heart attack.

Trapper (to Hot Lips): Did you try to resuscitate him?​
Hawkeye: How do you think he died?​

When Frank drops by unexpectedly, the guys hide Bernie in the closet and pretend to be playing cards with Margaret because none of them can sleep. They take the body to Wortman (who's shaving his head) and decline to divulge how the general died, but the colonel doesn't care--he starts to bake up a story of heroic death in combat. The guys refuse to sign a death certificate to that effect, but they do agree to load the body on an ambulance, which the colonel plans to drive to the front.

Wortman wakes Radar and his teddy bear in an unexpectedly difficult attempt to find somewhere that's seeing action. Frank sees the guys putting the body in the ambulance and goes to tell a drinking and jumpy Margaret about it. When he sits on one of the general's stars, she makes up a story about why he was inspecting her quarters. By the time the colonel's found his location, a couple of GIs who were throwing a party (Jeff Maxwell as recurring Pvt. Igor Straminsky and Dennis Troy) use the ambulance to sneak out six prostitutes. Blake subsequently gets a call that the ambulance was involved in an accident, and the general's body was found, apparently killed in the crash. But Wortman doesn't give up on his plan, ordering that the ambulance be driven to a specific location and then calling for an air strike and naval bombardment. In the coda, the guys find that Wortman's fiction made it into Stars and Stripes.



Hawaii Five-O
"Steal Now--Pay Later"
Originally aired October 1, 1974
Edited Wiki said:
McGarrett matches wits with a fence who sells stolen goods to legitimate industries solely by telephone.

A truck driver (Jerry Donald Boyd) is flagged down by a man (Robert Howard Harker) with a story about a sick woman in his van, only to find himself being hijacked at gunpoint. When the driver pulls a gun of his own strapped to his lower leg, he goes down in an exchange of fire with the hijackers. The lead hijacker calls Ron Colby (Ray Danton) at his plush surfside digs to inform him of the shipment that will be arriving, and to warn him to have a particular unit set aside. When Colby goes to inspect the unit, he finds the driver's body inside a refrigerator, and orders his henchman, Puni (Nephi Hanneman), to deep six it.

The fridge is nevertheless fished out of the drink, and McGarrett's intrigue about a body being sunk in a brand-new fridge is intensified when the victim is identified as federal agent Lloyd Donaldson, who was investigating a hijacking operation. Reasoning that a large shipment of fridges couldn't be fenced via normal illicit channels, McGarrett theorizes that the hijackers must be selling their goods to legit retailers who wouldn't knowingly deal in stolen merchandise.

At a restaurant, Colby meets up with the client to whom he sold the fridges, Larry Swift (Casey Kasem), who introduces Colby to his uncle, Charles Portman (Jacques Aubuchon), who's interested in buying women's swimwear. Portman's a little suspicious of how Colby can offer such good prices given how he says he obtains the goods, as well as Colby's insistence on not providing a number and making all phone calls himself. Colby later contacts a collaborating shipping clerk named Slater (Joseph Geremia) who provides him with details of a swimwear shipment that will be arriving on the islands; and Colby informs Puni of the warehouse.

McGarrett has department store owner Mr. Rogers (Howard F. Gottschalk) and his buyer, Swift, brought to his office about the hot fridges they purchased. Swift can only offer Colby's name, having been willfully ignorant of Colby's business address or phone number. An investigation of warehouses that may have done business with Colby turns up that he's been using a wide array of them all over the island, and without making direct contact with any of them.

Danno and Duke stake out the restaurant where Colby did business with Swift and Portman, and take Colby in to be questioned by McGarrett. Colby plays it cool and has to be let go when his lawyer arrives. Later at a party, Swift confronts his host, Colby, about the stolen merch and the heat that's been put on him over it, and Colby asserts that Swift is an accomplice and thus it would be in his best interest to lie to the grand jury. The next day, the warehouse holding the swimwear is hit by Puni and associates, who load the goods onto their truck. A worker there turns out to be one of several undercover cops staking out warehouses all over the island, but when he pulls his gun, a hijacker he doesn't see nails him, following which Puni sprays him with a semiautomatic.

Filled in on the details of the robbery by Duke at the scene, McGarrett grimly orders a wide net cast for that particular shipment. At his department store, Portman, having read about the robbery in the paper, nervously goes to his nephew about what he's pieced together, but Swift warns him to keep his mouth shut. When Colby calls, Portman tells him to come take the merchandise back, but Colby says he doesn't do returns and threatens Portman's family if he doesn't pay up. Portman soon finds himself being visited by Steve and Danno, and tries to give them the slip, taking off in his car. Finding himself being pursued by the McGmobile and several HPD units, Portman ducks into a dock area and ends up slamming his brakes too late to avoid...
H580.jpg
Notice how cars never meet their OTVF when they go into the drink. I mean, if they were really that easily combustible, you'd think there'd be at least little burst as they hit the water.

Swift visits Colby at the restaurant to offer that what his unc did was stupid before pleading with Colby for a good deal on some cassette recorders. Swift produces some written evidence left by Portman and burns it as a show of good faith. But when he leaves, Larry reports to his cab driver, Chin, who puts him on the radio with McGarrett to make a long-distance request.
H581.jpg
Colby actually proceeds to see to the order, securing some Tranasonic models. This is where my Stupid Criminal Radar kicks in, because as smooth an operator as this guy is, he's known that Five-O was onto him since the second act. You'd think he'd at least lay low for a while.

The shipment is loaded onto Chin's truck, which is tailed by Danno driving a tool truck--Those commercial licenses are really paying off this episode. Chin's flagged down by Puni using a method similar to the one in the opening, and Chin cooperates as the hijackers pounce him, avoiding getting shot. After Puni and another hijacker pull the truck into a warehouse, the doors close behind them and McGarrett calls for their surrender via bullhorn, informing them of the assault squad positioned outside.
H582.jpg
The hijacker duo reunites with the other three in the back of a paddy wagon and, under McGarrett's orders, are not allowed phone calls. Colby is subsequently lured to Swift's department store by a call from Larry claiming that the shipment never arrived. Colby finds a stock of new Tranasonics in the store and confronts Swift in the storeroom. Once Colby's had a chance to make some incriminating threats, McGarrett comes out of hiding, followed by Danno, Chin, and Duke, each holding a different-colored Tranasonic recorder with a tape of what Colby just said.
H583.jpgH584.jpg

McGarrett: Book him, Danno. Murder one, grand theft for openers.​

As his increasingly characteristic parting zinger, McGarrett tosses his recorder to Colby as a "present for your cell".

Al Harrington does not appear in this episode. Apparently his presence became sporadic this season and he'd eventually be dropped from the main credits for episodes that he wasn't in. I'm guessing that this is one of those things that plays more sensibly in production order; e.g., this episode is the fourth aired for the season, but is actually #10 by the production code listed on Wiki.

H5O's eye candy quota is met this week by Colby having a different playmate using his pool in each of his phone business scenes.



The Odd Couple
"The Hollywood Story"
Originally aired October 3, 1974
Wiki said:
After landing a bit part in a movie, Oscar brings star-struck Felix to Hollywood.

Oscar's getting ready to leave for where the show is actually filmed to appear as himself along with some other sports writers. "Crazy Rhoda" bails on him at the last minute, following which Felix, who'd been spitefully expressing his supposed disapproval of the show biz capital, begs Oscar to take him. (Explaining one of the stickers on his suitcase, Oscar tells Murray that he never went to Rome, but his bag did.)

As soon as they arrive at LAX, obviously voiced-over location footage ensues of the duo visiting the Walk of Fame, Grauman's Chinese Theatre, and a driving tour of stars' houses, where they run into someone making an uncredited appearance as himself taking out his garbage, who obligingly signs an orange peel that he was discarding.
TOC09.jpg

Bob (after they leave): I've gotta get a dog.​

As the duo check into their hotel, on-set audio kicks in, as does Felix's meddlesome side, as he promotes himself to the position of Oscar's agent, fussing over how Oscar should have a more luxurious room and a larger role. The producer, J.B. (Alan Dexter), and director (Allan Arbus) are just discussing having written more lines for that sportswriter Madison to fill in a scene when Felix visits the studio to "negotiate". When he returns to Oscar, he takes credit for the two extra pages of dialogue and the $50 that comes with them.

Felix continues to fuss over the arrangements as they report to their location shoot in a stadium locker room in Pahrump, Nevada (which is just a studio set, making you wonder why they're shooting on location). Felix's less-than-professional starstruck side kicks in when he meets the actual star whom Oscar is playing against, Griff Lockwood (George Montgomery)...whose bad side Felix manages to get on by bringing up some gossip regarding an extramarital affair that he read about in Rona Barrett's column. When Felix tries to play hardball with the director by citing Oscar's legendary temper ("He slapped Fellini!"), he gets Oscar fired from the picture. As they're packing at their hotel, Felix tries to play it as a win, noting that they got an all-expenses-paid trip to Hollywood for no work...but Felix ultimately returns to the studio (Oscar tossing Felix's clothes off the balcony after he leaves). As before, J.B. is already discussing having to get Madison back--Oscar's replacement having dropped dead from learning that he got the part--when Felix walks in and is instantly given what he came for. Felix tries to advise J.B. not to be such a marshmallow.

When the duo returns to the location, it's Oscar's turn to blow things as he ruins his scene with klutzy accidents. Desperate to secure another replacement on short notice, the director agrees when Felix offers to fill the role. Oscar gets a good laugh on the sidelines as Felix improvs a dramatic monologue, following which Felix thinks he's gotten Oscar back the part...but the director instead goes with the Mayor of Pahrump (Leonard Barr returning two episodes later), who's been manning the clapboard.
TOC10.jpg



Ironside
"Trial of Terror"
Originally aired October 3, 1974
Wiki said:
When a witness in a case going on trial is murdered, Ed attempts to persuade the victim's daughter to take her father's place on the stand.

James and Caroline Ward (Jack Manning and Joan Van Ark) disembark at a marina after spending some father/daughter time on their boat; a topic of conversation being how James was unknowingly involved in a criminal operation and will be testifying against a man he was working for named Martine. When Caroline goes back to the boat for her shoes, her father's killed by a car bomb. That, or just turning the key causes cars to blow up in TV Land, which is supported by this being written up in the papers as an "accident".

Ed tries to pay a visit to Caroline to find her place ransacked, and talks with a friend named Debbie Hinden (Pamela Hensley again), who was already in the apartment.
Iron75.jpg
Caroline's not at the funeral, where the Chief briefly talks with Mike Martine (Harold J. Stone) and his crooked lawyer, Rogers (Tom Troupe). When Ed finds Caroline at the boat, she acts defensive, and indicates that she's mainly concerned with staying alive, but Ed convinces her to come with him to see the Chief. A hood named Sonny Powell (Larry Watson) who's staking out the marina calls Martine, who questions Rogers's method of stopping Ward from testifying and is concerned with what his daughter might know. At the Cave, the Chief informs Caroline that the bomb may have been meant for her as well.

Powell is lured away from Cave stake-out by Mark driving Fran out in a blonde wig. While Mark checks into a hotel with Fake Caroline, the Chief assigns Ed to watch Real Caroline, though they haven't been getting along thus far; and we see her prepping a big-ass needle. Ed takes Caroline to a house at an Army base. At a construction site, an associate named Garvey (Joe E. Tata) indicates that he wants to cut out for a while to lie low, to Martine's displeasure and concern. He orders a move made on Caroline, so Powell takes advantage of a room service visit to bust into Mark's hotel room to find Not Caroline holding a gun on him, but gets away by taking the waiter hostage; though Mark wounds an armed associate dressed as a bellhop.
Iron76.jpg
The team identifies Powell and knows that he saw that Fran wasn't Caroline. At the base, after Ed gets back on Caroline's bad side by questioning her about her relationship with Martine, he finds her lying in the bathroom, learns that she's a diabetic, and helps to give her a shot. She then tells Ed that she saw the evidence from Martine's books that her father was compiling, and hid it as her insurance. Ed encourages her to overcome her fear and come forward with the evidence.

In an effort to draw Caroline out, Rogers plants a story in the paper about how she's testifying that spooks her into skipping out on Ed; while Powell goes to Debbie's place to lean on her, leaving an answering service number on a painting she was working on and implicitly threatening her with sexual assault. Having taken Ed's car, Caroline hears on the police radio that there's an APB out on her...and anyone bothering to monitor would know that she was out and about unprotected. Ed realizes that Caroline left her insulin behind and will need to score her next fix. The Chief and Ed pay a call on Martine and Rogers to warn them to stay away from Caroline, perpetrating the ruse that she's still in protective custody.

Caroline, clearly suffering from her lack of meds, unwisely goes to Debbie's to rest. Debbie tips Powell off between scenes and then guiltily urges Caroline to get away in her car. The team learns of a prescription order from Caroline's doctor, but when the Chief calls the pharmacy and Caroline hears a siren approaching, she splits. The Chief and Ed go to the boat looking for her, as do Powell and another heavy who looks confusingly like Martine with guns drawn, only to find that Ed's got the drop on them. A firefight ensues in which Not Martine is wounded, and Powell tries to get away in his car only for the Chief to block him with the van.

The final scene has Caroline reporting to the courthouse, and there's a bit of business in the corridor with Martine and Roberts about tying Martine in with Powell and Garvey, but it gets cut off by the premature ending of the Frndly recording.


 
I remember those little WIN buttons. :rommie: Comic book geek that I am, the first thing that comes to mind is an issue of Guardians of the Galaxy (actually Marvel Premiere) by Steve Gerber with a very Trekkish plot about a planet that turned out to be an insane asylum.
Ford is sporting a WIN button in photos of George Harrison's upcoming White House visit.

Wait, what? :rommie:
Heh, I didn't even notice that.

Still haven't seen it. Likely never will. :rommie:
Ah, so slasher flicks aren't your cup of tea, either. I've never seen it, but it was an oft-referenced classic of the genre in my youth.

I don't remember this one. It might be the only Spinners song I've heard that I don't care for.
This is where I pull out the line about not remembering how the song goes while I'm listening to it.

I don't remember this one either, but it's okay. I remember Hues Corporation mainly for "Rock the Boat."
This is a bit better, sounding identifiably similar to their previous hit without being a clone.

Ah, Chaka Khan. Always a pleasure. I remember Rufus mainly for "Tell Me Something Good," but this is decent.
She sung that one as well, but this is where she started getting the "featuring" billing on the labels. I don't recall if I mentioned that "Tell Me Something Good" was written by Stevie Wonder.

Oh, yeah! Great song. Super-strong nostalgia. :rommie:
Basically an early disco novelty record, but hands-down the most memorable of this batch.

Might be a nice idea for an album, actually.
Apparently there have been official releases.
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That's just amazing. :rommie:
P-51 Mustang pilots were able to compete with the Me 262 subsonic jet fighters, which had a 100 mph speed advantage.
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Interesting. I've never thought of Klingons in particular, though I've given some thought to old-time actors I would have loved to have seen in TOS-- Teresa Graves, Robert Conrad, Alan Hale Jr, Diana Rigg, et cetera, et cetera....
My pick was Peter Whitney, who was often mustached and cast as swarthy types.
 
After 50 plus years I just realized it's a pun "Highs and Lows"
And I just learned that from your post. Wow. :rommie:

Olympic pole-vaulter Bob Seagren (himself)
I kinda remember him. His name sounds like booze.

Greg, who has a chip on his shoulder about being smaller than the other kids his age
That was my infamous Uncle Mike. :rommie:

Greg ends up sentenced to kitchen duty, with Pete trying to tell him that he can't buy friends.
Not with ice cream, anyway.

"Look at me driiiving. I'm driving the caa-aar."

She opens her coat to reveal a boa inside--the kind with scales, not feathers--the woman apparently being an exotic dancer.
There's an idea for a super-heroine.

Pete tries unsuccessfully to talk Greg into joining a ball game instead of moping alone
"Maybe competing with boys bigger and stronger than you will cheer you up."

Jerry updates Pete that Greg fell into a ravine
What is this, SHAZAM? :rommie:

Pete has another talk with Greg, updating him about the watch and advising him that being 14 doesn't last forever.
Especially if you keep falling into ravines. Of course, I fell into a ravine myself about a month ago, so you're never really safe from those things.

Jim brings Mrs. Whitney to pick up Greg when the bus returns.
And all my great expectations of plot twists and revelations come to naught. :rommie:

the general
Inspector Luger and crazy space psychiatrist.

his aide, Colonel Wortman
Cool chrome-domed character actor.

Trapper (to Hot Lips): Did you try to resuscitate him?
Hawkeye: How do you think he died?
Catch-22!

the guys hide Bernie in the closet
Was his name really Bernie or are you making the joke I was on the verge of making before thinking that you might be making the joke I was on the verge of making?

and pretend to be playing cards with Margaret because none of them can sleep.
This is kind of nice of them, actually, in a twisted way.

They take the body to Wortman (who's shaving his head) and decline to divulge how the general died
But this makes less sense. Why would they keep the info from his aide?

Wortman wakes Radar and his teddy bear in an unexpectedly difficult attempt to find somewhere that's seeing action.
What a time for a lull!

Jeff Maxwell as recurring Pvt. Igor Straminsky
I remember him.

Blake subsequently gets a call that the ambulance was involved in an accident, and the general's body was found, apparently killed in the crash. But Wortman doesn't give up on his plan, ordering that the ambulance be driven to a specific location and then calling for an air strike and naval bombardment. In the coda, the guys find that Wortman's fiction made it into Stars and Stripes.
The idea of Houlihan killing a general with sex is a good one, but then it descends into more early series farce.

When Colby goes to inspect the unit, he finds the driver's body inside a refrigerator
That's gonna cut into the profits.

his henchman, Puni
Cute. :rommie:

McGarrett theorizes that the hijackers must be selling their goods to legit retailers who wouldn't knowingly deal in stolen merchandise.
Or shipping them out of Hawaii altogether.

Larry Swift (Casey Kasem)
"Keep your feet on the ground and keep me supplied with hot refrigerators."

Portman's a little suspicious of how Colby can offer such good prices given how he says he obtains the goods, as well as Colby's insistence on not providing a number and making all phone calls himself.
Yeah, there's really a lot of red flags here. Would something like this work even in 1974?

Swift confronts his host, Colby, about the stolen merch and the heat that's been put on him over it
"I don't want to be among America's Top 40 Most Wanted."

when he pulls his gun, a hijacker he doesn't see nails him, following which Puni sprays him with a semiautomatic.
Geez. There's such a thing as enjoying your work too much.

McGarrett grimly orders a wide net cast for that particular shipment.
"I want eyes on all bikinis on the island!"

Portman ducks into a dock area and ends up slamming his brakes too late to avoid...
So Portman's dead because he panicked rather than just talk to McGarrett.

Notice how cars never meet their OTVF when they go into the drink. I mean, if they were really that easily combustible, you'd think there'd be at least little burst as they hit the water.
That would be cool. :rommie:

Larry reports to his cab driver, Chin, who puts him on the radio with McGarrett to make a long-distance request.
Larry's a good nephew after all.

This is where my Stupid Criminal Radar kicks in, because as smooth an operator as this guy is, he's known that Five-O was onto him since the second act. You'd think he'd at least lay low for a while.
Especially with two dead law enforcement guys.

McGarrett calls for their surrender via bullhorn, informing them of the assault squad positioned outside.
They might want to take cover, considering how trigger happy these clowns are.

Colby is subsequently lured to Swift's department store by a call from Larry claiming that the shipment never arrived.
Speaking of stupid criminals, that should have been Colby's cue to flee.

McGarrett comes out of hiding, followed by Danno, Chin, and Duke, each holding a different-colored Tranasonic recorder with a tape of what Colby just said.
Nice. It would have been a bit cooler if they had been hijacking the transonics throughout the episode, but still a nice touch.

As his increasingly characteristic parting zinger, McGarrett tosses his recorder to Colby as a "present for your cell".
That one kind of lacks zing, though. He should have told him to record his memoirs or something.

"Crazy Rhoda" bails on him at the last minute
She just met David Groh.

(Explaining one of the stickers on his suitcase, Oscar tells Murray that he never went to Rome, but his bag did.)
All roads lead there.

they run into someone making an uncredited appearance as himself taking out his garbage
Nice little cameo. I wonder how that came about.

director (Allan Arbus)
Dr Freedman.

(which is just a studio set, making you wonder why they're shooting on location)
Or why they went to Hollywood at all, rather than straight to the location.

whose bad side Felix manages to get on by bringing up some gossip regarding an extramarital affair that he read about in Rona Barrett's column.
:rommie:

Oscar's replacement having dropped dead from learning that he got the part
Wow. :rommie:

it's Oscar's turn to blow things as he ruins his scene with klutzy accidents
A good director would have made that part of the character. :rommie:

the director instead goes with the Mayor of Pahrump (Leonard Barr returning two episodes later), who's been manning the clapboard.
Not exactly one of the classic episodes.

That, or just turning the key causes cars to blow up in TV Land, which is supported by this being written up in the papers as an "accident".
He pumped the gas too many times.

When Ed finds Caroline at the boat, she acts defensive, and indicates that she's mainly concerned with staying alive
Between going back for the shoes and missing the funeral, I was highly suspicious of her at this point.

Ed takes Caroline to a house at an Army base.
Now there's a safe house.

The Chief and Ed pay a call on Martine and Rogers to warn them to stay away from Caroline, perpetrating the ruse that she's still in protective custody.
Unfortunately, they also suffer from Stupid Criminal Syndrome.

The final scene has Caroline reporting to the courthouse, and there's a bit of business in the corridor with Martine and Roberts about tying Martine in with Powell and Garvey, but it gets cut off by the premature ending of the Frndly recording.
It probably cut off Caroline and Ed hooking up, too. All that friction can't go to waste. :rommie:

Ford is sporting a WIN button in photos of George Harrison's upcoming White House visit.
:rommie:

Ah, so slasher flicks aren't your cup of tea, either. I've never seen it, but it was an oft-referenced classic of the genre in my youth.
Yes, it's amazingly popular. When it comes to Horror movies, I prefer monsters and supernatural stuff. Although I do love Psycho.

This is where I pull out the line about not remembering how the song goes while I'm listening to it.
That's about the size of it.

She sung that one as well, but this is where she started getting the "featuring" billing on the labels. I don't recall if I mentioned that "Tell Me Something Good" was written by Stevie Wonder.
Interesting. I didn't know that, but I love the song.

Apparently there have been official releases.
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Funny to think that we're hearing far better audio than the people who listened to the original broadcast did.

P-51 Mustang pilots were able to compete with the Me 262 subsonic jet fighters, which had a 100 mph speed advantage.
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Laws of physics? What laws of physics? :rommie:

My pick was Peter Whitney, who was often mustached and cast as swarthy types.
Oh, yeah. He wouldn't even need fake eyebrows. :rommie:
 
"Look at me driiiving. I'm driving the caa-aar."
Doesn't go with the Adam-12 theme. :p

There's an idea for a super-heroine.
On the villain side, there's Princess Python. It could've been a python, I didn't check. It was a big-ass snake.

Especially if you keep falling into ravines. Of course, I fell into a ravine myself about a month ago, so you're never really safe from those things.
Ouch.

Was his name really Bernie or are you making the joke I was on the verge of making before thinking that you might be making the joke I was on the verge of making?
It wasn't his name, I was making a Weekend at Bernie's reference.

But this makes less sense. Why would they keep the info from his aide?
I was wondering why the colonel wouldn't be more concerned about potential foul play.

What a time for a lull!
It was pretty late.

I didn't catch the name being used, but it was in the credits.

Or shipping them out of Hawaii altogether.
That would probably make no sense profit-wise.

"I don't want to be among America's Top 40 Most Wanted."
:D

"I want eyes on all bikinis on the island!"
"You got it, boss!"

So Portman's dead because he panicked rather than just talk to McGarrett.
Pretty much. And he was sweating profusely the entire time once things started going sour.

They might want to take cover, considering how trigger happy these clowns are.
The hijackers would have been blown to pieces if they'd made a move.

That one kind of lacks zing, though. He should have told him to record his memoirs or something.
There was also a closing freeze frame of him tossing the recorder.

A good director would have made that part of the character. :rommie:
For a moment, Felix tried to play it up as Oscar having given the scene some needed zing.

He pumped the gas too many times.
That'd probably do it. :lol:

Between going back for the shoes and missing the funeral, I was highly suspicious of her at this point.
They did consider her as a suspect.
 
Doesn't go with the Adam-12 theme. :p
Hmm. Maybe I can look up the theme and re-write it. :rommie:

On the villain side, there's Princess Python. It could've been a python, I didn't check. It was a big-ass snake.
Ah, that's right, Princess Python. She definitely needs a superheroine counterpart. Baroness Boa!

The hazards of hiking.

It wasn't his name, I was making a Weekend at Bernie's reference.
That's what I thought. Good one. :rommie:

I was wondering why the colonel wouldn't be more concerned about potential foul play.
He had probably been expecting it for some time. :rommie:

That would probably make no sense profit-wise.
True. Shipping is a big problem in Hawaii. Unless they're worth a fortune in Southeast Asia.

Pretty much. And he was sweating profusely the entire time once things started going sour.
A sad and unnecessary death.

There was also a closing freeze frame of him tossing the recorder.
Ah, the super-cool closing freeze frame. :D
 
Hmm. Maybe I can look up the theme and re-write it. :rommie:
Got the carrr,
Got the carrr-rr,
Got the carrr,
I got, I got the carrrrrr...

True. Shipping is a big problem in Hawaii. Unless they're worth a fortune in Southeast Asia.
To say nothing of ripping off a bulk shipment only to go to the expense of shipping them individually or in smaller numbers.

A sad and unnecessary death.
You could say that he got fridged for Casey.

Ah, the super-cool closing freeze frame. :D
H585.jpg
 
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Got the carrr,
Got the carrr-rr,
Got the carrr,
I got, I got the carrrrrr...
Squiggy gives his seal of approval. :bolian: :rommie:

To say nothing of ripping off a bulk shipment only to go to the expense of shipping them individually or in smaller numbers.
Well, I was thinking in terms of an illicit freighter or something.

You could say that he got fridged for Casey.
Sacrificed in the name of character development.

That explains the freeze frame. He beaned the cameraman. :rommie:
 
Missed this 50th Anniversary release back in September

Fleetwood Mac - "Heroes Are Hard To Find"
US Chart #34, UK Chart - None
Single - Heroes Are Hard To Find - US Chart - None, UK Chart - None

Fleetwood_Mac_-_Heroes_Are_Hard_to_Find.jpg


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Recorded at a low point in the band's history, with guitarist Bob Weston's affair with drummer Mick Fleetwood's wife causing the group to temporarily disband after a show in Lincoln, Nebraska - the McVie's and Fleetwood flying back to England to try and save his marriage, while Bob Welch stayed behind in Los Angeles with the band's equipment.

It was at this point manager Clifford Davis, who was left with tour commitments, sent a letter to Mick Fleetwood and John McVie and said he owned the right to the name and organized a new Fleetwood Mac to finish the remaining dates of the tour under the banner 'The New Fleetwood Mac'.

Initial dates were successful, but once word got out that the band onstage was not the real 'Fleetwood Mac', the audiences grew hostile, and promoters began cancelling shows, turning the band away from venues. The tour eventually collapsed, and the band broke up, its members forming the band 'Stretch' and issuing the single 'Why Did You Do It?' - directed at Clifford Davis and Mick Fleetwood, who the band were told, supported the fake Fleetwood Mac and promised to join them on the tour at some point.

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Meanwhile, back in Los Angeles, Bob Welch began contacting entertainment attorneys. He found out that Fleetwood Mac's contract with the record label Reprise had expired and they were on the verge of being dropped from the label. He realized the only way the label would accept the band would be if they recorded a new album, specifically in Los Angeles.

An injunction was issued against Clifford Davis over the use of the name Fleetwood Mac. It was discovered that, even though the band was named Fleetwood Mac, after Mick Fleetwood and John McVie, the two did not own the rights to their names and it would take four years of court proceedings before the naming rights were reverted back to Mick and John. Subsequently, every time the band went on tour the next four years, they would have to work out an agreement with Davis over the use of the name Fleetwood Mac.

With rock promoter Bill Graham's help, Bob was able to convince Mick, John, and Christine to fly to Los Angeles and record, with Bill Graham personally vouching for the members and helping them sign a new contract with Warner Bros. Reprise, a subsidiary of Warner Bros. would distribute 'Heroes' and the subsequent album 'Fleetwood Mac' before being folded over into the Warner Bros. label.

Once in L.A. the band quickly recorded and issued 'Heroes' in September 1974 before embarking upon a short tour after which, Bob Welch, exhausted by the stress brought about by struggling to keep the band as a cohesive functioning unit announced that he was quitting after four years and five albums. Fleetwood and the McVie's were sorry to see him go, but all involved knew that the band had grown stagnant and needed some new creative energy. Luckily, Fleetwood had found just the two needed to launch Fleetwood Mac into its next phase.​
 
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Fleetwood Mac - "Heroes Are Hard To Find"
I don't remember this one.

Now there's a creepy album cover. :rommie:

Recorded at a low point in the band's history, with guitarist Bob Weston's affair with drummer Mick Fleetwood's wife causing the group to temporarily disband
The music industry is such a Soap Opera.

its members forming the band 'Stretch' and issuing the single 'Why Did You Do It?'
I'm not familiar with this one, either, but it's not bad.

It was discovered that, even though the band was named Fleetwood Mac, after Mick Fleetwood and John McVie, the two did not own the rights to their names and it would take four years of court proceedings before the naming rights were reverted back to Mick and John.
Soap Operas. Legal Dramas. These folks are not very chill.

Luckily, Fleetwood had found just the two needed to launch Fleetwood Mac into its next phase.
Now comes the good stuff.
 


50th Anniversary Viewing (Part 2)



The Six Million Dollar Man
"The Pal-Mir Escort"
Originally aired October 4, 1974
Wiki said:
When the prime minister of a small country has a heart attack while negotiating a peace treaty with neighboring countries, she is selected to receive the first bionic heart. Steve is assigned to protect her while she is transported to the secret hospital where the procedure will take place.

Steve, Oscar, and Rudy are watching approvingly from a greenroom as Prime Minister Salka Pal-Mir of Eretz (Anne Revere) is giving a speech at the UN about peace and an end to terrorist reprisals and guerilla warfare being at hand. When she has an attack at the podium, she's brought to the greenroom by Chief of Security Shahvid (Nate Esformes) to be tended to by Dr. Avni (Leo Fuchs), and Rudy finds that he has no other choice than to go through with the operation that he's been considering.

The Bionic Trio proceed to the Eretz embassy, where Not Golda is back on her feet. Rudy handwaves away her options for a conventional transplant and offers her a bionic transplant that only has a 30% chance of success, without which she's estimated to have a week. She considers using that week to further peace talks instead; but Shahvid secures via phone approval from the delegates for a ten-day delay. When NG wants an explanation for why Oscar insists on assigning Steve to be her bodyguard for the journey to Tennessee for the operation, he has her clear the room so he can show her footage from three previous episodes of Steve demonstrating his bionic abilities--though two of them are from scenes where there wouldn't have been any cameras present, never mind multiple cameras recreating the shots seen in the episodes.

Madame Pal-Mir (clutching her left breast): How will it feel?​
Steve: It'll be a little spooky at first, but you'll get used to it.​

After Shahvid reenters, he plants a bug so that a couple of very blond guys, Stellen (Denny Miller) and Kern (uncredited Don Pulford), can listen in as Oscar and NG discuss their cover story and where they're actually traveling. At Steve's suggestions, it's agreed that they'll use the Bionic Mobile Unit, which will only have accommodations for NG and Dr. Avni. Shahvid gives her a rose as she's taken to the unit, which he doesn't see and is effectively a camper bus driven by Steve. Shahvid then goes to inform Stellen and Kern that the rose has a tracking device in it, and we learn that he regrets what he has to do but is motivated to not allow peace with Eretz's enemies.

Assuming the code name Sightseer, Steve confers with a man named Johnson (Robert Rothwell) in a tailing helicopter designated Overview One; while Stellen and Kern follow from a distance, with another vehicle commanded by a guy named Phil (uncredited Everett Creach) following them, and notice the chopper. Steve and NG converse about Steve's discomfort with a female head of state and how she couldn't be elected in America, though she feels that it's important to win over young Americans like Steve. NG insists that Steve pull over when a hip young lady named Linda (Jamie Donnelly) flags the Bionic Camper down to help with her van, which got stuck in sand on the side of the road while she and her boyfriend Michael (John Landis)--now meditating off the side of the road--were having a picnic. NG keeps Linda engaged in conversation with her back to Steve while watching as Steve lifts the van out. Also stopped in the distance, Stellen plots to hijack the chopper when it refuels at an anticipated field.

NG insists on stopping again at a farm's vegetable stand, against Oscar's strict orders following the previous stop, and chats up the proprietor, Sarah (Virginia Gregg--Harve Bennett is the new Jack Webb). NG gives the rose to Sarah, and when she's tearful to leave the farmer, Avni explains that she used to work a farm with two sons who were killed by guerillas. Meanwhile, Overview One lands for refueling, and Johnson and his pilot are jumped and knocked out by the gun-toting blonds, who take over the chopper; while Phil goes ahead to set up a roadblock that will redirect the camper into an ambush. After taking the detour, Steve spots a rockslide with his bionic eye and stops the camper. As Avni covers him with a rifle, Steve gets out to move the boulders, but Phil, his partner, and two other guys uphill open fire with handguns, felling the doctor. Steve uses the rifle to cover his return to the camper, then calls Overview for help, and the chopper descends.

A revived Johnson calls in from the airfield while Steve spots that the armed guy in the chopper isn't Johnson and is signaling men waiting behind cover. Steve takes off in the camper for the cover of trees while Kern fires grenades at the camper and Salka stops Phil's pursuing station wagon with the rifle. When Steve stops under the trees, Stellen takes the chopper down, and Steve gets out to deal with its crew, jumping and knocking out an approaching Kern, then running toward the chopper as Stellen empties a revolver at Steve. Stellen tries to take off, but Steve jumps onto a strut and gets him in a hold, forcing him to take the chopper back down. As the cavalry arrives in the form of four Army choppers (which includes a bit of footage that appears to be from 'Nam), Steve returns to the camper to find Salka unconscious inside. In a voiced over communication with Oscar, Steve's informed that an atomic power pack for the heart won't arrive in time, and Steve insists on donating one of his. In the OR, Rudy warns Steve that removing the pack in his arm could affect his spinal cord or brain via the arm's nerve connections.

In the coda, Steve--his bionic arm in a sling as he awaits his replacement pack--brings flowers to a recovering Salka, who confesses that she was deliberately stalling the trip with her stops in the hope of dying before getting the surgery, as she was afraid of the bionic implant. Steve expresses his understanding and his admiration for her, and the two of them flirtatiously express regrets over their age difference.

SMDM will be taking an unusual little mid-Fall hiatus between new episodes for a few weeks. As the series started mid-season, maybe they were rerunning some S1 episodes for the benefit of new viewers. When the show returns, it'll be Steve Austin vs. Hal Linden, or something like that.



Shazam!
"The Road Back"
Originally aired October 5, 1974
Wiki said:
Continuing from where the previous episode left off, Gary and Mark are on their way to the D.A.'s office when Brok, the drug dealer, car-jacks the police car. Mark pretends to be on the good side, so that he can keep Brok informed as to what is going on.

Outside the police station, Gary informs Billy and Mentor that he's told the police what he knows and plans to make a statement for the D.A., but Mark doesn't. Billy's job as a newscaster and the fact that he's on vacation come up again. Back in the van, Billy senses that it's getting time for the Elders to call, so he initiates some discussion of Mark Twain to get that much out of the way. The Elders warn Billy that the journey isn't over and talk of enemies posing as friends and of trust shared between friends.

A sheriff or deputy who doesn't watch enough Hawaii Five-O (Robert Broyles) stops for a young man whose truck appears to be broken down (Ian Sander), only for Brok (Ron Soble), a slimy adult type, to come out of the bushes and take the car. Letting Gary and Mark out down the road, Brok tries to intimidate Gary for finking on him, and pays Mark for his loyalty and to keep an eye on Gary.

Mentor's enjoying watching Billy change the van's tire when Billy gets a call from Gary on the van's regular, push-button phone, which triggers an Elder flashback. Gary fills Billy in about what's happened and asks for help. In front of Billy and Mentor, Mark pretends to be afraid of Brok but willing to cooperate. Billy comes up with a plan of legal dubiousness for Gary to use a key he has to sneak into Brok's import office to steal evidence. (The spelling of the character's name is confirmed by the signage outside the office and this week's closing credits.) Mark tips off Brok, who obligingly leaves. After Gary comes out with a couple bags of smack, Billy's Elder Sense tingles, just in time for Brok and Mark to return and catch them in the act. Billy tosses a bag at Gary, who takes off in his Thing to get to the police. After Brok and Mark split and Mentor arrives, Billy changes to Cap and heads for where Brok's chasing Gary down the obligatory curvy road at high speed. Cap lands in a tree-lined patch of road between them and moves some boulders to form a barricade. When Brok stops his car, Cap pushes it uphill between some trees so the doors won't open and rolls a boulder behind it. He then flies to help Gary, who's having the obligatory brake trouble so common to obligatory curvy roads. Cap lands to run after the car on foot and bring it to a stop.

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Right after that, Mentor and Cap assure Gary that he's not a fink and was actually being a good friend to Mark.

Cap: Hi. Today you saw how important it is for all of us to be responsible. Responsible for what we say and what we do. It's easy to let yourself get dragged into doing the wrong thing, but it's generally a lot harder to get yourself out again. See you next week.​



Star Trek
"How Sharper Than a Serpent's Tooth"
Originally aired October 5, 1974
Wiki said:
A mysterious being threatens to destroy the Enterprise if the crew is unable to solve an ancient puzzle.

Captain's log, stardate 6063.4: The Enterprise is tracing the origin of a mysterious alien space probe. It approached the Federation homeworlds, made a scan of Earth's system, and then signaled outward into space. Before it could be intercepted, the probe self-destructed. We are following a trail of disrupted matter left by the probe's highly advanced propulsion system. Thus far, the trail has not intercepted any inhabited star systems.

A vessel twice the Enterprise's size is detected approaching them, and the ship is brought to a halt by a force sphere, following which the vessel becomes distinguishable onscreen.
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Doohan plays Ensign Walking Bear and Kukulkan.

The captured crewmen find structures in the city that demonstrate potential influence on multiple Earth cultures. After Walking Bear tells of a legend that the Mayans built a city at Kukulkan's bidding, Kirk deduces that perhaps multiple cultures failed Kukulkan's challenge to get it right. Kirk has the officers turn multiple serpent head statuettes to reflect sunlight onto a lens at the top of the pyramid, which signals Kukulkan to appear. The serpent being taunts them about the relative savageness and human not having learned from his teachings before changing the environment to reveal a private zoo in which he keeps various creatures in cages while simulating contenting environments for them. As with Apollo, Kirk resists the idea of being subservient children to the god-being, raising his ire.

Up on the ship, Spock deduces that the force globe can only respond in one direction at a time, and breaks the Enterprise free by using the tractor beam and engines simultaneously.
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The Elders would be proud! And I commend Filmation's restraint in not having Kukulkan shriek like a pterodactyl. Honestly, this one seemed pretty old hat given how we'd already seen its ground covered in other ways on TOS.



Emergency!
"Nagging Suspicion"
Originally aired October 5, 1974
Edited Wiki said:
Johnny is trying to get Roy to give up his "system" for picking winning horses out of the newspaper. The firefighters rescue a woman who fell into the lion's cage at the zoo and was bitten; help an exotic dancer who became ill from mono at a strip club; assist an adult who fell off a skateboard into a cactus patch; and save a wounded policeman from a sniper.

The station crew are just learning how Roy only looks at the sports section to check the horse races when they're called to an animal bite victim at the zoo. When they arrive, they find a woman who'd been trying to take a picture lying sprawled unconscious in the lion's den with a nasty leg wound. A rifle-toting keeper (Milton Frome) protests that it wasn't their fault and informs the crew that he already shot the cat with a tranq, though it hasn't taken effect. Johnny rappels down on a rope while the lion growls at him from perch, then begins to come down. Johnny is careful to avoid doing anything to alarm the beast, while the firefighters stand ready to hose it if needed. Once the woman is lifted out via Stokes, Johnny wastes no time in climbing out as the cat closes in, then doesn't miss a beat in calling vitals in to Rampart.

Questioning Roy, Johnny learns that while he doesn't actually bet at the track and insists that he doesn't have a system, Roy can pick as many as 5 out of 6 winners. The station is called to a sick dancer lying on the side of the stage at a club (Lindsay Bloom; not sure why they'd need the engine crew for this). Johnny calls in to Rampart over the music as another dancer performs wearing a see-through plastic dress over a bikini. At Rampart, Brackett learns that the patient, Suzy Clark, is a sociology student who's got a fever and neck swelling.

Johnny's continuing to badger Roy to share his system as the squad is called to tend to a man (Robert Q. Lewis) now reclining on his stomach who's not seriously injured from his skateboarding accident, but is embarrassed that he landed butt-first into a cactus patch. As his wife (Pamela Morris) chastises him, he insists on seeing his own doctor. The paramedics advise him to get a tetanus shot and have him sign a release form. As the paramedics are leaving, Johnny decides to try skating down the driveway, and starts to careen out of control.

At Rampart, Johnny has some needles pulled out of his arm by Dix, as Brackett diagnoses Suzy as having mono from overexertion. At the station, the others gang up on Roy, and are then worried when he promptly picks a name out of the paper to get them off his back. The station is called to assist the police as they plan to use tear gas on a sniper, which, a sergeant (Jim B. Smith) explains to the crew, involves a fire risk. The policemen open fire to cover for the officer with the grenade launcher, but he gets hit. Roy and Johnny don flak vests to get to him as they're covered by their own men with the hose. The paramedics manage to get the officer behind the cover of a car and call Rampart, reporting a chest wound and inability to transport. Officer Vince, now sporting a 'stache, manages to launch the cannisters, which do cause a fire. The sniper surrenders and the firefighters get to work on the blazing three-story apartment building as other units arrive to assist, which includes carrying the sniper down to safety and arrest.

Johnny tends to the wounded officer in the ambulance as he's transported to Rampart, where all three of our usual doctors get to work on him. Brackett goes off-duty, reporting to the still-present paramedics that he thinks the officer's going to make it. Roy confesses to Johnny that he just picked the horse, Over the Rainbow, because he liked the name.

In the coda, Johnny brings in the paper and the firefighters gather around to find that Over the Rainbow lost. When Roy comes in after having visited the track for the first time to place the station's bet, he informs them that he chose another horse--briefly raising their hopes that he picked the winner--but he reveals that, following Johnny's badgering advice, he overthought his selection based on the horses' qualifications and picked a different loser, Rainbow's Pride.



The Mary Tyler Moore Show
"Lou and That Woman"
Originally aired October 5, 1974
Wiki said:
Lou is in heaven when he starts dating a fantastic lounge singer (Sheree North), but has second thoughts when she reveals she has been with a number of men.

Mary knows something's up with Lou when he agrees to let her redecorate the office; and seeing him come in the newsroom singing and pinching Ted's cheek clinches it. She learns from Murray and Ted that Lou's seeing somebody, though they haven't met her. On another day, Mary struggles not to react when Lou comes in the office dressed a little Moddish for a date...
MTM17.jpg
After the date, Lou takes Mary up on her offer to bring Charlene by any time, finding Mary in sweats working on her sink. Mary learns that Charlene sings and plays piano at a bar, and is surprised that Lou's seeing someone so... When Mary tells the guys at the newsroom about her the next day, they ask suggestive questions based on her history, which includes previous marriages, giving Lou second thoughts.

Lou avoids Charlene and sulks in his office. Mary goes in to try to give him a pep talk and is appalled to learn that he can't see himself with a woman who's been as active as he's realized she must have been...and specifically that his limit on the number of men a woman has seen is six. Lou goes to see Charlene at work, trying to talk to her in the middle of a song while listeners are gathered around. When his explanation comes off like he's forgiving her for being who she is, that doesn't work, and he ends up admitting that he's insecure that he's not good enough for her. She disagrees, then serenades him in front of the crowd.

The redecorating becomes a running subgag, with Sue Ann trying to horn in and Ted complaining about what Mary's done with his dressing room.



The Bob Newhart Show
"The Separation Story"
Originally aired October 5, 1974
Wiki said:
Emily moves out of the apartment and into a college dorm so she can study to get her Master's degree.

This one has last season's opening; and is directed by Peter Bonerz.

Bob comes home from the office without his pants after a demonstrative patient threw coffee on them. Emily's on her way out to study at "the stacks," her evening time having become increasingly devoted to her college activities, which is putting a strain on their marriage. When Emily gets to a point where she threatens to quit college over it, Bob suggests that she go full-time to get through it faster, temporarily staying with a friend on campus...while offering to share her sacrifice by getting a room closer to his office.

When Carol finds Bob sleeping on his office couch and he tells her that Emily's moved out, she assumes the worst and promptly shares the news with Jerry and several rando office doctor extras. After Bob's secured a hotel room, Emily visits him at the office and they make a dinner date there.

Carol (on phone): Jerry? Doris and Rock are back together! Pass it on!​

Bob has to deal with a room service bellboy (Richard Stahl) who assumes Emily is a...you know. As he sits down at the table with Emily, Bob questions why they're doing the separation, and she reminds him that it was his idea, but agrees. They decide to make the most of the room and stay the night, Emily pulling a nightgown out of her purse.

As Howard's pining over the Hartleys' absence while Ellen's watering their plants, Bob and Emily pop in just long enough to pick up some things before leaving again. (It seems like they're going to work, but it's dark outside.)

This was an odd one. The master's degree comes out of nowhere as far as I can recall, and isn't something that's going to get done inside of a half-hour sitcom episode. I assume that she'll switch to a correspondence course with the University of Toronto.


 
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Squiggy gives his seal of approval. :bolian: :rommie:
Squig has low standards.

I don't remember this one.
I have a selection of early Fleetwood Mac tracks from a box set that I got years back, and this one isn't a stand-out.

I'm not familiar with this one, either, but it's not bad.
Apparently it was something of a hit in the UK, but didn't chart in the US.

I had one of these in red.
Which would make you Danno.

I loved to seeing Casey in an on screen role that wasn't a top 20 countdown or New Year's Eve.

"You don't scare me, Col-BEE!" clearly lying. :rommie:
He'd also been in an episode the previous season, "Mother's Deadly Helper," as a hostile talk show host whose show McGarrett appeared on as bait for a vigilante played by Anthony Zerbe.
 
Rudy finds that he has no other choice than to go through with the operation that he's been considering.
"Once again, fate has smiled upon me. I mean you."

Not Golda
:rommie:

Rudy handwaves away her options for a conventional transplant and offers her a bionic transplant that only has a 30% chance of success
"Trust me, I'm a cyberneticist."

two of them are from scenes where there wouldn't have been any cameras present, never mind multiple cameras recreating the shots seen in the episodes.
I always get a kick out of that. :rommie:

Madame Pal-Mir (clutching her left breast): How will it feel?
Steve: It'll be a little spooky at first, but you'll get used to it.
"It's like Phantom-Limb Syndrome, only far weirder."

it's agreed that they'll use the Bionic Mobile Unit
Who used to be a guy named George before Rudy fixed him up.

we learn that he regrets what he has to do but is motivated to not allow peace with Eretz's enemies.
Yeah, who wants that?

Assuming the code name Sightseer
Should have been Mentor. :rommie:

Steve and NG converse about Steve's discomfort with a female head of state
Steve's a little old-fashioned even for 1974. :rommie:

her boyfriend Michael (John Landis)
Surely not the John Landis! :eek:

now meditating off the side of the road
"Five more minutes and I'll have that sucker levitated back onto the blacktop."

Stellen plots to hijack the chopper when it refuels at an anticipated field.
Never gonna happen, not with the world-class security systems of the OSI in place.

NG insists on stopping again at a farm's vegetable stand, against Oscar's strict orders following the previous stop
"You're my kinda prime minister, baby."

Sarah (Virginia Gregg--Harve Bennett is the new Jack Webb)
Too bad she never showed up in a Star Trek movie.

Overview One lands for refueling, and Johnson and his pilot are jumped and knocked out by the gun-toting blonds
Man, you guys let me down so bad!

A revived Johnson calls in from the airfield
Good thing the evil terrorists allowed the chopper crew to live.

Kern fires grenades at the camper
Odd that they didn't lead with that.

Salka stops Phil's pursuing station wagon with the rifle.
She handles stress pretty well for someone whose ticker is about to give out.

running toward the chopper as Stellen empties a revolver at Steve.
He's learned how to dodge those since his early days.

Stellen tries to take off, but Steve jumps onto a strut and gets him in a hold, forcing him to take the chopper back down.
That's some cool action.

(which includes a bit of footage that appears to be from 'Nam)
It's good that they haven't forgotten their tradition of inappropriate stock footage.

Steve's informed that an atomic power pack for the heart won't arrive in time, and Steve insists on donating one of his. In the OR, Rudy warns Steve that removing the pack in his arm could affect his spinal cord or brain via the arm's nerve connections.
Nice little elements of suspense and self sacrifice.

Salka, who confesses that she was deliberately stalling the trip with her stops in the hope of dying before getting the surgery, as she was afraid of the bionic implant.
That's some nice characterization for this character. Overall, this was a good episode (which I don't remember a bit). I like that they go heavy on story and use the bionic powers sparingly. Half of the bionic action in this episode was the busywork of helping the Hippies.

When the show returns, it'll be Steve Austin vs. Hal Linden, or something like that.
That oughtta be good. :rommie:

Billy's job as a newscaster and the fact that he's on vacation come up again.
I think he was fired and he's still in denial.

Billy senses that it's getting time for the Elders to call
"It's after five. The rates just went down."

he initiates some discussion of Mark Twain to get that much out of the way.
"Suppose you were an idiot...."

Brok tries to intimidate Gary for finking on him
"You finking little punk."

Mentor's enjoying watching Billy change the van's tire
They really need an Aunt Harriet.

Billy comes up with a plan of legal dubiousness for Gary to use a key he has to sneak into Brok's import office to steal evidence.
Agents of the Elders are above such petty human concepts as law.

When Brok stops his car, Cap pushes it uphill between some trees so the doors won't open and rolls a boulder behind it.
The cops should appreciate that. :rommie:

Cap: Hi. Today you saw how important it is for all of us to be responsible. Responsible for what we say and what we do. It's easy to let yourself get dragged into doing the wrong thing, but it's generally a lot harder to get yourself out again. See you next week.
I think all shows should have these moralistic epilogues. Especially Seinfeld.

A vessel twice the Enterprise's size is detected approaching them
Maybe it's Pike's Enterprise!

The captured crewmen find structures in the city that demonstrate potential influence on multiple Earth cultures.
"We've been transported to the planet Alpha von Daniken!"

changing the environment to reveal a private zoo in which he keeps various creatures in cages while simulating contenting environments for them.
Must be a renegade Talosian.

And I commend Filmation's restraint in not having Kukulkan shriek like a pterodactyl.
:rommie:

Honestly, this one seemed pretty old hat given how we'd already seen its ground covered in other ways on TOS.
Most of what they do seems to be either repetitive or wackily inappropriate.

"Nagging Suspicion"
Cute. :rommie:

a woman who'd been trying to take a picture lying sprawled unconscious in the lion's den with a nasty leg wound.
From a bite? That lion's dead meat. But then why is the lion perched and not munching away?

Johnny rappels down on a rope while the lion growls at him from perch, then begins to come down.
Maybe a second tranq is in order.

Once the woman is lifted out via Stokes, Johnny wastes no time in climbing out as the cat closes in, then doesn't miss a beat in calling vitals in to Rampart.
Nerves of steel.

The station is called to a sick dancer lying on the side of the stage at a club (Lindsay Bloom; not sure why they'd need the engine crew for this).
Sounds like she was in danger of being trampled by other dancers.

reclining on his stomach who's not seriously injured from his skateboarding accident, but is embarrassed that he landed butt-first into a cactus patch.
Coulda been face first, dude.

Johnny has some needles pulled out of his arm by Dix
Incident report.

Brackett diagnoses Suzy as having mono from overexertion
Yeah, she was overexterting her tongue. We know this one, Dr Brackett! :rommie:

a sergeant (Jim B. Smith) explains to the crew, involves a fire risk.
Short-term foreshadowing.

Roy and Johnny don flak vests to get to him as they're covered by their own men with the hose.
Lions, snipers-- how do you even train for a job like this? :rommie:

The sniper surrenders and the firefighters get to work on the blazing three-story apartment building
They may have done more harm than good in this case.

Johnny brings in the paper and the firefighters gather around to find that Over the Rainbow lost.... following Johnny's badgering advice, he overthought his selection based on the horses' qualifications and picked a different loser, Rainbow's Pride.
He just failed to make the rainbow connection.

On another day, Mary struggles not to react when Lou comes in the office dressed a little Moddish for a date...
View attachment 42203
Lookin' super groovy, Lou.

Mary goes in to try to give him a pep talk and is appalled to learn that he can't see himself with a woman who's been as active as he's realized she must have been...and specifically that his limit on the number of men a woman has seen is six.
"I get more action than that in a single season, Lou."

She disagrees, then serenades him in front of the crowd.
Nevertheless, she was on a plane to Canada by the next morning.

Bob comes home from the office without his pants after a demonstrative patient threw coffee on them.
Doesn't he take the train? :rommie:

temporarily staying with a friend on campus...while offering to share her sacrifice by getting a room closer to his office.
I understand this not in the slightest. :rommie:

Bob has to deal with a room service bellboy (Richard Stahl) who assumes Emily is a...you know.
Well, that's one way to pay for college.

As he sits down at the table with Emily, Bob questions why they're doing the separation, and she reminds him that it was his idea, but agrees.
It does seem to just overcomplicate things.

As Howard's pining over the Hartleys' absence while Ellen's watering their plants
They just take over the apartment whenever Bob and Emily are away. :rommie:

This was an odd one. The master's degree comes out of nowhere as far as I can recall, and isn't something that's going to get done inside of a half-hour sitcom episode. I assume that she'll switch to a correspondence course with the University of Toronto.
None of it really made a lot of sense.

Squig has low standards.
Well, yeah. :rommie:

He'd also been in an episode the previous season, "Mother's Deadly Helper," as a hostile talk show host whose show McGarrett appeared on as bait for a vigilante played by Anthony Zerbe.
Oh, yeah. Where does he find the time? :rommie:

Not even by half
OIP.9hLNGLACZ5EHZFGRtEWxuAHaON



Fleetwood_Mac_-_English_Rose.jpg
:rommie:
 
Who used to be a guy named George before Rudy fixed him up.
:lol: Some shots of George here.

Steve's a little old-fashioned even for 1974. :rommie:
I dunno...how many female heads of state of major powers were there in those days? We still haven't gotten there.

Surely not the John Landis! :eek:
Apparently, or IMDb thinks so. We barely saw him, sitting in the distance.
SMDM18.jpg
He definitely wouldn't have made the credits in Emergency!

"Five more minutes and I'll have that sucker levitated back onto the blacktop."
Not Golda actually quipped in explanation to the girl that meditation sometimes works.

Never gonna happen, not with the world-class security systems of the OSI in place.
:D

Good thing the evil terrorists allowed the chopper crew to live.
Yeah, they were playing for pretty high stakes. Though the blonds didn't give off a professional terrorist vibe...they may have been hirelings.

It's good that they haven't forgotten their tradition of inappropriate stock footage.
If you're referring to the crappily reedited TV movies, the tradition wouldn't exist yet, those were edited for syndication years after the fact.

That oughtta be good. :rommie:
Not sure if you Capped what I was going for there.

The cops should appreciate that. :rommie:
Station 51, car trapped between trees and boulder, act of gods...

I think all shows should have these moralistic epilogues. Especially Seinfeld.
That would have violated their cardinal rule of "no hugging, no learning".

Maybe it's Pike's Enterprise!
:lol: Maybe the size difference ties in with that oversized inflatable version on the hangar deck...

Must be a renegade Talosian.
Oh yeah, wasn't even thinking of that.

From a bite? That lion's dead meat. But then why is the lion perched and not munching away?
Yep. Maybe just attacked what he saw as a threat.

Yeah, she was overexterting her tongue. We know this one, Dr Brackett! :rommie:
Brackett was attempting to dispel the "kissing disease" myth.

"I get more action than that in a single season, Lou."
I was thinking along those lines...and got the impression Mary was, too.

Nevertheless, she was on a plane to Canada by the next morning.
I've been meaning to get in a crack about Incredible Hulk #182, which is now over a month old. Something about how that's the last we'll see of Wolverine, unless some abrasive, wheelchair-bound team leader goes to Canada for him and breaks the Ironside curse.

Doesn't he take the train? :rommie:
Might've dropped them off at a neighborhood cleaners after the ride.

I understand this not in the slightest. :rommie:
None of it really made a lot of sense.
So it wasn't just me.

Oh, yeah. Where does he find the time? :rommie:
He's also doing a lot of cartoon voice work.
 
Since it's the Halloween season, the AV Club just posted a feature on the Top Fifteen Horror films celebrating their 50th Anniversary this year.

15. The Beast Must Die!
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14. Black Christmas
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13. Andy Warhol's Blood For Dracula
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12. The Cars That Ate Paris
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11. Deranged
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10. From Beyond The Grave
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9. It's Alive
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8. Lisa And The Devil
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7. Madhouse
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6. Messiah Of Evil
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5. People Toys aka Devil Times Five
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4. Phantom Of The Paradise
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3. Phase IV
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2. Sugar Hill
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1. The Texas Chain Saw Massacre
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Of the trailers I've posted, I've seen numbers 15, 14, 12, 9, 8, 7, 6, 2 and 1. Some I wouldn't classify as "Horror' as such, more psychological horror.
 
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