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The Classic/Retro Pop Culture Thread

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50th Anniversary Viewing (Part 2)

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All in the Family
"Archie's Fraud"
Originally aired September 23, 1972
Wiki said:
Archie tries to get out of paying the IRS for moonlighting as a graveyard-shift cabbie for his friend Burt Munson (Billy Halop).

Archie comes home with his shoes off because he stepped in a neighbor's dog poo on the porch. Gloria comes home from her new job shortly after, and Archie objects to her and Mike slobbering over each other.

Edith: No, that's right, Gloria. Your father was never much of a slobberer. He's more of a pecker.​

Archie complains about no longer being able to claim Gloria as a dependent, which leads to an argument between him and Mike about tax loopholes for churches, during which Mike canvasses for McGovern some more. During dinner, Burt Munson comes over to ask Archie to sign a receipt for the money Burt's been paying him to drive the cab part-time, and it turns out that Archie doesn't want to sign because he hasn't been claiming the income. The kids guilt Archie over cheating the government (which seems odd for anti-establishment types), so he decides to go to the tax office, but insists that Edith's in it with him, as she co-signed their return.

At the office, Archie coaches Edith about how he plans to pin the blame on her for losing paperwork. While waiting to use the pay phone to call work, Archie overhears a man (Ed Peck) describing how he plans to bribe the tax examiner, so that becomes Archie's new plan. The examiner, Mr. Turner (James McEachin), turns out to be a man whom Archie had just had an altercation with in the waiting area. Edith's guileless honesty doesn't help Archie's snow job, nor does Archie voicing a couple of race-based assumptions about the examiner. Archie tries to offer Turner free cab rides, then a pair of tires, and Turner decides to go easy on him for the bribery attempt by only auditing him for the three years that he's been driving the cab.

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Emergency!
"Kids"
Originally aired September 23, 1972
Wiki said:
A stray dog wanders into the station; the station personnel name him Boot, but Boot promptly takes a dislike to John. Later, Roy and John rescue a boy trapped in a hole; examination of the boy leads the doctors to determine the boy has a history of child abuse. A girl runs to Dixie telling her she is giving an airplane to a boy, then Dixie also asks the girl if her best friend hurt himself falling down the hole. The girl says he did not, to which the boy says she is lying. Dr. Brackett's efforts to save the boy from his abusive life fail in the legal system–and lead to tragic results. Other rescues include a boy whose head was stuck in a basement window, Dr. Early freeing a boy's hand from his father's sport steering wheel, and the firefighters rescuing an injured hiker (John Travolta) from a rapidly spreading brush fire with help from Boot, who "adopts" a different fire station.

When the Benji-type mutt shows up in the vehicle bay, Chet shoos the dog away, and the little critter is just too damn adorable about it. The station then gets a call for child trapped in an excavation site. The boy, Frankie, is off camera in a small, unstable hole, with his parents, Russ and Chirley Gentry (Roger Perry and Anne Whitfield), on the scene. The other firemen hold Johnny's legs, lowering him in arms and head first. The hole starts to sink in, but they manage to pull Johnny and Frankie (Christian Juttner) out. Upon examination at Rampart, Brackett finds a head injury inconsistent with his having fallen in the hole. Later his friend, Penny Andrews (Lori Busk), shows up at the nurses' desk bearing a toy airplane as a gift for Frankie, and tells Dix that Frankie's last name is Stewart from his mother's previous marriage and volunteers without having been asked that he had his head injury before he fell into the hole. When asked about this, Frankie insists that she's lying and that he wasn't beaten.

Meanwhile, the shaggy dog has stuck around the station, and the captain agrees to let the firemen keep him as a mascot, against Chet's skeptical objections. There's some intermittent comic business of Johnny trying to train Boot and Boot seeming to prefer Roy, but choosing Johnny's bed to tear up. Roy suggests that maybe Johnny's trying too hard. In another kinda squicky sign-o-the-times moment, Chet theorizes that maybe Boot takes objection to Johnny's Native American ethnicity (which I'm not sure has come up before).

At Rampart, Dix tries to talk to Mrs. Gentry about Frankie's history, and Mr. Gentry storms in wanting to know why Frankie hasn't been released despite his injury being an old one. Dr. Early reads a list of previous hospital admissions from Frankie's injuries, and he and Brackett try unsuccessfully to steer the Gentrys into seeking psychiatric help. In the meantime, Brackett has a court order to detain Frankie.

The paramedics respond to a call for a boy named Joey Parker (Tony Kelvin), who's gotten his head stuck out of a basement window while playing cowboy. The paramedics use the Porto-Power to jack up the window frame and Joey is able to slip out. At Rampart, there's some more stuck kid business when a Mr. Peters (Gary Clarke) brings in his son Randy (Scott Sealey), whose finger is stuck in a decorative hole in a now-detached custom steering wheel, which Early has to take apart. An investigating detective sergeant (William Bryant) indicates that there's insufficient evidence in Frankie's case to take legal action against the Gentrys, but recommends going to juvenile court to make Frankie a ward.

Cut to Brackett testifying in court to how Frankie's injuries are consistent with battered child syndrome. On cross-examination, the Gentrys' attorney (Richard Jaeckel) makes a case that the injuries could have been the result of other circumstances, such as skeletal deformities, which Brackett didn't look into. As Frankie won't testify against his parents, the judge (Victor Izay) is forced to dismiss Brackett's petition.

Station 51 is called to a brush fire, with Boot jumping in the squad truck as they're leaving. At Ascot Canyon, Squad 51 finds a hiker with an injured ankle (Don Carter, I presume) who can't find his friend Chuck, whom he thinks may have fallen in the canyon. Boot leads the paramedics to Chuck's pack, and they find the hiker sprawled at the bottom of the canyon. The paramedics rappel down the cliffside to tend to Chuck (in his first acting credit on IMDb)...
Emergency01.jpg
An engine arrives to lower the paramedics' equipment down to them on the Stokes stretcher. Chuck is secured in the stretcher and raised via the engine's cherry picker.

Back at Rampart, a tearful Mrs. Gentry works up the courage to confess to how her husband beat Frankie. At the canyon, Boot hitches a ride on the cherry picker of the other station's engine, but Johnny is happy for him. It's a shame that Boot's gig was only episodic...this was too cute:
Emergency02.jpg

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The Mary Tyler Moore Show
"What Is Mary Richards Really Like?"
Originally aired September 23, 1972
Wiki said:
A local newspaper columnist, whom Lou is convinced loves to destroy people's reputations, interviews Mary about being the only woman in the newsroom at WJM.

The leaves in Mary's window backdrop are looking pretty vivid for September as she's trying to choose an outfit for her interview. When Rhoda learns that it's with Mark Williams, she cautions her about him by reading his scathing review of Sesame Street. At work, Murray tries to convince Mary to tell Lou about it, and her hand is forced when it looks like a jealous Ted is going to spill the beans. Lou makes his disapproval of Williams known, warning Mary that he'll twist anything she says against her. At the restaurant, Williams (Peter Haskell, who looks kind of like a Peter Graves cosplayer) finds that his tape recorder needs batteries, so he has Mary transcribe her own interview in shorthand. He then effectively offers to give Mary a positive write-up if she'll agree to see him again. Ted shows up to horn in and try to make himself the subject of the interview, so Williams has him speak into the nonfunctioning tape recorder.

Rhoda comes knocking pre-dawn with the paper to read the interview with Mary, which raves about Mary but paints Lou in a contrastingly negative light. Lou believes Mary's explanation of how things really went down, but Mary affirms that she's still going to see Williams that night. After an unseen date that we're told Ted crashed again, Williams rather bluntly asks about staying the night, Mary says no, Williams abruptly leaves, and Mary frets with Rhoda over whether she made the right decision. Mark comes back when Mary's getting ready for bed, asks her is she'll go out with him again, which Mary agrees to, and tries staying one more time, which Mary politely refuses.

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The Bob Newhart Show
"Tracy Grammar School, I'll Lick You Yet"
Originally aired September 23, 1972
Wiki said:
Bob tries to impress Emily's students, who find his job boring.

Emily recruits Howard to speak at career day for her third-grade class, and Bob wants to know why she doesn't ask him to fill her last slot. She doesn't think that the students will understand his job. The next day at work, Bob learns that Emily has gotten Jerry to take the last spot, and an argument ensues about which of them has the more kid-interesting job. Emily drops in to apologize for the night before, and at first Bob doesn't realize that she's talking about career day. She offers him the chance to appear, as another speaker has backed out. On the morning of career day, Bob feels threatened when he learns that Howard and Jerry are both bringing visual aids. Later at the school, Bob goes on after a fire chief (King Moody), loses the kids by talking about knowing themselves, and the chief ends up making an encore at the podium.

Feeling sore about bombing, Bob arranges to speak to the class again, which proves to be a less popular option than the math test he's replacing. He's interrupted by a fire drill, but after class resumes, he engages the kids with the visual aid that he brought this time--Rorschach cards!
BN01.jpg
I see a skull.

That evening, Emily nods off while Bob's congratulating himself for not being a boring speaker.

This episode features the brief first appearance of another recurring character at Bob's office, Dr. Bernie Tupperman (Larry Gelman), in a side gag about Carol getting a new coffee machine. Also, I just discovered that Patricia Smith will go on to play the scientist in TNG's "Unnatural Selection".

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Mission: Impossible
"Two Thousand"
Originally aired September 23, 1972
Wiki said:
A nuclear physicist (Vic Morrow) who stole 50 kg of plutonium to sell to foreign interests is made to believe that the United States was leveled by a nuclear holocaust and that he has been catatonic for 28 years. This episode is similar to the episodes "Operation Rogosh" and "Invasion".

Joseph Collins (Morrow) enters a seemingly abandoned residence to retrieve a briefcase full of cash, then take a call from a contact, whom he informs that the material is in the usual place. But the call is being bugged by conventional (though presumably federal) law enforcement agents.

The reel-to-reel tape taken from the back of a photographer's station wagon said:
Good morning, Mr. Phelps. Joseph Collins, a brilliant nuclear physicist, has stolen fifty kilograms of plutonium from his former employer, enough to construct a dozen Hiroshima-strength bombs. Collins has sold the plutonium to an unidentified foreign interest whose representative, a man named Haig, is to take delivery of it at noon the day after tomorrow. Conventional law enforcement agencies have been unable to identify Haig or to locate the plutonium. Your mission, Jim, should you decide to accept it, is to recover that plutonium before it leaves this country. This tape will self-destruct in five seconds. Good luck, Jim.
Another unlikely timetable for such a complex operation involving so many extras and repurposed real estate. Also, I don't think they needed the obligatory reference to conventional law enforcement for this case...while they have the cooperation of local authorities, this is more like the old disavowal by the secretary days.

Casey's in the episode, and Barney's sporting a 'stache! (I think Darren may have mentioned this.) In the briefing, Willy pronounces "cassette" as "KAH-set". The cassette in question plays news broadcasts about an intensifying situation in the Middle East through Collins's radio. IMFers stake out Collins's place while a lawyer named Max Bander (David White) calls from a payphone on the street to inform Collins that he's being watched, and to strongarm him into doing business with his clients (McMann & Tate?). Police Detective Willy knocks on Collins's door, accompanied by Detective Fred White (Don Diamond), to arrest Collins on suspicion of having murdered a man he's never heard of. Bander notes their license number.

Collins is taken downtown and tries to call his lawyer, Mr. Rogers, but the call is intercepted by Receptionist Casey. Meanwhile, Bander calls a vice squad lieutenant in his clients' pocket, C. A. Sager (Mark Tapscott), to find out what's going on with Collins. Sager learns from a policewoman (Marian Nichols) that the department doesn't have a car with that plate number. (Is this Nichelle's sister? IMDb has nothing on her, and it's her only credit. There is a resemblance, in both appearance and voice/delivery.) Collins is taken into an interrogation room where he can hear news broadcasts and is privy to a fake newspaper headline about the war breaking out. Sager drops a mic into a ventilation shaft to eavesdrop as the IMF fakes announcements of missiles heading for the West Coast and communications with Washington having been cut off, accompanied by air raid sirens and a mushroom cloud seen through a fake window. Collins is knocked out and taken to the next room to be worked on by Casey, and Sager hears Phelps drop the name of Bridgeton, the earthquake-ravaged town where the IMF will be simulating the post-apocalypse.

Sager plays his tape of what the mic picked up to Bander and a foreign man in dark shades, clueing them into the plot to fake a nuclear war. Collins is taken to Bridgeton, where he comes to finding himself aged a few decades (thanks to a temporary makeup job and some age-simulating drugs) and working on a ration-canning line with other scruffy-looking old men wearing numbered collars and overseen by armed military types. When Collins reacts to all of this, he's placed in a cell with Caribbean Barney, a fake prisoner of war. Graffiti on the walls includes dates from the 1980s and 1990s, and Barney informs Collins that he's of a class of survivors who were affected by being close to the nuclear blast 28 years ago, and that the state of war is still ongoing. Collins watches as the other men on the assembly line are taken into a gas chamber and executed. Then an air attack is faked, including actual explosions outside to shake the building...as Bander and a couple of men watch from a distance with a long-range listening device.

Barney and Collins escape through their busted cell door. Collins relieves a guard playing dead of his gun and tries to force Barney to cooperate with him. Barney informs Collins that his class of prisoners are executed at the age of 65, and that the number on his neck indicates his scheduled date of execution...which is in two days. Barney leads Collins outside, they're pursued by a couple of guards, and they duck into a building where they listen in outside a war room where General Phelps and a couple of other military types advise a suited civilian authority (Russ Conway--he's only listed as "Civilian," but I have to assume that this is supposed to be the president) about their dwindling options in the conflict. Barney and Collins are caught, and Collins pleads with Fake Bubba that he can be of use to them by building bombs with the weapons-grade plutonium that he stashed away 28 years ago. Phelps has Collins show them where it's located on a map, while at one point dramatically grabbing Collins's arm to prevent him from touching his face, as his disguise is visibly starting to self-destruct. At the location, Haig (Ivor Barry) already has a couple of men digging up the cannisters, only to get into a firefight with Bander and his men, who got there ahead of the IMFers. Jim, Barney, and Willy arrive armed to get the drop on everybody and take the plutonium. Back at the installation, Collins slips out of his cell again to find the place abandoned, including of its fake corpses. He steps outside, finds that his makeup job is wearing off, and laughs hysterically as a police car arrives for him.

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We heard his voice, so presumably he's running around in drag in the background somewhere.
I looked it up but couldn't find any indication that the announcer became Klinger. At any rate, the character hasn't been established yet.

Ah, that's nice.
Mac ribbed Malloy and Reed that if they weren't careful, they'd end up in Public Relations.

Actually, as I type this, I seem to remember that he actually had a variety show.
Dear lord, you're right...
Saturday Night Live with Howard Cosell - Wikipedia
 
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I think Darren may have mentioned this.

Yup. Greg Morris grew a mustache during the offseason and wore it for the first four episodes filmed. Since we're watching in airdate and not production order, Greg's mustache will appear and disappear with regularity.

Vic Morrow

"Vic never gave you the same take," the director (Leslie H. Martinson) remembers. "He was endlessly searching, and always feeling for the character." This led to the director pounding his fists against the wall and crying in frustration. Martinson never knew how Morrow felt until the final day of shooting. "When it was all over, Vic said, 'I gotta tell ya Gadg, thanks!'" "Gadg" was the nickname for director Elia Kazan, whom Morrow respected enormously. It was the actor's way of saying he really enjoyed the week.

Sager hears Phelps drop the name of Bridgeton, the earthquake-ravaged town where the IMF will be simulating the post-apocalypse.

The actual filming location was an earthquake-damaged hospital in Sylmar, California.

The reel-to-reel tape taken from the back of a photographer's station wagon said:

The model the photographer is shooting is an unbilled Joanna Cassidy (Blade Runner), who would go on to make two more appearances as an extra.

But the call is being bugged by conventional (though presumably federal) law enforcement agents.

The uncredited actor spying on Morrow in the teaser is Harold Jones, Greg Morris' stand in.
 
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I also recall him showing up on variety shows from time to time. Actually, as I type this, I seem to remember that he actually had a variety show.

Dear lord, you're right...

Which is why when "Saturday Night Live" started airing on NBC a few weeks after the premier of Cosell's, they would start with "Live from New York! It's 'Saturday Night'," as a way to distinguish themselves. Oddly enough, I just read the first few chapters of "Saturday Night Live. An Oral History" and Lorne Michaels and Dick Ebersol talk about how they thought Cosell's show would take away viewers from their upcoming show, then they watched a couple of episodes and realized they had nothing to worry about; and they were right, it was cancelled shortly thereafter.
 
Archie comes home with his shoes off because he stepped in a neighbor's dog poo on the porch.
Always pushing the boundaries....

Edith: No, that's right, Gloria. Your father was never much of a slobberer. He's more of a pecker.
And getting away with it. :rommie:

Burt Munson comes over to ask Archie to sign a receipt for the money Burt's been paying him
That's very informal. It probably was true, though, in those days.

The kids guilt Archie over cheating the government (which seems odd for anti-establishment types)
They're just being "contrary" (pronounced like "con-TRARE-ee"), as my Grandmother used to say. :rommie:

At the office, Archie coaches Edith about how he plans to pin the blame on her for losing paperwork.
What a rat. :rommie:

Archie tries to offer Turner free cab rides, then a pair of tires, and Turner decides to go easy on him for the bribery attempt by only auditing him for the three years that he's been driving the cab.
Who says the IRS is heartless?

When the Benji-type mutt shows up in the vehicle bay, Chet shoos the dog away, and the little critter is just too damn adorable about it. The station then gets a call for child trapped in an excavation site.
That's what Lassie was trying to tell you guys!

The other firemen hold Johnny's legs, lowering him in arms and head first.
Brrr. Claustrophobia. Where's Barney when you need him?

In another kinda squicky sign-o-the-times moment, Chet theorizes that maybe Boot takes objection to Johnny's Native American ethnicity
Chet is the Ed of Emergency!. :rommie:

a boy named Joey Parker (Tony Kelvin), who's gotten his head stuck out of a basement window while playing cowboy.
And he's rescued by an Indian. Take that, Chet!

At Rampart, there's some more stuck kid business
This episode is like an anthology of leftover B-plots.

Gentrys' attorney (Richard Jaeckel)
A popular character actor.

makes a case that the injuries could have been the result of other circumstances, such as skeletal deformities
What th--? I don't think that would fly even then, and could easily be disproven.

Chuck (in his first acting credit on IMDb)...
What? Where? :confused:

Chuck is secured in the stretcher and raised via the engine's cherry picker.
No! Leave him there! Leave him there!

It's a shame that Boot's gig was only episodic...this was too cute:
They should have adopted the abused kid, too, and then they could have had a kid and a dog in every episode, hanging around the station, being cute, causing shenanigans, and learning life lessons while showing how soft-hearted those guys really are.

reading his scathing review of Sesame Street.
They've got an openly Gay couple and a monster who teaches bad table manners!

At the restaurant, Williams (Peter Haskell, who looks kind of like a Peter Graves cosplayer) finds that his tape recorder needs batteries
Peter Graves cosplay fail!

so he has Mary transcribe her own interview in shorthand.
And, Mary being Mary, she agrees.

He then effectively offers to give Mary a positive write-up if she'll agree to see him again.
She agrees, but plans to wear a wire.

Mary affirms that she's still going to see Williams that night.
He must be a real hunk, after all that.

Williams rather bluntly asks about staying the night, Mary says no, Williams abruptly leaves, and Mary frets with Rhoda over whether she made the right decision.
Yep, real hunky. :rommie:

Bob wants to know why she doesn't ask him to fill her last slot.
Oh, yeah, this was a good one. :rommie:

Emily drops in to apologize for the night before, and at first Bob doesn't realize that she's talking about career day.
:rommie:

he engages the kids with the visual aid that he brought this time--Rorschach cards!
"Was Kovacs when closed eyes-- was Rorschach when opened them."

I see a skull.
I see a pretty butterfly-- with skull markings to discourage butterfly collectors.

That evening, Emily nods off while Bob's congratulating himself for not being a boring speaker.
Bob makes being boring a virtue. Which is probably why I relate to him. :rommie:

Also, I don't think they needed the obligatory reference to conventional law enforcement for this case...while they have the cooperation of local authorities, this is more like the old disavowal by the secretary days.
But they can't leave the country, else they'll violate the Prime Directive.

The cassette in question plays news broadcasts about an intensifying situation in the Middle East through Collins's radio.
Mission: Impossible is really losing steam at this point.

and to strongarm him into doing business with his clients (McMann & Tate?).
I thought I recognized that name.

Collins is taken downtown and tries to call his lawyer, Mr. Rogers
The most unexpected crossover of all!

(Is this Nichelle's sister? IMDb has nothing on her, and it's her only credit. There is a resemblance, in both appearance and voice/delivery.)
It is. She's the one who started that GoFundMe campaign when the elder abuse issues came up. But her name is different now, I think.

with Caribbean Barney, a fake prisoner of war.
The United States had a nuclear war with the Caribbean?

Graffiti on the walls includes dates from the 1980s and 1990s
"For a good time call Jenny 867-5309"

(Russ Conway--he's only listed as "Civilian," but I have to assume that this is supposed to be the president)
An IMFer should have been president. Or a nice cameo by Martin Landau maybe. :D

Back at the installation, Collins slips out of his cell again to find the place abandoned, including of its fake corpses. He steps outside, finds that his makeup job is wearing off, and laughs hysterically as a police car arrives for him.
Nice Zonish ending to a weak episode.

I looked it up but couldn't find any indication that the announcer became Klinger. At any rate, the character hasn't been established yet.
But... but... you said the camp announcer was Jamie Farr.

Mac ribbed Malloy and Reed that if they weren't careful, they'd end up in Public Relations.
Do-gooders. :rommie:

Yeah, that was ill advised. :rommie:

The actual filming location was an earthquake-damaged hospital in Sylmar, California.
They should have just had a standing Apocalypse set at this point.

The model the photographer is shooting is an unbilled Joanna Cassidy (Blade Runner), who would go on to make two more appearances as an extra.
Ah, that's interesting.
 
They're just being "contrary" (pronounced like "con-TRARE-ee"), as my Grandmother used to say. :rommie:
Sometimes it seems like they're just there to disagree with Archie, whether or not it makes sense for them.

Brrr. Claustrophobia. Where's Barney when you need him?
There's an idea for a crossover...Johnny risks life and limb to get to Barney, only to be met with a "No thanks, I'm good!"

Chet is the Ed of Emergency!. :rommie:
They seem to be kicking up his comic foil status.

This episode is like an anthology of leftover B-plots.
More of a theme episode, I think.

What? Where? :confused:
Ooh! Ooh! I see what you did there, Vincent...

No! Leave him there! Leave him there!
:evil: Harsh.

They should have adopted the abused kid, too, and then they could have had a kid and a dog in every episode, hanging around the station, being cute, causing shenanigans, and learning life lessons while showing how soft-hearted those guys really are.
Now we're getting a bit close to the only vaguely remembered Saturday cartoon version, I think. FWIW, the kid wasn't a bad actor, but the pooch was better.

They've got an openly Gay couple and a monster who teaches bad table manners!
And pipe smoking eating!

Peter Graves cosplay fail!
He used the self-destructing batteries.

Yep, real hunky. :rommie:
I thought it was interesting that they went there...she said no, but then debated whether she was "undersexed".

"Was Kovacs when closed eyes-- was Rorschach when opened them."
Hurm.

Bob makes being boring a virtue.
Insightful.

Mission: Impossible is really losing steam at this point.
It was repetitive, but a little more like the good ol' days to me.

It is. She's the one who started that GoFundMe campaign when the elder abuse issues came up. But her name is different now, I think.
Smothers, according to my search.

The United States had a nuclear war with the Caribbean?
Or he was just a mercenary, or it was an opportunistic faction, or something.

"For a good time call Jenny 867-5309"
Capped, of course.

They should have just had a standing Apocalypse set at this point.
I was facetiously theorizing that maybe the IMF is able to put these elaborate schemes into action so quickly because they've already got templates set up. So, for example, they've got an all-purpose post-apocalyptic scenario worked out, they just call in the actors and fill them in on the mission-specific details.
 
There's an idea for a crossover...Johnny risks life and limb to get to Barney, only to be met with a "No thanks, I'm good!"
Following which, Johnny is added to Jim's portfolio. I'm liking this. :rommie:

Ooh! Ooh! I see what you did there, Vincent...
Very impressive, Mr Mixer.

:D

Now we're getting a bit close to the only vaguely remembered Saturday cartoon version, I think. FWIW, the kid wasn't a bad actor, but the pooch was better.
Ah, I forgot about the cartoon. Did they have a kid?

And pipe smoking eating!
Now that they're on HBO, they probably have nudity. Too late for Maria, sadly.

I thought it was interesting that they went there...she said no, but then debated whether she was "undersexed".
Good for them, and good for them for getting away with it.

:D

Smothers, according to my search.
Now we have to figure out which one of the brothers that she married.

Or he was just a mercenary, or it was an opportunistic faction, or something.
"This episode is boring. Can I at least do an accent?"

Capped, of course.
:D

I was facetiously theorizing that maybe the IMF is able to put these elaborate schemes into action so quickly because they've already got templates set up. So, for example, they've got an all-purpose post-apocalyptic scenario worked out, they just call in the actors and fill them in on the mission-specific details.
"Sorry, Jim, we'll have to go to Plan B-- the Boston team has already reserved the Apocalypse Scenario for Thursday."
 
Following which, Johnny is added to Jim's portfolio. I'm liking this. :rommie:

I had another M:I crossover idea...

Khan: I will leave you as you left me...as you left her...marooned for all eternity in the center of a dead planet...buried alive...buried alive...!
Barney: AWWWWWWWWWESOOOOOOOMMMMME!!!!!!!!!!

Ah, I forgot about the cartoon. Did they have a kid?
Four of them, it seems, with their own van...
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As TREK_GOD warned us, IIRC, they were definitely ripping off Scooby-Doo. Not coming our way in 1973--I'll take live action Boot any day of the week, thanks.

Good for them, and good for them for getting away with it.
Feels like a step forward into the new, much less mainstream-prudish decade.

Now we have to figure out which one of the brothers that she married.
Neither, apparently, going by their own Wiki entries.
 
Khan: I will leave you as you left me...as you left her...marooned for all eternity in the center of a dead planet...buried alive...buried alive...!
Barney: AWWWWWWWWWESOOOOOOOMMMMME!!!!!!!!!!
:rommie: Some people come forward in time to save the whales, some come for the cozy asteroid caves.

As TREK_GOD warned us, IIRC, they were definitely ripping off Scooby-Doo. Not coming our way in 1973--I'll take live action Boot any day of the week, thanks.
That was mesmerizing, in a car accident kind of way.

Feels like a step forward into the new, much less mainstream-prudish decade.
Yeah, she was a trailblazer, but I didn't remember anything that straightforward.

Neither, apparently, going by their own Wiki entries.
Then that means.... there is a third Smothers brother!
 
50 Years Ago This Week

October 1
  • Publication of the first reports of the production of a recombinant DNA molecule marked the birth of modern molecular biology methodology.
  • At about 1:00 a.m. local time, off of the coast of South Vietnam, an explosion on board the USS Newport News killed 19 sailors and injured ten others.
  • Florida's new death penalty statute, the first to be passed in the United States since the U.S. Supreme Court decision that declared all existing capital punishment laws unconstitutional, went into effect.
  • The Oregon Minimum Deposit Law took effect, as Oregon became the first state to require a deposit on all beverage containers, including cans.
  • Alex Comfort's bestselling manual The Joy of Sex is published.
  • Died: Louis Leakey, 69, Kenyan anthropologist

October 3
  • The Anti-Ballistic Missile Treaty went into effect following ratification by both the United States and the Soviet Union, as did the Interim Agreement on Offensive Forces.

October 4
  • The abbreviation "Ms." was used for the first time in the Congressional Record, in reference to U.S. Representative Bella Abzug. The other eleven women in Congress, however, continued to be referred to as "Mrs."
  • The first ABC Afterschool Special was telecast. The anthology drama series for children, shown once a month on a Wednesday afternoon, addressed contemporary issues and ran until 1997.

October 5
  • In New York, the General Agreement on Participation was signed between the governments of oil exporters Saudi Arabia, Kuwait, Qatar and the United Arab Emirates on one side, and representatives of the petroleum producing corporations Exxon, Chevron, Texaco and Mobil. In return for a total of $500,000,000 a 25% interest in the Arab-American Company, Aramco, was sold by the oil companies to the four OPEC nations, with an objective of the national oil companies of each country acquiring a 51% ownership by 1983.


Selections from Billboard's Hot 100 for the week:
1. "Baby Don't Get Hooked on Me," Mac Davis
2. "Ben," Michael Jackson
3. "Back Stabbers," The O'Jays
4. "Everybody Plays the Fool," The Main Ingredient
5. "Go All the Way," Raspberries
6. "Use Me," Bill Withers
7. "Burning Love," Elvis Presley
8. "Black & White," Three Dog Night
9. "My Ding-a-Ling," Chuck Berry
10. "Popcorn," Hot Butter
11. "Play Me," Neil Diamond
12. "Nights in White Satin," The Moody Blues
13. "Saturday in the Park," Chicago
14. "Speak to the Sky," Rick Springfield
15. "Garden Party," Rick Nelson & The Stone Canyon Band
16. "Tight Rope," Leon Russell
17. "You Wear It Well," Rod Stewart
18. "Why" / "Lonely Boy", Donny Osmond
19. "Get on the Good Foot, Pt. 1," James Brown
20. "The City of New Orleans," Arlo Guthrie
21. "Freddie's Dead (Theme from 'Superfly')," Curtis Mayfield
22. "Beautiful Sunday," Daniel Boone
23. "Good Time Charlie's Got the Blues," Danny O'Keefe
24. "Listen to the Music," The Doobie Brothers
25. "Starting All Over Again," Mel & Tim

27. "Alone Again (Naturally)," Gilbert O'Sullivan
28. "Honky Cat," Elton John

30. "Witchy Woman," Eagles
31. "If I Could Reach You," The 5th Dimension
32. "Power of Love," Joe Simon
33. "I Can See Clearly Now," Johnny Nash
34. "Run to Me," Bee Gees

36. "Midnight Rider," Joe Cocker & The Chris Stainton Band

40. "I'll Be Around," The Spinners

43. "Spaceman," Nilsson
44. "I'd Love You to Want Me," Lobo
45. "From the Beginning," Emerson, Lake & Palmer
46. "I Am Woman," Helen Reddy

53. "For Emily, Whenever I May Find Her," Simon & Garfunkel

55. "Pop That Thang," The Isley Brothers

59. "Summer Breeze," Seals & Crofts
60. "All the Young Dudes," Mott the Hoople
61. "If You Don't Know Me by Now," Harold Melvin & The Blue Notes

65. "Rock 'n Roll Soul," Grand Funk Railroad

67. "Elected," Alice Cooper

80. "Rockin' Pneumonia--Boogie Woogie Flu," Johnny Rivers


83. "Funny Face," Donna Fargo


Leaving the chart:
  • "Brandy (You're a Fine Girl)," Looking Glass (16 weeks)
  • "The Guitar Man," Bread (10 weeks)
  • "Keep On Running," Stevie Wonder (3 weeks)
  • "Long Cool Woman (in a Black Dress)," The Hollies (15 weeks)
  • "Rock and Roll, Part 2," Gary Glitter (11 weeks)

New on the chart:

"Elected," Alice Cooper
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(#26 US; #4 UK)

"Rockin' Pneumonia--Boogie Woogie Flu," Johnny Rivers
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(#6 US)


And new on the boob tube:
  • M*A*S*H, "Requiem for a Lightweight"
  • Rowan & Martin's Laugh-In, Season 6, episode 4
  • Hawaii Five-O, "Pig in a Blanket"
  • Adam-12, "Lost and Found"
  • The Brady Bunch, "The Tiki Caves"
  • The Odd Couple, "The Pen Is Mightier Than the Pencil"
  • Love, American Style, "Love and the Girlish Groom / Love and the New You / Love and the Oldlyweds / Love and the Wishing Star"
  • All in the Family, "Gloria and the Riddle"
  • Emergency!, "Virus"
  • The Mary Tyler Moore Show, "Enter Rhoda's Parents"
  • The Bob Newhart Show, "Mom, I L-L-Love You"
  • Mission: Impossible, "Leona"

_______

Timeline entries are quoted from the Wiki pages for the month and year.

_______

That was mesmerizing, in a car accident kind of way.
I only watched the first few minutes, to get the gist of the format. Maybe I'll watch it through when its time comes, should I remember.
 
The first ABC Afterschool Special was telecast. The anthology drama series for children, shown once a month on a Wednesday afternoon, addressed contemporary issues and ran until 1997.

Remember those. They would occasionally be shown in elementary school as well.

"Elected," Alice Cooper

Don't hear this one much on the radio, except when they're doing "Classic Rock" countdowns.

"Rockin' Pneumonia--Boogie Woogie Flu," Johnny Rivers

Good song that's almost completely disappeared from the radio.
 
Publication of the first reports of the production of a recombinant DNA molecule marked the birth of modern molecular biology methodology.
And, man, has a lot happened since then.

Alex Comfort's bestselling manual The Joy of Sex is published.
A seminal work.

Died: Louis Leakey, 69, Kenyan anthropologist
A legendary researcher, synonymous with Olduvia Gorge.

"Elected," Alice Cooper
I forgot about this. Good one. :rommie:

"Rockin' Pneumonia--Boogie Woogie Flu," Johnny Rivers
I didn't forget about this. Classic.

I only watched the first few minutes, to get the gist of the format. Maybe I'll watch it through when its time comes, should I remember.
Actually, I only lasted about five minutes. :rommie:
 
_______

50th Anniversary Viewing (Part 1)

_______

M*A*S*H
"To Market, to Market"
Originally aired September 24, 1972
Wiki said:
Hawkeye and Trapper get into black marketing for medical supplies and offer Henry's antique oak desk as payment, after the supplies are hijacked.

Hawkeye and Trapper are operating on a two-star general when they discover that they're out of hydrocortisone, which they learn is due to shipments being stolen by black marketeers. After Blake proves ineffective in pressing the issue with General Hammond on the phone, Radar gives the guys the name of Charlie Lee, the biggest operator in Seoul. They go into town to look for him, their Jeep quickly getting stripped. When they find Lee (Jack Soo), he offers to let them buy the shipment back if they can come up with more than the buyer he's lined up is offering. Leaning over Lee's modest desk, Hawkeye comes up with the idea of offering him Blake's newly acquired antique oak desk in trade.

Lee visits Blake disguised as a general to assess the merchandise, and Burns has a run-in with his driver, Lin (Robert Ito), who tries to sell him a watch. Sneaking into Blake's office by night, Hawkeye and Trapper have to hide when Burns and Hot Lips run into each other while checking the place and start to get romantic, then lock the office from the outside and leave. The guys have to call Radar, who has trouble with the lock and goes to try to persuade Lin to stay, which draws a suspicious Frank's attention. While this is going on, the guys manage to get the back wall of the office shed down and carry the desk out, but to keep Burns from spotting it, cover it and use it as a prayer altar, but miss the truck. Burns wakes Blake up to alert him to the presence of black marketeers on the base, and Blake goes to check his liquor supply, only belatedly noticing the absence of his desk, and then his wall. Outside, he watches as a helicopter flies his desk away, having no idea why.

Lee returns to the base disguised as an enlisted man to deliver the hydrocortisone and is recognized by Blake, but plays it as a case of "we all look alike".

_______

Rowan & Martin's Laugh-In
Season 6, episode 3
Originally aired September 25, 1972
The Wiki list of guest appearances said:
William Conrad, Bob Crane, Nanette Fabray, Henry Mancini, Alexis Smith, Cecil Smith

I think I found the right episode. Shout!Factory has them in a different order than the one that Wiki and IMDb agree to, which also lines up with the preview in the previous episode.

Conrad appears in the intro and intermittently throughout the episode as superhero Captain Amazing. Nanette Fabray tells jokes in sign language.

The cocktail party:
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Edith Ann about playing in the street.

Laugh-In Salutes the Press:
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Conrad appears as Frank Cannon in the Farkel sketch, which continues the storyline of the previous one.

Dan, Dick, and Conrad as spies:
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The news segment:
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_______

Hawaii Five-O
"You Don't Have to Kill to Get Rich--But It Helps."
Originally aired September 26, 1972
Wiki said:
A series of deaths of well-to-do businessmen gets Five-O involved in the investigation of a lucrative blackmail operation.

The episode opens with a corporate meeting led by William Speer (Ric Marlow), in which the board chooses their next blackmail victim, Wally Schuster (Bill Edwards). An attractive girl flirts with Schuster at a pool, following which we cut to him being approached in his room by Larry Toba (Tom Fujiwara), who offers him "insurance". Meanwhile, Five-O gets an inquiry from Atlanta about a girl found in photographs of a mainlander who committed suicide in what is believed to have been a case of blackmail. McGarrett connects it to another mainlander suicide, in which photographs of what proves to be the same girl were found. Ben questions a madame named Dollie (Jorie Remus), who tried unsuccessfully to recruit the woman, indicating that she'd found a high-paying job. Elsewhere, Schuster recruits the help of old Starfleet Army buddy and private dick Sam Tolliver (The Shat!...doing a spotty attempt at a Texas accent that often veers into a Southern drawl), who assumes the alias Arthur Jackson and sets himself up as another target, which gets him approached by a couple of attractive young ladies at the hotel pool.

Five-O finds that the girl in the pictures was found weighed down in the drink, with the murder having happened around the same time as the Atlanta inquiry. They speculate that she must have been involved in a big operation that her employers got the information so fast, and that said employers had access to intelligence that allowed them to select wealthy victims. This causes them to look into local companies that use Telex. Meanwhile, "Mr. Jackson" is approached by Larry about the insurance policy--$1,000 a month for life. In his room, Tolliver pulls a gun on Larry and reveals the video camera he had set up, presses him for the name of his organization and its boss--which are divulged as Veritex and Speer, whom Toba is then made to arrange a meeting with. Without divulging his true name, Tolliver asks for a 25% partnership in the company, making a pitch that he can increase their efficiency.

Five-O finds a likely suspect in Veritex and its communications about wealthy businessmen, and McGarrett goes to D.A. Manicote for carte blanche to conduct surveillance. Speer consults his board regarding Jackson's motives and methods, and orders a fingerprint check. Five-O intercepts a communique about their research, identifying Jackson as a P.I. They then listen in as "Sam T." makes a coded call to hire a killer. The hitman Sam ends up meeting is Ben, who asks him questions about his operation. Sam describes what he's onto, and how he wants Speer's negatives so he can take over the business...as the rest of the Five-Oers listen in.

Sam and Ben sneak into Speer's obligatory seaside estate in the morning, where Tolliver quickly locates the safe and they find Speers lying calmly awake on his bed, waiting for them. He addresses Sam by his real name and encourages him to call his hom in Dallas, upon which Sam's wife tells him that she and the boys are being held at gunpoint by a couple of men. Speer wants the film, and summons his houseboy to take Sam back to his hotel. The houseboy pulls a gun on Ben, identifying him as a member of Five-O and exposing his wire, which Speer then uses to negotiate a getaway via sea. Speer walks out to the beach with his hostages, and finds himself surrounded by Five-O...including Duke, who's manning the launch to his yacht. Steve has Danno call the Dallas police about Sam's family, and orders Ben to book Tolliver.

_______

Adam-12
"Airdrop"
Originally aired September 27, 1972
Wiki said:
Malloy and Reed are patrolling the outskirts of Los Angeles when a girl on horseback alerts them to a small plane that landed in a secluded area. When the officers investigate, they see a pickup truck fleeing and the plane trying to take off; though they stop the plane, they have no proof the pilot did anything. Malloy and Reed later learn from the DEA that a Mexican cartel is behind the landings, with the pilot instructed to play dumb if caught. The officers find the pilot and trace the pickup truck's location, and the truck is followed to the landing site, where the smuggler and the pilot are arrested.

On patrol in the dusty hills, the officers are flagged down by a teenage girl on horseback named Teri Daner (Cindy Eilbacher). She leads them to a dirt road from which they can see an airplane that has landed to make a rendezvous with a Jeep. When they have trouble calling backup, the officers rush in. The Jeep flees, and the officers chase down the plane, which initially tries to take off, then stops for them. The pilot, Paul Stocker (The Godfather's substitute Frank, singer Al Martino), plays it cool, claiming that he was having engine trouble, met the guy in the Jeep by happenstance, and didn't see them when he was speeding down the makeshift runway. A search of the rental plane turns up nothing but a walkie talkie, so the officers let him go and he takes off.

The officers have a rendezvous of their own, with detectives Sgt. Jesse Marco (Ned Romero) and Cole Edwards (Chuck Bowman). Marco advises that there's a new rash of amateur drop men; that the rental plane gives the pilot plausible deniability regarding anything found in it; and that the officers have to catch him actually moving the goods. Back on the dusty trail, the officers chase down a pickup truck that's being driven very erratically. Eventually it pulls over and the driver (Michael Richardson) stumbles out, clearly very much under the influence of something. Reed looks in the truck to find...

Malloy: Reds and muscatel. Can't you find a faster way to kill yourself?​

After taking him in, the officers get a Code Seven approved because it's a working lunch at the diner of the small airport that Stocker uses. After Malloy regrets turning down the goulash recommended by a flirty waitress (Joan Staley), the officers spot Stocker being dropped off. He comes in, sees them, and sits down at their table, trying to play friendly, but is rebuffed by the officers and Jenny. A check on the car's plate turns up a muffler shop where they see the Jeep parked. The detectives dig up that the shop belongs to a convicted narcotics carrier, and plan with the officers to catch Stocker when he returns from his latest trip south of the border.

The detectives tail the Jeep and keep Adam-12 apprised via radio. When it goes offroad, Marco and Edwards take Malloy and Reed in their car to where another detective unit has the Jeep staked out from a position of concealment. Once the plane has landed, Marco calls in Air-10, and they and the detective units swoop in to catch Stocker and the driver red-handed, carrying the cargo from the plane to the Jeep.

_______

The Brady Bunch
"Pass the Tabu"
Originally aired September 29, 1972

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Now we come to the awkwardness of picking up on the new season with part two of a trilogy. Last week...
Wiki said:
Mike is sent to Hawaii to check on a construction project, and his firm allows him to take the family and Alice along. The family then enjoys a tour of Hawaii before Mike visits the jobsite. When Bobby joins his father on the tour of the construction project, he stumbles upon an ancient tiki; which, according to an old Hawaiian legend, brings bad luck to anyone who touches it. The Brady boys laugh at the curse and blow it off as superstition, but then start to think differently when Greg has a surfing accident. During their sightseeing tour of Hawaii, the Bradys learn about the history of Pearl Harbor, and Cindy is pleased to have legendary Hawaiian crooner Don Ho and Sam Kapu serenade her.

Guest Stars: David "Lippy" Espinda as Mr. Hanalei, Patrick Adiarte as David, Don Ho as himself
Way to go skipping that one, Paramount Plus. This week...
The tiki apparently brings continued bad luck to the family: Greg is reeling from his surfing crash, a wall ornament hanging in the boys' hotel room falls and nearly hits Bobby, and a tarantula finds its way into their room and nearly bites Peter. Bobby tries to get rid of the tiki, but it is returned to him by an unknowing Jan. The boys then learn that the idol must be discarded at an ancient burial ground in order for the curse to be removed.

The episode opens with Greg having his accident, apparently in a continuation from last week. This leads into a recap narrated by what sounds like the self-destructing voice of M:I's Bob Johnson. Apparently the wall ornament incident happened last week, as did Alice hurting her back at a hula lesson. Greg bounces back quickly, trying to pick up a blonde named Mandy (Cris Callow) on the beach, only for his little brothers to pop up and cramp his style. The boys are skipping out on a family picnic where the ladies and girls go sightseeing and a tarantula crawls into Jan's bag. (IMDb notes that this species isn't found in Hawaii...maybe it escaped from a pet shop.) Back on the beach, when the boys' local friend David sees the idol, he tells them that it's taboo and supposedly makes terrible things happen, though he doesn't take the superstition seriously.

That night at the hotel, the hairy little stowaway makes its way to Peter's bed while he's wearing the idol. (Christopher Knight's voice is in full croaking mode at this point.) Greg knocks it off his chest with a slipper and Mike (whose hair is now curlier than it is in the season's intro) calmly puts it in a bag. The parents try to convince the boys that it's all coincidence, but the boys are now taking the idol seriously. David refers them to Mr. Hanalei, an old man who advises that they have to take the idol back to the burial ground from which it was originally taken and place it in the tomb of the first king. The boys get off a sightseeing bus to head into the wilderness where the burial ground is located, and find a torchlit cave with a larger idol outside. They head in, and are silently followed by this season's Jim Backus, an uncredited Vincent Price...!

_______

The Odd Couple
"The Princess"
Originally aired September 29, 1972
Paramount Plus said:
Oscar falls in love with a princess from a very small country whose royal portrait is being shot by Felix.

Felix, fussing over his shoot of Princess Lydia of Lichtenburg (Jean Simmons), slips into the darkroom accompanied by the princess's secretary, Miss Rykof (Peggy Rea), when Oscar drops in, looking and acting as slovenly as ever after a ball game in the park. He assumes that the princess is just another model and tries to come on to her. When a horrified Felix explains who she is, Oscar is so embarrassed that he won't eat for days.

The princess's chauffeur, Bruno, delivers an invitation for Felix to a royal tea, and Felix brings Oscar as his "date". Oscar dresses for the occasion, relatively speaking, and tries to apologize to the princess, who wipes a spot off his pants with a 300-year-old scarf and expresses an appreciation for his humorous charm. Oscar returns home late after taking the Princess to the Statue of Liberty, and tells Felix that she asked him to be her escort to a state dinner for a grand duchess.

Felix tries to coach Oscar on proper manners for such an occasion, and hires a barber and tailor (James Millhollin and Billy Sands) to make him more presentable. Felix attends the dinner as the date of Miss Rykof, who's been coming on to him. After the unseen party, the tux-wearing guys return the ladies to their suite. When Oscar learns that the princess is leaving the next day, he awkwardly proposes to her, and she has to let him down gently, explaining her long-term engagement to an Iranian prince she's never met. She mock-knights Oscar, having actually knighted a wino on their earlier date.

There's a brief and awkward attempt at AITF-style stereotype-challenging humor when a Nigerian diplomat attending the tea, after hearing a story told by Oscar, doesn't know what a watermelon is.

_______

Love, American Style
"Love and the Lucky Couple / Love and the Mail Room / Love and the New Act / Love and the Overnight Guests"
Originally aired September 29, 1972

"Love and the Lucky Couple" opens with New Yorker Harry Millman (Harvey Lembeck) bringing Debbie (Arlene Golonka), a bubbly girl he picked up at a bar, to Miami's Hospitality Lodge. Before they get comfortable in their brass-bedded suite, the management (including G. Wood and William Bakewell) and photographers (including Garrison True) are at the door to inform the couple that they're the lodge's millionth guests. Harry is less than enthusiastic about the publicity involved, but is incentivized to come to some sort of arrangement by the $10,000 prize. He reveals that he's married as a threat of bad press for the hotel, but a scandalized Debbie doesn't want to share the prize, so they have to try to recreate who entered the room first, ending with Debbie winning by threatening to expose Harry to his wife. Once Debbie's gone, said wife, Lucille (Doris Singleton), shows up unexpectedly, suspicious of what Harry's up to on his trips. She's been informed by a desk clerk that her husband won $10,000, so Harry has to bite his tongue and agree to buy her a $9,200 mink coat.

In "Love and the Mail Room," Indiana post office night clerk Wilbur (Michael Burns) hears sneezing coming from one of the packages. The allergy-prone young woman inside has a hard time convincing him to let her out, as it's tampering with the mail. When he does, he finds Elaine (Susan Sennett), who was shipping herself to Cleveland with a picnic basket and thermos among her belongings. When she finds that she's been misdelivered, she wants to hit the road, but Wilbur isn't receptive to letting a package leave the facilities. Elaine finds Wilbur unreceptive to sweet talk, so she engages him in conversation and tries to convince him to expand his horizons beyond his dedication to postal regulations. When he's forced to admit that finding her is the most exciting thing that's ever happened to him, he finds himself ready to turn over a new leaf...agreeing at her prompting to destroy a bundle of junk mail addressed to "Occupant". The two then get in the box together to ship themselves to Aspen.

"Love and the Overnight Guests" stars an old friend...our favorite rageaholic...an actor who makes other guests find an alternate color for envy:
LAS06.jpg
His character, Kenny Frasier, is watching the home of his sister, Gloria (Patricia Wilson), and her husband and son (Robert Casper and soon-to-be infamous Brady cousin Robbie Rist) while they go on vacation. Gloria is concerned about her little brother's swinging lifestyle, trying to convince him to settle down, and he teases that maybe the dancer (stripper) he's having over will be the one. Once Kenny has fixed Nikki (Gunilla Hutton) a drink and gotten her past some obligatory conversation, the two are just starting to get warmed up when they hear light knocking at the door. It turns out to be two of his nephew Brian's friends, Mark and Ricky (Christopher Martin and Jimmy Putman), pajama-clad and bearing bedding and stuffed animals, expecting a sleepover. When they're unable to provide useful contact information for their mother, Kenny agrees to letting them stay, hoping to get them to bed early enough that he and Nikki can get on with their plans. But the brothers prove to be more high maintenance than expected, ultimately causing Nikki to walk out in frustration. Kenny settles in with his remaining guests, exchanging child-level riddles, when their mother, Julie Appleton (Susan Stafford), arrives, having been called by Gloria. She's grateful to Kenny for taking care of the boys, and when he learns that they don't have a daddy anymore, Kenny agrees to let the boys visit with their mother the next day.

_______

Don't hear this one much on the radio, except when they're doing "Classic Rock" countdowns.
I forgot about this. Good one. :rommie:.
Cooper seems to have a season-themed single thing going on at this point. I wasn't familiar with it, but will add it to the list of recent singles I haven't gotten around to getting.

DarrenTR1970 said:
Good song that's almost completely disappeared from the radio.
RJDiogenes said:
I didn't forget about this. Classic.
Rivers is following his old default formula of getting hit singles out of covers...in this case, of a song co-written and originally released by Huey "Piano" Smith in 1957.
 
Last edited:
his driver, Lin (Robert Ito)
Sam from Quincy-- the TV show, not the City of Presidents.

Blake goes to check his liquor supply, only belatedly noticing the absence of his desk, and then his wall. Outside, he watches as a helicopter flies his desk away, having no idea why.
This episode is a good example of why I like the later episodes better. Not that this was bad, but the show it became was far better than the show it started out as.

Conrad appears in the intro and intermittently throughout the episode as superhero Captain Amazing.
He doesn't seem to do very well with live comedy.

Dan, Dick, and Conrad as spies:
This was a good bit. :rommie:

"You Don't Have to Kill to Get Rich--But It Helps."
This show is all over the place with their titles. :rommie:

Sam Tolliver (The Shat!...doing a spotty attempt at a Texas accent that often veers into a Southern drawl)
A backdoor pilot? Maybe not, considering the ending.

who assumes the alias Arthur Jackson and sets himself up as another target, which gets him approached by a couple of attractive young ladies at the hotel pool.
* Takes notes *

"Mr. Jackson" is approached by Larry about the insurance policy--$1,000 a month for life.
I really can't stand these life insurance salesmen.

Steve has Danno call the Dallas police about Sam's family
Hopefully that went well.

and orders Ben to book Tolliver.
So it's established that Shat was really trying to take over the business rather than playing some scheme? It seems odd that a Texas PI would want to singlehandedly take over a Hawaii-based corporate operation, after being hired by an old friend-- who doesn't seem to have been seen again in the episode.

She leads them to a dirt road from which they can see an airplane that has landed to make a rendezvous with a Jeep.
What made her flag them down? Did she realize they were smugglers?

When they have trouble calling backup, the officers rush in.
Sure, everybody else gets their Code Seven!

Marco advises that there's a new rash of amateur drop men
Definitely amateur, considering how it works out. :rommie:

Malloy: Reds and muscatel. Can't you find a faster way to kill yourself?
I think he was trying when they pulled him over.

A check on the car's plate turns up a muffler shop where they see the Jeep parked. The detectives dig up that the shop belongs to a convicted narcotics carrier
Yep. Amateur Hour.

When it goes offroad, Marco and Edwards take Malloy and Reed in their car to where another detective unit has the Jeep staked out from a position of concealment.
Once again I question the authenticity of uniformed officers being involved to this degree once the detectives take over. :rommie:

Greg bounces back quickly, trying to pick up a blonde named Mandy (Cris Callow) on the beach, only for his little brothers to pop up and cramp his style.
Greg needs lessons from Uncle Mike on how useful little kids are as wingmen. :rommie:

(IMDb notes that this species isn't found in Hawaii...maybe it escaped from a pet shop.)
Or an assassin is targeting the Brady kids-- better get Five-0 in on this.

Greg knocks it off his chest with a slipper and Mike (whose hair is now curlier than it is in the season's intro) calmly puts it in a bag.
Almost as if... he expected it to be there.

The parents try to convince the boys that it's all coincidence
And mutter something about six damn kids always getting into mischief and they just can't take it anymore.

They head in, and are silently followed by this season's Jim Backus, an uncredited Vincent Price...!
Certainly a man who needs no introduction. :D

When a horrified Felix explains who she is, Oscar is so embarrassed that he won't eat for days.
Loss of appetite. Foreshadowing.

and expresses an appreciation for his humorous charm.
This is believable. Jack Klugman could charm anybody. :rommie:

When Oscar learns that the princess is leaving the next day, he awkwardly proposes to her, and she has to let him down gently, explaining her long-term engagement to an Iranian prince she's never met.
I think every single princess who ever attracted an American commoner has used this excuse. :rommie:

She mock-knights Oscar, having actually knighted a wino on their earlier date.
Now just a minute-- she knights a wino and mocks Oscar? Good riddance to her! :mad:

There's a brief and awkward attempt at AITF-style stereotype-challenging humor when a Nigerian diplomat attending the tea, after hearing a story told by Oscar, doesn't know what a watermelon is.
Eh, sounds like a nice bit for 72.

She's been informed by a desk clerk that her husband won $10,000, so Harry has to bite his tongue and agree to buy her a $9,200 mink coat.
Mild justice for an unsympathetic character.

he finds Elaine (Susan Sennett), who was shipping herself to Cleveland
You'd think it would be the other way around in those days. :rommie:

When he's forced to admit that finding her is the most exciting thing that's ever happened to him, he finds himself ready to turn over a new leaf...agreeing at her prompting to destroy a bundle of junk mail addressed to "Occupant". The two then get in the box together to ship themselves to Aspen.
Now this is the kind of LAS craziness I like to see.

"Love and the Overnight Guests" stars an old friend...our favorite rageaholic...an actor who makes other guests find an alternate color for envy:
A Laugh-In-worthy intro. :rommie:

She's grateful to Kenny for taking care of the boys, and when he learns that they don't have a daddy anymore, Kenny agrees to let the boys visit with their mother the next day.
And domestication triumphs for a comforting ending to this week's episode. :rommie:
 
Sam from Quincy-- the TV show, not the City of Presidents.
Had to look up the latter reference.

This episode is a good example of why I like the later episodes better. Not that this was bad, but the show it became was far better than the show it started out as.
I think I have a general idea, but how would you characterize the show that it became by comparison?

So it's established that Shat was really trying to take over the business rather than playing some scheme? It seems odd that a Texas PI would want to singlehandedly take over a Hawaii-based corporate operation, after being hired by an old friend-- who doesn't seem to have been seen again in the episode.
I wasn't sure myself what his game was earlier in the story. By the end, it was clear that he was a small-time opportunist who got in over his head.

What made her flag them down? Did she realize they were smugglers?
I guess she knew they were up to something shady.

Definitely amateur, considering how it works out. :rommie:
The amateur status in this case was more about them not having records.

Once again I question the authenticity of uniformed officers being involved to this degree once the detectives take over. :rommie:
Guess they don't mind the backup, particularly where there might be shooting.

Loss of appetite. Foreshadowing.
Eh?

I should note here that there was a gag in which Felix could tell that Oscar hadn't eaten because there was no food on his shirt. I didn't quote it because it seems like I quoted a similar gag in a previous episode.

Now just a minute-- she knights a wino and mocks Oscar? Good riddance to her! :mad:
The joke was that she'd used up her quota on the wino.

You'd think it would be the other way around in those days. :rommie:
Eh?

A Laugh-In-worthy intro. :rommie:
Thank you.

And domestication triumphs for a comforting ending to this week's episode. :rommie:
If it wasn't clear, there was a spark of attraction between the adults, of course.
 
Had to look up the latter reference.
It's where I actually live, as a matter of fact. :D

I think I have a general idea, but how would you characterize the show that it became by comparison?
More polished, less goofy or slapstick. More of a dramedy and definitely more biting. Deeper characterizations, and better (and more varied) characters-- every replacement character they brought in was a big improvement over their predecessor. Also, more innovative-- they did quite a few episodes that were pretty avant garde, or at least cinematically artistic, in the later years.

The amateur status in this case was more about them not having records.
I know, but, man, they were pretty pathetic. :rommie:

He was falling in love. Loss of appetite is a symptom, at least on sitcoms.

The joke was that she'd used up her quota on the wino.
Oh, okay. :rommie:

I mean it would be more likely that she would be leaving Cleveland than heading there, since it had kind of a bad reputation in those days and was often the butt of jokes. Rivers catching on fire, that sort of thing. The equivalent of Beautiful Downtown Burbank.
 
_______

50th Anniversary Viewing (Part 2)

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All in the Family
"The Threat"
Originally aired September 30, 1972
Wiki said:
Archie says his friend's wife flirted with him during an overnight visit.

The Bunkers are expecting a visit from the wife of Archie's old Air Force buddy Sgt. Loomis, a.k.a. the Duke, with whom he served in Italy. When Bobbi Jo (Gloria LeRoy) shows up, she's not the wife Archie was expecting, and gives Archie a big kiss from the Duke, whom she's en route to see in Europe. Archie tries to cover things up when she's happy to share second-hand stories of Archie's saucy exploits with Duke. When Bobbi Jo takes off her coat, Archie and Mike are both struck speechless; and Archie finds himself distracted when he's looking over an old photo album with her. She tells the story of how she had a similar effect on Duke when he met her serving as a waitress in Florida.

When Mike and Gloria watch dumbfounded at how the extroverted Bobbi Jo says goodnight to Archie, and the effect it has on him, Archie takes them in the kitchen and tries to convince them that she made a pass at him. Edith comes downstairs and overhears this, then goes back up to the room that she's sharing with their guest and--on the verge of tears for having to do it--tells Bobbi Jo that she needs to leave, hinting as to why. When Archie finds out about this, he's afraid of what Bobbi Jo will tell Duke and takes Edith into the kitchen to try to explain it to her. While Edith is very understanding for what she understands, when they go back out into the living room, Bobbi Jo has left. In the coda, Archie tries to convince himself that maybe the Duke wasn't all he was cracked up to be.

_______

Emergency!
"Show Biz"
Originally aired September 30, 1972
Wiki said:
John is excited about a photo shoot involving female models. A country doctor (Henry Jones) helps aid a man trapped under a tractor when Rampart is out of radio range, then himself becomes a patient when he suffers a heart attack. Other rescues include a man drowning in a swimming pool and two stuntmen trapped in a waterfall at a movie studio. A woman is distraught about running over and killing a young girl; when her father shows up bullying Ms. McCall's nurses demanding to see the woman, Dr. Early informs him that the woman died of a brain hemorrhage.

Johnny is enthusiastically prepping the station for the expected models when Squad 51 gets a call for a man trapped in a ditch. A young hired hand (Joseph Kaufmann, I think) flags them down, and leads them by foot across unpaved terrain to where a man lies under a tractor that's fallen into a ditch. Finding that they can't get Rampart on the biophone, Johnny goes to ascend a ridge, after which an older man drives up in a station wagon and walks to the tractor with a medical bag, introducing himself to Roy as Dr. Alexander Knott (Henry Jones). Roy assists while the doctor treats the driver. Johnny returns from having made his call, and while the paramedics are trying to jack up the tractor, a patrolman drives up to help. When the tractor threatens to fall, the doctor tries to help hold it up and has a heart attack. The paramedics start treating him as an ambulance crew carries the tractor driver away.

At Rampart, Laura Crandall (Christine Dixon), a young car accident victim, is brought in. Johnny gets Rampart on the radio and Brackett overrules the willful Knott to have him brought in. Now conscious, the accident victim is distraught about having run onto a sidewalk and killed a little girl. Knott proves to be a difficult patient, wanting to get up and take care of his patient, the tractor driver, but Brackett politely keeps him in check. At the station, the ad agency man, Billy Zimmer (uncredited Jack DeLeon), decides to use Johnny in the shoot, and the others are teasing him about it when Squad 51 gets a call for a drowning. The address is a suburban home, so they go around back to find a pool, and pull out a woman, Mrs. Peever (Monica Lewis), who's trying to save her husband Albert, who was trying out a wetsuit and overweighted his belt. They revive him with oxygen, but he starts going into shock. When asked by Brackett, the paramedics learn that he was in a motorcycle accident recently and check his legs to find a severe contusion.

At Rampart, Knott is feeling better and wheeling himself around when a man is brought in with an unknown illness. Knott overhears his symptoms, confirms that the man works in an orchard, and diagnoses insecticide poisoning. Knott is shortly released, and the paramedics are called back to the station for the shoot. After Johnny primps himself in the bathroom, he's introduced to the two models, and Zimmer dresses him up with a coat and axe and positions him sitting on the side of the engine so that the girls can pose around him. After the shoot, the models have taken to Chet, but Engine 51 is called out, so Johnny takes his place with them on the couch. Knott returns to Rampart to check on the tractor driver, and has another attack while talking to Brackett. Evan Langford (Joseph Perry) storms into the hospital yelling at a nurse, demanding to see the woman who killed his daughter. Dixie informs him that Laura was cleared of wrongdoing in the accident, and Laura is brought out on a stretcher. Early informs Langford that she died of a brain hemorrhage. Nurse Carol Williams (Lillian Lehman) takes firm charge of the troublesome Knott, but he fiddles with his catheter and breaks it, and Early has to extract the piece in his arm.

Chet and Johnny are bickering about the models when Station 51 is called about a man trapped on a cliff at a movie studio. On the scene, a Western wagon teeters on the edge of a waterfall cliff with a stuntman pinned under it, while another stuntman nurses and injured leg at the top of the falls. The firemen hold the wagon with ropes while Roy climbs over it to free the man by breaking off part of the side. The stuntman is secured with a rope and they let the wagon tumble over. The man being in running water complicates treating him on the spot, so a movie studio crane arrives to lower him down to the ambulance in the Stokes.

At Rampart, Knott is being released again, and learns that Early has arranged a job for him as a doctor on a cruise ship, as an alternative to retirement. At the station, Zimmer tells Johnny that they'll have to redo the shoot with Roy, as the photos were rejected on the basis that Johnny didn't look like a fireman.

_______

The Mary Tyler Moore Show
"Who's in Charge Here?"
Originally aired September 30, 1972
Wiki said:
Lou's promotion to program manager leaves Murray in charge of the newsroom, a task for which he is totally unqualified.

During a chastising for not keeping Ted out of his office, Lou reveals to Mary that he's been promoted to program manager, a position that he's not sure he's going to be happy with. He has to name his own replacement, and thinking that he's considering her, Mary tells him that she's not interested in the job. Phyllis convinces her not to take herself out of the running on behalf of womankind, but when Mary returns to the office, Lou's already picked Murray...and, when pressed, admits that he wasn't considering Mary because she's a woman. Packing his things and moving upstairs, Lou seems out of his depth in a spacious office with a wet bar instead of a drawer to put his bottle in.

Phyllis is disappointed in Mary. Warming up to his new role, Lou expresses an interest in changing the programming lineup so that the news runs an hour earlier, and encourages Murray to leave his own mark on the program's format. The next day, Mary comes to work to find Lou back in his old office. He reveals that when he learned that the higher-ups had no intention of letting him exercise any actual control of the programming, he got them to fire him back into his old job.

Contrary to the Wiki description, Murray being unqualified never comes up. In what must have been meant as a sight gag, Lou's board of WJM's program schedule includes My Mother the Car reruns.

_______

The Bob Newhart Show
"Tennis, Emily?"
Originally aired September 30, 1972
Wiki said:
Bob is worried when a handsome, womanizing tennis pro (Peter Brown) praises Emily's beauty.

It's summer for the purposes of this episode, and Emily doesn't know what to do with all the time on her hands. At the office, Bob is tricked into a cleaning appointment with Jerry, where he tries to discuss what he thinks is a bigger issue with his and Emily's marriage through the instruments. But when Bob comes home, he learns that Emily's taking up tennis, having bought an outfit for it. She's also recommended Bob to her pro, Stan Conners (Brown), and when Stan shows up at the office, Carol goes gaga over him. It turns out that the main issue Stan wants to discuss with Bob is how hard it is to be incredibly good-looking, and how he's unable to turn down the women who throw themselves at him. On the subject of how many women he's been with...

Stan: I stopped counting when I was nineteen years old.
Bob: That's about the time I started counting.​

Stan insists that he doesn't feel that way about Emily, but then describes her as one of the most beautiful women he's ever seen.

Bob tries to discuss his issue about Stan with Emily, giving her the chance to put his fears to rest, but the answers that she gives about Stan aren't reassuring, nor is her assertion that she never went for good-looking, "obvious" guys. Bob and Carol throw a party that includes Jerry and Howard with their dates, Marci (Pat Lysinger) and Cheryl (Barbara Barnett), Carol, and Stan. The ladies all flock around Stan, and he takes Bob into the kitchen to declare that he can't be Bob's patient anymore, because Emily is coming on to him. Claiming that he's freed of confidentiality, Bob blurts this out to Emily when she comes in, and she insists to Stan that she loves her husband and wouldn't do anything to endanger their marriage. When he's alone with Stan again, Bob brings up other incidents in his history that were likely his imagination. Then Marci comes in and pretty blatantly throws herself at Stan, and Bob reassures Stan that this isn't one of those.

In the coda, Jerry basks in the attention of seven attractive women who are just waiting for Stan to come out of Bob's office.

_______

Mission: Impossible
"The Deal"
Originally aired September 30, 1972
Wiki said:
The IMF must find the key to a safety deposit box containing $5 million, which is earmarked to buy the Syndicate's way into a country's takeover.

The miniature reel-to-reel tape that Jim received as change for a $100 bill at a bank drive-up said:
Good afternoon, Mr. Phelps. General Oliver Hammond [Lloyd Bochner], British soldier of fortune who heads the armed forces of the Republic of Camagua, is about to take over the government, aided by Syndicate money. In return, Syndicate leader John Larson [Peter Leeds] and his Lieutenant, Charles Rogan [Robert Webber], will control all gambling and prostitution in Camagua. Rogan is bringing Hammond a five-million-dollar payoff in the form of a key to a safe-deposit box. We have not been able to locate that bank. Your assignment, should you accept it, is to get that key, which will identify the bank and lead to the bank access card, signed by both Rogan and Hammond himself. Publication of the Syndicate deal, backed by the proof in that safe-deposit box, will discredit Hammond and prevent Syndicate takeover of an entire nation. This tape will self-destruct in five seconds. Good luck, Jim!

We skip the traditional briefing to find Jim and Mimi conferring with Barney, who has a boat and crew disguised as working for the Republic of Camagua Detention Center. They get a call from Willy, who's working on Rogan's eventually arriving yacht while sneaking around and trying to find the key. Rogan, his henchman, Lawrence Chalmers (Robert Phillips), and Rogan's squeeze, Marcy Carpenter (recent Bond girl Lana Wood), accidentally pick up one of Willy's communications on a transistor radio, causing him to be shot while fleeing via the drink, as the other IMFers listen via their connection. The IMF boat, which Rogan thinks is Hammond's, makes a rendezvous with the yacht, only for Barney to board and place Rogan and his companions, as well as the yacht's captain, Arnold Sanders (former crusading publisher of the Daily Sentinel Van Williams), under arrest. On shore, Barney reads the charges, which lead the prisoners to believe that Hammond has been relieved of his rank over his intended coup attempt. Marcy is placed in a cell with Mimi, who claims to be Hammond's squeeze. The IMFers and their boat MPs search the prisoners' clothes and the yacht for the key, but turn up nothing, so they turn to a bug in the lock of Rogan's cell. The prisoners watch a post being prepared outside for a firing squad. Wounded Willy finally makes it to shore, to be found by a soldier.

Colonel Jim arrives at the jail to interrogate the prisoners, looking to obtain written confessions. Chalmers is taken away to be replaced by a guest agent wearing a mask of him (which we've been told was prepared by Casey before she left for her assignment), who's taken outside to the firing squad. The other prisoners watch as Fake Chalmers is shot with a tranquilizer rifle that leaves a fake blood spot. Marcy then overhears a tape of Mimi being brutally interrogated, while Mimi applies an appropriate makeup job for when she's returned to the cell, at which point she leads Marcy to believe that she and Barney have an escape plan in the works. Meanwhile, Hammond is searching for the yacht, and calls Larson. Hammond also conducts his own interrogation of the captured Willy, who gives false intel about Rogan skipping out to Trinidad. Larson arrives in Camagua and identifies Willy as an imposter. Willy indicates that this was part of Rogan's plan, and that the yacht may have changed course for Miami. Back at the prison, Jim reads Hammond's fake confession to the prisoners and informs them that Hammond's dead, then pronounces their sentences...Marcy getting prison time, the guys to be executed in the morning. Marcy tells Rogan about the escape plan, and Sanders is taken out and tied to the post with a hood on, to be mock-executed by a full firing squad and put in a brig with Chalmers, where he's surprised to come to. Rogan tries to cut a confession deal, but won't divulge where the key is, so he approaches Barney about the escape plan. Elsewhere, Hammond's men report that they've located the yacht at an abandoned US government maintenance depot from WWII.

An officer of Hammond's (Lee Paul) informs Willy that the yacht's been found, and Willy knocks him out and relieves him of his uniform. He gains access to a communications room, where he calls his buddies to inform them that the heat is on, and plans to rendezvous with them in the drink. Barney leads the faux escape attempt, with Rogan disguised as a guard. Planning to use the money in the box as payment, Rogan takes Barney to where the key is hidden in the yacht, revealing that it's plastic, which explains how it escaped Barney's metal detector. Barney knocks Rogan out and gets on the IMF boat, which picks up Willy. Back at the dock, Rogan comes to as Hammond and Larson arrive, leaving him with a lot of 'splainin' to do...

The fake officer who's apparently in command of the IMF boat is future Breakfast Club principal Paul Gleason.

_______

More polished, less goofy or slapstick. More of a dramedy and definitely more biting. Deeper characterizations, and better (and more varied) characters-- every replacement character they brought in was a big improvement over their predecessor. Also, more innovative-- they did quite a few episodes that were pretty avant garde, or at least cinematically artistic, in the later years.
That fits with what I knew of the show, and gives me a better idea of what to expect should I stick with it for its full 80-year run.

He was falling in love. Loss of appetite is a symptom, at least on sitcoms.
Ah, okay, and I can attest to that.

I mean it would be more likely that she would be leaving Cleveland than heading there, since it had kind of a bad reputation in those days and was often the butt of jokes. Rivers catching on fire, that sort of thing. The equivalent of Beautiful Downtown Burbank.
The point was that she'd found an innovatively cheap way to travel; I don't think she said what she was traveling for. I do find it highly unlikely that two people could be lugged around in a cardboard box without the bottom breaking open.
 
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Marcy Carpenter (recent Bond girl Lana Wood), accidentally pick up one of Willy's communications on a transistor radio, causing him to be shot while fleeing via the drink,

Wounded Willy finally makes it to shore, to be found by a soldier

The subplot involving Willy's shooting provided some peril for both Willy and the actor portraying him, as Peter Lupus was a near-fatality while out at sea. "They had Navy sharpshooters with us in case of sharks," Loop remembers. Just before he was to dive off the yacht to avoid Rogan's gunfire, Lupus waved off stunt men who wanted to douse him with buckets of freezing water. "I had to dive in, stay deep, and get pretty far away from the boat. Well, I dove in too deep and the water was freezing! It was one of the most horrible experiences you'll ever know. It felt like somebody had a vice on my chest and I could not breathe. When I got my head above the surface I couldn't breathe in or out, and my muscles were frozen." Pete realized that the bucket-toting stuntmen wanted to get him used to the shock of cold water before he plunged into the icy sea. A scuba-suited stuntman jumped in and saved Lupus' life. "When I got back to the boat," he adds, "I had a temperature and was seasick, and I'd never been seasick in my life. I'd already had a temperature and didn't know it. I just wasn't ready for it all, and thought I'd had it."
 
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