I don't disagree but I will add: At least where I lived, syndicated reruns in the '80s were in production order as well, so I was used to that before home video.
Yup, my market did too. I didn’t know it was production order, I just watched them.
I don't disagree but I will add: At least where I lived, syndicated reruns in the '80s were in production order as well, so I was used to that before home video.
Rotating ridges!...Just thirteen years later? What should we expect otherwise? Graying hair?
Timo Saloniemi
I was going to object to this, but you went on to answer your own question:There is literally no story advantage to having them in production order.
The thing is; people do like to watch several episodes or a whole season in one stretch, be that in one seating or over the course.We live in a binging culture, after all! The first half of season 1 especially saw massive changes in that regard, as the series found its footing. TOS is light by continuity by modern standards, but viewing the series in production order does bring out what is there.Because you get to see the uniforms in the sets and the characters evolve. But unless you’re watching the series in a marathon, it doesn’t make any difference.
Since we are talking about the evolution and development of the characters, this is more about worldbuilding than aesthetics. Although personally, I do like to see the changes in particular sets as time goes byThe reason why it makes any sense to people is purely aesthetic.
As much as a lot of fans seem to prefer a production order, you have to keep in mind that the only reason why it was released in production order on home-video initially, whether we are talking the video tapes, the laser discs or the initial DVDs, is because they weren’t in season box sets. They were put out in groups or say 10 volumes.
And even then, the term 'production order' is open to interpretation. For instance, whilst the majority of the production was complete, Balance of Terror has a partially original soundtrack, yet also borrows music from Conscience of The King for the episode titles.
I suspect those numbers were passed on in the syndication package some way (maybe on actual film cans originally?), as they were reflected in the rerun order Mr. Spook and I mentioned earlier.
C'mon Spook, don't leave us hanging!!!If Paramount handled it the same was as Fox did Voyage to the Bottom of the Sea, they sent out press kits for syndicated stations with episode information. The information would include the production numbers of each episode, cast, writer, director, and episode synopses. Maybe even highest ratings in certain markets and actor biographies (the Voyage press kit is extensive and a lot of fun for me). So using that info, your local stations could program them in production number order. I doubt anyone said "hey, this would ma
Fair point, but while "production" can refer to the entire process, in this instance it really just means "order of filming"And even then, the term 'production order' is open to interpretation. For instance, whilst the majority of the production was complete, Balance of Terror has a partially original soundtrack, yet also borrows music from Conscience of The King for the episode titles. Likewise, Corbomite Manuever borrows from Charlie X during the poker bluff. I suspect both these stories were held back as the special effects took longer, and so by the time all visual footage was ready, the library cues they were able to use had increased, since Charlie X and Conscience of the King had been fully completed by then.
C'mon Spook, don't leave us hanging!!!![]()
As to your earlier points: Yes it's personal preference on my part but the developmental moments are there nonetheless and will appeal to a certain section of fandom. If the rest of the viewers don't care about such things and will watch the episodes in any order, why NOT sell them in Production Order? Who is benefiting from Airdate Order?
It's the internet - nothing's ever really gone!Ha, sorry, I thought I erased that line!
Your points are all perfectly valid. TBH it's just annoying to have to constantly pop in and pop out my BluRays in order to view them in my preferred orderI’m really not disagreeing with you, I find watching them both ways to be beneficial: airdate to see how audiences experienced it for the first time and production to study the evolution of the program.
Your points are all perfectly valid. TBH it's just annoying to have to constantly pop in and pop out my BluRays in order to view them in my preferred order![]()
I must be honest - the BluRays are the first officially produced versions of the episodes I've ever owned! My VHS were taped off the TV, my DVDs were copies off a friend (hence I could put them in any order I pleased).You shoulda kept those two-episodes each DVDs from 1999-2001.![]()
It's funny...the one line cut from The Cage that would have been better suited left in, was when the Keeper talks of their race having a life span many times ours. He appears exactly the same in the Menagerie as he does the Cage.
If they can't reproduce (which was why they were trying to find a mating pair of Humans (although how creating a Human colony there would somehow revive the Talosian race is beyond me...); then yes the race is dying, (as in dying out). They could still live another 30 years, 100 years whatever; but without any further procreation, the race dies.
The episodes were assigned internal production codes with a sequential hyphenated number at the end: "Where No Man" was "-2", "Corbomite" was "-3" and so on through "-79" for "Turnabout Intruder". That is where we get what we think of as "production order." I suspect those numbers were passed on in the syndication package some way (maybe on actual film cans originally?), as they were reflected in the rerun order Mr. Spook and I mentioned earlier.
Wikipedia has articles on the TOS episodes with accounts of their production including the dates of filming.
Therefore your statement that we know the production order of TOS episodes from their production numbers is an oversimplification.
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