43.85% of Kansans -- 602,584 people -- voted
against the fascist candidate in 2020. Combine that with the 1,566,875 Kansans who did not vote in 2020, and you discover that a majority of Kansans -- 2,169,459 or 73.77% -- did
not support the fascist in 2020.
100% agreed.
Which is fair, but I don't think Superman should be that. At its heart, the Superman story is a moral power fantasy for children, and I think that fundamental core -- that Superman is a Good Person archetype -- should stay even as the events and characters around him evolve. Otherwise we're just robbing children of a story that should belong to them; one might as well try to do a grim-and-gritty Winnie the Pooh.
One of the things I love about
Captain America: The Winter Soldier is that Cap does not act as an agent of the status quo. He realizes that Hydra's infiltration proves you can't go home again; SHIELD has to be torn down and all of its secrets revealed to the public. You might as well entitle the movie
Captain America: The Wikileaks Soldier.
Nope. We want Superman to be a Lawful Good archetype whose overwhelming decency breaks down the mechanisms of corruption -- an agent of change who does not himself change, but inspires or forces the world around him to.
It's not ironic. It's just that I don't think the "no kill" rule is per se the issue -- I think it's generally a bad idea for Superman to kill because I think that version of morality is central to
that particular character. But killing or not killing is actually not the foundational question over how to depict a superhero who embodies a "Lawful Good"/wholesome archetype.
Similarly, you don't need the "no-kill" rule to do a dark-and-gritty superhero like Batman -- but, if you're doing Batman, you probably
should keep the "no-kill" rule because that rule speaks to his fundamental motivation (Bruce never wants anyone else to die, ever, after seeing his parents murdered).
On the other hand, finding a way for Superman to save lives against overwhelming odds in such a scenario might make for a really compelling action set-piece.
Well, I think the no-kill thing for Batman serves two functions. One, it's a plot device that rationalizes why the public and the Gotham government broadly accept Batman's methods (and, by extension, why we the audience should accept his methods); and two, again, it speaks to his fundamental motivation. There
are versions of Batman who kill, obviously, but the most compelling versions of Batman are the ones who are dead-set against ever killing anyone, ever, including the villains. Both because that so powerfully dramatizes his motivation -- to prevent anyone else from ever dying -- but also because it's a personality trait that can be mined for drama. How
does Bruce live with himself knowing that if he killed the Joker, future victims could be saved?