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Superman

Agreed--it should be about what works for the character in the world he inhabits, and for a very-integrated world like that of DC's, the silly, Weisinger type of characterization does not work. Further, the pro-1950s / Weisinger Superman people are at odds with late Silver Age readers--and DC's PTB--who reached that rational conclusion in the late 60s, where Superman was an active participant in titles (e.g. Justice League of America or guest spots in other titles) which were evolving into what readers wanted to see in their comics.

I should mention that despite my issues with the end of MoS, I do think that the Superman character is the closest we've seen to a comics version of Superman as he's been portrayed in the comics.

I do wish that we had been able to get another movie that made time for more of his supporting cast because he is part of a family that includes more than Lois and his mother. Jimmy and Perry are great friends to both Clark and Superman--and his friendship with Diana and Bruce are huge parts of all three characters. One of the only really great decisions of Bendis' run on Superman and Action comics was having Clark reveal who he was to the world--the way that Perry and Jimmy supported him rather than pull the angry because you never told me routine was emotional and truly moving.
 
Agreed--it should be about what works for the character in the world he inhabits, and for a very-integrated world like that of DC's, the silly, Weisinger type of characterization does not work. Further, the pro-1950s / Weisinger Superman people are at odds with late Silver Age readers--and DC's PTB--who reached that rational conclusion in the late 60s, where Superman was an active participant in titles (e.g. Justice League of America or guest spots in other titles) which were evolving into what readers wanted to see in their comics.



Well, in the 80s and 90s, Marvel live-action content was sparse, but the Lundgren Punisher (1989), Salinger Captain America (1990), or the Hasslehof Nick Fury: Agent of S.H.I.E.L.D. TV movie (1998) were still rightly perceived as terrible. Batman Begins (2005) was the seismic force / writing on the wall that certain older, misguided versions of comic book characters were not the way fans viewed their heroes / reflective of the comic book changes which had been taking place for over three decades at that point. Superman Returns--or rather Singer--learned nothing from those changes, instead, thinking the world wanted to pick up where Superman II left off, and despite the more "mature" themes in the film, it was still inhaling the fumes and approach of something that felt out of place less than a decade after its theatrical release.





That may be the case, but it does not mean it will work, or was the right decision, since LD is a send-up, which ST--as a concept--is not
Have you read The Wrong Earth?

https://www.amazon.com/Wrong-Earth-Vol-1/dp/0998044202

2 or three 6 issue volumes, and a few specials.

Pretend its DC, but its not DC.

Adam West's Batman and the Dark Knight Return's Batman switch places in each other universes, waging their on man war on crime using and dealing with drastically different rules.
 
One of the only really great decisions of Bendis' run on Superman and Action comics was having Clark reveal who he was to the world--the way that Perry and Jimmy supported him rather than pull the angry because you never told me routine was emotional and truly moving.
Perry's reaction was one of my favorite comics pages in recent memory.
 
Have you read The Wrong Earth?

https://www.amazon.com/Wrong-Earth-Vol-1/dp/0998044202

2 or three 6 issue volumes, and a few specials.

Pretend its DC, but its not DC.

Adam West's Batman and the Dark Knight Return's Batman switch places in each other universes, waging their on man war on crime using and dealing with drastically different rules.

I've heard of it, but I have not read it yet. From what I've heard about it, it would be similar to transporting the Weisinger / Reeves / Salkind's idea of Superman in the DCEU. Then again, the DCEU world would not press that Superman into relentlessly doing something he never had to (killing a villain) because its own Superman does not face the need to do that often.
 
I've heard of it, but I have not read it yet. From what I've heard about it, it would be similar to transporting the Weisinger / Reeves / Salkind's idea of Superman in the DCEU. Then again, the DCEU world would not press that Superman into relentlessly doing something he never had to (killing a villain) because its own Superman does not face the need to do that often.

If Lois dies, Superman starts making really bad decisions.
 
Just ran across this page on somebody's blog:
6f25d9c9f92a803627e577255cb58868371efceb.jpg

I know there are people who don't like Bendis, but by God I think he found a great voice for Clark, and I love basically everything about this scene. This is how I like to see Superman handle a threat: with compassion and openness, but with an undercurrent of steel ("... there are all kinds of characters just waiting ... who do not have my patience").

And the "Oh, #$@#$ that" makes me :lol:.
 
I was watching the Samaritan movie and I was thinking this would be a good idea for a Superman movie. Keep the idea that he was Superman back in the 30’s/40’s but later he just disappears, only to be in hiding as he has given up on humanity. Could make a good comic story.
 
I was watching the Samaritan movie and I was thinking this would be a good idea for a Superman movie. Keep the idea that he was Superman back in the 30’s/40’s but later he just disappears, only to be in hiding as he has given up on humanity. Could make a good comic story.

I would prefer something more akin to the story we got in the comics where the pre-New52 Lois and Clark had been hiding on the new Earth with Clark continuing his work in secret as the couple raised their son.
 
I know there are people who don't like Bendis, but by God I think he found a great voice for Clark, and I love basically everything about this scene. This is how I like to see Superman handle a threat: with compassion and openness, but with an undercurrent of steel ("... there are all kinds of characters just waiting ... who do not have my patience").
I like that panel a lot. I think it embodies what humanity is capable of if given the chance. Which is why I get so frustrated with the idea that Superman can't be dark. I want him to be dark and to chose the light and to be that model of improving oneself, willing to show the way to other people, beings like himself, and potentially inspire humanity to do the same.

I like this panel and am frustrated by how often I see humans go "Do better!" without any willingness to be patience enough to show how to do better.
I was watching the Samaritan movie and I was thinking this would be a good idea for a Superman movie. Keep the idea that he was Superman back in the 30’s/40’s but later he just disappears, only to be in hiding as he has given up on humanity. Could make a good comic story.
Could be interesting. I would be curious about such a story. Did you like Samaritan?

It has a very mythological style to the story which I appreciate and enjoy in a lot of stories.
 
If Lois dies, Superman starts making really bad decisions.

Usually because decades of Superman fiction has him use her as his gateway identifier / representation of his attempts to fit into human society, more than his being romantically involved with her. If she is killed by unnatural (read: criminal) means, he would lose his grip on his efforts to "play human", seeking harsh ways--across the board--to deal with the pain of his loss in a world populated by the kind of people who killed Lois.
 
I know you're making a joke, Guy, but I would like to add that the story behind the video game is designed to set up a scenario where Superman becomes a tyrant. It is a story set in its own world and doesn't really shed any light on who Superman has ever been in other media--apart from the odd Elseworlds story.
 
Usually because decades of Superman fiction has him use her as his gateway identifier / representation of his attempts to fit into human society, more than his being romantically involved with her. If she is killed by unnatural (read: criminal) means, he would lose his grip on his efforts to "play human", seeking harsh ways--across the board--to deal with the pain of his loss in a world populated by the kind of people who killed Lois.

His gateway to humanity are still his parents, his job, his friends and co-workers like Jimmy and Perry and his ability to help others and see the effects of that. He's grounded enough like a normal person to deal with tragedy like a normal person.

Lazy writers just hate normal people though.
 
So I rewatched Man of Steel the other night, and found myself liking it more than I feel like I ever have before. Not sure why. :shrug:

Maybe because I was experiencing the actual movie for the first time in several years, rather than reacting to the idea of it. Or maybe because I watched it on its own terms, without all the fannish noise that surrounds it.

Some of the movie's fans do it no favors with their obsessive fervor, particularly the tendency to denigrate other versions of the character -- and fans of those versions -- in order to herald their preferred take. (There's one prolific poster hereabouts who's especially guilty of this.) After a while, it becomes difficult to separate the film from its fandom.

OTOH, some of that rabid fervor comes from defensiveness, a feeling that Cavill's Superman, and themselves as fans, are constantly under unfair attack. Having delivered plenty of those attacks myself in the past, I get that the blame is by no means all on one side.

In the end, the movie is the movie, neither perfect nor pernicious. It's too bad that it's become so divisive, creating a culture in the fandom that seems to demand you're either for MoS, or you're against it. After my most recent viewing, I'm more inclined than ever to consider it just one more take on Superman among many -- which is all its less toxic fans have been saying all along.
 
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