Please, even superhero movies need at least a trace of real world logic and believability. Unless you'd prefer they all be as silly and cartoonish as the 1966 Batman movie (which was fun, but not exactly one of the better superhero movies ever made).
Santa Claus.
Kids are morons.
I don't see how it's pedantic to say that I'm confused by something. I just don't understand the logic of wanting to pretend that something that's clearly fictional is actually happening outside our doors somewhere. It puzzles me.
I don't see how it's pedantic to say that I'm confused by something. I just don't understand the logic of wanting to pretend that something that's clearly fictional is actually happening outside our doors somewhere. It puzzles me.
It might puzzle you, but the history of western fiction would seem to suggest it's a pretty normal human desire.
Sure, a trace, a bit, a little.
But it's a movie/show about a person with superpowers..... How effing logical can it all be? It's entertainment. I see enough realworld logic every day, all day. Let entertainment be silly sometimes and defy logic.
And yeah, for me one of the main appeals since I was a kid was imagining what it would be like to live in a world where these superheroes actually existed.
Sorry, I had no idea that was such a strange and bizarre fantasy to have [...]
So we know the Red Tornado will appear on the show.
Going back to the invention of the novel, plenty of works of fiction begin with prologues and frames intended to establish the story as something that "really" happened. Tom Jones, Robinson Crusoe, and so on. The nineteenth-century novel is dominated by realism, which is all about establishing the reality of the fiction. Modernism in the twentieth century is born out of a similar impulse. Almost all the early science fiction stories, including Frankenstein, do something similar; ones that take place in the future often have manuscripts somehow falling back in time to keep that veneer of "this will happen."
Obviously not every work does it, but it's pretty hard to argue that it's an unusual impulse that readers/viewers want to imagine that works of fiction take place in their world.
So we know the Red Tornado will appear on the show.
I'm not entirely sure, but if I had to guess I would think that means we'll see commercials for Flash/Arrow/DCLoT during episodes of Supergirl and vice-versa.Hmm, just saw this. Still no talk of storyline crossovers, but there will be "crossover promotions". Whatever that means.
http://www.ew.com/article/2015/08/10/cbs-edges-closer-supergirl-arrow-flash-crossover
Going back to the invention of the novel, plenty of works of fiction begin with prologues and frames intended to establish the story as something that "really" happened. Tom Jones, Robinson Crusoe, and so on. The nineteenth-century novel is dominated by realism, which is all about establishing the reality of the fiction. Modernism in the twentieth century is born out of a similar impulse. Almost all the early science fiction stories, including Frankenstein, do something similar; ones that take place in the future often have manuscripts somehow falling back in time to keep that veneer of "this will happen."
Obviously not every work does it, but it's pretty hard to argue that it's an unusual impulse that readers/viewers want to imagine that works of fiction take place in their world.
So we know the Red Tornado will appear on the show.
Red Tornado is not a Superman derivative character to my knowledge (unless you count what they did in Earth 2).
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